Popularity: 2 (history)
Director: | Tomm Moore |
---|---|
Writer: | Will Collins, Tomm Moore |
Staring: |
The story of the last Seal Child’s journey home. After their mother’s disappearance, Ben and Saoirse are sent to live with Granny in the city. When they resolve to return to their home by the sea, their journey becomes a race against time as they are drawn into a world Ben knows only from his mother’s folktales. But this is no bedtime story; these fairy folk have been in our world far too long. It soon becomes clear to Ben that Saoirse is the key to their survival. | |
Release Date: | Jun 23, 2014 |
---|---|
Director: | Tomm Moore |
Writer: | Will Collins, Tomm Moore |
Genres: | Animation, Family, Fantasy |
Keywords | fairy tale, lighthouse, folk music, lighthouse keeper , ireland, swimming, dog, seal (animal), irishman, folklore, selkie, irish music, underwater cave, irish folklore, irish |
Production Companies | StudioCanal, Haut et Court, Fís Éireann/Screen Ireland, Melusine Productions, WestEnd Films, Cartoon Saloon, Superprod Animation, Magellan Films, The Big Farm, Nørlum |
Box Office |
Revenue: $857,522
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
David Rawle | Ben (voice) |
Brendan Gleeson | Conor / Mac Lir (voice) |
Lisa Hannigan | Bronach (voice) |
Fionnula Flanagan | Granny / Macha (voice) |
Lucy O'Connell | Saoirse (voice) |
Jon Kenny | Ferry Dan / The Great Seanachaí (voice) |
Pat Shortt | Lug (voice) |
Colm Ó'Snodaigh | Mossy (voice) |
Liam Hourican | Spud / Bus Driver (voice) |
Kevin Swierszcz | Young Ben (voice) |
Will Collins | Additional Voices (voice) |
Paul Young | Additional Voices (voice) |
Name | Job |
---|---|
Katja Schumann | Production Manager |
Marc Umé | Software Engineer, Visual Effects Supervisor |
Garret Farrell | Recording Supervision |
Alessandra Sorrentino | Storyboard Designer, Animation |
Fabian Erlinghäuser | Animation Director, First Assistant Director |
Claus Toksvig Kjaer | Production Manager |
Darren T. Holmes | Editorial Coordinator |
Joshua Jason | Publicist |
Tod Polson | Thanks |
Sidonie Vidal | Background Designer |
Kila | Additional Music |
Michel Hick | Software Engineer |
Nostradine Benguezzou | Sound Re-Recording Mixer |
Virgile Bage | Animation |
Alfredo Cassano | Animation |
Tomislav Findrik | Animation |
Ole Christian Løken | Animation |
Stine Sæthre | Animation |
Rosa Ballester Cabo | Character Designer |
Will Collins | Writer |
Darragh Byrne | Editor |
Eric Dupont | Visual Effects Supervisor |
Slaven Reese | Animation |
Santiago López Jover | Animation |
Susana Grilo | Production Intern |
Stuart Shankly | First Assistant Director |
Thibaut Ruby | Line Producer |
Atshong Chen | Production Accountant |
Alexandre Jaclain | Sound Designer |
Svend Andreas Rothmann Bonde | Animation |
Denis Figueiredo | Animation |
Geoff King | Animation |
Mathilde Vachet | Animation |
Sandra Norup Andersen | Character Designer |
François Crèvecoeur | VFX Artist |
Marie Doyeux | Sound Re-Recording Mixer |
Danas Berznitsky | Animation |
Giovanna Ferrari | Animation |
Walter Giampaglia | Animation |
Marion Roussel | Animation |
Louise Bergholt Sørensen | Animation |
Frederik Villumsen | Animation Director |
Marie Thorhauge | Character Designer |
Félix Davin | Sound Designer |
Tomm Moore | Director, Story |
Bruno Coulais | Original Music Composer |
Nora Twomey | Other |
Pascal Nowak | Color Designer |
Ross Stewart | Art Department Coordinator |
Maya Merigeau | Art Direction, Production Design |
Patrice Renson | Conductor |
Jeremy Purcell | Visual Effects Supervisor |
Name | Title |
---|---|
Clément Calvet | Co-Producer |
Samuel Feller | Associate Producer |
Isabelle Truc | Co-Producer |
Ross Murray | Producer |
Jérémie Fajner | Co-Producer |
Serge Umé | Co-Producer |
Frederik Villumsen | Producer |
Tomm Moore | Producer |
Paul Young | Producer |
Stéphan Roelants | Co-Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Animated Feature | N/A | Nominated |
Spirit Awards | Best Animated Feature | N/A | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 20 | 33 | 14 |
2024 | 5 | 23 | 29 | 15 |
2024 | 6 | 23 | 41 | 14 |
2024 | 7 | 27 | 55 | 15 |
2024 | 8 | 29 | 52 | 13 |
2024 | 9 | 19 | 32 | 11 |
2024 | 10 | 26 | 41 | 16 |
2024 | 11 | 19 | 32 | 10 |
2024 | 12 | 20 | 33 | 15 |
2025 | 1 | 20 | 26 | 14 |
2025 | 2 | 18 | 29 | 4 |
2025 | 3 | 8 | 31 | 2 |
2025 | 4 | 4 | 6 | 3 |
2025 | 5 | 3 | 4 | 3 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 3 | 2 |
2025 | 9 | 2 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 939 | 959 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 997 | 997 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 772 | 797 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 621 | 767 |
