 
  Popularity: 2 (history)
| Director: | Ron Underwood | 
|---|---|
| Writer: | Neil Cuthbert | 
| Staring: | 
| The year is 2087, the setting is the moon. Pluto Nash, the high-flying successful owner of the hottest nightclub in the universe, finds himself in trouble when he refuses to sell his club to lunar gangster Mogan, who just happens to be helping the mysterious Rex Crater mastermind a plan to take over the entire moon. | |
| Release Date: | Aug 16, 2002 | 
|---|---|
| Director: | Ron Underwood | 
| Writer: | Neil Cuthbert | 
| Genres: | Comedy, Action, Science Fiction | 
| Keywords | casino, laser gun, nightclub, future, mafia boss, moon colony | 
| Production Companies | Village Roadshow Pictures, Castle Rock Entertainment, NPV Entertainment | 
| Box Office | Revenue: $7,103,973 Budget: $100,000,000 | 
| Updates | Updated: Aug 10, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Eddie Murphy | Pluto Nash | 
| Randy Quaid | Bruno | 
| Rosario Dawson | Dina Lake | 
| Joe Pantoliano | Mogan | 
| Jay Mohr | Tony Francis | 
| Luis Guzmán | Felix Laranga | 
| James Rebhorn | Belcher | 
| Peter Boyle | Rowland | 
| Burt Young | Gino | 
| Miguel A. Núñez Jr. | Miguel | 
| Pam Grier | Flura Nash | 
| John Cleese | James | 
| Victor Varnado | Kelp | 
| Illeana Douglas | Dr. Mona Zimmer | 
| Jacynthe René | Babette | 
| Alissa Kramer | Gina Francis | 
| Heidi Kramer | Filomina Francis | 
| Lillo Brancato | Larry | 
| Alex Sol | Tommy | 
| Doug Spinuzza | Doug | 
| Andrée Fafard | Holographic Spokesmodel | 
| Stu 'Large' Riley | Club Pluto Bouncer | 
| Roc LaFortune | Jimmy | 
| Russell Yuen | Oliver | 
| Alec Baldwin | M.Z.M | 
| Michael Rudder | Croupier | 
| Name | Job | 
|---|---|
| John Powell | Original Music Composer | 
| Oliver Wood | Director of Photography | 
| Alan Heim | Editor | 
| Ron Underwood | Director | 
| Paul Hirsch | Editor | 
| Nick Davis | Visual Effects Supervisor | 
| Neil Cuthbert | Screenplay | 
| Mary Colquhoun | Casting | 
| Ha Nguyen | Costume Design | 
| Frank Capra III | First Assistant Director | 
| Christina Kontos | Production Manager | 
| Anne Alloucherie | Second Assistant Director | 
| Alan Oliney | Stunt Coordinator | 
| Michael Scherer | Stunt Coordinator | 
| Jim Kontos | Unit Manager | 
| Danielle Boucher | Production Coordinator | 
| Guylaine Boucher | Assistant Production Coordinator | 
| William D. Barber | "A" Camera Operator | 
| François Daignault | Steadicam Operator, "B" Camera Operator | 
| Rob Morey | First Assistant "A" Camera | 
| Michel Bernier | First Assistant "B" Camera | 
| Claude Beauchamp | Second Assistant "A" Camera | 
| Jean Kavanagh | Clapper Loader | 
| Patrick Rousseau | Sound Mixer | 
| Gilles Aird | Art Direction | 
| Jason Weil | Art Direction | 
| Raynald Langelier | Assistant Art Director | 
| Brana Rosenfeld | Set Decoration | 
| Wayne Shepherd | Leadman | 
| Annette Bélanger | Art Department Coordinator | 
| Viviane Vallée | Art Department Coordinator | 
| Joseph Lang Browns | Set Designer | 
| Félix Larivière-Charron | Set Designer | 
| John Dexter | Set Designer | 
| A. Todd Holland | Set Designer | 
| Michele Laliberte | Set Designer | 
| Céline Lampron | Set Designer | 
| Russell Moore | Set Designer | 
| Colin De Rouin | Set Designer | 
| Charlotte Rouleau | Set Designer | 
| Dianne Wager | Set Designer | 
| Elise de Blois | Set Dresser | 
| Robert Parle | Set Dresser | 
| Vincent Aird | Set Dresser | 
| Marie-Claude Guay | Set Dresser | 
| James Carson | Production Illustrator | 
| Ed Natividad | Production Illustrator | 
| Simon Murton | Production Illustrator | 
| Philip Toolin | Production Illustrator | 
| Timothy Burgard | Storyboard Artist | 
| Marie-Agnés Reeves | Storyboard Artist | 
| Tom Southwell | Storyboard Artist | 
| Isabelle Côté | Graphic Designer | 
| Will Blount | Property Master | 
| Claire Alary | Assistant Property Master | 
| Garry Elmendorf | Special Effects Coordinator | 
