Popularity: 14 (history)
| Director: | Mary Bronstein |
|---|---|
| Writer: | Mary Bronstein |
| Staring: |
| With her life crashing down around her, Linda attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist. | |
| Release Date: | Oct 10, 2025 |
|---|---|
| Director: | Mary Bronstein |
| Writer: | Mary Bronstein |
| Genres: | Drama |
| Keywords | hotel, therapist, female protagonist, sick child, motherhood, woman director, absent husband, psychological drama, distressing, mysterious illness |
| Production Companies | A24, Fat City, Central Pictures, Bronxburgh |
| Box Office |
Revenue: $21,263
Budget: $0 |
| Updates |
Updated: Dec 14, 2025 Entered: Feb 15, 2025 |
| Name | Character |
|---|---|
| Rose Byrne | Linda |
| Conan O'Brien | Therapist |
| A$AP Rocky | James |
| Danielle Macdonald | Caroline |
| Delaney Quinn | Child |
| Mary Bronstein | Dr. Spring |
| Ivy Wolk | Diana |
| Mark Stolzenberg | Parking Attendant |
| Manu Narayan | Landlord |
| Christian Slater | Father |
| Eva Kornet | Breathworker |
| Ella Beatty | Kate |
| Helen Hong | Eva |
| Daniel Zolghadri | Stephen |
| Josh Pais | Brad |
| Ronald Bronstein | Caroline's Husband (voice) |
| Lark White | Vanessa |
| Laurence Blum | Police Officer |
| Amy Judd Lieberman | Melanie |
| Char Sidney | Nurse |
| Jodi Michelle Pynn | Nurse |
| Name | Job |
|---|---|
| Lucian Johnston | Editor |
| Carmen Navis | Production Design |
| Filipe Messeder | Sound Designer, Supervising Sound Editor, Sound Re-Recording Mixer |
| Salome Oggenfuss | Casting |
| Matthew Atwood | Gaffer |
| Sarit Klein | Makeup Department Head |
| Elizabeth Warn | Costume Design |
| Kyra Boselli | Art Direction |
| Pamela May | Hair Department Head |
| Mary Bronstein | Screenplay, Director |
| Nitasha Bhambree | Stunt Coordinator |
| Christopher Messina | Director of Photography |
| Geraldine Barón | Casting |
| Kaili Corcoran | Set Decoration |
| Ruy García | Sound Re-Recording Mixer |
| Anders Nyman | Visual Effects Supervisor |
| Nick Caramela | Sound Effects Editor |
| Chris Barnes | Marine Coordinator |
| Laura Heinzinger | Foley Editor |
| Ben Kruse | Foley Editor |
| Tommy Stang | Foley Artist |
| Michelle Waldron | Key Makeup Artist |
| Eduardo Sobrino | Unit Production Manager |
| Kate Branom | First Assistant Director |
| Carly Krim | Second Assistant Director |
| Dejay Roestenberg | Stunt Double |
| Mohammed J. Ali | Stunt Double |
| Declan Mulvey | Stunt Driver |
| Caroline Vexler | Stunt Driver |
| Scott Burik | Utility Stunts |
| Aaron Vexler | Utility Stunts |
| Anthony Mecca | Utility Stunts |
| Mariusz Kubicki | Utility Stunts |
| James Schlittenhart | First Assistant Camera |
| Alec Nickel | Second Assistant Camera |
| Lorenzo Zanini | Loader |
| Logan White | Still Photographer |
| Jesse Coyote Sanchez-Strauss | Steadicam Operator |
| Gordon Bell | Script Supervisor |
| Patrick Southern | Sound Mixer |
| Deanna Williams | Boom Operator |
| Samantha Figueira | Art Department Coordinator |
| Kalani Akuna | Graphic Designer |
| Dennis Thomas | Art Department Production Assistant |
| John Nunn | On Set Dresser |
| Molly E. Ramsay | Set Dresser |
| David Dee | Set Dresser |
| Erik Valentine | Set Dresser |
| Holly Wilson | Set Dresser |
| Bridget Rafferty | Property Master |
| Janelle Jones | Assistant Property Master |
| Nina Bova | Assistant Costume Designer |
| Willa Piro | Costume Coordinator |
| Ruby McCollister | Casting Assistant |
| Emma Warren | Casting Assistant |
| Elise Raven | Casting Assistant |
| Meredith Jacobson Marciano | Background Casting Director |
| Vicky Donner | Wardrobe Supervisor |
| Caroline Horton | Set Costumer |
| Katie Cooke | Set Costumer |
| Chris Curich | Key Hair Stylist |
| Alan Scott | Prosthetic Designer |
| Johann Kunz | Special Effects Supervisor |
| Jim Ranker | Special Effects Coordinator |
| Pierre Rovira | Construction Coordinator |
| Chris Keenan | Key Grip |
| Tatiana Bears | Line Producer |
| Evan Cathcart | Production Coordinator |
| Alethia St. Joan | Production Secretary |
| Mary Beth Minthorn | Executive In Charge Of Production |
| Jasmin Osean Thomas | Second Second Assistant Director |
| Callum Stembridge | Second Second Assistant Director |
| Julie Velez | Production Accountant |
| Samantha Santos | Location Manager |
| Katarina Dedicova | Assistant Location Manager |
| Camille Gilbert | Assistant Editor |
| Zulema Young-Toledo | Assistant Editor |
| Nat Jencks | Colorist |
| Kim Matullo | Post Production Accountant |
| Kristin Catuogno | ADR Editor, Dialogue Editor |
| Abby Harrison | Assistant Sound Editor |
| Jared Seidman | ADR Mixer |
| Chris Navarro | ADR Mixer |
| Jeffrey Roy | ADR Mixer |
| Melissa Chapman | Music Supervisor |
