 
  Popularity: 3 (history)
| Director: | Ken Russell | 
|---|---|
| Writer: | Ken Russell, Bram Stoker | 
| Staring: | 
| On a farm owned by Eve Trent and her sister Mary, young archaeologist Angus Flint discovers a large and inexplicable skull, which he soon deduces belonged to the D'Ampton Worm, a mythical beast supposedly slain generations ago by the ancestor of the current Lord D'Ampton. The predatory Lady Sylvia Marsh soon takes an interest in both Flint and the virginal Eve, hinting that the vicious D'Ampton Worm may still live. | |
| Release Date: | Sep 21, 1988 | 
|---|---|
| Director: | Ken Russell | 
| Writer: | Ken Russell, Bram Stoker | 
| Genres: | Comedy, Horror | 
| Keywords | based on novel or book, virgin, vampire, snake charmer, worm, human sacrifice, snake woman, archaeologist, folk horror, pagan cult, snake cult | 
| Production Companies | Vestron Pictures, White Lair | 
| Box Office | Revenue: $1,189,315 Budget: $2,500,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Amanda Donohoe | Lady Sylvia Marsh | 
| Hugh Grant | Lord James D'Ampton | 
| Catherine Oxenberg | Eve Trent | 
| Peter Capaldi | Angus Flint | 
| Sammi Davis | Mary Trent | 
| Stratford Johns | Peters | 
| Paul Brooke | P.C. Erny | 
| Imogen Claire | Dorothy Trent | 
| Chris Pitt | Kevin | 
| Gina McKee | Nurse Gladwell | 
| Christopher Gable | Joe Trent | 
| Lloyd Peters | Jesus Christ | 
| Miranda Coe | Maid / Nun | 
| Linzi Drew | Maid / Nun | 
| Caron Anne Kelly | Maid / Nun | 
| Fiona O'Connor | Maid / Nun | 
| Caroline Pope | Maid / Nun | 
| Elisha Scott | Maid / Nun | 
| Tina Shaw | Maid / Nun | 
| Paul Easom | Soldier / Witchdoctor | 
| James Hicks | Soldier / Witchdoctor | 
| David Kiernan | Soldier / Witchdoctor | 
| Matthew King | Soldier / Witchdoctor | 
| Ross Murray | Soldier / Witchdoctor | 
| Andy Norman | Soldier / Witchdoctor | 
| Bob Smith | Soldier / Witchdoctor | 
| Jackie Russell | Snakewoman | 
| Ken Russell | Police Radio (voice) (uncredited) | 
| Name | Job | 
|---|---|
| Dick Bush | Director of Photography | 
| Michael Jeffery | Costume Designer | 
| Abbi Collins | Stunt Double | 
| Elizabeth Moss | Makeup Artist | 
| Ray Beckett | Sound Mixer | 
| Imogen Claire | Choreographer | 
| Peter Elford | Location Manager | 
| Cordelia Hardy | Third Assistant Director | 
| Sarah Lucraft | Assistant Accountant | 
| John Foster | Assistant Camera | 
| Robin Browne | Lighting Camera | 
| John Chandler | Boom Operator | 
| Ray Merrin | Sound Assistant | 
| Joe Illing | First Assistant Editor | 
| Jenny Hawkins | Wardrobe Assistant | 
| Kate Kilroy | Set Buyer | 
| Ron Higgins | Standby Property Master | 
| Neill Gorton | Modeling | 
| Cliff Wallace | Modeling | 
| Roy Puddefoot | Special Effects Technician | 
| Alistair McPherson | Special Effects Technician | 
| Steven Painter | Special Effects Technician | 
| Alastair Gow | Construction Manager | 
| Con Murphy | Standby Rigger | 
| Steven Sallybanks | Scenic Artist | 
| Ronnie McKay | Best Boy Electric | 
| Mark Gay | Electrician | 
| Daniel Vallancien | Sound Engineer | 
| Ronaldo Vasconcellos | Line Producer | 
| Chrissy Monk | Stunt Double | 
| Anne Tilby | Production Design, Set Designer | 
| Nigel Galt | Sound Editor | 
| Laura Julian | Production Manager | 
| Sabina Fletcher | Production Assistant | 
| Nick Heckstall-Smith | Second Assistant Director | 
| William Tyler | Production Accountant | 
| Steve Parker | Focus Puller | 
| Mark Ellis | Key Grip | 
| David B.A. Jones | Clapper Loader | 
| Bill Rowe | Sound Mixer | 
| Paul Conway | Assistant Sound Editor | 
| Diane Murphy | Wardrobe Assistant | 
| Chris Townsend | Set Dresser | 
| Eddie McMahon | Standby Property Master | 
| Simon Sayce | Special Effects Supervisor | 
| Stuart Conran | Modeling | 
| Arlind Junkerman | Modeling | 
| Dave Keen | Special Effects Technician | 
| Gary Ryan | Special Effects Technician | 
| Alan Hedgcock | Special Effects Technician | 
| Paul Jones | Special Effects Technician | 
| Ken Hawkey | Standby Painter | 
| Tom Bowyer | Carpenter | 
| Steve Blake | Gaffer | 
| Graham Newton | Electrician | 
| Alan Whibley | Special Effects Supervisor | 