| Melissa Bretherton | Visual Effects Editor | 
| Jim Flynn | First Assistant Editor | 
| Tricia Miles | Post Production Supervisor | 
| Charlene Amateau | Costume Supervisor | 
| Lizzie McGovern | Assistant Costume Designer | 
| Simonetta Mariano | Wardrobe Coordinator | 
| Vera Steimberg | Makeup Artist | 
| Gillian Chandler | Makeup Artist | 
| Bruno Gatien | Prosthetic Makeup Artist | 
| Stacey Morris | Hairstylist | 
| Manon Joly | Hairstylist | 
| Céline Daignault | Location Manager | 
| Monique Champagne | Script Supervisor | 
| Thomas A. Davila | Production Controller | 
| Gregory D. Hemstreet | Production Accountant | 
| Pota Manolakos | Production Accountant | 
| Julie Breton | Extras Casting | 
| Jonathan Wenk | Still Photographer | 
| Deborah Simmrin | Unit Publicist | 
| James B. Crawford | Gaffer | 
| John Lewin | Gaffer | 
| Keith Kerr | Best Boy Grip | 
| Patrick Lima | Dolly Grip | 
| Chris Carpenter | Sound Re-Recording Mixer | 
| Steve Maslow | Sound Re-Recording Mixer | 
| Gregg Landaker | Sound Re-Recording Mixer | 
| Gayle Wesley | First Assistant Sound Editor | 
| Branden Spencer | First Assistant Sound Editor | 
| Bill Meadows | Sound Recordist | 
| Brion Paccassi | Sound Recordist | 
| Frank Fleming | Sound Recordist | 
| Craig S. Jaeger | Foley Supervisor | 
| James Moriana | Foley Artist | 
| Jeffrey Wilhoit | Foley Artist | 
| Peter Staubli | Foley Editor | 
| Bunny Andrews | Music Editor | 
| Mo Henry | Negative Cutter | 
| David Orr | Color Timer | 
| Bill Brzeski | Production Design | 
| Shepherd Frankel | Supervising Art Director | 
| Louis Piché | Boom Operator | 
| Jean Kazemirchuk | Assistant Art Director | 
| Michael Anthony Jackson | Storyboard Artist | 
| Jocelyne Bellemare | Key Makeup Artist | 
| Bruce McBroom | Still Photographer | 
| Andy Koyama | Sound Re-Recording Mixer | 
| Adrien Morot | Special Effects Makeup Artist | 
| Drew Jones | Visual Effects Producer | 
| Jonathan Fawkner | Compositing Artist | 
| Name | Title | 
|---|---|
| Michael Bregman | Producer | 
| Martin Bregman | Producer | 
| Louis A. Stroller | Producer | 
| Frank Capra III | Co-Producer | 
| Michael Klawitter | Co-Producer | 
| Bruce Berman | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 16 | 22 | 12 | 
| 2024 | 5 | 18 | 33 | 10 | 
| 2024 | 6 | 15 | 24 | 9 | 
| 2024 | 7 | 21 | 51 | 11 | 
| 2024 | 8 | 17 | 25 | 11 | 
| 2024 | 9 | 10 | 14 | 8 | 
| 2024 | 10 | 13 | 25 | 7 | 
| 2024 | 11 | 12 | 21 | 6 | 
| 2024 | 12 | 13 | 20 | 9 | 
| 2025 | 1 | 15 | 26 | 12 | 
| 2025 | 2 | 11 | 18 | 3 | 
| 2025 | 3 | 5 | 12 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 1 | 2 | 1 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Good watch, might watch again, and can recommend. It's a little silly, but it's fine for an action comedy. The only weird thing, really was setting on Luna. Having on the its moon instead of on Terra didn't really add a lot to the movie except to facilitate a flimsy backstory and some scenes wh ... ere people required environmental suits, and that had little payoff. The benefits of being a sci-fi action comedy is to have laser effects for the blasters, and androids, which are used to various levels of humor. Eddie Murphy is great, and he plays well with Rosario Dawson, and if nothing else, you have to admit Randy Quaid is funny: the character would have been much different in someone else's hands. I'll have to admit I thought it was Terry O'Quinn ("Lost": John Locke), which made even funnier at the time, but it's a good job done. Honestly, Eddie Murphy and Rosario Dawson feel a little big for their roles, but the story is good: a former smuggler turns legitimate business owner has to find the mob boss behind the people trying to kill him. While I do think this is an average movie, it is solid, and I don't think I would go changing a lot to it. I could see a couple versions of a reboot, but in 2020, they'd probably put it in the MCU.