Popularity: 14 (history)
| Director: | Martin Campbell |
|---|---|
| Writer: | Andrew Bovell, William Monahan |
| Staring: |
| As a seasoned homicide detective, Thomas Craven has seen the bleakest side of humanity. But nothing prepares him for the toughest investigation of his life: the search for his only daughter Emma's killer. Now, he is on a personal mission to uncover the disturbing secrets surrounding her murder, including corporate corruption, government collusion and Emma's own mysterious life. | |
| Release Date: | Jan 28, 2010 |
|---|---|
| Director: | Martin Campbell |
| Writer: | Andrew Bovell, William Monahan |
| Genres: | Drama, Crime, Mystery, Thriller |
| Keywords | assassination, senator, cover-up, murder, conspiracy theory, police officer, death of daughter, homicide detective, vigilantism, activist |
| Production Companies | Icon Productions, Warner Bros. Pictures, BBC Film, GK Films |
| Box Office |
Revenue: $81,126,522
Budget: $80,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Mel Gibson | Craven |
| Ray Winstone | Jedburgh |
| Danny Huston | Jack Bennett |
| Bojana Novaković | Emma Craven |
| Shawn Roberts | Burnham |
| David Aaron Baker | Millroy |
| Jay O. Sanders | Whitehouse |
| Denis O'Hare | Moore |
| Damian Young | Senator Jim Pine |
| Caterina Scorsone | Melissa |
| Frank Grillo | Agent One |
| Wayne Duvall | Chief of Police |
| Gbenga Akinnagbe | Detective Darcy Jones |
| Gabrielle Popa | Young Emma |
| Paul Sparks | Northampton Police Detective |
| Christy Scott Cashman | Detective Vicki Hurd |
| Dossy Peabody | Annie - Bennett's Asst. |
| Gordon Peterson | Interviewer |
| Peter Epstein | Agent Two |
| Tom Kemp | Paul Honeywell |
| Timothy Sawyer | Doctor |
| Molly Schreiber | Reporter #1 |
| Amelia Broome | Tina |
| Celeste Oliva | Janet |
| Scott Winters | Northmoor Doctor |
| Joe Stapleton | State Trooper #1 |
| Sol E. Romero | Hospital Nurse |
| Ali Reza | Northampton Doctor |
| Rick Avery | Robinson Jr. |
| Peter Hermann | Sanderman |
| Bill Thorpe | Watch Sergeant |
| Charles Harrington | Neighbor |
| Lisa Hughes | News Anchor #1 |
| Paula Ebben | News Anchor #2 |
| Kathy Curran | News Reporter #2 |
| Frank Ridley | Automatic Weapons Cop |
| Nico Evers-Swindell | State Trooper #2 |
| David J. Curtis | Security Officer Northmoor |
| Thomas B. Duffy | Boston Police Detective |
| Name | Job |
|---|---|
| Andrew Bovell | Screenplay |
| Pam Dixon | Casting |
| Thomas E. Sanders | Production Design |
| Mark Satterlee | Art Direction |
| Suzan Wexler | Art Direction |
| Jay Hart | Set Decoration |
| Kelvin R. Trahan | Hairstylist |
| Diane Dixon | Hairstylist |
| Catherine Marcotte | Hairstylist |
| Raul Hernandez | Hairstylist |
| Felicity Bowring | Makeup Department Head |
| John Caglione Jr. | Makeup Artist |
| Denise Paulson | Makeup Artist |
| Rob Fitz | Makeup Artist |
| Carly Serodio | Art Department Coordinator |
| Ron Mason | Assistant Art Director |
| Theodore Suchecki | Construction Coordinator |
| Steve Callas | Construction Coordinator |
| David Corral | Greensman |
| Hannah King | Scenic Artist |
| Lance Littlefield | Scenic Artist |
| Rae Signer | Scenic Artist |
| Paul Richards | Leadman |
| Paolo DeLeon | Leadman |
| Cosmas A. Demetriou | Set Designer |
| Dan O'Connell | Foley |
| Bub Asman | Supervising Sound Editor |
| William Cawley | Sound Effects Editor |
| Jason King | Sound Effects Editor |
| Kevin Murray | Sound Effects Editor |
| John T. Reitz | Sound Re-Recording Mixer |
| Gregg Rudloff | Sound Re-Recording Mixer |
| R. Bruce Steinheimer | Special Effects Coordinator |
| Scott D. Davis | Gaffer |
| Brant S. Fagan | Camera Operator |
| Lukasz Jogalla | Camera Operator |
| Bill Trautvetter | Camera Operator |
| Macall B. Polay | Still Photographer |
| Matthew Moriarty | Additional Camera |
| Mark J. Casey | Rigging Gaffer |
| Jennifer Jobst | Costume Supervisor |
| Myron Baker | Set Costumer |
| Rosa J. Colón | Set Costumer |
| Hillary Derby | Set Costumer |
| Alyson MacInnis | Set Costumer |
| Honah Lee Milne | Set Costumer |
| Gregg Schaublin | Digital Intermediate |
| Everette Webber | Digital Intermediate |
| Ron South | First Assistant Editor |
| Jen Monnar | Music Editor |
| Mike Davis | Transportation Coordinator |
| William O'Brien | Transportation Coordinator |
| Lisa Arnone | Script Supervisor |
| Anna Rane | Script Supervisor |
