Popularity: 4 (history)
Director: | Wolfgang Petersen |
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Writer: | Barry Longyear, Edward Khmara |
Staring: |
A soldier from Earth crashlands on an alien world after sustaining battle damage. Eventually he encounters another survivor, but from the enemy species he was fighting; they band together to survive on this hostile world. In the end the human finds himself caring for his enemy in a completely unexpected way. | |
Release Date: | Dec 12, 1985 |
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Director: | Wolfgang Petersen |
Writer: | Barry Longyear, Edward Khmara |
Genres: | Science Fiction, Drama |
Keywords | narration, slavery, space battle, future, complicated birth, friendship, stranded, space, alien, racism, planet, slave, reptilian, severed ear, man eating monster |
Production Companies | 20th Century Fox, SLM Production Group, Bavaria Film, Kings Road Entertainment |
Box Office |
Revenue: $12,300,000
Budget: $40,000,000 |
Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Dennis Quaid | Willis Davidge |
Louis Gossett Jr. | Jeriba 'Jerry' Shigan |
Brion James | Stubbs |
Richard Marcus | Arnold |
Carolyn McCormick | Morse |
Lance Kerwin | Joey Wooster |
Bumper Robinson | Zammis |
Jim Mapp | Old Drac |
Scott Kraft | Jonathan |
Lou Michaels | Wilson |
Andy Geer | Bates |
Henry Stolow | Cates |
Danmar | Wise Guy |
Mandy Hausenberger | 1st Medic |
Herb Andress | Hopper |
Jack Luceno | Drac Movement |
Barry Stokes | Huck |
Ulrich Günther | Daggett |
Emily Woods | Simpson |
Colin Gilder | Chavo |
Charles M. Huber | Kranzer |
Frank Henson | Lump |
Jazzer Jeyes | Scarbreath |
Doug Robinson | Walker |
Mark McBride | Hensler |
Menyhért René Balog-Dutombé | Mills |
Tony L. Moore | Special Drac |
Tom Baker | Narrator (voice) |
Name | Job |
---|---|
Wolfgang Petersen | Director |
Tony Imi | Director of Photography |
Heiner Harss | Foley |
Ron Pender | Dolby Consultant |
Mel Kutbay | Foley |
Grahame Ménage | Scenic Artist |
Gary Clayton | Dialogue Editor |
Bruce Walters | Animation Supervisor |
Monika Bauert | Costume Design |
Alan Paley | Sound Editor |
Barry Longyear | Story |
Terry Cade | Stunts |
Chris Taylor | Key Hair Stylist |
Harry Nap | Production Manager |
Bert Batt | First Assistant Director |
Hannes Nikel | Second Unit Director, Editor |
Peter Dürst | Property Master |
Edward Khmara | Screenplay |
Mike Le Mare | Sound Designer |
Don Dow | Visual Effects Supervisor |
Micky Wilson | Gaffer |
Jane Feinberg | Casting |
Zoltán Horváth | Set Dresser |
Gary Clayton | Dialogue Editor |
Bernhard Neureiter | Construction Coordinator |
Alfie Emmins | Gaffer |
Robert Hathaway | Music Editor |
Christine Jahn | Visual Effects Editor |
Herbert Strabel | Art Direction |
Karl-Heinz Vogelmann | Still Photographer |
Ellen E. Lichtwardt | Animation Supervisor |
Werner Achmann | Art Direction |
Troy Neighbors | Casting |
Scott Brose | Sound Editor |
Dave Carson | Visual Effects Art Director |
Tony White | Camera Operator |
Hunt Downs | Unit Publicist |
Carol Walas | Creature Design |
Dieter Meyer | Production Supervisor |
Scott Wodehouse | Production Manager |
Gerd Huber | Second Assistant Director |
Albrecht von Bethmann | Second Unit First Assistant Director |
Josef Farnbauer | Sculptor |
Peter Bond | Sound Editor |
John Ireland | Dialogue Editor |
Markus Blunder | Second Assistant Camera |
Ray Gilberti | Assistant Camera |
Clive Prior | Second Assistant Camera |
Kathy Sykes | Production Coordinator |
Martin Grace | Stunt Coordinator |
Bob MacDonald Jr. | Special Effects Supervisor |
Ariel Levy | Production Manager |
Brian Wade | Special Effects Makeup Artist |
Jan-Michael Brandt | Unit Manager |
Walter Pucker | Production Manager |
Robert Hottarek | Third Assistant Director |
Thomas Jauch | Second Unit First Assistant Director |
Richard Eglseder | Property Master |
Michael Murchan | Construction Manager |
Stanley B. Gill | Sound Recordist |
Karola Storr | Foley Editor |
Michel Gemmell | Underwater Director of Photography |
Randy Jonsson | Assistant Camera |
Susan Fritz-Monahan | Production Coordinator |
Günther Ruckdeschel | Boom Operator |
Jack Coggins | Electrician |
Bernie Grill | Best Boy Electric |
Ellen Lichtwardt Goodchild | Animation Supervisor |
Mike Fenton | Casting |
