Kingdom: Return of the Great General
2024 | 146m | Japanese
Popularity: 3 (history)
| Director: | Shinsuke Sato |
|---|---|
| Writer: | Hara Yasuhisa, Tsutomu Kuroiwa |
| Staring: |
| Depicts a continuation of the "Battle of Mayang", an all-out war against the neighboring country Zhao that Shin and Wang Ki fought in in the previous work "Flame of Fate". | |
| Release Date: | Jul 12, 2024 |
|---|---|
| Director: | Shinsuke Sato |
| Writer: | Hara Yasuhisa, Tsutomu Kuroiwa |
| Genres: | Action, Adventure |
| Keywords | based on manga |
| Production Companies | TOHO, Pierrot, Nippon Television Network Corporation, jeki, Fukuoka Broadcasting System, Hiroshima Telecasting, Miyagi Television Broadcasting, Shizuoka Daiichi Television, Yomiuri Telecasting Corporation, Hakuhodo, Tokyu Agency, Chukyo TV Broadcasting Company, Sony Pictures International Productions, Sapporo Television Broadcasting Company, Sony Pictures, CREDEUS, LY Corporation |
| Box Office |
Revenue: $54,114,815
Budget: $0 |
| Updates |
Updated: Jan 24, 2026 Entered: Jan 24, 2026 |
| Name | Character |
|---|---|
| Kento Yamazaki | Ri Shin (Li Xin) |
| Takao Osawa | Ou Ki (Wang Qi) |
| Ryo Yoshizawa | Ei Sei (Yin Zheng) |
| Kanna Hashimoto | Ka Ryo Ten (He Liao Diao) |
| Nana Seino | Kyou Kai (Qiang Lei) |
| Shinnosuke Mitsushima | Heki (Bi) |
| Amane Okayama | Bi Hei (Wei Ping) |
| Takahiro Miura | Bi Tou (Wei Dao) |
| Takayuki Hamatsu | Taku Kei (Ze Gui) |
| Riku Hagiwara | Mou Ki (Meng Yi) |
| Koji Kikkawa | Hoken (Pang Nuan) |
| Masami Nagasawa | Yo Tan Wa (Yang Duan He) |
| Shun Oguri | Ri Boku (Li Mu) |
| Koichi Sato | Ryo Fui (Lü Buwei) |
| Hiroshi Tamaki | Shou Hei Kun (Lord Changping) |
| Yuki Yamada | Man Goku (Wan Ji) |
| Koji Yamamoto | Chou Sou (Zhuang Zhao) |
| Yuko Araki | Kyu |
| Yui Sakuma | Kaine (Hai Yin) |
| Yusuke Hirayama | Mou Bu (Meng Wu) |
| Jun Kaname | Tou (Teng) |
| Ainosuke Kataoka | Fuukii (Feng Ji) |
| Masao Kusakari | Zhao |
| Anne Watanabe | Shi Ka (Zhi Xia) |
| Mitsuomi Takahashi | Kan Ou (Gan Yang) |
| Hinako Sakurai | Tou Bi (Dong Mei) |
| Eri Murakawa | Yuu Ri (You Li) |
| Masaya Katō | Shi Shi (Si Shi) |
| Togi Makabe | Hai Rou (Pei Lang) |
| Miou Tanaka | En (Yuan) |
| Name | Job |
|---|---|
| Shinsuke Sato | Director |
| Hara Yasuhisa | Screenplay, Comic Book, Original Story |
| Tatsuya Mouri | Line Producer |
| Yutaka Yamada | Music |
| Yuji Shimomura | Action Director |
| Tsutomu Kuroiwa | Screenplay |
| Kenta Horioka | Production Manager |
| Nobuhiro Akitaya | Decorator |
| Sokoku Lee | Assistant Director |
| Keiko Ogata | Casting |
| Kensuke Matsui | Sound Designer |
| Rintaro Hamasaki | Line Producer |
| Masae Miyamoto | Costumer |
| Tsuyoshi Imai | Editor |
| Hidetaka Ozawa | Production Design |
| Hiroyuki Kase | Gaffer |
| Name | Title |
|---|---|
| Shinzô Matsuhashi | Producer |
| Naoaki Kitajima | Producer |
| Makoto Oyoshi | Executive Producer |
| Nobuyuki Iinuma | Executive Producer |
| Ryosuke Mori | Producer |
| Yuya Satoyoshi | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 6 | 1 |
| 2024 | 5 | 5 | 11 | 2 |
| 2024 | 6 | 6 | 11 | 3 |
| 2024 | 7 | 17 | 31 | 6 |
| 2024 | 8 | 10 | 16 | 6 |
| 2024 | 9 | 17 | 26 | 8 |
| 2024 | 10 | 37 | 75 | 17 |
| 2024 | 11 | 57 | 89 | 45 |
| 2024 | 12 | 51 | 59 | 42 |
| 2025 | 1 | 382 | 1233 | 56 |
| 2025 | 2 | 402 | 715 | 60 |
| 2025 | 3 | 63 | 243 | 3 |
| 2025 | 4 | 19 | 26 | 11 |
| 2025 | 5 | 10 | 12 | 8 |
| 2025 | 6 | 8 | 11 | 7 |
| 2025 | 7 | 6 | 9 | 5 |
| 2025 | 8 | 5 | 7 | 3 |
| 2025 | 9 | 4 | 5 | 3 |
| 2025 | 10 | 3 | 5 | 2 |
| 2025 | 11 | 3 | 5 | 2 |
| 2025 | 12 | 2 | 3 | 1 |
| 2026 | 1 | 3 | 3 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 355 | 379 |
Kingdom 4: Return of The Great General continues the story from Kingdom 3, focusing less on Shin and more on General Ouki and his past, which is closely tied to Shin’s dream of becoming a great general. The film opens with a helpful recap and uses a clear narrative structure, including flashbacks, t ... o introduce Houken, the main antagonist. Despite the less frequent large-scale battles, the intense duel between Ouki and Houken delivers powerful tension. The conflict builds gradually as strategic decisions lead Qin’s forces into a trap, culminating in the climactic battle between the two generals. The film’s resolution is emotionally impactful, especially scenes where Ouki encourages Shin to see things from a general’s perspective, symbolizing Shin’s future role as Ouki’s successor. These heartfelt moments, combined with a strong closing message to Eisei and Shin’s rallying of the troops, create a perfect ending—though a fifth sequel is planned for 2026. Performances are strong, with Takao Osawa standing out through expressive acting and convincing fight scenes. The cinematography, sound effects, and music effectively enhance the mood, from tension to sorrow and inspiration. Minor editing flaws, such as some artificial backgrounds, do not detract from the overall experience, making this the most emotionally resonant installment so far and a must-watch for fans. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)