Popularity: 5 (history)
| Director: | Hailey Gates |
|---|---|
| Writer: | Hailey Gates |
| Staring: |
| When an aspiring actress in a military role-playing facility falls in love with a soldier cast as an insurgent, their unsimulated emotions threaten to derail the performance. | |
| Release Date: | Dec 12, 2025 |
|---|---|
| Director: | Hailey Gates |
| Writer: | Hailey Gates |
| Genres: | Comedy, Drama |
| Keywords | california, nationalism, satire, pregnant woman, woman director, military training, roleplay, 2000s, based on short film |
| Production Companies | Paradise City, Frenesy Film, Ways & Means, Big Creek Projects, Mary of Exeter Pictures, Mercy Buckets |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Nov 30, 2025 Entered: Nov 30, 2025 |
| Name | Character |
|---|---|
| Alia Shawkat | Fayruz |
| Callum Turner | Abu Dice |
| Zahra Alzubaidi | Noor |
| Tony Shawkat | Abu Saif |
| Jane Levy | Nancy |
| Tim Heidecker | Hayden |
| Lola Kirke | Candy |
| Gilberto Ortiz | Private iPod |
| Dash Melrose | Private Freeburn |
| Allius Barnes | Private Plant |
| Blessing Oluwole | Private Duque |
| Sal Lopez | Jerry Jiminez |
| Priscilla Garita | Gloria |
| Shaholly Ayers | Maria |
| Mousa Kraish | Ray |
| Jamie McShane | Segall |
| June Carryl | Coco (aka Conrad) |
| Richard Blackmon | Rudy |
| Phil Burgers | Lackey |
| Chloë Sevigny | Pina |
| Toby Nichols | Private Pardo |
| Gil Perez-Abraham | Private Wyatt |
| Tim Blake Nelson | Mr. Speaker (voice) |
| Channing Tatum | The Actor |
| Chloe East | Medic Grimes |
| Name | Job |
|---|---|
| Madeleine Gavin | Editor |
| Kelsey Fowler | Set Decoration |
| Jennifer Confaloni | Second Assistant Director |
| Gunther Campine | Still Photographer |
| Erik Schultz | Stunt Double |
| Colby West | Stunt Driver |
| Heidi Hansen | Set Decoration Buyer |
| Joseph Winterbotham | Supervising Sound Editor |
| Adam Newport-Berra | Thanks |
| Eugene Kotlyarenko | Thanks |
| Hailey Gates | Writer, Director |
| Megan Fenton | Production Design |
| Angelina Vitto | Costume Design |
| Sophie Corra | Editor |
| David Cronin | Gaffer |
| Casey Adams | Stunt Coordinator |
| Austen Brewer | Stunt Driver |
| Brendan J. Claybourn | Set Dresser |
| Alexis Stafford | Hairstylist |
| Christine Choi | Makeup Artist |
| Roy Cansino | Special Effects Technician |
| Juan Campos | Dialogue Editor, Sound Re-Recording Mixer |
| Andrii Starykovskyi | Foley Mixer |
| Zoë Kravitz | Thanks |
| Daniel Blumberg | Thanks |
| Vinny Castellini | First Assistant Director |
| Max Whipple | Original Music Composer |
| Ashley Fenton | Production Design |
| Emma Johnston Burton | Makeup Department Head |
| Eric K. Yue | Director of Photography |
| Jake Magee | "A" Camera Operator |
| Alex Krimm | Stunts |
| Clay Cullen | Stunt Driver |
| Katie Peña | Set Dresser |
| Rachel Galey | Key Makeup Artist |
| Alex Lebel | Special Effects Coordinator |
| Peter Mcalpine | Special Effects Technician |
| Zach Goheen | Supervising Sound Editor |
| Oleksii Kameniuka | Foley Editor |
| Mona Fastvold | Thanks |
| Brady Corbet | Thanks |
| Ari Balouzian | Original Music Composer |
| Hannah Betts | Stunt Double |
| Robert Ames | Original Music Composer |
| Josh Bissett | Sound Mixer |
| Jose Espinoza | "B" Camera Operator, Steadicam Operator |
| Matthew Miller | Title Designer |
| Elan Simon | Stunts |
| Travis Fienhage | Stunt Driver |
