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The Lair of the White Worm Poster

The Lair of the White Worm

Some legends really bite.
1988 | 93m | English

(17363 votes)

TMDb IMDb

Popularity: 3 (history)

Director: Ken Russell
Writer: Ken Russell, Bram Stoker
Staring:
Details

On a farm owned by Eve Trent and her sister Mary, young archaeologist Angus Flint discovers a large and inexplicable skull, which he soon deduces belonged to the D'Ampton Worm, a mythical beast supposedly slain generations ago by the ancestor of the current Lord D'Ampton. The predatory Lady Sylvia Marsh soon takes an interest in both Flint and the virginal Eve, hinting that the vicious D'Ampton Worm may still live.
Release Date: Sep 21, 1988
Director: Ken Russell
Writer: Ken Russell, Bram Stoker
Genres: Comedy, Horror
Keywords based on novel or book, virgin, vampire, snake charmer, worm, human sacrifice, snake woman, archaeologist, folk horror, pagan cult, snake cult
Production Companies Vestron Pictures, White Lair
Box Office Revenue: $1,189,315
Budget: $2,500,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Amanda Donohoe Lady Sylvia Marsh
Hugh Grant Lord James D'Ampton
Catherine Oxenberg Eve Trent
Peter Capaldi Angus Flint
Sammi Davis Mary Trent
Stratford Johns Peters
Paul Brooke P.C. Erny
Imogen Claire Dorothy Trent
Chris Pitt Kevin
Gina McKee Nurse Gladwell
Christopher Gable Joe Trent
Lloyd Peters Jesus Christ
Miranda Coe Maid / Nun
Linzi Drew Maid / Nun
Caron Anne Kelly Maid / Nun
Fiona O'Connor Maid / Nun
Caroline Pope Maid / Nun
Elisha Scott Maid / Nun
Tina Shaw Maid / Nun
Paul Easom Soldier / Witchdoctor
James Hicks Soldier / Witchdoctor
David Kiernan Soldier / Witchdoctor
Matthew King Soldier / Witchdoctor
Ross Murray Soldier / Witchdoctor
Andy Norman Soldier / Witchdoctor
Bob Smith Soldier / Witchdoctor
Jackie Russell Snakewoman
Ken Russell Police Radio (voice) (uncredited)
Name Job
Dick Bush Director of Photography
Michael Jeffery Costume Designer
Abbi Collins Stunt Double
Elizabeth Moss Makeup Artist
Ray Beckett Sound Mixer
Imogen Claire Choreographer
Peter Elford Location Manager
Cordelia Hardy Third Assistant Director
Sarah Lucraft Assistant Accountant
John Foster Assistant Camera
Robin Browne Lighting Camera
John Chandler Boom Operator
Ray Merrin Sound Assistant
Joe Illing First Assistant Editor
Jenny Hawkins Wardrobe Assistant
Kate Kilroy Set Buyer
Ron Higgins Standby Property Master
Neill Gorton Modeling
Cliff Wallace Modeling
Roy Puddefoot Special Effects Technician
Alistair McPherson Special Effects Technician
Steven Painter Special Effects Technician
Alastair Gow Construction Manager
Con Murphy Standby Rigger
Steven Sallybanks Scenic Artist
Ronnie McKay Best Boy Electric
Mark Gay Electrician
Daniel Vallancien Sound Engineer
Ronaldo Vasconcellos Line Producer
Chrissy Monk Stunt Double
Anne Tilby Production Design, Set Designer
Nigel Galt Sound Editor
Laura Julian Production Manager
Sabina Fletcher Production Assistant
Nick Heckstall-Smith Second Assistant Director
William Tyler Production Accountant
Steve Parker Focus Puller
Mark Ellis Key Grip
David B.A. Jones Clapper Loader
Bill Rowe Sound Mixer
Paul Conway Assistant Sound Editor
Diane Murphy Wardrobe Assistant
Chris Townsend Set Dresser
Eddie McMahon Standby Property Master
Simon Sayce Special Effects Supervisor
Stuart Conran Modeling
Arlind Junkerman Modeling
Dave Keen Special Effects Technician
Gary Ryan Special Effects Technician
Alan Hedgcock Special Effects Technician
Paul Jones Special Effects Technician
Ken Hawkey Standby Painter
Tom Bowyer Carpenter
Steve Blake Gaffer
Graham Newton Electrician
Alan Whibley Special Effects Supervisor
John Ralph Art Direction
Pam Meager Makeup Artist
Stuart St. Paul Stunt Coordinator
Jack Lorenz Executive In Charge Of Production
Winnie Wishart Production Coordinator
Rupert Ryle-Hodges Second Assistant Director
Lesley Cross Script Supervisor
Clive Coote Still Photographer
Richard Brierley Focus Puller
Richard Wells Sound
Jim Roddan Sound Editor
Wayne Smith Assistant Editor
Karen Edwards Hairdresser
Rodney Pincott Property Master
Geoffrey Portass Makeup Designer
Kate Murray Modeling
John Cormican Modeling
William Petty Special Effects Technician
Mary Roberts Special Effects Technician
Karen Winnery Special Effects Technician
Tommy Westbrook Standby Carpenter
Robin Thistlethwaite Carpenter
James Hunt Scenic Artist
Tommy O'Sullivan Electrician
Jim Coward Generator Operator
Ken Russell Screenplay, Director
Bram Stoker Novel
Stanisław Syrewicz Original Music Composer
Peter Davies Editor
Gail Stevens Casting
Christopher Hall First Assistant Director
Ben Davis Assistant Camera
Mark Coulier Modeling
Warwick Sayce Special Effects Technician
Name Title
William J. Quigley Executive Producer
Dan Ireland Executive Producer
Ken Russell Producer
Organization Category Person
Berlin International Film Festival Best Supporting Actress Catherine Oxenberg Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 26 39 17
2024 5 30 46 20
2024 6 62 149 23
2024 7 55 92 30
2024 8 28 41 19
2024 9 24 42 16
2024 10 67 161 14
2024 11 41 83 18
2024 12 23 37 13
2025 1 16 23 11
2025 2 13 21 3
2025 3 6 18 1
2025 4 2 3 1
2025 5 2 3 1
2025 6 2 2 1
2025 7 1 2 1
2025 8 2 3 1
2025 9 3 5 2
2025 10 3 4 1

