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The Little World of Don Camillo Poster

The Little World of Don Camillo

1952 | 107m | Italian

(5125 votes)

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Popularity: 2 (history)

Details

In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.
Release Date: Mar 28, 1952
Director: Julien Duvivier
Writer: Giovanni Guareschi, René Barjavel, Julien Duvivier
Genres: Comedy
Keywords italy, cheating, strike, village, baptism, romance, priest, football (soccer), roman catholic church, communism, neighbor neighbor relationship, 1940s, mayoral election
Production Companies Rizzoli Film, Francinex, Amato Film
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 10, 2025
Entered: Jun 02, 2025
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Full Credits

Name Character
Fernandel Don Camillo Tarocci
Gino Cervi Giuseppe Bottazzi "Peppone"
Vera Talchi Gina Filotti
Franco Interlenghi Mariolino Brusco
Saro Urzì Brusco
Charles Vissières Il Vescovo
Sylvie Signora Cristina
Clara Auteri Pepe Clara Auteri
Italo Clerici Barchini
Peppino De Martino Assessore
Carlo Duse Il Bigio
Manuel Gary Il delegato
Leda Gloria Signora Bottazzi
Luciano Manara Filotti
Armando Migliari Brusco
Giovanni Onorato Scartazzini
Franco Pesce il sacrestano
Mario Siletti Stiletti
Olga Solbelli madre di Gina
Marco Tulli Lo smilzo
Gualtiero Tumiati Ciro della Bruciata
Ruggero Ruggeri voce cristo sulla croce
Dina Romano una vecchietta
Jean Debucourt La voix du Jésus
Name Job
Giovanni Guareschi Novel
René Barjavel Screenplay
Nicolas Hayer Director of Photography
Romano Dandi Production Assistant
Bruno Brunacci Sound
Guido Caracciolo Camera Operator
Mentore Nasi Assistant Camera
Franco Civirani Still Photographer
Leandro Marini Makeup Artist
Alberto Cardone First Assistant Director
Roberto Cocco Unit Manager
Alessandro Cicognini Conductor, Original Music Composer
Julien Duvivier Screenplay, Director
Maria Rosada Editor
Virgilio Marchi Production Design
Noël Martin Camera Operator
Gianfranco Parolini Script Supervisor
Augusto Tinelli Assistant Camera
Ferdinando Ruffo Set Decoration
Piero Cocco Line Producer
Name Title
Giuseppe Amato Producer
Angelo Rizzoli Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 14 22 9
2024 5 17 25 8
2024 6 15 31 8
2024 7 14 26 8
2024 8 13 25 7
2024 9 10 14 6
2024 10 11 21 6
2024 11 14 49 5
2024 12 9 17 6
2025 1 10 15 7
2025 2 7 11 3
2025 3 5 8 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 0
2025 7 0 1 0
2025 8 0 1 0
2025 9 1 1 0
2025 10 1 2 1

Trending Position


Year Month High Avg
2025 6 801 854

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Reviews

Geronimo1967
7.0

Fernandel is great in this comedy drama set after the end of the Second World War in Italy. He's the eponymous churchman who is watching his country at a crossroads between the old and the new ways of thinking. The town has just elected a communist mayor, nicknamed "Peppone" (Gino Cervi) and it seem ... s that just about everyone barring himself and the town's former school mistress "Cristina" (Sylvie) is supporting the new regime. The two men spar like rutting stags, with the former using his considerable array of church bells to drown out his rival's political speechifying and the latter doing whatever he can to thwart the priest's dreams of establishing a garden for the poor - of which there are quite a few! Luckily, we have an invisible narrator for this exercise who adopts a god-like position on the shoulder of "Camillo" reminding him to live to the vows he took to his church despite his inclination for fisticuffs and disputations with just about everyone, but that is becoming much harder when rumours of some Nazi cash reach his ears and he wants some of it for his project. The mayor wants to build an edifice to demonstrate the power of the people and their new found freedoms, and that's what he wants to do with the reportedly 10 million Lire. Can they compromise? What's becomes clear to us is that there is a lot of bravado going on here, and when it comes down to it the two men are actually remarkably and stubbornly similar. They both want what's best for their village, their congregation/electorate and both are conscious that this is a delicate time for their nation and co-operation is going to be vital, even if it's grudgingly given. The novel from Giovanni Guareschi upon which this is based offers quite a gentle analysis of post-war, and soon to be post-kingdom, Italy and looks at the roles of the church and it's traditions in a subtly thought-provoking fashion. Director Julien Duvivier has managed to capture quite a bit of that thrust and incorporates it engagingly into a series of scenarios that do raise a smile, but also an eyebrow too. It's good fun, this, with plenty of daftness to illustrate the power of belligerence - in all it's glory!

Jan 06, 2025