| Becca Weber | Key Hair Stylist |
| Erin Rosenmann | Makeup Artist |
| Ryan D. Compton | Special Effects Technician |
| Ruslan Shebystyi | Foley Artist |
| Stephen Pagano | Visual Effects Supervisor |
| Sebastián Silva | Thanks |
| Michael Mahlon Orona | Property Master |
| Mark Bennett | Casting |
| Aubrey Marie | Hair Department Head |
| Sebastian Pardo | Title Designer |
| Victor Winters-Junco | Stunts |
| J.T. Holmes | Stunt Driver |
| Ellen Nielsen | Set Dresser |
| Allie Shehorn | Special Effects Makeup Artist |
| Ryan Senecal | Special Effects Technician |
| John Maynard | Sound Mixer |
| Renai Buchanan | Sound Effects Editor |
| Paul Hsu | Sound Re-Recording Mixer |
| Daniel Lopatin | Thanks |
| Antonio Campos | Thanks |
| Name | Title |
|---|---|
| Naima Abed | Producer |
| Alia Shawkat | Executive Producer |
| Heidi Bivens | Associate Producer |
| Emilie Georges | Producer |
| David Siegel | Executive Producer |
| Luca Guadagnino | Producer |
| Lana Kim | Producer |
| Scott McGehee | Executive Producer |
| Adam Wyatt Tate | Co-Producer |
| Hailey Gates | Executive Producer |
| KC Wallace | Executive Producer |
| Thomas Grabinski | Associate Producer |
| Jett Steiger | Producer |
| Mike Spreter | Executive Producer |
| Ben Kahn | Co-Producer |
| Callum Turner | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 5 | 1 |
| 2024 | 5 | 2 | 4 | 1 |
| 2024 | 6 | 5 | 22 | 1 |
| 2024 | 7 | 2 | 5 | 1 |
| 2024 | 8 | 2 | 4 | 0 |
| 2024 | 9 | 2 | 5 | 1 |
| 2024 | 10 | 1 | 3 | 1 |
| 2024 | 11 | 1 | 2 | 1 |
| 2024 | 12 | 2 | 4 | 1 |
| 2025 | 1 | 9 | 28 | 3 |
| 2025 | 2 | 5 | 13 | 1 |
| 2025 | 3 | 3 | 5 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 3 | 5 | 2 |
Trending Position
There is way too much going on in Hailey Gates’s “Atropia,” from its desire to be a biting satire of the film industry, its take on the military-industrial complex, and the blurred lines between performance and reality. Despite an interesting premise, it stumbles under the weight of its own ambition ... , delivering a smug, exhausting experience that tries too hard to be clever without ever earning it. Aspiring actress Fayruz (Alia Shawkat), finds herself cast as the star of a bizarre military role-playing facility designed to train soldiers in simulated combat. When soldier-turned-insurgent-for-hire actor Abu Dice (Callum Turner) arrives, sparks fly. The unscripted romance between Fayruz and Abu threatens to disrupt the immersive war games. On paper, it sounds like a sharp and surreal setting ripe for commentary, but the film doesn’t stick the landing. The script is based on real U.S. military training facilities (the most interesting thing about the film is that these fake countries and jobs for actors actually do exist), but the jumbled narrative causes severe tonal whiplash. The darkly funny satirical elements sometimes work but mostly don’t, and the sweeping romance undermines any meaningful critique. Even worse, everything comes across as scattered and self-satisfied, often talking down to its audience with smug inside jokes that rarely land. Despite the film’s attempts to be fresh and original, “Atropia” ends up feeling bloated and tiresome. With sharper editing and a tighter focus, it might have found its voice. What a shame that the film is too enamored with its own cleverness to notice how off-putting it becomes. By: Louisa Moore / SCREEN ZEALOTS