 
  Popularity: 2 (history)
| Director: | Mike Figgis | 
|---|---|
| Writer: | Henry Bean | 
| Staring: | 
| Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila. | |
| Release Date: | Jan 12, 1990 | 
|---|---|
| Director: | Mike Figgis | 
| Writer: | Henry Bean | 
| Genres: | Drama, Crime | 
| Keywords | shop, undercover agent, illegality, internal affairs, police corruption, los angeles, california, lapd | 
| Production Companies | Paramount Pictures, Malofilm, Image Organization, Out of the Town Films | 
| Box Office | Revenue: $27,734,391 Budget: $15,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Job | 
|---|---|
| Henry Bean | Writer | 
| Robert Estrin | Editor | 
| John A. Alonzo | Director of Photography | 
| Brian Banks | Music | 
| Kevin Predieri | Carpenter | 
| James Reischling | Electrician | 
| Jesse Tango | Best Boy Electric | 
| Julie Purcell | Makeup Artist | 
| Chris Auer | Second Assistant Director | 
| Patrick H. Finnegan | Construction Coordinator | 
| Michael Ferris | Second Unit Director of Photography | 
| Ronald E. Hairston | Leadman | 
| Bob Beemer | Sound Re-Recording Mixer | 
| David L. Wolfson | Location Manager | 
| Robert J. Visciglia Sr. | Property Master | 
| Shani Ginsberg | Casting | 
| Lelis A. Arroyo | Assistant Hairstylist | 
| David Brownlow | Sound Mixer | 
| Mark A. Shelton | Assistant Chief Lighting Technician | 
| Glenn E. James | Boom Operator | 
| Hal Sanders | Sound Editor | 
| Lisa Cain | Stunts | 
| Dean Welch | Electrician | 
| Tracy Granger | First Assistant Editor | 
| Genevieve M. Lorick | Scenic Artist | 
| Jon Kuyper | Post Production Coordinator | 
| Glenn M. Carrere | Property Master | 
| Clare Scarpulla | Set Designer | 
| Tom Caton | Boom Operator | 
| Chester Slomka | Sound Editor | 
| Ric Urbauer | Best Boy Grip | 
| Jean Visciglia | Assistant Property Master | 
| Bruce Foster | Assistant Sound Editor | 
| Mike Connors | Dolly Grip | 
| Lisa Hackett | Unit Production Manager | 
| Greg P. Russell | Sound Re-Recording Mixer | 
| Libby Jacobs | Costume Supervisor | 
| Michael Costanza | Art Direction | 
| Nicholas T. Preovolos | Art Direction | 
| Vikki Williams | Production Supervisor | 
| Horace Jordan | First Assistant Camera | 
| Beverly Kline | Assistant Costume Designer | 
| Mark Wieringa | Carpenter | 
| Darrell B. Sheldon | Rigging Grip | 
| Gregory W. Smith | Second Assistant Camera | 
| Pernell Youngblood Tyus | Camera Operator | 
| Rick A. West | Gaffer | 
| Luke Wynne | Still Photographer | 
| Florence Fellman | Set Decoration | 
| J. Stephen Buck | First Assistant Director | 
| Doug Crawford | Carpenter | 
| Pieter Hubbard | Sound Editor | 
| Donald O. Mitchell | Sound Re-Recording Mixer | 
| Jeffrey Wilhoit | Foley Artist | 
| Elliott Koretz | Sound Editor | 
| Jesus J. Tango Jr. | Electrician | 
| Harlan M. Freedman | Production Coordinator | 
| Carrie Frazier | Casting | 
| Chris Rubel | Assistant Hairstylist | 
| Gary D. Scott | First Assistant Camera | 
| Craig Galloway | Assistant Editor | 
| Les Godwin | Assistant Location Manager | 
| Christopher Kennedy | Music Editor | 
| Sharron Reynolds-Enriquez | Script Supervisor | 
| Rudy Dillon | Costume Design | 
| Nina Paskowitz | Hairstylist | 
| Gary S. Gerlich | Supervising Sound Editor | 
| Devon Heffley Curry | ADR Supervisor | 
| Perry Husman | Transportation Coordinator | 
| Bob Noland | Color Timer | 
| Jon Reeves | Transportation Captain | 
| Mike Figgis | Original Music Composer, Director | 
| Dan Perri | Title Designer | 
| Anthony Marinelli | Orchestrator, Original Music Composer | 
| Waldemar Kalinowski | Production Design | 
