Popularity: 2 (history)
| Director: | Zach Lipovsky |
|---|---|
| Writer: | Harris Wilkinson |
| Staring: |
| Two young couples backpacking through Ireland discover that one of Ireland's most famous legends is a terrifying reality. | |
| Release Date: | Aug 22, 2014 |
|---|---|
| Director: | Zach Lipovsky |
| Writer: | Harris Wilkinson |
| Genres: | Horror |
| Keywords | northern ireland, prequel, leprechaun |
| Production Companies | Lionsgate, WWE Studios |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Stephanie Bennett | Sophie |
| Andrew Dunbar | Ben |
| Melissa Roxburgh | Jeni |
| Brendan Fletcher | David |
| Garry Chalk | Hamish |
| Teach Grant | Sean |
| Dylan Postl | The Leprechaun |
| Bruce Blain | Ian |
| Mary Black | Mary |
| Emilie Ullerup | Catherine |
| Adam Boys | Francois |
| Gary Peterman | Irish Farmer |
| Name | Job |
|---|---|
| Zackary Lazarus | Electrician |
| Rick Pearce | Stunts |
| Laura Lee Connery | Stunts |
| Aieisha Li | Costume Designer |
| Gary Hawes | First Assistant Director |
| Kimani Ray Smith | Stunt Coordinator |
| Geoff Redknap | Prosthetic Makeup Artist |
| Andrew Zachar | Casting Assistant |
| Jessica Harmon | Casting Assistant |
| Sanaa Kelley | Foley Artist |
| Zach Lipovsky | Director |
| David Mylrea | Stunts |
| Tiffany Mak | Casting |
| Jeff Tymoschuk | Original Music Composer |
| Mark Stevens | Editor |
| Troy Hansen | Production Design |
| Mahlon Todd Williams | Director of Photography |
| Harris Wilkinson | Writer |
| Chris Foss | Production Manager |
| Michelle Fitzpatrick | Second Assistant Director |
| Susan Williams | Script Supervisor |
| Nancy Hirami | Executive In Charge Of Post Production |
| Shawn Montgomery | Post Production Coordinator |
| Benjamin Howdeshell | First Assistant Editor |
| Lawrence Klein | First Assistant Editor |
| Casey McClelland | First Assistant Editor |
| Doug Bernheim | Music Supervisor |
| Steven A. Saltzman | Music Editor |
| Scott Kukurudz | Third Assistant Director |
| Nick Fletcher | Assistant Director Trainee |
| Michael Corrado | Art Direction |
| Roger Fires | Graphic Designer |
| Cliff Hokanson | Steadicam Operator, "A" Camera Operator |
| Justin Bergler | First Assistant "A" Camera |
| Jeremy Lundstrom | Second Assistant "A" Camera |
| George Campbell | "B" Camera Operator |
| Robert Wood | First Assistant "B" Camera |
| Ahmad Al-Tamimi | Second Assistant "B" Camera |
| Ryan Bailey | Helicopter Camera |
| Richard Sinclair | Assistant Camera |
| Sean Esler | Assistant Camera |
| Nick Watson | Assistant Camera |
| Lorne Miess | Digital Imaging Technician |
| Raymond Chopping | Camera Trainee |
| Chris Helcermanas-Benge | Still Photographer |
| Matt Willoughby-Price | Sound Mixer |
| Cameron Foodikoff | Boom Operator |
| Marie Hock | Assistant Costume Designer |
| Lucas Comstock | Costume Set Supervisor |
| Syreeta Wootton | Truck Costumer |
| Lisa Cottingham | Costumer |
| Julia Luisi | Costume Assistant |
| Julia Bors | Makeup Department Head |
| Andrea Manchur | First Assistant Makeup Artist |
| Ladan Mojallal | First Assistant Makeup Artist |
| Marjorie Wood | First Assistant Makeup Artist |
| Charmaine Clark | Hair Department Head |
| Charlene Dunn | Assistant Hairstylist |
| Blaine Ackerly | Gaffer |
| Riley Pearcy | Best Boy Electric |
| Dusty Anderson | Electrician |
| Owen Berry | Electrician |
| Seth Campbell | Electrician |
| Jennie Empey | Electrician |
| Craig Forsberg | Electrician |
| Ellias Katelovzos | Electrician |
| Kaio Kathriner | Electrician |
| Matty Reed | Electrician |
| Brian Shaw | Electrician |
| Gary Stamford | Electrician |
| Lenny Taylor | Electrician |
| Fred Wilson | Electrician |
| Knesha Yu | Electrician |
| Steve Sherlock | Key Grip |
| Jon Jovellanos | Key Grip |
| Arron Michael Johnson | Best Boy Grip |
| David Dibdin | Dolly Grip |
| Tyler Olson | Dolly Grip |
| Valentine Pavuls | Property Master |
| Laura Lea Schneider | Assistant Property Master |
| Jon Lancaster | Set Decoration |
| Adam Cathey | Set Decoration |
| Clayton Allen | Assistant Set Decoration |
| Jordan Fleisher | Set Dresser |
| Robert Hahn | Set Dresser |
| Frederick Lawrence | Set Dresser |
| Marie-Josee Nesbit | Set Dresser |
| Jennifer Tayler | Set Dresser |
| Ingrid C.A. Walther | Set Dresser |
| Richard Bickel | Set Dresser |
| Wayne Szybunka | Special Effects Coordinator |
| Mark Millward | Special Effects Technician |
| David W. Allinson | Special Effects Assistant |
| Paul Brown | Special Effects Assistant |
| Bill Butler | Special Effects Assistant |
| John Macek | Special Effects Assistant |
| Baron Heath Shaver | Construction Coordinator |
| Ken Brooker | Location Manager |
| Shawn Flynn | Location Manager |
| Laura Obenaus | Production Coordinator |
| Johnny Moore | Production Coordinator |
| Lindala Schminken | Makeup Effects Designer |
| Jarrett P. Mass | Makeup Effects |
| Jeff LeBlanc | Makeup Effects |
| Christopher D. Clark | Special Effects Makeup Artist |
| Tegan Colby | Special Effects Makeup Artist |
| Cayley Giene | Special Effects Makeup Artist |
| Vincent Akira Yoshida | Special Effects Makeup Artist |
| Katie Goett | Special Effects Makeup Artist |
| Toby Lindala | Special Effects Key Makeup Artist |
| Suzie Klimack | Special Effects Makeup Artist |
