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Watership Down Poster

Watership Down

All the world will be your enemy, Prince with a Thousand Enemies, and when they catch you, they will kill you... but first they must catch you.
1978 | 92m | English

(42058 votes)

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Popularity: 1 (history)

Details

When the warren belonging to a community of rabbits is threatened, a brave group led by Fiver, Bigwig, Blackberry and Hazel leave their homeland in a search of a safe new haven.
Release Date: Oct 14, 1978
Director: Martin Rosen
Writer: Martin Rosen, Richard Adams, John Hubley
Genres: Animation, Adventure, Drama
Keywords based on novel or book, gore, seagull, trap, anthropomorphism, based on children's book, rabbit, runt, river crossing, adult animation, journey, myth, berkshire, rabbits
Production Companies Nepenthe Productions, Watership Productions
Box Office Revenue: $3,713,768
Budget: $1,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
John Hurt Hazel (voice)
Richard Briers Fiver (voice)
Michael Graham Cox Bigwig (voice)
John Bennett Captain Holly (voice)
Ralph Richardson Chief Rabbit (voice)
Simon Cadell Blackberry (voice)
Terence Rigby Silver (voice)
Roy Kinnear Pipkin (voice)
Richard O'Callaghan Dandelion (voice)
Denholm Elliott Cowslip (voice)
Lynn Farleigh Cat (voice)
Mary Maddox Clover (voice)
Zero Mostel Kehaar (voice)
Harry Andrews General Woundwort (voice)
Hannah Gordon Hyzenthlay (voice)
Nigel Hawthorne Captain Campion (voice)
Clifton Jones Blackavar (voice)
Derek Griffiths Vervain (voice)
Michael Hordern Frith (voice)
Joss Ackland Black Rabbit (voice)
Michelle Price Lucy (voice)
Name Job
Martin Rosen Director, Screenplay
Art Garfunkel Theme Song Performance
Terry Rawlings Editor
Angela Morley Original Music Composer
Denis Ryan Background Designer
Judy Hayward Production Secretary
Jo Gregory Production Accountant
Ted Pettengell Storyboard Artist
Tony Guy Senior Animator
Bill Littlejohn Animation
Ralph Ayres Animation
Marie Szmichowska Animation
Bill Geach Animation
Ian Henderson Background Designer
Rodolfo Azaro Background Designer
Richard Bell Background Designer
Malcolm Bourne Animation
Bobby Clennell Animation
Alan Simpson Key Animation
Gary Sycamore Background Designer
Dennis Gardiner Production Manager
Marilyn Barham Production Secretary
Linda Gregory Production Accountant
Arthur Humberstone Senior Animator
Phil Duncan Senior Animator
Ruth Kissane Animation
Brian Foster Animation
Alan Simpson Animation
Kathleen "Spud" Houston Animation
Sue Branch Background Designer
Brian Melling Background Designer
Ray Kelly Animation
Richard Adams Novel
Colin White Animation
Errol Bryant Background Designer
Philip Alton Production Coordinator
Ron Garrett Production Accountant
Gordon Harrison Storyboard Artist
George Jackson Senior Animator
Edric Radage Animation
John Perkins Animation
Chris Evans Animation
Doug Jensen Animation
Barrie Nelson Animation
Paul Shardlow Background Designer
Vanessa Clegg Background Designer
Alistair Byrt Animation
Sarah Vincent Animation
Steve Woods Animation
Luciana Arrighi Sequence Artist
Alma Sachs Color Designer
Elaine Mills Painter
Barbara Todeschini Painter
Philip Campbell Editorial Staff
April Spencer Animation
Chris Caunter Animation
Rosemary Welch Animation
Peter Turner Paint Coordinator
Karen Webb Painter
Olive Scott Painter
Bill Rowe Sound Mixer
Ron Boston Camera Operator
Tony Haines Camera Operator
Bob Mintern Camera Operator
David Smith Camera Operator
Lynne Anderson Painter
Briony Catling Painter
Carol Slade Animation
Donna K. Baker Paint Coordinator
Sandy Houston Painter
Maggie Brown Painter
Alan Andrews Painter
Ray Merrin Sound Effects
Moses Agyemang Camera Operator
Les Green Camera Operator
Julian Holdaway Camera Operator
Barry Orsborn Camera Operator
Jose Amoros-Sanz Painter
Joan Bradshaw Painter
Malcolm Williamson Music
Alan Buchan Camera Operator
Denis Hall Camera Operator
Christopher Morgan Camera Operator
Chris Williams Camera Operator
Margot Allen Painter
Peter See Storyboard Artist
John Hubley Writer
George Dunning Animation
Name Title
Martin Rosen Producer
Jake Eberts Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 25 36 16
2024 5 49 80 35
2024 6 37 78 19
2024 7 23 35 13
2024 8 18 26 10
2024 9 15 19 10
2024 10 16 33 10
2024 11 14 32 10
2024 12 16 25 11
2025 1 17 37 10
2025 2 10 16 3
2025 3 5 16 1
2025 4 1 2 1
2025 5 2 4 1
2025 6 2 6 1
2025 7 1 2 1
2025 8 1 2 1

Trending Position


Year Month High Avg
2025 6 877 915
Year Month High Avg
2025 5 829 858
Year Month High Avg
2025 3 900 930

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Reviews

r96sk
8.0

It sure lives up to its reputation! The sole thing I knew about <em>'Watership Down'</em> pre-watch was that it's relatively graphic and had an impact on children at the time of its release. Well, I can certainly see why! Heck, even by today's standards it's still pretty out there in terms of how ... it portrays the violence. The animation, for its time, is absolutely splendid - super effective! The music is also noteworthy. I will say that I don't think the characters are anything above solid, like post-watch I can't really remember any of them individually; visually at least, because the voice cast are very good.

Sep 20, 2024
Geronimo1967
7.0

The instantly recognisable tones of Sir Michael Hordern set the scene as he tells us a tale of yore about the rabbit. How it got it's white fluffy tail, it's strong hind legs and it's speed, sure, but also of it's vulnerabilities. It is the animal that most others just want to eat! Many generations ... later and a colony is struggling with overcrowding. Mankind is encroaching on it's territory and there simply isn't room in the warren anymore. "Hazel" suggests to the boss that they start a new one, but he flares up and refuses. Together with "Fiver" they go anyway but it's not long before they encounter the rather more militaristic one run by the menacing "Woundwort" who rules with claws and blood. I aways though their something Orwellian about Richard Adams's novel, and the selection of the sweet and docile bunny rabbit as the subject for this rather ferocious analysis of societal dysfunction adds even better to the anachronisms as even they prove to have a class system, an hierarchy and even their own furry version of a secret police! The animation is gorgeous to watch. The innocence and frivolity; the violence and the brutality - they are all captured quite graphically at times as the story unfolds. Art Garfunkel's song "Bright Eyes" doesn't actually feature so prominently as I'd remembered, but it does add quite potently for the few moments it's used to illustrate that which is tantalisingly close for "Hazel" and co. There's something truly fitting about a conclusion that seems righteous, even if it does rather reinforce the survival of the fittest mentality that these critters are trying to escape - with four legs or two.

Dec 22, 2024