If you ever watched 'The Secret of Kells', you will never think of skipping it. Though, people watch it in the interest of the Oscar connection. From all the nominees it is the clear winner according to me, even far better than the real winner 'Big Hero 6'. The American Academy Awards had failed to ... recognise the true ingenuity. That does not stop win the heart the of millions of children around the world. As for the adults, it makes you feel young again for a while. Lots of humour in it with faint emotions at the end along the kids favoured flavour throughout. Far East and far West film industries ruling the animation production, but Tomm Moore from Ireland is trying to open the new gate from the European division. Not many people are aware of him, one more movie and its success may lead to the greater heights for sure. This animation technics are very unique, but not the first time in the use. The character illustrations were cuter to enchant the young kids. Watching the movie is like reading a children's storybook with the large pictures everywhere and a couple of lines of words in the corner of the page. Like the anime in Japan and 3D animation in Hollywood, this would mark the Euro on the map. There are many animations are made and still making in Europe, but this one is the new perspective of hope to reach all the major and remote places of the Earth. Wish it moves in the right direction. If you had known how all the fairy tales work, you would feel you can predict this story because, you know defeating evil, breaking curses, the happy endings are the usual part. So what matters is the storytelling, how well the stories are presented on the screen. This film excels in that point, and the music is the another highlight of the movie. Whoever the music director/composer I must praise him. Almost a year ago I saw the trailer for the first time and I felt like I already loved the movie, mainly because of the music. ''Hold this shell to your ear and listen carefully. You will hear the song of the sea.'' In his earlier movie the director told a simple and short story extraordinarily, and still I hum that beautiful 'Aisling song' sometime. This movie had a wonderful adventure story of a boy called Ben and his little sister Saoirse. In the journey of running away from an owl witch, the magical creatures and an ancient seashell guide them a path. On the right time the title song makes the way to delight next 10 minutes of the crucial segment in the narration. I love the original version, in Irish even though I don't understand. It was good and catchy, even for the grown ups as well. Feels like, want to visit those places from the movie, but sadly our only option is Disneyland, huh. Disney and Studio Ghibli are the king and queen of fairy tale movies. No one would, but if you are mildly fed up of those, here the new dimensional fresh tales from the Ireland's folklore. Though, it sets in the modern world, but does not abandon to bring the key factors. Like the ancient meet the modern world with the same intensity. Kind of new to hear the words like Selkie, Macha etc., but, brand new for the people who live thousands of kilometers away in the different continents. Animation movie fanatics would love it, but if there are any children like niece and nephew in your home or visits you, watch it with them on that occasion and you would feel differently. 9/10
Great watch, would watch again, and do recommend. The animation in this beautiful, and some of it reminds me (vaguely) of "Spirited Away", but makes more sense. I'm sure the relation is the sense that "Spirited Away" is Miyazaki's display of the Japanese fey, though it is apparently in several o ... ther movies (e.g. "My Neighbor Totoro", "Ponyo"). This is a movie of great tragedy and powerful feelings, but ultimately is about appreciating your family and people while they are there. There is charm and uplifting feelings to the entire situation: you're not just going to be depressed or moved. As the introduction of the fey start, it is very unclear what is real and what is magic, or if the magic is real. That surreal attitude to this child's adventure seemed to add to the charm of dealing with the situation. The only problem I have with the movie is this ambiguity, there are so many parallels (that often occur in fey stories) to reality that you can't tell if this is a story of how a boy imagined an adventure, or if it's a fey story full of hidden magic. The details they go into are amazing if you look. Even the tears shared between fey and human are different. The details go on, and while I'm not sure if the quality is better, worse, or just different to a Miyazaki film, I feel it was made with the same consideration for how the audience is supposed to feel as they watch in the same way he created.
This is a gorgeously told tale from Celtic mythology that follows the adventures of the young "Ben" and his sister "Saoirse". Their mother died whilst giving birth to the girl - who is unable to speak - and they lived in an isolated lighthouse (I'd love that!) with their widowed dad "Conor" until be ... ing sent to live in the big city with the grandmother. The colourful narrative now follows the pair as they determine to get back home to their dad. Along the way, we discover that "Saoirse" is no ordinary girl, and that her powers, thanks to "Ben" and his fairytales, might enable both of them to engage in a challenge to free some magical creatures trapped in the realm of the humans. The animation is charming, the characterisations likewise - they are well developed and retain their innocence and childishness throughout. The soundtrack is also a thing to enjoy - a typically Gaelic affair with haunting melodies and jaunty themes that all add richness to this simple but intriguing story. This is a fascinating vein of legend that is really underdeveloped by cinema internationally. Here we have a delightful introduction to those stories and this really is well worth and hour and half of anyone's time.