| James Skuse | Special Effects Makeup Artist |
| Charles Porlier | Special Effects Makeup Artist |
| Rachel Griffin | Prosthetic Makeup Artist |
| Sara Brown | Extras Casting |
| Darren Sunny Warkentin | Supervising Sound Editor |
| Lon Bender | Supervising Sound Editor |
| Tim Hoogenakker | Sound Re-Recording Mixer |
| Christian P. Minkler | Sound Re-Recording Mixer |
| Rusty Dunn | Sound Editor |
| Dino DiMuro | Sound Editor |
| Anthony Vanchure | Sound Editor |
| Frank Buckner | Assistant Sound Editor |
| Kris Fenske | Sound Designer |
| Geordy Sincavage | Foley Supervisor |
| Leobardo Ledon | Foley Mixer |
| Dave DeCoster | Foley Artist |
| Lee Wilson | Visual Effects Supervisor |
| Ling Chen | Visual Effects Compositor |
| Brian Burritt | CG Artist |
| Matt Drake | Visual Effects Editor |
| Rafi Pogosyan | Title Designer |
| Eric Scofield | Title Designer |
| Mkrtich Hmbartsumyan | Title Designer |
| Name | Title |
|---|---|
| Marc Bienstock | Executive Producer |
| Mark Amin | Producer |
| Chris Foss | Co-Producer |
| Richard Lowell | Executive Producer |
| Cami Winikoff | Producer |
| Michael J. Luisi | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 31 | 15 |
| 2024 | 5 | 26 | 37 | 15 |
| 2024 | 6 | 23 | 34 | 14 |
| 2024 | 7 | 23 | 34 | 15 |
| 2024 | 8 | 18 | 27 | 10 |
| 2024 | 9 | 16 | 23 | 11 |
| 2024 | 10 | 19 | 37 | 9 |
| 2024 | 11 | 17 | 39 | 10 |
| 2024 | 12 | 12 | 17 | 8 |
| 2025 | 1 | 14 | 24 | 10 |
| 2025 | 2 | 11 | 17 | 3 |
| 2025 | 3 | 6 | 16 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 5 | 1 |
Trending Position
Hiking through the Irish countryside, a group of tourists encounter a group of demented locals living in a remote village offering sacrifices to a deadly leprechaun intending them to be next and must find a way to fight off the villagers as well as the deadly creature. This one isn't nearly as ba ... d as it's reputation. One of the strongest aspects of this one is the fact that there's a lot of work done here to enhance the historical connection of their trip with the folklore of the area. The film features some rather enjoyable work about the story of the Celtic origins of the area, from their stories about the past settlers and it's connection to the different monuments around the woods to the different measures of protecting them from the creature as it sets out to hunt them one-by-one all manage to readily make this one quite nice in that regard. As well, there's plenty of incredibly fun action to be had throughout here which carries this one along quite fast and frantic, with the opening stalking of the couple lost in the woods, the later scene of the group getting chased through the woods into the secondary cabin where not only do they come face-to-face with the true intentions behind the arrival there and a pretty enjoyable brawl in the woods where they're captured and prepared for the sacrifice. The ensuing fight with the creature when it appears is rather decent as well, and the final lead-up to the brawl in the cabin where it tracks them down for it's final big fight is a big highlight, yet none of this is possible without the glorious high-impact action with them trapped in the cabin unaware of the creature stalking them outside. Discovering their trapped inside, the first hints that something is inside with them and the different means of barricading themselves away and it breaking through which really enhances the suspense of the situation and gives this one a ton of action along the way. The finale does come close to the impact of this one, with the scenes of them inside the truck and escaping into the woods with the creature right on them and leading into the house ambush which is rather tense and gives this some solid action to finish this off on a high-note. Along with the fine gory kills, these here hold this one up over it's few flaws as it did have a few troubling issues. The film's biggest problem is the fact that the creature never really seems consistent in it's motivations. Initially it seems to be after them for encroaching on it's territory, then it goes after the franchises' storyline of the desire for gold and then it becomes apart of the sacrificial storyline which doesn't make any sense and contradicts most of the other issues here as it never relly seems to be consistent within itself. Neither of these really make it play that well into the franchise as well which gives it a rather odd feeling of being just an ordinary creature on the loose and has nothing in common with the others so it does feel somewhat out-of-place in that regard. The other problematic area is the rather lousy special effects on the creature itself, which is usually so blurry and distorted by the rapid-fire quick-cut editing that you never get any kind of view of it and can tell what it looks like until the end despite it being present most of the movie. These here really drag it out. Rated R: Graphic Language and Graphic Violence.
Sure is an odd naming convention for a movie that contains neither an Origin nor a Leprechaun. I guess they didn't have faith in the more accurate title: _The Lamer Adventures of Scar from The Descent for Some Reason_. _Final rating:★½: - Boring/disappointing. Avoid where possible._ ...