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Train Dreams

The extraordinary story of an ordinary life.
2025 | 102m | English

(77853 votes)

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Popularity: 13 (history)

Details

A logger leads a life of quiet grace as he experiences love and loss during an era of monumental change in early 20th-century America.
Release Date: Nov 05, 2025
Director: Clint Bentley
Writer: Clint Bentley, Denis Johnson, Greg Kwedar
Genres: Drama
Keywords based on novel or book, husband wife relationship, slice of life, lumberjack, logger, meditative, calm, railroad worker, pacific northwest, poetic, depressing, compassionate
Production Companies Kamala Films, Black Bear Pictures
Box Office Revenue: $0
Budget: $10,000,000
Updates Updated: Feb 19, 2026
Entered: Nov 23, 2025
Trailers

Extras

Full Credits

Name Character
Joel Edgerton Robert Grainier
Felicity Jones Gladys Grainier
Nathaniel Arcand Ignatius Jack
Clifton Collins Jr. Boomer
John Diehl Billy
Paul Schneider Apostle Frank
Kerry Condon Claire Thompson
William H. Macy Arn Peeples
Will Patton Narrator (voice)
Alfred Hsing Fu Sheng
David Paul Olsen Toomis
John Patrick Lowrie Mr. Sears
Chuck Tucker Silent Man
Rob Price Curious Logger
Brandon Lindsay Elijah Brown
Eric Ray Anderson Boss
Beau Charles Young Logger
Rick Rivera Foreman. New Cut
Taylor McKinley Logger. New Cut
Ashton Singer Avery Pinkham
Zoe Rose Short Kate. Returned
Sean San Jose Carnival Barker
Bonni Dichone Woman at TV
Cisco Keanu Hoberock Wolfboy
Clark Sandford Pilot's Father
Amelia Hilsen Pilot
Keith Cox Ruffian in Store / Model T Driver (uncredited)
Bonne Vejou-Dorrell Kootenai Indian (uncredited)
Ron Ford Mr. Pinkham (uncredited)
Frank A. Gaimari Church Attendee (uncredited)
Miles Glew Fair Attendee (uncredited)
Pamela Kingsley Chapel Congregant (uncredited)
Jennifer Simmons Mrs. Pinkham (uncredited)
Eric David Wallace Logger (uncredited)
Name Job
Melisa Jusufi Set Decoration
Kaleena Jordan Hair Department Head
Cameron H. Price Second Assistant Director
Lee Salevan Sound Re-Recording Mixer, Supervising Sound Editor
Oleg Podobin Stunts
Tom Struthers Stunts
Erin O. Kay Art Direction
Adam Whitley Set Dresser
Luce Cousineau Hairstylist
Kate Dixson Makeup Artist
Adam McCollom Sound Mixer
Nike Imoru Locale Casting Director, Choreographer, Local Casting
Alexandra Schaller Production Design
Bryce Dessner Musician, Orchestrator, Original Music Composer, Songs
Cédric Chabloz First Assistant Director
Keith Cox Stunts
Art Hickman Stunts
Jeff McKracken Stunts
John Lavin Supervising Art Director
Jennifer Chavez Key Makeup Artist
Kelsey Wood Sound Mixer
Michael Roundy Special Effects Technician
Avy Kaufman Casting
Parker Laramie Editor, Post Production Supervisor
Ilia Mokhtareizadeh Visual Effects Supervisor
Tornike Dzidzikashvili Foley Artist
Chuck Tucker Stunts
Tim Spencer Steadicam Operator
Christina Burubeltz Set Dresser
Douglas Decker Hairstylist
Clint Bentley Screenplay, Director
Adolpho Veloso Director of Photography
Malgosia Turzanska Costume Design
Leo Corey Castellano Makeup Department Head
Denis Johnson Novel
Alex Terzieff Stunts, Stunt Coordinator
Brigitte Whitmire Casting Associate
Erin Downhour Stunts
Thomas Vu Stunts
Curtis Taylor Set Dresser
Kaija Mistral Key Hair Stylist
Juliette Lewis Hairstylist
Natasha Shallbetter Makeup Artist
Nathan Whitcomb Sound Mixer
Salome Maisuradze Foley Mixer
Jeff Nichols Thanks
Greg Kwedar Screenplay
Jorge Castro Stunts
Kent W. Luttrell Stunts
Daniel Mimura Steadicam Operator
Shefskie P. Sienkiewicz Set Dresser
Danyale Cook Key Hair Stylist
Alexi Sage Hairstylist
Ricardo Martínez Makeup Artist
Kevin Cook Chief Lighting Technician
Dachi Abesalashvili Foley Editor
Tom Taylor Sound Mixer, Production Sound Mixer
Ryan Roundy Special Effects Coordinator
Alexander Sanikidze Foley Supervisor
Andrew Ryan Shepherd Main Title Designer
David Lowery Thanks
Nick Cave Vocals, Songs
Dakota Keller Costume Designer, Assistant Costume Designer
Gemma Hoff Wig Designer