| Cellin Gluck | Second Assistant Director | 
| Gary Hymes | Second Unit Director, Stunt Coordinator | 
| Rick Avery | Stunts | 
| Rick LeFevour | Stunts | 
| Gene LeBell | Stunts | 
| Name | Title | 
|---|---|
| Frank Mancuso Jr. | Producer | 
| Mara Trafficante | Associate Producer | 
| Pam O'Har | Associate Producer | 
| David Streit | Co-Producer | 
| René Malo | Executive Producer | 
| Pierre David | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 23 | 41 | 14 | 
| 2024 | 5 | 24 | 51 | 14 | 
| 2024 | 6 | 21 | 29 | 14 | 
| 2024 | 7 | 20 | 32 | 12 | 
| 2024 | 8 | 23 | 45 | 14 | 
| 2024 | 9 | 16 | 22 | 11 | 
| 2024 | 10 | 17 | 27 | 10 | 
| 2024 | 11 | 16 | 28 | 9 | 
| 2024 | 12 | 15 | 21 | 10 | 
| 2025 | 1 | 23 | 41 | 15 | 
| 2025 | 2 | 11 | 18 | 3 | 
| 2025 | 3 | 5 | 16 | 1 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 5 | 6 | 3 | 
| 2025 | 10 | 4 | 6 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 642 | 842 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 539 | 755 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 981 | 981 | 
Like a big baby with buttons all over. I push the buttons. Internal Affairs is directed by Mike Figgis and written by Henry Bean. It stars Richard Gere, Andy Garcia, Nancy Travis, William Baldwin and Laurie Metcalf. Music is jointly produced by Figgis, Brian Banks and Anthony Marinelli and cinema ... tography is by John A. Alonzo. Stylish neo-noir that has Gere as Dennis Peck, a crooked cop under investigation by IAD operatives Garcia and Metcalf. Peck is a master manipulator, a devious bastard who has his fingers in so many mud pies he could start his own bakery. Gere is on fire with the role, imbuing Peck with a menacing nastiness that’s a constant throughout the entire play. Once Figgis and Bean have laid the character foundations, the plot turns into a psychological battle of wills and skills between Peck and Raymond Avila (Garcia), with Peck always one step ahead because he knows where Avila’s weakness is. Figgis slow burns the tension with great aplomb, then unleashes the beasts for the thriller aspects of Bean’s screenplay. The look and feel of the piece is that of doom, deftly positing Peck’s vileness within a city awash with crooks, hookers and hitmen for hire. 8/10
This provides the audience with quite a different role from the otherwise good looking (romantic) hero type characters usually associated with Richard Gere. In this film, he portrays "Dennis Peck", an outwardly upstanding police officer who is about as dodgy as they come underneath. When Andy Garcia ... is brought in to investigate goings on at his precinct, he quickly concludes that Gere's partner - the aptly named "Van Stretch" (William Baldwin) is a bit of a no good wife beater, and soon he and Gere are at loggerheads. The screenplay doesn't pull it's punches - this is an out and out depiction of domestic violence, thuggery and police corruption; and not just of one rogue officer, but of an internecine network that stretches far and wide. Gere is just OK - to be honest. He never was my favourite actor and playing the bad guy by the odd vaguely menacing glance whilst lobbing in the odd f-word didn't go anywhere near enough to remove that gentle goody-goody image. The only hair-raising thing Andy Garcia seemed likely to have ever done would have involved a heck of a lot of gel, and the whole thing has a certain professionalism about the production that neutralised, effectively, anything gritty or sordid about their behaviour. I watched it because it is freezing cold, and it was on the telly - but I'm not sure that age has helped it much, and I think maybe I won't bother again.