| Annie Pearlman | Music Supervisor |
| Jesse Morrow | Visual Effects Producer |
| Brad Kalinoski | Visual Effects Supervisor |
| Hassan Rahim | Main Title Designer |
| Amy Cohn | Unit Publicist |
| Natasha Lyonne | Thanks |
| Sebastian Pardo | Thanks |
| Amy Seimetz | Thanks |
| Name | Title |
|---|---|
| Tatiana Bears | Co-Producer |
| Ryan Zacarias | Producer |
| Conor Hannon | Producer |
| Rita Walsh | Co-Producer |
| Bruno Vernaschi-Berman | Co-Producer |
| Eli Bush | Producer |
| Lauren Ebner | Associate Producer |
| Richie Doyle | Producer |
| Ronald Bronstein | Producer |
| Rose Byrne | Executive Producer |
| Josh Safdie | Producer |
| Sara Murphy | Producer |
| Mary Bronstein | Executive Producer |
| John Paul Lopez-Ali | Co-Producer |
| Margaux Beck | Associate Producer |
| J. Izon | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 2 | 1 |
| 2024 | 5 | 2 | 4 | 1 |
| 2024 | 6 | 2 | 6 | 0 |
| 2024 | 7 | 2 | 8 | 0 |
| 2024 | 8 | 2 | 5 | 0 |
| 2024 | 9 | 2 | 3 | 1 |
| 2024 | 10 | 1 | 3 | 1 |
| 2024 | 11 | 2 | 8 | 1 |
| 2024 | 12 | 2 | 4 | 1 |
| 2025 | 1 | 11 | 58 | 2 |
| 2025 | 2 | 5 | 9 | 1 |
| 2025 | 3 | 4 | 9 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 5 | 6 | 2 |
| 2025 | 11 | 19 | 54 | 3 |
| 2025 | 12 | 13 | 16 | 10 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 84 | 188 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 2 | 339 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 123 | 524 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 69 | 355 |
In an age where life’s everyday challenges can test our wits, becoming overwhelmed is a real possibility when they pile up. Just ask Linda (Rose Byrne), a therapist who struggles to sincerely and sensitively assist her troubled patients. But that’s just the start of her problems. She’s also tending ... to a sick child (Delaney Quinn), the demands of which are considerable, both from the whiny, often-unappreciative youngster and her annoyingly insistent caregivers. To make matters worse, a burst pipe in the ceiling of her apartment has forced mother and child to move into a hotel, a stay that’s become unexpectedly extended due to the lack of repair work by her inattentive landlord. And, through all of these ordeals, Linda is on her own, given that her unfeeling husband (Christian Slater) is frequently away on business. As a consequence, this palette of issues has forced Linda into therapy herself with a peer counselor (Conan O”Brien), whose incessant indifference not only offers little help, but also tends to exacerbate the stress in her life. Over time, the specific pressures associated with each of these incidents begin to snowball, making coping nearly impossible. And, as time passes, Linda feels as though she’s losing herself and descending into her own personal madness. So what is she to do? That’s what this intense offering from actress-writer-director Mary Bronstein seeks to explore. This exceedingly dark comedy-drama examines what a woman on the edge might go through as the breaking point approaches. There’s an undeniably raw, edgy, realistic quality to this release, one that sometimes makes this a decidedly uncomfortable watch. The barrage of challenges to simply get through the day keeps coming at the protagonist (and, hence, viewers) relentlessly, presented here in nonstop fashion at breakneck speed. And it seems that, no matter what good faith efforts Linda makes to resolve her dilemmas, they’re never enough, often exposing her to petty, undue criticism that, in turn, prompt undue, unfair and unfounded accusations of blame and shame. All of these foregoing attributes are routinely intensified by the picture’s regular use of macabre comic relief, serving up laughs about incidents and subjects that many of us might genuinely feel guilty chuckling about. But this film’s real standout asset is the superb performance turned in by Byrne, easily the best work of her career and handily worthy of awards consideration, capably backed by Quinn, O’Brien and other cast members in fine supporting portrayals. To be sure, “If I Had Legs I’d Kick You” won’t suit everyone, and even avid cinephiles may at times find their patience, tolerance and sensibilities sufficiently challenged. Nevertheless, this is one of those “sign of the times” pictures that unflinchingly exposes much of what’s wrong with contemporary society and that we’d all be wise to take seriously if we ever hope to see improvement in a world where a lack of compassion, understanding and support are being allowed to run rampant. It’s no wonder that so many of us might feel like kicking back under conditions like this. Indeed, maybe it’s time we should all seek to grow some legs of our own.