Akemi Hart Hairstylist
Marc Dahlstrom Production Supervisor, Transportation Coordinator
Nancy Valle Executive In Charge Of Post Production
Devante Smith Second Second Assistant Director
Dan Beyer Assistant Set Decoration
Madison E. Cattle Art Department Coordinator
Rob Chalk Set Dresser
Vincent DeFelice Key Scenic Artist
Aaron Fink Leadman
Thomas A. Gilbert Set Dresser
Andrew Imanaka Carpenter
Bree Judah Scenic Artist
Brent Lamb Construction Coordinator, Carpenter
Matt Lask Greensman
David Lewis Construction Coordinator
Oscar Lofgren Swing, Carpenter
Ben Menzel Construction Coordinator
Nathan Pacyna Greensman
Edgar Polkat Set Dresser
Adrian Rasmussen Additional Set Dresser
Júlia Sebök Concept Artist
Matthew Siltala Carpenter
Sarah Spiegelberg Leadman
Carrie Stacey Additional Set Dresser
Matthew Vidalis Graphic Designer
Mia Yoshida Set Dresser, Grip, Electrician, Props
Tina Babakishvili Foley
Nathan Wozney ADR Recordist
Kate Bilinski ADR Editor, Dialogue Editor
Beau Emory ADR Recordist
Vincent Gates Boom Operator
Nina Leitenberg Sound Mix Technician
Mehrnaz Mohabati ADR Mixer
Chuck Roundy Pyrotechnician
James Pendleton Special Effects Manager
Stoil Vatev 3D Artist
Casey Sargent VFX Artist
Russell Sadeghpour Visual Effects Coordinator
Jared Potter VFX Artist
Martin Naydenski VFX Artist
Rajesh Murthy Matchmove Supervisor
J.D. McKee Visual Effects Supervisor
Travis Berry Visual Effects Producer
Jhon Goodwin Utility Stunts
David Paul Olsen Stunts
Diz Sharpe Stunt Double
Duncan Vezain Animal Wrangler, Stunt Double
Timothy Robin Spencer Steadicam Operator
Angela Bernardoni Second Assistant Camera
Marc Dewey Assistant Chief Lighting Technician
Ryan Fritz Key Grip
Bryan Gosline Additional Camera
Morgan Hendrickson Lighting Technician, Grip
Doug Hostetter Additional Camera
Niall James Dolly Grip
Nick Kelling First Assistant Camera
Jon LaFollette Key Rigging Grip
Joe Reding Second Assistant Camera
D.S. Schaefer Extras Casting, Still Photographer, Location Scout
Matthew Semchee First Company Grip
Mike Vukas Rigging Gaffer
Rachel Weinkauf Assistant Chief Lighting Technician
Monika Holm Casting Assistant
Addison Landsburg Casting Assistant
Jennifer Simmons Extras Casting
Netsanet Tjirongo Extras Casting
Lisa Caryl-Vukas Costume Supervisor
Kimberlee Iblings Truck Costumer
Meg Schmitt Set Costumer
Robyn Urhausen Costumer
Lindsay Zgonina Truck Costumer
Taylor Williams Set Costumer
Karl Stieg Additional Editor
Phil Andrade Assistant Location Manager
Case Barden Location Manager
Debbie Dahlstrom Location Scout
Doug Daulton Assistant Location Manager
Pete Moroz Assistant Location Manager
Raymond Power Assistant Location Manager
Luis Almau Music Producer
Sam Amidon Musician
Timo Andres Musician
Oliver Howlett Orchestrator, Music Editor
Clarice Jensen Musician
Oleg Kondratenko Conductor
Molly Hans Script Supervisor
Herman Esau Transportation Coordinator
Bonni Dichone Choreographer
Alex Exline Digital Intermediate Producer
Sergio Pasqualino Colorist
Tashi Trieu Colorist
Gideon Buchleiter Production Assistant
Jennifer Gatts Production Coordinator
Angela Boulet Assistant Accountant
Casey Cowan Production Accountant
Rebecca Cook Payroll Accountant
Andrew Wert Property Master
Elizabeth Himelstein Dialect Coach
Tanera Marshall Dialect Coach
Carla Meyer Dialect Coach
Name Title
Marissa McMahon Producer
Michael Heimler Producer
Ginny Liberto Co-Producer
Scott Hinckley Executive Producer
Ashley Schlaifer Producer
Parker Laramie Co-Producer
Will Janowitz Producer
John Friedberg Executive Producer
Teddy Schwarzman Producer
Joel Edgerton Executive Producer
Greg Kwedar Executive Producer
Emma Whitmore Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 3 7 1
2024 5 3 6 1
2024 6 4 20 0
2024 7 1 4 0
2024 8 1 3 0
2024 9 1 2 1
2024 10 1 1 1
2024 11 1 2 1
2024 12 2 3 1
2025 1 8 28 2
2025 2 4 10 1
2025 3 3 6 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 0 1 0
2025 8 1 1 0
2025 9 1 2 0
2025 10 4 5 2
2025 11 67 115 4
2025 12 25 57 17
2026 1 18 24 11
2026 2 15 19 11

