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Hard Boiled Poster

Hard Boiled

As a cop, he has brains, brawn, and an instinct to kill.
1992 | 126m | Cantonese

(57074 votes)

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Popularity: 5 (history)

Details

A cop who loses his partner in a shoot-out with gun smugglers goes on a mission to catch them. In order to get closer to the leaders of the ring he joins forces with an undercover cop who's working as a gangster hitman. They use all means of excessive force to find them.
Release Date: Apr 16, 1992
Director: John Woo
Writer: Gordon Chan, John Woo, Barry Wong Ping-Yiu
Genres: Action, Crime, Thriller
Keywords arms smuggling, inspector, arms dealer, hong kong, drugs, frantic, gay interest
Production Companies Milestone Productions, Golden Princess Film Productions
Box Office Revenue: $0
Budget: $4,500,000
Updates Updated: Sep 29, 2025
Entered: Sep 29, 2025
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Full Credits

Name Character
Chow Yun-Fat Insp. 'Tequila' Yuen
Tony Leung Chiu-wai Alan
Teresa Mo Shun-Kwan Teresa Chang
Philip Chan Supt. Pang
Phillip Kwok Mad Dog
Anthony Wong Chau-Sang Johnny Wong
Kwan Hoi-San Mr. Hoi
Stephen Tung Wai Little Ko / Fox
Bowie Lam Lung
Bobby Au-Yeung Tsan-Wah Lionheart
Keith Ng Shui-Ting Chung
Lau Kong Hospital Director
Michael Dinga Little Moustache
Perrie Lai Hoi-San Librarian
Kenny Wong Tak-Ban Johnny Wong's Thug
Lo Meng Ah Wah / Lonny
Lam Kai-Wing Mr. Hoi's Thug with Pear
John Woo Mr. Woo
Jun Kunimura Machine Gunman in Teahouse
Lee Yiu-King Gangster
Benny Lam Hitman 2
Wai-Sun Lam Hitman 1
Gilbert Lam Wai-San
Jameson Lam Wa-Fan
Jack Wong
Paco Yick Tin-Hung
Benny Lam Diy-Kuen
Jacky Cheung Chun-Hung
Derek Kwok Jing-Hung
Raymond Tsang Chau-Ming
Name Job
Hai Kit-Wai Editor
Patrick Leung Pak-Kin Second Unit Director
Ronny Ching Siu-Lung Sound Effects Editor
Jackie Yeung Stunt Coordinator
Horace Wong Wing-Hang Director of Photography
Janet Chun Siu-Chun Costume Design
Gordon Chan Screenplay
Ah Chik Editor
John Woo Editor, Story, Director
Cheng Wai-Fong Makeup & Hair
Brian Schwegmann Sound Effects
Bruce Law Lai-Yin Stunt Coordinator
Bruce Yu Costume Designer
James Leung Wah-Sing Art Direction, Production Design
Sylvia Liu Jing-Yi Second Assistant Director
Arthur Wai Kit Lau Special Effects
Kim-Kit Wai Lighting Technician
Tai Chun-Ching Art Direction
James Wong Jim Original Music Composer
Barry Wong Ping-Yiu Screenplay
Michael Gibbs Original Music Composer
David Wu Editor
Max Rose Sound Engineer
Bruce Law Special Effects Coordinator
Phillip Kwok Stunt Coordinator
Joel Chong Kwok-Wing Art Direction
Name Title
Terence Chang Producer
Amy Chin Siu-Wai Associate Producer
Linda Kuk Mei-Lai Producer
Kwok Yuet-Chuen Supervising Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 28 43 17
2024 5 26 38 17
2024 6 22 37 15
2024 7 29 48 15
2024 8 26 50 15
2024 9 18 23 12
2024 10 19 32 12
2024 11 18 31 10
2024 12 24 34 16
2025 1 19 28 13
2025 2 13 24 4
2025 3 7 28 1
2025 4 2 3 1
2025 5 2 4 2
2025 6 3 4 2
2025 7 2 3 1
2025 8 3 3 2
2025 9 4 5 3
2025 10 4 5 4

Trending Position


Year Month High Avg
2025 9 504 639

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Reviews

FilipeManuelNeto
1.0

**Who wants to see a free bloodbath before breakfast today?** Hong Kong has a long history of good action cinema, but this movie didn't seem that good and interesting to me. Many people love it, they say it is wonderful, and I accept that very well, I think that everyone has their own tastes, but ... the truth is that the film did not work for me. Sounds like an excuse for an action movie. John Woo is a director I don't know very well. I liked “The Killer” and, therefore, I decided to see this film: it is considered, by many people, one of the director's best. They're not even alike. It is noted that it is the same director, there is a certain style and look, and some shooting options, which are in both films, but we lack a good script, a convincing story. From the middle, sensibly, the director's brutality and bloodlust lose the brake: in minutes, we watch in the armchair what we can only classify as a gratuitous bloodbath (false, obviously). I would like to talk a little about the actors, but I felt that none of them has the time, space and material to represent a character properly. They are there to kill or die, according to the wishes and desires of the Machiavellian Woo, who abuses visual effects, brutality, the toughest and most soulless action that we can see on a cinema screen. Loaded with graphic effects that accompany a cinematography worthy of an industrial rock music video, the film takes us from massacre to massacre and, before halfway through, we already begin to doubt that there is a live cast. In truth, and to be fair, the film also has the grace of being quite immersive, be it for the good use of sound effects, be it for its magnificently adequate soundtrack, be it for the fast and visceral filming. We are part of that, we are there. And that makes it even harder to bear, depending on how insensitive you can be.

Jul 18, 2023