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Reviews

Wuchak
6.0

***Quirky, amusing, sometimes surreal horror about a snake cult in England*** Directed & written by Ken Russell and loosely based on Bram Stoker’s novel, “The Lair of the White Worm” (1988) chronicles events in England when a young archeologist (Peter Capaldi) uncovers a skull of some unknown bea ... st near a bed & breakfast run by two sisters (Sammi Davis & Catherine Oxenberg). These three and Eve’s beau (Hugh Grant) soon stumble upon an ancient snake cult led by the eccentric Lady Sylvia Marsh (Amanda Donohoe), who dwells at a lavish estate nearby. The movie is a creative and entertaining creature feature reminiscent in tone & theme of “Squirm” (1976), but with Russell’s well-known offbeat excesses. The “creatures” are vampire-like snake people plus a gigantic serpent at the close, both of which recall the snake worshipers & giant serpents from “Conan the Barbarian” (1982). There are some iconic cinematic images, like Donohoe as the vampiric snake lady, not to mention a few well done horror scenes, like a snake woman who’s cut in half, but still wiggles with furious intent. The snake cult is diabolical in an anti-Christ way and I can see why some viewers might find the movie shocking and offensive, like the weird nun-raping flashback. Yet everything's so exaggerated and sometimes cheesy with a bit o' humor thrown in that the film can't be taken very seriously, which negates it from being shocking or disturbing. Fun in a horrific way? Yes. Disturbing? No. Also, keep in mind that horror villains/monsters are SUPPOSED to drip with ee-vil and be shocking. The question is, do they win or do the noble protagonists win? On the female front, the chief snake lady thinks she’s hotter than she really is as Donohoe amusingly hams it up. Meanwhile Catherine Oxenberg as Eve is a semi-highlight, particularly in the last act. The film runs 1 hour, 33 minutes and was shot entirely in England (Hertfordshire; Manifold Valley, Staffordshire; Peak District National Park; and Derbyshire). Thor's Cave in Manifold Valley is magnificent. GRADE: B-

Jun 23, 2021