Trending Position


Year Month High Avg
2026 2 41 77
Year Month High Avg
2026 1 11 60
Year Month High Avg
2025 12 15 52
Year Month High Avg
2025 11 1 12

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Reviews

Brent_Marchant
5.0

While in our youth, as we struggled to understand the puzzling nature of life, many of us likely heard our elders say, “You’ll understand someday when you get older,” advice that we probably tucked away in good faith for future reference. But how many of us actually came upon that promised understan ... ding when we grew into adulthood? Chances are, many of us patiently awaited the arrival of such insights only to discover that said assurance about them never panned out as hoped for. In fact, I’m willing to bet that failed expectation happened more frequently than not. And, in this sophomore feature outing from director Clint Bentley, that scenario would again seem to be the case as the film’s perpetually perplexed protagonist searches for meaning. But, considering how frequently this situation tends to occur in everyday life, for me, the key question becomes, do we really need to see a movie that depicts this kind of all-too-familiar experience, one that many of us have already gone through ourselves? This widely praised character study follows the life of Robert Grainier (Joel Edgerton), a logger who toils in the forests of the Pacific Northwest in the early 20th Century. Having been orphaned at a young age without ever knowing his parents, he’s always sought explanations for life’s mysteries, but they generally eluded him, even on into adulthood. And, in an era when the world was changing rapidly on many fronts, he longed for answers, though they never materialized, leaving him constantly wondering about his existence, particularly when he witnesses unexplained injustices, tragedies and personal setbacks. While it’s true that many of us can empathize with his circumstances, we nevertheless also can’t help but ask, “Well, who hasn’t gone through that?” (This isn’t exactly new ground.) In that sense, then, the film focuses on the yearning of a lost soul constantly striving for some grand revelation that never arrives, and it tries to elevate this notion to the level of something that’s never been conceived of before. Moreover, to emphasize the nobility of this point, the picture dresses it up with allegedly lofty voice-over observations that sound profound but that, frankly, don’t add much that’s meaningful or even interesting. The filmmaker also tries to cover these shortcomings with gorgeous cinematography and a capable lead performance by Edgerton (though, considering the admittedly less-than-demanding character of the role, that’s not exactly saying much). Perhaps the picture’s strongest (and most underrated) asset is its cast of colorful supporting players, most notably William H. Macy and Kerry Condon, though, regrettably, their screen time is somewhat limited. Given the accolades that have been generously showered on this offering, I find it disappointing that it fails to live up to the hype, both in terms of its cinematic attributes and, more importantly, the depth of its content. Maybe I’ll understand it better when I get older. But, given that there’s not much to understand in the first place, I sincerely doubt it.

Nov 27, 2025
msbreviews
7.0

I had high expectations going into TRAIN DREAMS, largely due to the heartwarming reception it received from friends and peers in the industry, along with some awards buzz. The film embraces 'slow cinema' at its most contemplative and dreamy, prioritizing mood and texture over a conventional plot. I' ... m a sucker for natural cinematography, and here the viewers are treated to pure visual cinema, capitalizing on the real wonders of our world with stunning static shots of sunsets near rivers and cabins deep in the woods. Even though the movie feels somewhat derivative and its trajectory becomes clear fairly quickly, it never drags or becomes dull thanks to the incredibly atmospheric score and the lyrical narration, which sets a poetic tone without ever feeling too heavy. At the heart of it all is Joel Edgerton, who delivers a career-best performance. It's a fantastic example of an "underperformance", a quiet display where dialogue is sparse, yet the actor transmits a universe of emotion, grief, and resilience exclusively through his facial expressions. It's a beautifully sad yet inspiring story about life, death, and endurance, sprinkled with surprisingly amusing moments of humor throughout the runtime. While I wish the film had gone deeper into some of its themes — specifically regarding cases of severe complicity from the protagonist, as well as the rawer edges of his grief — I understand that doing so might have worked against the dialogue-light structure Clint Bentley aimed for. TRAIN DREAMS ultimately stands as a testament to the power of enduring, proving that a quiet life is just as worthy of witnessing as a loud one. Rating: B

