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Enemy Mine Poster

Enemy Mine

Enemies because they were taught to be. Allies because they had to be. Brothers because they dared to be.
1985 | 108m | English

(53920 votes)

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Popularity: 4 (history)

Details

A soldier from Earth crashlands on an alien world after sustaining battle damage. Eventually he encounters another survivor, but from the enemy species he was fighting; they band together to survive on this hostile world. In the end the human finds himself caring for his enemy in a completely unexpected way.
Release Date: Dec 12, 1985
Director: Wolfgang Petersen
Writer: Barry Longyear, Edward Khmara
Genres: Science Fiction, Drama
Keywords narration, slavery, space battle, future, complicated birth, friendship, stranded, space, alien, racism, planet, slave, reptilian, severed ear, man eating monster
Production Companies 20th Century Fox, SLM Production Group, Bavaria Film, Kings Road Entertainment
Box Office Revenue: $12,300,000
Budget: $40,000,000
Updates Updated: Aug 09, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Dennis Quaid Willis Davidge
Louis Gossett Jr. Jeriba 'Jerry' Shigan
Brion James Stubbs
Richard Marcus Arnold
Carolyn McCormick Morse
Lance Kerwin Joey Wooster
Bumper Robinson Zammis
Jim Mapp Old Drac
Scott Kraft Jonathan
Lou Michaels Wilson
Andy Geer Bates
Henry Stolow Cates
Danmar Wise Guy
Mandy Hausenberger 1st Medic
Herb Andress Hopper
Jack Luceno Drac Movement
Barry Stokes Huck
Ulrich Günther Daggett
Emily Woods Simpson
Colin Gilder Chavo
Charles M. Huber Kranzer
Frank Henson Lump
Jazzer Jeyes Scarbreath
Doug Robinson Walker
Mark McBride Hensler
Menyhért René Balog-Dutombé Mills
Tony L. Moore Special Drac
Tom Baker Narrator (voice)
Name Job
Wolfgang Petersen Director
Tony Imi Director of Photography
Heiner Harss Foley
Ron Pender Dolby Consultant
Mel Kutbay Foley
Grahame Ménage Scenic Artist
Gary Clayton Dialogue Editor
Bruce Walters Animation Supervisor
Monika Bauert Costume Design
Alan Paley Sound Editor
Barry Longyear Story
Terry Cade Stunts
Chris Taylor Key Hair Stylist
Harry Nap Production Manager
Bert Batt First Assistant Director
Hannes Nikel Second Unit Director, Editor
Peter Dürst Property Master
Edward Khmara Screenplay
Mike Le Mare Sound Designer
Don Dow Visual Effects Supervisor
Micky Wilson Gaffer
Jane Feinberg Casting
Zoltán Horváth Set Dresser
Gary Clayton Dialogue Editor
Bernhard Neureiter Construction Coordinator
Alfie Emmins Gaffer
Robert Hathaway Music Editor
Christine Jahn Visual Effects Editor
Herbert Strabel Art Direction
Karl-Heinz Vogelmann Still Photographer
Ellen E. Lichtwardt Animation Supervisor
Werner Achmann Art Direction
Troy Neighbors Casting
Scott Brose Sound Editor
Dave Carson Visual Effects Art Director
Tony White Camera Operator
Hunt Downs Unit Publicist
Carol Walas Creature Design
Dieter Meyer Production Supervisor
Scott Wodehouse Production Manager
Gerd Huber Second Assistant Director
Albrecht von Bethmann Second Unit First Assistant Director
Josef Farnbauer Sculptor
Peter Bond Sound Editor
John Ireland Dialogue Editor
Markus Blunder Second Assistant Camera
Ray Gilberti Assistant Camera
Clive Prior Second Assistant Camera
Kathy Sykes Production Coordinator
Martin Grace Stunt Coordinator
Bob MacDonald Jr. Special Effects Supervisor
Ariel Levy Production Manager
Brian Wade Special Effects Makeup Artist
Jan-Michael Brandt Unit Manager
Walter Pucker Production Manager
Robert Hottarek Third Assistant Director
Thomas Jauch Second Unit First Assistant Director
Richard Eglseder Property Master
Michael Murchan Construction Manager
Stanley B. Gill Sound Recordist
Karola Storr Foley Editor
Michel Gemmell Underwater Director of Photography
Randy Jonsson Assistant Camera
Susan Fritz-Monahan Production Coordinator
Günther Ruckdeschel Boom Operator
Jack Coggins Electrician
Bernie Grill Best Boy Electric
Ellen Lichtwardt Goodchild Animation Supervisor
Mike Fenton Casting
Rolf Zehetbauer Set Decoration, Production Design
Chris Walas Creature Design, Special Effects Makeup Artist
Maurice Jarre Original Music Composer
Eddie Powell Stunts
Daniel Parker Makeup Designer
Bill Weston Stunts
Name Title
Stanley O'Toole Executive Producer
Stephen J. Friedman Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 31 48 20
2024 5 40 59 32
2024 6 31 44 21
2024 7 27 46 16
2024 8 28 57 17
2024 9 17 19 13
2024 10 18 27 10
2024 11 21 48 12
2024 12 17 27 10
2025 1 19 32 14
2025 2 13 20 3
2025 3 6 19 1
2025 4 2 2 1
2025 5 2 3 1
2025 6 2 5 1
2025 7 1 2 1
2025 8 1 2 1
2025 9 3 6 1
2025 10 3 4 3