Rolf Zehetbauer | Set Decoration, Production Design |
Chris Walas | Creature Design, Special Effects Makeup Artist |
Maurice Jarre | Original Music Composer |
Eddie Powell | Stunts |
Daniel Parker | Makeup Designer |
Bill Weston | Stunts |
Name | Title |
---|---|
Stanley O'Toole | Executive Producer |
Stephen J. Friedman | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 31 | 48 | 20 |
2024 | 5 | 40 | 59 | 32 |
2024 | 6 | 31 | 44 | 21 |
2024 | 7 | 27 | 46 | 16 |
2024 | 8 | 28 | 57 | 17 |
2024 | 9 | 17 | 19 | 13 |
2024 | 10 | 18 | 27 | 10 |
2024 | 11 | 21 | 48 | 12 |
2024 | 12 | 17 | 27 | 10 |
2025 | 1 | 19 | 32 | 14 |
2025 | 2 | 13 | 20 | 3 |
2025 | 3 | 6 | 19 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 2 | 5 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 3 | 6 | 1 |
2025 | 10 | 3 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 688 | 714 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 864 | 908 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 938 | 942 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 936 | 936 |
**A very dated and unsatisfactory film, which carries a rather naive message about war and conflicts.** This is one of those films that promises a lot when we read the synopsis, but ends up being disappointing: in its attempt to please different audiences, from sci-fi to drama and also action, it ... fails to satisfy anyone and I believe it was this feeling, more or less general, that led it straight to the oblivion bin where I found it. Released in the golden age of sci-fi, when the genre experienced a very notable development and popularity, the film has a relatively warm story and begins with a war between humans and a reptilian alien species called “drac”. We follow the combat between two spaceships in a remote part of the universe until they both crash on the same planet. From here on, in order to survive, both will have to collaborate with each other, which opens the door to dialogue and mutual understanding. I can understand what makes some people appreciate this film or want to see it: it has some good quality action that Wolfgang Petersen's solid direction emphasizes and enhances, and a script with a flowery and progressive message about prejudice and the importance of having a frank and open dialogue. That is, the film still comes in the aftermath of those ideas of peace and love from the 70s, where it seemed that all wars could end if there was a willingness to talk and understand whoever was on the opposite side. However, neither the script nor the director are flawless: the film is excessively slow and has a variable and inconstant rhythm, we feel that it wastes time with a sentimentality worthy of a soap opera and injects a lot of melodrama without any advantage, like those people who stay for ten minutes talking before getting to what matters. With all this, the action, although good, is scarce and does not justify the film for fans of a good space fight. And the message of peace underlying the script forgets that all wars begin due to conflicts of interest, not exactly due to a lack of dialogue and mutual prejudices: I can understand my enemy very well and think that war is horrible, but decide to fight anyway if consider that I have a good chance of winning and, thus, have access to an advantage or gain that I would not be able to obtain otherwise. Despite Dennis Quaid's sound and fame, the best actor in the film is Louis Gossett Jr., in an alien costume. The actor is not brilliant, he is average, but he manages to be incredible in the role, especially when he has an immature and charisma-free scoundrel like Quaid at his side. I've seen a few movies with him, and what he does here is essentially overact it and look stupid. Brion James deserves an honorable mention for the skillful villain he brought to life, but he adds little to the film. Technically, it fits into the broad spectrum of mid-budget sci-fi films from the 80s: we have decent enough cinematography and some creatively invented aliens, to which must be added some good special effects. The general appearance is old: it is a visually very dated film and the sets and costumes, although effective, are unable to appear realistic. The sound isn't bad, but the soundtrack doesn't do much for the overall work.