Dec 04, 2025
msbreviews
7.0

I had high expectations going into TRAIN DREAMS, largely due to the heartwarming reception it received from friends and peers in the industry, along with some awards buzz. The film embraces 'slow cinema' at its most contemplative and dreamy, prioritizing mood and texture over a conventional plot. I' ... m a sucker for natural cinematography, and here the viewers are treated to pure visual cinema, capitalizing on the real wonders of our world with stunning static shots of sunsets near rivers and cabins deep in the woods. Even though the movie feels somewhat derivative and its trajectory becomes clear fairly quickly, it never drags or becomes dull thanks to the incredibly atmospheric score and the lyrical narration, which sets a poetic tone without ever feeling too heavy. At the heart of it all is Joel Edgerton, who delivers a career-best performance. It's a fantastic example of an "underperformance", a quiet display where dialogue is sparse, yet the actor transmits a universe of emotion, grief, and resilience exclusively through his facial expressions. It's a beautifully sad yet inspiring story about life, death, and endurance, sprinkled with surprisingly amusing moments of humor throughout the runtime. While I wish the film had gone deeper into some of its themes — specifically regarding cases of severe complicity from the protagonist, as well as the rawer edges of his grief — I understand that doing so might have worked against the dialogue-light structure Clint Bentley aimed for. TRAIN DREAMS ultimately stands as a testament to the power of enduring, proving that a quiet life is just as worthy of witnessing as a loud one. Rating: B

Dec 04, 2025
msbreviews
7.0

I had high expectations going into TRAIN DREAMS, largely due to the heartwarming reception it received from friends and peers in the industry, along with some awards buzz. The film embraces 'slow cinema' at its most contemplative and dreamy, prioritizing mood and texture over a conventional plot. I' ... m a sucker for natural cinematography, and here the viewers are treated to pure visual cinema, capitalizing on the real wonders of our world with stunning static shots of sunsets near rivers and cabins deep in the woods. Even though the movie feels somewhat derivative and its trajectory becomes clear fairly quickly, it never drags or becomes dull thanks to the incredibly atmospheric score and the lyrical narration, which sets a poetic tone without ever feeling too heavy. At the heart of it all is Joel Edgerton, who delivers a career-best performance. It's a fantastic example of an "underperformance", a quiet display where dialogue is sparse, yet the actor transmits a universe of emotion, grief, and resilience exclusively through his facial expressions. It's a beautifully sad yet inspiring story about life, death, and endurance, sprinkled with surprisingly amusing moments of humor throughout the runtime. While I wish the film had gone deeper into some of its themes — specifically regarding cases of severe complicity from the protagonist, as well as the rawer edges of his grief — I understand that doing so might have worked against the dialogue-light structure Clint Bentley aimed for. TRAIN DREAMS ultimately stands as a testament to the power of enduring, proving that a quiet life is just as worthy of witnessing as a loud one. Rating: B

Dec 04, 2025
msbreviews
7.0

I had high expectations going into TRAIN DREAMS, largely due to the heartwarming reception it received from friends and peers in the industry, along with some awards buzz. The film embraces 'slow cinema' at its most contemplative and dreamy, prioritizing mood and texture over a conventional plot. I' ... m a sucker for natural cinematography, and here the viewers are treated to pure visual cinema, capitalizing on the real wonders of our world with stunning static shots of sunsets near rivers and cabins deep in the woods. Even though the movie feels somewhat derivative and its trajectory becomes clear fairly quickly, it never drags or becomes dull thanks to the incredibly atmospheric score and the lyrical narration, which sets a poetic tone without ever feeling too heavy. At the heart of it all is Joel Edgerton, who delivers a career-best performance. It's a fantastic example of an "underperformance", a quiet display where dialogue is sparse, yet the actor transmits a universe of emotion, grief, and resilience exclusively through his facial expressions. It's a beautifully sad yet inspiring story about life, death, and endurance, sprinkled with surprisingly amusing moments of humor throughout the runtime. While I wish the film had gone deeper into some of its themes — specifically regarding cases of severe complicity from the protagonist, as well as the rawer edges of his grief — I understand that doing so might have worked against the dialogue-light structure Clint Bentley aimed for. TRAIN DREAMS ultimately stands as a testament to the power of enduring, proving that a quiet life is just as worthy of witnessing as a loud one. Rating: B

Dec 04, 2025