Fackham Hall
Born to aristocracy. Bred for idiocy.
2025 | 97m | English
Popularity: 12 (history)
| Director: | Jim O'Hanlon |
|---|---|
| Writer: | Jimmy Carr, Andrew Dawson, Tim Inman, Steve Dawson, Patrick Carr |
| Staring: |
| A new porter embarks on an unlikely relationship with the youngest daughter of a prominent English family. Simultaneously, rivalries are spilling over in the Davenport family, led by the Lord and Lady as they also weather the epic failure of the wedding of their eldest daughter to her caddish cousin. | |
| Release Date: | Dec 01, 2025 |
|---|---|
| Director: | Jim O'Hanlon |
| Writer: | Jimmy Carr, Andrew Dawson, Tim Inman, Steve Dawson, Patrick Carr |
| Genres: | Comedy, History |
| Keywords | social satire, historical comedy, hilarious, period comedy |
| Production Companies | Anonymous Content, Two & Two Pictures, Mews Films, Elysian Film Group, Vacancy Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 08, 2026 Entered: Nov 30, 2025 |
| Name | Character |
|---|---|
| Thomasin McKenzie | Rose Davenport |
| Ben Radcliffe | Eric Noone |
| Emma Laird | Poppy Davenport |
| Damian Lewis | Lord Davenport |
| Katherine Waterston | Lady Davenport |
| Lizzie Hopley | Phyllis Davenport |
| Tom Felton | Archibald |
| Tom Goodman-Hill | Inspector Watt |
| Sue Johnston | Great Aunt Bonaparte |
| Lee Boardman | Karl |
| Anna Maxwell Martin | Mrs. McAllister |
| Jimmy Carr | Vicar |
| John Thomson | Bill |
| Tim McMullan | Cyril |
| Ramon Tikaram | Darvesh Khalid |
| Charlie Rawes | Big Alan |
| Hayley Mills | Older Rose Davenport (voice) |
| Adam Woodward | Bert Chester |
| Lily Knight | Fifi Valentine |
| Alex Butler | Lionel Gritt |
| Erin Austen | Mary Bechdel / Constance Bechdel |
| Jason Done | J.R.R. Tolkien |
| Laurie Ogden | Patricia |
| Paula Wharton | Mrs. Kitchen |
| Nathan McMullen | Alexander |
| Karen Henthorn | Sister Jude |
| Ian Bartholomew | Austin Blaine |
| Dean Fagan | Prison Guard |
| Gemma Wardle | Gladys |
| Brainard Oyani | Prospective Hall Boy |
| Magdalena Sverlander | Rose Seller |
| Nathan Hall | (uncredited) |
| Name | Job |
|---|---|
| Jimmy Carr | Writer |
| Jim O'Hanlon | Director |
| Colin Fair | Editor |
| Andrew Dawson | Writer |
| Chris Richmond | Production Design |
| Tim Inman | Writer |
| Arron Monkman | First Assistant "A" Camera |
| Elaine Grainger | Casting |
| Steve Dawson | Writer |
| Greg McManus | Line Producer |
| Kyle Biggs | Art Direction |
| Philipp Blaubach | Director of Photography |
| Patrick Carr | Writer |
| Oli Julian | Original Music Composer |
| Chris Lyons | Special Effects Makeup Artist |
| Rosalind Ebbutt | Costume Design |
| Natalie Fox | Makeup Artist, Hairstylist |
| Holly Jenkins | Makeup Artist |
| Melanie Lenihan | Makeup Artist |
| Heather McIntyre | Set Decoration |
| Derek Trigg | Foley Artist |
| Zoe Freed | Foley Editor |
| Glen Gathard | Supervising Sound Editor |
| Name | Title |
|---|---|
| Andrew Karpen | Executive Producer |
| Babak Anvari | Executive Producer |
| Phil Hunt | Executive Producer |
| Jason McNab | Executive Producer |
| Michael Sklut | Executive Producer |
| Patrick Carr | Executive Producer |
| Compton Ross | Executive Producer |
| Joey Suquet | Executive Producer |
| Danny Perkins | Producer |
| Jimmy Carr | Producer |
| Georgia Goldsack | Executive Producer |
| Lucan Toh | Executive Producer |
| Paul Munn | Co-Producer |
| Kris Thykier | Producer |
| Mila Cottray | Producer |
| Kent Sanderson | Executive Producer |
| David Levine | Executive Producer |
| Nick Shumaker | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 5 | 1 |
| 2024 | 5 | 3 | 7 | 1 |
| 2024 | 6 | 3 | 18 | 0 |
