Popularity: 5 (history)
Director: | John Woo |
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Writer: | Gordon Chan, John Woo, Barry Wong Ping-Yiu |
Staring: |
A cop who loses his partner in a shoot-out with gun smugglers goes on a mission to catch them. In order to get closer to the leaders of the ring he joins forces with an undercover cop who's working as a gangster hitman. They use all means of excessive force to find them. | |
Release Date: | Apr 16, 1992 |
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Director: | John Woo |
Writer: | Gordon Chan, John Woo, Barry Wong Ping-Yiu |
Genres: | Action, Crime, Thriller |
Keywords | arms smuggling, inspector, arms dealer, hong kong, drugs, frantic, gay interest |
Production Companies | Milestone Productions, Golden Princess Film Productions |
Box Office |
Revenue: $0
Budget: $4,500,000 |
Updates |
Updated: Sep 29, 2025 Entered: Sep 29, 2025 |
Name | Character |
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Chow Yun-Fat | Insp. 'Tequila' Yuen |
Tony Leung Chiu-wai | Alan |
Teresa Mo Shun-Kwan | Teresa Chang |
Philip Chan | Supt. Pang |
Phillip Kwok | Mad Dog |
Anthony Wong Chau-Sang | Johnny Wong |
Kwan Hoi-San | Mr. Hoi |
Stephen Tung Wai | Little Ko / Fox |
Bowie Lam | Lung |
Bobby Au-Yeung Tsan-Wah | Lionheart |
Keith Ng Shui-Ting | Chung |
Lau Kong | Hospital Director |
Michael Dinga | Little Moustache |
Perrie Lai Hoi-San | Librarian |
Kenny Wong Tak-Ban | Johnny Wong's Thug |
Lo Meng | Ah Wah / Lonny |
Lam Kai-Wing | Mr. Hoi's Thug with Pear |
John Woo | Mr. Woo |
Jun Kunimura | Machine Gunman in Teahouse |
Lee Yiu-King | Gangster |
Benny Lam | Hitman 2 |
Wai-Sun Lam | Hitman 1 |
Gilbert Lam Wai-San | |
Jameson Lam Wa-Fan | |
Jack Wong | |
Paco Yick Tin-Hung | |
Benny Lam Diy-Kuen | |
Jacky Cheung Chun-Hung | |
Derek Kwok Jing-Hung | |
Raymond Tsang Chau-Ming |
Name | Job |
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Hai Kit-Wai | Editor |
Patrick Leung Pak-Kin | Second Unit Director |
Ronny Ching Siu-Lung | Sound Effects Editor |
Jackie Yeung | Stunt Coordinator |
Horace Wong Wing-Hang | Director of Photography |
Janet Chun Siu-Chun | Costume Design |
Gordon Chan | Screenplay |
Ah Chik | Editor |
John Woo | Editor, Story, Director |
Cheng Wai-Fong | Makeup & Hair |
Brian Schwegmann | Sound Effects |
Bruce Law Lai-Yin | Stunt Coordinator |
Bruce Yu | Costume Designer |
James Leung Wah-Sing | Art Direction, Production Design |
Sylvia Liu Jing-Yi | Second Assistant Director |
Arthur Wai Kit Lau | Special Effects |
Kim-Kit Wai | Lighting Technician |
Tai Chun-Ching | Art Direction |
James Wong Jim | Original Music Composer |
Barry Wong Ping-Yiu | Screenplay |
Michael Gibbs | Original Music Composer |
David Wu | Editor |
Max Rose | Sound Engineer |
Bruce Law | Special Effects Coordinator |
Phillip Kwok | Stunt Coordinator |
Joel Chong Kwok-Wing | Art Direction |
Name | Title |
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Terence Chang | Producer |
Amy Chin Siu-Wai | Associate Producer |
Linda Kuk Mei-Lai | Producer |
Kwok Yuet-Chuen | Supervising Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 28 | 43 | 17 |
2024 | 5 | 26 | 38 | 17 |
2024 | 6 | 22 | 37 | 15 |
2024 | 7 | 29 | 48 | 15 |
2024 | 8 | 26 | 50 | 15 |
2024 | 9 | 18 | 23 | 12 |
2024 | 10 | 19 | 32 | 12 |
2024 | 11 | 18 | 31 | 10 |
2024 | 12 | 24 | 34 | 16 |
2025 | 1 | 19 | 28 | 13 |
2025 | 2 | 13 | 24 | 4 |
2025 | 3 | 7 | 28 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 4 | 2 |
2025 | 6 | 3 | 4 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 3 | 3 | 2 |
2025 | 9 | 4 | 5 | 3 |
2025 | 10 | 4 | 5 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 504 | 639 |
**Who wants to see a free bloodbath before breakfast today?** Hong Kong has a long history of good action cinema, but this movie didn't seem that good and interesting to me. Many people love it, they say it is wonderful, and I accept that very well, I think that everyone has their own tastes, but ... the truth is that the film did not work for me. Sounds like an excuse for an action movie. John Woo is a director I don't know very well. I liked “The Killer” and, therefore, I decided to see this film: it is considered, by many people, one of the director's best. They're not even alike. It is noted that it is the same director, there is a certain style and look, and some shooting options, which are in both films, but we lack a good script, a convincing story. From the middle, sensibly, the director's brutality and bloodlust lose the brake: in minutes, we watch in the armchair what we can only classify as a gratuitous bloodbath (false, obviously). I would like to talk a little about the actors, but I felt that none of them has the time, space and material to represent a character properly. They are there to kill or die, according to the wishes and desires of the Machiavellian Woo, who abuses visual effects, brutality, the toughest and most soulless action that we can see on a cinema screen. Loaded with graphic effects that accompany a cinematography worthy of an industrial rock music video, the film takes us from massacre to massacre and, before halfway through, we already begin to doubt that there is a live cast. In truth, and to be fair, the film also has the grace of being quite immersive, be it for the good use of sound effects, be it for its magnificently adequate soundtrack, be it for the fast and visceral filming. We are part of that, we are there. And that makes it even harder to bear, depending on how insensitive you can be.