Trending Position


Year Month High Avg
2025 5 688 714
Year Month High Avg
2025 4 864 908
Year Month High Avg
2025 3 938 942
Year Month High Avg
2025 2 936 936

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Reviews

FilipeManuelNeto
3.0

**A very dated and unsatisfactory film, which carries a rather naive message about war and conflicts.** This is one of those films that promises a lot when we read the synopsis, but ends up being disappointing: in its attempt to please different audiences, from sci-fi to drama and also action, it ... fails to satisfy anyone and I believe it was this feeling, more or less general, that led it straight to the oblivion bin where I found it. Released in the golden age of sci-fi, when the genre experienced a very notable development and popularity, the film has a relatively warm story and begins with a war between humans and a reptilian alien species called “drac”. We follow the combat between two spaceships in a remote part of the universe until they both crash on the same planet. From here on, in order to survive, both will have to collaborate with each other, which opens the door to dialogue and mutual understanding. I can understand what makes some people appreciate this film or want to see it: it has some good quality action that Wolfgang Petersen's solid direction emphasizes and enhances, and a script with a flowery and progressive message about prejudice and the importance of having a frank and open dialogue. That is, the film still comes in the aftermath of those ideas of peace and love from the 70s, where it seemed that all wars could end if there was a willingness to talk and understand whoever was on the opposite side. However, neither the script nor the director are flawless: the film is excessively slow and has a variable and inconstant rhythm, we feel that it wastes time with a sentimentality worthy of a soap opera and injects a lot of melodrama without any advantage, like those people who stay for ten minutes talking before getting to what matters. With all this, the action, although good, is scarce and does not justify the film for fans of a good space fight. And the message of peace underlying the script forgets that all wars begin due to conflicts of interest, not exactly due to a lack of dialogue and mutual prejudices: I can understand my enemy very well and think that war is horrible, but decide to fight anyway if consider that I have a good chance of winning and, thus, have access to an advantage or gain that I would not be able to obtain otherwise. Despite Dennis Quaid's sound and fame, the best actor in the film is Louis Gossett Jr., in an alien costume. The actor is not brilliant, he is average, but he manages to be incredible in the role, especially when he has an immature and charisma-free scoundrel like Quaid at his side. I've seen a few movies with him, and what he does here is essentially overact it and look stupid. Brion James deserves an honorable mention for the skillful villain he brought to life, but he adds little to the film. Technically, it fits into the broad spectrum of mid-budget sci-fi films from the 80s: we have decent enough cinematography and some creatively invented aliens, to which must be added some good special effects. The general appearance is old: it is a visually very dated film and the sets and costumes, although effective, are unable to appear realistic. The sound isn't bad, but the soundtrack doesn't do much for the overall work.

Sep 12, 2023