| 2024 | 7 | 3 | 6 | 1 |
| 2024 | 8 | 3 | 7 | 1 |
| 2024 | 9 | 1 | 2 | 1 |
| 2024 | 10 | 2 | 5 | 1 |
| 2024 | 11 | 1 | 2 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 1 | 3 | 1 |
| 2025 | 2 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 6 | 2 |
| 2025 | 11 | 4 | 7 | 3 |
| 2025 | 12 | 12 | 37 | 5 |
| 2026 | 1 | 23 | 38 | 12 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 28 | 136 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 6 | 266 |
When the orphaned “Eric” (Ben Radcliffe) is sent by his nuns to deliver a message to “Lord Davenport” (Damian Lewis) at his stately pile, he is barely through the door before he is mistaken for a job applicant and employed as a hall-boy. He’s quite a savvy young man who can think on his feet, so bef ... ore too long he is heading up the hierarchy behind the green baize door and even flirting with the daughter of the house. Now he’d already had a bit of an altercation with “Rose” (Thomasin McKenzie) on his way up the drive on arrival, so she’s feeling a little guilty and she’s also quite taken by the glint in his eye. Daddy, though, needs her to marry the wealthy “Archie” (Tom Felton) else they whole family could be turfed out on their ear - and boy, are they unequipped for that! The determined “Rose”, though, is having none of that arranged marriage malarkey and the pair even plan to elope before - yep, you’ve guessed it, there’s a body found and so curly moustachioed police inspector “Watt” (Tom Woodman-Hill) is sent to investigate this most curious of crimes. With no absence of suspects or motive, the policeman naturally alights on the handsome but poverty stricken young stranger who hopes to marry into into the family. Surely it cannot be him? Though this does have it’s moments, it reminded me too much of Dawn French’s far superior “Murder Most Horrid” (1991) with some additional bits from "Downton Abbey” and a “Knives Out” mystery thrown in for good measure. It takes a pop at the vagaries of rustic England and it’s landed gentry, their attitudes and pursuits but hardly originally and the likes of Sue Johnston (doing her best Dame Maggie Smith), Anna Maxwell Martin (think Phyllis Logan does “Supergran”) and the underused Hayley Mills don’t really have enough to work with to make anything like enough impact on a plot that does have one thing very much in common with Agatha Christie. It’s denouement comes from left field and answers questions we didn’t know to ask about people we didn't even know were in the cauldron. It’s not really a whodunnit that we can join in with, so we watch in hope that the humour will do more of the entertaining, and for me a vicar in a pulpit misreading bible verse in a sort of “phnaa phnaa” bishop and choir boy fashion just wasn’t enough. Lewis looks like he is trying to enjoy himself, but even he seems a bit bemused as to why this is funny as it began to fall away and the puerility started to take over. Of course it’s meant to be a satire, maybe even a satire of a satire, but I just didn’t really find it funny, sorry.
I wouldn't have watched this but the name. It's better than Meet the Fockers. I didn't watch that because I thought the name was stupid. This is subtle. I watched it. After, I spent a few moments figuring out if this was released by the same company that did the Naked Gun remake. But maybe it's l ... ike Tornado or that twin film of Dante's Peak. This is funnier. At least two funny things: I struggle to define walls, too. He was just a child It does drag but I got dragged back from my phone a few times to laugh. I did get a little high. Used the choke of my pipe as a roach clip, actually. Pretty proud of that.