Popularity: 8 (history)
| Director: | Francis Ford Coppola |
|---|---|
| Writer: | Michael Herr, Francis Ford Coppola, John Grisham |
| Staring: |
| When Rudy Baylor, a young attorney with no clients, goes to work for a seedy ambulance chaser, he wants to help the parents of a terminally ill boy in their suit against an insurance company. But to take on corporate America, Rudy and a scrappy paralegal must open their own law firm. | |
| Release Date: | Nov 18, 1997 |
|---|---|
| Director: | Francis Ford Coppola |
| Writer: | Michael Herr, Francis Ford Coppola, John Grisham |
| Genres: | Drama, Crime, Thriller |
| Keywords | jurors, proof, court case, leukemia, lawyer, courtroom, legal thriller, inspirational, dramatic |
| Production Companies | American Zoetrope, Douglas/Reuther Productions, Constellation Films |
| Box Office |
Revenue: $45,916,769
Budget: $40,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Matt Damon | Rudy Baylor |
| Claire Danes | Kelly Riker |
| Danny DeVito | Deck Shifflet |
| Jon Voight | Leo F. Drummond |
| Mary Kay Place | Dot Black |
| Dean Stockwell | Judge Harvey Hale |
| Mickey Rourke | Bruiser Stone |
| Danny Glover | Richter Tyrone Kipler |
| Virginia Madsen | Jackie Lemancyzk |
| Randy Travis | Billy Porter |
| Roy Scheider | Wilfred Keeley |
| Red West | Buddy Black |
| Johnny Whitworth | Donny Ray Black |
| Andrew Shue | Cliff Riker |
| Teresa Wright | Colleen 'Miss Birdie' Birdsong |
| Wayne Emmons | Prince Thomas |
| Adrian Roberts | Butch |
| Michael Girardin | Everett Lufkin |
| Randall King | Jack Underhall |
| Justin Ashforth | F. Franklin Donaldson |
| Michael Keys Hall | B. Bobby Hall |
| James Cunningham | J. Michael Floquet |
| Frank Clem | Mr. Van Landel |
| Alan Woolf | Kermit Aldy |
| Sonny Shroyer | Delbert Birdsong |
| Pamela Tice Chapman | Vera Birdsong |
| John Yancey | Homicide Detective |
| Name | Job |
|---|---|
| Michael Herr | Screenplay |
| Jason White | Extras Casting Assistant |
| Georgia Kacandes | Unit Production Manager |
| Roman Coppola | Second Unit Director |
| Melissa Kent | Co-Editor |
| Barbara Harris | ADR Voice Casting |
| Alicia Stevenson | Foley Artist |
| Dawn Fintor | Foley Artist |
| Robert D. Yeoman | Second Unit Director of Photography |
| Gary Archer | Prosthetics |
| Erich Stratmann | Apprentice Sound Editor |
| Paul J. Zydel | ADR Mixer |
| Douglas Murray | ADR Recordist |
| James Plannette | Chief Lighting Technician |
| Bob Shaw | Art Direction |
| Arturo Rojas | Hairstylist |
| Barbara Munch | Set Decoration |
| Patricia Grande | Hairstylist |
| David Becton | Greensman |
| Thomas Michael Ryan | Construction Foreman |
| Kim B. Christensen | Sound Effects Editor |
| Barry Malkin | Editor |
| Howard Cummings | Production Design |
| Eugene McCarthy | Property Master |
| Jeffrey Schlatter | Construction Coordinator |
| Clare C. Freeman | ADR Editor |
| Winnie D. Brown | Costume Supervisor |
| Laura Tateishi | Production Coordinator |
| Dianna Stirpe | Dialogue Editor |
| David Kelley | Second Assistant Director |
| Katherine E. Beyda | Production Supervisor |
| Brick Mason | Storyboard Artist |
| Chris Toll | Second Assistant Camera |
| Kathy Orloff | Unit Publicist |
| Susan Thomas | Costume Assistant |
| Megan B. Agosto | Assistant Editor |
| Scott P. Murphy | Set Designer |
| Phillipa Sledge | Art Department Coordinator |
| Michael Kirchberger | Supervising Sound Editor |
| Tim O'Shea | Foley Editor |
| Paul C. Babin | Camera Operator |
| Jennifer Jobst | Key Set Costumer |
| Guy Clayton | Special Effects Coordinator |
| Bruce Lacey | ADR Editor |
| Jennifer L. Ware | Sound Effects Editor |
| Phillip V. Caruso | Still Photographer |
| Kathy Durning | Music Editor |
| David A. Cohen | Dialogue Editor |
| Gary Marcus | First Assistant Director |
| Jeffrey D. McDonald | Assistant Art Director |
| Mike Thomas | First Assistant Camera |
| Scott Kinzey | Boom Operator |
| Daniela Moore | Set Costumer |
| Scott Elias | Location Manager |
| Roy Waldspurger | First Assistant Sound Editor |
| David McDonald | ADR Recordist |
| David Betancourt | Foley Mixer |
| Emilie A. Bernstein | Orchestrator |
| Ben Beaird | First Company Grip |
| Mads Hansen | Assistant Production Coordinator |
| Dennis W. Milliken | Transportation Coordinator |
| Michael Amundson | Second Unit First Assistant Director |
| Phil Hetos | Color Timer |
| Richard Drown | Stunts |
| Jeffrey Kushon | Leadman |
| Nelson Stoll | Sound Mixer |
| Eileen McCahill | Set Costumer |
| Jeffrey Paul Johnson | Assistant Property Master |
| E. Larry Oatfield | Dialogue Editor |
| Mark Berger | Sound Re-Recording Mixer |
| Bob Baron | ADR Mixer |
| Nick Thomas | Assistant Chief Lighting Technician |
| Darryl Wilson | Grip |
| David Sousa | Animal Wrangler |
| Wayne Fitzgerald | Title Designer |
| Jeff Kunkle | Dolly Grip |
| Christopher Gray | Extras Casting |
| Lee Stepp | Transportation Captain |
| Theresa Repola Mohammed | Negative Cutter |
| David Leonard | Grip |
| Francis Ford Coppola | Screenplay, Director |
