Popularity: 5 (history)
| Director: | Gary Fleder |
|---|---|
| Writer: | David Levien, Brian Koppelman, Rick Cleveland, Matthew Chapman, John Grisham |
| Staring: |
| After a workplace shooting in New Orleans, a trial against the gun manufacturer pits lawyer Wendell Rohr against shady jury consultant Rankin Fitch, who uses illegal means to stack the jury with people sympathetic to the defense. But when juror Nicholas Easter and his girlfriend Marlee reveal their ability to sway the jury into delivering any verdict they want, a high-stakes cat-and-mouse game begins. | |
| Release Date: | Jan 16, 2003 |
|---|---|
| Director: | Gary Fleder |
| Writer: | David Levien, Brian Koppelman, Rick Cleveland, Matthew Chapman, John Grisham |
| Genres: | Drama, Thriller |
| Keywords | based on novel or book, new orleans, louisiana, manipulation, court case, widow, jury, gun violence, jury tampering, jury trial, henchmen, arms industry, trial lawyer, courtroom drama, mass shooting, legal thriller, corporate lawyer, conman, gun death, jury consultant, reading people, trial science, jury selection, wrongful death case, sequestered jury, firearms / gun manufacturer |
| Production Companies | 20th Century Fox, Regency Enterprises, New Regency Pictures |
| Box Office |
Revenue: $80,154,140
Budget: $60,000,000 |
| Updates |
Updated: Sep 23, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Gary Fleder | Director |
| David Levien | Screenplay |
| Christopher Young | Original Music Composer |
| Robert Elswit | Director of Photography |
| Deborah Aquila | Casting |
| Tricia Wood | Casting |
| Brian Koppelman | Screenplay |
| Ron Stein | Stunt Coordinator |
| Michael Zimbrich | First Assistant Director |
| Scott Plauche | Art Direction |
| Stephen Bourgeois | Special Effects |
| Rick Cleveland | Screenplay |
| Jeff Galpin | Utility Stunts |
| Tessa Posnansky | Set Decoration |
| Mark Spatny | Visual Effects Supervisor |
| Matthew Chapman | Screenplay |
| William Steinkamp | Editor |
| Nelson Coates | Production Design |
| Peter Afterman | Music Supervisor |
| Dana Stein | Stunts |
| Gary Romolo Fiorelli | Second Assistant Director |
| Scott H. Eddo | Makeup Department Head |
| Bob Cooper | Special Effects Coordinator |
| David K. Nami | Special Effects |
| John Grisham | Novel |
| John Cenatiempo | Stunts |
| Billy D. Lucas | Stunts |
| Joe Bucaro III | Stunts |
| Robert Apisa | Stunts |
| Charlie Brewer | Stunts |
| Judy Crown | Hair Department Head |
| Scott Martin Gershin | Supervising Sound Editor |
| John C. Hartigan | Special Effects, Special Effects Supervisor |
| Abigail Murray | Costume Designer |
| Name | Title |
|---|---|
| Gary Fleder | Producer |
| Arnon Milchan | Producer |
| Jeffrey Downer | Executive Producer |
| Christopher Mankiewicz | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 33 | 59 | 20 |
| 2024 | 5 | 36 | 77 | 19 |
| 2024 | 6 | 25 | 35 | 16 |
| 2024 | 7 | 26 | 36 | 18 |
| 2024 | 8 | 26 | 51 | 12 |
| 2024 | 9 | 19 | 27 | 13 |
| 2024 | 10 | 20 | 33 | 9 |
| 2024 | 11 | 20 | 41 | 12 |
| 2024 | 12 | 20 | 30 | 14 |
| 2025 | 1 | 24 | 48 | 12 |
| 2025 | 2 | 15 | 30 | 4 |
| 2025 | 3 | 16 | 55 | 3 |
| 2025 | 4 | 5 | 7 | 3 |
| 2025 | 5 | 4 | 6 | 3 |
| 2025 | 6 | 4 | 6 | 2 |
| 2025 | 7 | 3 | 5 | 2 |
| 2025 | 8 | 3 | 5 | 2 |
| 2025 | 9 | 4 | 6 | 3 |
| 2025 | 10 | 5 | 7 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 256 | 626 |
| Year | Month | High | Avg |
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| 2025 | 9 | 325 | 595 |
| Year | Month | High | Avg |
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| 2025 | 5 | 899 | 899 |
| Year | Month | High | Avg |
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| 2025 | 4 | 992 | 992 |
| Year | Month | High | Avg |
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| 2025 | 3 | 273 | 686 |
| Year | Month | High | Avg |
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| 2025 | 2 | 540 | 798 |
This offers quite an interesting look at just how seriously big business takes the selection of a jury, when large amounts of money are at stake. Gene Hackman is "Fitch", a man who makes a very good living acting on behalf of these organisations. His job is to probe into the private lives of prospec ... tive jurors, of their loves, peccadillos, politics - looking for weaknesses or reasons not to select them. This case involves one of the most contentious in the US pantheon of criminal law - the right to bear arms, and it falls to "Rohr" (Dustin Hoffman) to bring an action against a weapons manufacturer that is going to be tough. As the case proceeds, we are introduced to the less honourable nature of one of the jurors, and his girlfriend who have a plan of their own - and, as you'd expect, there is money and pressure being applied to ensure that the jury reach the "correct" verdict. Intriguing as the plot is, though, the film itself stutters along without much innovation. The courtroom scenes are a bit dreary and once we have established the premiss, Hackman's efforts are all rather repetitive and become less and less menacing and sophisticated as the story slips into a rather mediocre melodrama of private life shenanigans. Hoffman is adequate, no more, as are Rachel Weisz and John Cusack as the eagerly duplicitous but not awfully bright "Easter". Based on one of John Grisham's more inventive stories - nobody ever actually wants to be on a jury - this loses much in it's translation to film and by the mid-point I was really pretty turned off by the whole thing. It's watchable, but becomes more preposterous as it proceeds to a conclusion that, though not quite what you might expect, is still a bit flat.