| Howard Samuelsohn | Dialect Coach |
| Elizabeth Himelstein | Dialect Coach |
| Charles Harrington | Location Manager |
| Mark Fitzgerald | Location Manager |
| Greg Berry | Supervising Art Director |
| Beth Sterner | Dialogue Editor |
| Paul Curtis | Dialogue Editor |
| James Simcik | Supervising ADR Editor |
| David Gulick | Property Master |
| John Mahaffie | Second Unit Director |
| Tina Fuchs Wanner | Stunt Double |
| Aaron Vexler | Stunt Double |
| Kristi Lynn | Stunt Driver |
| Norman Douglass | Stunt Double |
| Thomas Coe | Second Assistant Director |
| Michael J. Coo | Key Grip |
| Michael Brennan | Dolly Grip |
| Pud Cusack | Production Sound Mixer |
| Joel Reidy | Boom Operator |
| Deon Boyce | Second Second Assistant Director |
| Martin Campbell | Director |
| William Monahan | Screenplay |
| Phil Meheux | Director of Photography |
| Stuart Baird | Editor |
| Carolyn Pickman | Casting |
| Lindy Hemming | Costume Design |
| Howard Berger | Makeup Effects |
| Greg Nicotero | Makeup Effects |
| Alan Robert Murray | Supervising Sound Editor |
| Gary Powell | Stunt Coordinator |
| Greg Baldi | Camera Operator |
| Peter McCaffrey | Steadicam Operator |
| Howard Shore | Original Music Composer |
| Gianna Simone | Stunt Driver |
| Samantha MacIvor | Stunts |
| Peter Bucossi | Stunts |
| Rick Avery | Stunts |
| E. Bennett Walsh | Unit Production Manager |
| Jamie Marshall | First Assistant Director |
| J.J. Perry | Stunts |
| Billy D. Lucas | Stunts |
| Peter Epstein | Stunts |
| Ramsey Avery | Art Direction |
| Peter Gleaves | ADR Mixer |
| Name | Title |
|---|---|
| Michael Wearing | Producer |
| Jamie Laurenson | Co-Executive Producer |
| Suzanne Warren | Executive Producer |
| Kwame Parker | Co-Producer |
| Tim Headington | Producer |
| Graham King | Producer |
| E. Bennett Walsh | Executive Producer |
| Gail Lyon | Executive Producer |
| Lucienne Papon | Producer |
| David M. Thompson | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 24 | 33 | 13 |
| 2024 | 5 | 34 | 41 | 19 |
| 2024 | 6 | 20 | 29 | 11 |
| 2024 | 7 | 21 | 42 | 12 |
| 2024 | 8 | 20 | 29 | 12 |
| 2024 | 9 | 18 | 24 | 13 |
| 2024 | 10 | 18 | 29 | 11 |
| 2024 | 11 | 21 | 53 | 12 |
| 2024 | 12 | 17 | 27 | 11 |
| 2025 | 1 | 17 | 38 | 13 |
| 2025 | 2 | 12 | 19 | 3 |
| 2025 | 3 | 7 | 26 | 2 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 4 | 2 |
| 2025 | 6 | 4 | 7 | 2 |
| 2025 | 7 | 3 | 6 | 2 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 8 | 16 | 3 |
| 2025 | 10 | 9 | 17 | 6 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 652 | 768 |
**mixed bag.** We've seen many movies with the same premise: man seeking revenge for his loved one/child. This could've been an rare exception sticking out of the plot repetition, but it fails in other aspects. The good bits: * We get to actually care for the victims. They are more than ... just plot triggers, they are persons, and there is an emotional attachment. * The protagonist isn't as over the top as in most revenge flicks. He's an realistic cop who, caused by tragedy, is losing his grip. * In addition to the evil main antagonist, there is a deuteragonist; and I like this type of character very much: independent, but not good. Lots of potential in such a figure. * The violence is naturalistic. The bad bits: * Whether as early as in script (several authors), or as late as in post-production cuts - this looks like important bits were simply omitted. * The pacing is OK and follows the story, but at times, it feels a bit slow. * some resolution is too clichéd. This is an remake of an BBC series, which I haven't seen; my wild guess is: the original is much better. I don't think this is a spoiler; just give you an idea of the calibre of plot-holes in this: Two criminals are arrested by half a dozen cops, with physical evidence to get them behind bars for years. The TV reports about this incident, so no way this gets hushed up. Yet, two scenes later, we see the same two bad guys strutting and driving around as if police would neither recognise nor bother them. Explanation? None. Part of this is an unusual variation of the revenge-flick, with a tinge of supernatural; but another, large, part is a failed script or implementation. 4 for the movie as such; +1 for the emotional part, +1 for the deuteragonist, which really improves the potential (though not all of the outcome). I'm giving it a 6 out of 10.