| John Ralph | Art Direction | 
| Pam Meager | Makeup Artist | 
| Stuart St. Paul | Stunt Coordinator | 
| Jack Lorenz | Executive In Charge Of Production | 
| Winnie Wishart | Production Coordinator | 
| Rupert Ryle-Hodges | Second Assistant Director | 
| Lesley Cross | Script Supervisor | 
| Clive Coote | Still Photographer | 
| Richard Brierley | Focus Puller | 
| Richard Wells | Sound | 
| Jim Roddan | Sound Editor | 
| Wayne Smith | Assistant Editor | 
| Karen Edwards | Hairdresser | 
| Rodney Pincott | Property Master | 
| Geoffrey Portass | Makeup Designer | 
| Kate Murray | Modeling | 
| John Cormican | Modeling | 
| William Petty | Special Effects Technician | 
| Mary Roberts | Special Effects Technician | 
| Karen Winnery | Special Effects Technician | 
| Tommy Westbrook | Standby Carpenter | 
| Robin Thistlethwaite | Carpenter | 
| James Hunt | Scenic Artist | 
| Tommy O'Sullivan | Electrician | 
| Jim Coward | Generator Operator | 
| Ken Russell | Screenplay, Director | 
| Bram Stoker | Novel | 
| Stanisław Syrewicz | Original Music Composer | 
| Peter Davies | Editor | 
| Gail Stevens | Casting | 
| Christopher Hall | First Assistant Director | 
| Ben Davis | Assistant Camera | 
| Mark Coulier | Modeling | 
| Warwick Sayce | Special Effects Technician | 
| Name | Title | 
|---|---|
| William J. Quigley | Executive Producer | 
| Dan Ireland | Executive Producer | 
| Ken Russell | Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Berlin International Film Festival | Best Supporting Actress | Catherine Oxenberg | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 26 | 39 | 17 | 
| 2024 | 5 | 30 | 46 | 20 | 
| 2024 | 6 | 62 | 149 | 23 | 
| 2024 | 7 | 55 | 92 | 30 | 
| 2024 | 8 | 28 | 41 | 19 | 
| 2024 | 9 | 24 | 42 | 16 | 
| 2024 | 10 | 67 | 161 | 14 | 
| 2024 | 11 | 41 | 83 | 18 | 
| 2024 | 12 | 23 | 37 | 13 | 
| 2025 | 1 | 16 | 23 | 11 | 
| 2025 | 2 | 13 | 21 | 3 | 
| 2025 | 3 | 6 | 18 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 2 | 2 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 3 | 5 | 2 | 
| 2025 | 10 | 3 | 4 | 1 | 
Trending Position
***Quirky, amusing, sometimes surreal horror about a snake cult in England*** Directed & written by Ken Russell and loosely based on Bram Stoker’s novel, “The Lair of the White Worm” (1988) chronicles events in England when a young archeologist (Peter Capaldi) uncovers a skull of some unknown bea ... st near a bed & breakfast run by two sisters (Sammi Davis & Catherine Oxenberg). These three and Eve’s beau (Hugh Grant) soon stumble upon an ancient snake cult led by the eccentric Lady Sylvia Marsh (Amanda Donohoe), who dwells at a lavish estate nearby. The movie is a creative and entertaining creature feature reminiscent in tone & theme of “Squirm” (1976), but with Russell’s well-known offbeat excesses. The “creatures” are vampire-like snake people plus a gigantic serpent at the close, both of which recall the snake worshipers & giant serpents from “Conan the Barbarian” (1982). There are some iconic cinematic images, like Donohoe as the vampiric snake lady, not to mention a few well done horror scenes, like a snake woman who’s cut in half, but still wiggles with furious intent. The snake cult is diabolical in an anti-Christ way and I can see why some viewers might find the movie shocking and offensive, like the weird nun-raping flashback. Yet everything's so exaggerated and sometimes cheesy with a bit o' humor thrown in that the film can't be taken very seriously, which negates it from being shocking or disturbing. Fun in a horrific way? Yes. Disturbing? No. Also, keep in mind that horror villains/monsters are SUPPOSED to drip with ee-vil and be shocking. The question is, do they win or do the noble protagonists win? On the female front, the chief snake lady thinks she’s hotter than she really is as Donohoe amusingly hams it up. Meanwhile Catherine Oxenberg as Eve is a semi-highlight, particularly in the last act. The film runs 1 hour, 33 minutes and was shot entirely in England (Hertfordshire; Manifold Valley, Staffordshire; Peak District National Park; and Derbyshire). Thor's Cave in Manifold Valley is magnificent. GRADE: B-