Popularity: 3 (history)
Director: | Hugh Wilson |
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Writer: | Bill Kelly, Hugh Wilson |
Staring: |
Following a bomb scare in the 1960s that locked the Webers into their bomb shelter for 35 years, Adam now ventures forth into Los Angeles to obtain food and supplies for his family, and a non-mutant wife for himself. | |
Release Date: | Feb 12, 1999 |
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Director: | Hugh Wilson |
Writer: | Bill Kelly, Hugh Wilson |
Genres: | Comedy, Drama, Romance |
Keywords | isolation, atomic bomb, bunker, shelter, lighthearted, blast from the past, adoring, amused, familiar |
Production Companies | New Line Cinema, Forge, Midnight Sun Pictures |
Box Office |
Revenue: $40,263,020
Budget: $35,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Bill Kelly | Screenplay |
Hugh Wilson | Director, Screenplay |
Don Brochu | Editor |
Tammy Kusian | Hairstylist |
Ben Nye Jr. | Makeup Department Head |
Heidi Seeholzer | Makeup Artist |
Ronnie Specter | Makeup Artist |
Bob Ziembicki | Production Design |
Trudy Ramirez | Script Supervisor |
James Brown | Transportation Co-Captain |
Jennifer Bell | Second Assistant "B" Camera |
Randy Glass | Gaffer |
Steve Tyrell | Music Supervisor |
Mary Kane | Unit Production Manager |
Michael Viglietta | Second Assistant Director |
A.J. Nay | Stunt Coordinator |
Brad Bovee | Utility Stunts |
Joey Preston | Utility Stunts |
Erik Holmberg | Production Executive |
Jody Levin | Executive In Charge Of Post Production |
Claire O'Brien | Post Production Supervisor |
Anthony Gaudioz | "A" Camera Operator |
Jay Levy | First Assistant "A" Camera |
Glenn Kaplan | Second Assistant "A" Camera |
David Luckenbach | "B" Camera Operator |
Dominic Napolitano | First Assistant "B" Camera |
Cash Cockerill | Camera Loader |
Ted Berner | Art Direction |
Michael Taylor | Set Decoration |
Boyd Wilson | Location Manager |
Larry Ring | Assistant Location Manager |
Jim Small | Assistant Location Manager |
Kara Katsoulis | Casting Associate |
Rachel E. Prentiss | Production Accountant |
Elizabeth Ervin | Production Supervisor |
Diana Zock | Production Coordinator |
Joe Binford Jr. | First Assistant Editor |
Erin Michelle Hopkins | First Assistant Editor |
Aimee Rousey | Art Department Coordinator |
Paul Ford | Leadman |
Kinney Booker | Set Dresser |
Philip Calhoun | Set Dresser |
Chris Fielding | Set Dresser |
Colin De Rouin | Set Designer |
P.K. MacCarthy | Storyboard Artist |
Mark Goerner | Production Illustrator |
Kevin Hughes | Property Master |
Bob Morgan | Costume Supervisor |
Karla Stevens Flanigan | Costumer |
Beatrice De Alba | Hairstylist |
Jill Crosby | Hairstylist |
Mark Hopkins McNabb | Sound Mixer |
Randy McDonald | Utility Sound |
Rick Wilhoit | Best Boy Electric |
Kevin Massey | Electrician |
Gordon Hayes | Rigging Gaffer |
Bobby Huber | Key Grip |
Scott Hillman | Best Boy Grip |
John W. Murphy | Dolly Grip |
Alex Klabukov | Grip |
Coleman L. Hart | Grip |
Ray Garcia | Grip |
Armen Gharagozian | Grip |
Frank A. Montesanto | Grip |
David Waine | Special Effects Coordinator, Special Effects Supervisor |
Paul Prokop | Production Controller |
Cody Zwieg | Production Secretary |
Eileen Peterson | Unit Publicist |
Peter Sorel | Still Photographer |
Bruce Stambler | Supervising Sound Editor |
Glenn Hoskinson | Sound Effects Editor |
Kim Secrist | Sound Effects Editor |
Jay Nierenberg | Sound Effects Editor |
Richard E. Yawn | Sound Effects Editor |
Lance Brown | Sound Designer |
Becky Sullivan | Supervising ADR Editor |
Donald L. Warner Jr. | Dialogue Editor |
Bruce Fortune | Dialogue Editor |
Bernard Weiser | Dialogue Editor |
Robert Troy | Dialogue Editor |
Michael Dressel | Foley Supervisor |
Steve Mann | Foley Editor |
Paul Aulicino | First Assistant Sound Editor |
Matthew C. May | Assistant Sound Editor |
Christopher Moriana | Foley Artist |
Michael J. Broomberg | Foley Artist |
Jeffrey J. Haboush | Sound Re-Recording Mixer |
Kevin E. Carpenter | Sound Re-Recording Mixer |
Michael Herbick | Sound Re-Recording Mixer |
Gary Ritchie | Sound Recordist |
Kathy McCart | Sound Recordist |
Bill Holmquist | Construction Coordinator |
Mark Balda | Construction Foreman |
David Peck | Construction Foreman |
Don Tardino | Transportation Coordinator |
Timothy P. Ryan | Transportation Co-Captain |
Rob McCabe | Stand In |
Courtney Pakiz | Stand In |
John Starr | Craft Service |
Michael T. Carter | Studio Teacher |
Bob McMillian | Color Timer |
Gary Burritt | Negative Cutter |
Ariel Velasco-Shaw | Visual Effects Supervisor |
David Taritero | Visual Effects Producer |