| John Grisham | Novel |
| John Toll | Director of Photography |
| Elmer Bernstein | Original Music Composer |
| Linda Phillips-Palo | Casting |
| Aggie Guerard Rodgers | Costume Design |
| Lois Burwell | Makeup Artist |
| Whitney James | Makeup Artist |
| Mark Levinson | Supervising ADR Editor |
| Jack Gill | Stunt Coordinator |
| Andy Gill | Stunts |
| Steve Picerni | Stunts |
| Scott Wilder | Stunts |
| Michael Semanick | Sound Re-Recording Mixer |
| Barbara Anne Klein | Stunts |
| Name | Title |
|---|---|
| Georgia Kacandes | Co-Producer |
| Francis Ford Coppola | Producer |
| Steven Reuther | Producer |
| Fred Fuchs | Producer |
| Gary Marcus | Associate Producer |
| Michael Douglas | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 27 | 50 | 19 |
| 2024 | 5 | 28 | 41 | 20 |
| 2024 | 6 | 24 | 37 | 14 |
| 2024 | 7 | 25 | 46 | 14 |
| 2024 | 8 | 24 | 42 | 13 |
| 2024 | 9 | 19 | 24 | 14 |
| 2024 | 10 | 23 | 46 | 12 |
| 2024 | 11 | 23 | 51 | 14 |
| 2024 | 12 | 22 | 44 | 13 |
| 2025 | 1 | 22 | 46 | 13 |
| 2025 | 2 | 18 | 30 | 5 |
| 2025 | 3 | 8 | 26 | 1 |
| 2025 | 4 | 3 | 4 | 1 |
| 2025 | 5 | 3 | 3 | 2 |
| 2025 | 6 | 3 | 4 | 2 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 5 | 6 | 3 |
| 2025 | 10 | 7 | 9 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 834 | 931 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 31 | 254 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 650 | 713 |
‘Good lawyer’ is not an oxymoron RELEASED IN 1997 and written & directed by Francis Ford Coppola based on John Grisham’s book, "The Rainmaker" stars Matt Damon as an idealistic newbie lawyer in Memphis who takes on a fraudulent insurance company with Danny DeVito as his paralegal and Claire Danes ... an abused potential love interest. Jon Voight plays the lead lawyer for the insurance company and Roy Scheider the CEO of the corporation. Beyond Coppola’s renowned expertise, the cast is stellar, which also includes Mickey Rourke as a smooth legal mogul, Virginia Madsen as a witness and Dean Stockwell & Danny Glover as judges. This was Damon’s break out role as a leading man, paving the way for hits like “Good Will Hunting” (1998) and “Saving Private Ryan” (1998). He’s affable as the principled young lawyer and I liked the way the movie discreetly shows his new home life with the elderly lady, plus other budding relationships. This is decidedly a drama with many courtroom scenes, so don’t except the thrills of other Grisham-based films, like the excellent “The Firm” (1993) and action-packed “The Pelican Brief” (1993), although there is an intense action sequence in the second half. While the first half confidently take its time with the drama, throwing in moments of realistic amusement, it segues into a compelling third act. Furthermore, “The Rainmaker” is a must for anyone interested in the good, the bad and the ugly of the legal arena in America. The movie made $46 million domestically from a budget of $40 million (not including revenue from other countries), but it was still considered a disappoint in comparison to “The Firm,” which cost roughly the same amount and made six times as much at the box office. Coppola subsequently took a decade break from directing before reentering the fray with the inscrutable “Youth Without Youth” (2007). THE FILM RUNS 2 hours, 15 minutes and was shot in the Memphis area of Tennessee, as well as Cleveland, Ohio and California (Alameda, Oakland, San Francisco). GRADE: B
The Rainmaker is a compelling legal drama that showcases Francis Ford Coppola's return to form after the less successful Jack. Adapted from John Grisham's novel, the film follows Rudy Baylor, a novice attorney portrayed by Matt Damon, as he takes on a powerful insurance company in a wrongful death l ... awsuit. While the case's outcome may seem predictable, the narrative remains engaging, keeping viewers invested throughout. Matt Damon delivers a strong performance, capturing Rudy's earnestness and determination. 1997 was indeed a significant year for Damon, with Good Will Hunting also releasing, further establishing his presence in Hollywood. The supporting cast, including Danny DeVito as Deck Shifflet and Jon Voight as the opposing attorney, adds depth and nuance to the story. Coppola's direction brings a grounded realism to the film, focusing on the intricacies of the legal process and the moral dilemmas faced by the characters. The courtroom scenes are particularly well-executed, balancing tension and drama effectively. With Coppola's direction and the performances, The Rainmaker is notably one of the better adaptations of Grisham's work. Despite its strengths, The Rainmaker didn't achieve significant box office success, grossing $45.9 million domestically against a $40 million budget. However, it received generally positive reviews. In summary, The Rainmaker is a well-crafted film that combines strong performances with insightful direction, making it a noteworthy entry in Coppola's filmography and a testament to Damon's early talent.