Jennifer Law-Stump | Digital Effects Supervisor |
Chris Ledesma | Music Editor |
Carla Fry | Executive In Charge Of Production |
James Lennox | Location Scout |
José Luis Alcaine | Director of Photography |
Steve Dorff | Original Music Composer |
Denise Chamian | Casting |
Mark Bridges | Costume Design |
Louis D'Esposito | First Assistant Director |
Patricia M. Peters | Utility Stunts |
Adam Shankman | Choreographer |
Shepherd Frankel | Assistant Art Director |
Kimberly Adams | Assistant Costume Designer |
David Jobe | Foley Mixer |
Steven F. Nelson | Sound Effects Editor |
Name | Title |
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Hugh Wilson | Producer |
Renny Harlin | Producer |
Sunil Perkash | Executive Producer |
Claire Rudnick Polstein | Executive Producer |
Amanda Stern | Executive Producer |
Mary Kane | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 36 | 54 | 26 |
2024 | 5 | 35 | 44 | 22 |
2024 | 6 | 36 | 61 | 20 |
2024 | 7 | 38 | 59 | 25 |
2024 | 8 | 30 | 42 | 21 |
2024 | 9 | 28 | 46 | 18 |
2024 | 10 | 27 | 39 | 19 |
2024 | 11 | 32 | 57 | 22 |
2024 | 12 | 24 | 33 | 17 |
2025 | 1 | 25 | 38 | 20 |
2025 | 2 | 30 | 81 | 7 |
2025 | 3 | 10 | 34 | 2 |
2025 | 4 | 4 | 7 | 3 |
2025 | 5 | 5 | 11 | 3 |
2025 | 6 | 4 | 6 | 4 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 4 | 6 | 3 |
2025 | 9 | 3 | 3 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 930 | 930 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 854 | 854 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 770 | 881 |
**The crazy story and wacky lovable characters make Blast from the Past a one-of-a-kind rom-com delight everyone needs to see.** One of the best romcoms you have probably never heard of. With its original and unique story, Blast from the Past charms audiences with its zany fish-out-of-water premi ... se and fun cast. Brenden Fraser's lovable innocent, and ignorant character delights as this literally sheltered young man leaves home (a bomb shelter he had lived in his entire life) and enters the world for the first time. What a crazy concept! I haven't seen another movie like it. Its clever, hilarious, and even a little inspiring, with Fraser's Adam restoring some hope and care in the hearts of his newfound jaded friends through his 1960s upbringing and manners. The goofy side characters and outrageous story make Blast from the Past a laugh-out-loud delight that everyone can enjoy for a stay-in date night movie. My wife always includes this film in her favorite movies of all time.
This was made in 99. Imagine what would happen if it was made today, in 2020, where people would shriek at them and the media would dig into their past to find anything they could smear them with while claiming that they are evil incarnate just because they are Boomers and the Greatest Generation... ... ... that would be a seriously depressing film. Instead it was made in 99 when they could make fun of BOTH the current culture and the past culture in a juxtaposition that is both hysterical and heart warming while making an interesting culture point that is under-played because the point of this is a comedy and the moral message takes a back seat to entertainment because, it was 99, when movies were made to entertain first and foremost. Yeah, you couldn't see this made today because Hollywood would feel compelled to make a point to paint every in the fallout shelter as evil. But, in 99, it was hysterical escapism.
I only watched this movie because I have a major crush on Alicia Silverstone. Turned out to be a awesome movie and one of my favorites of all time. ...
I absolutely loved Blast from the Past! It’s one of those movies that just leaves you feeling warm and happy. Brendan Fraser is fantastic in this; he nails the charm and innocence of Adam, making him such a lovable character. And Christopher Walken? He’s just brilliant as always—he brings so much ... personality to the role, balancing his quirky and serious sides perfectly. Honestly, both of them were spot-on and made the movie so enjoyable. The story, while completely ridiculous, is part of what makes it so fun. It’s not trying to be overly realistic, and that’s okay because the movie embraces its silliness in the best way. Despite the crazy premise, the script actually works—it’s lighthearted, funny, and has just the right amount of emotional depth to keep you invested. It’s definitely one of those feel-good films you can watch again and again. Sure, it’s a bit out there, but that’s part of its charm. If you’re looking for something heartwarming and entertaining, this movie hits all the right notes.