Double Exposure
DANGER is Their Business!
1944 | 63m | English
Popularity: 4 (history)
| Director: | William Berke |
|---|---|
| Writer: | Ralph Graves, Winston Miller, Maxwell Shane |
| Staring: |
| In New York City, a newly hired photographer becomes embroiled in a scandal when her photo is mistaken for evidence of a murder and she must try to prove her own innocence. | |
| Release Date: | Dec 18, 1944 |
|---|---|
| Director: | William Berke |
| Writer: | Ralph Graves, Winston Miller, Maxwell Shane |
| Genres: | Comedy, Crime |
| Keywords | photographer, magazine |
| Production Companies | Paramount Pictures, Pine-Thomas Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 04, 2024 Entered: Apr 26, 2024 |
| Name | Character |
|---|---|
| Chester Morris | Larry Burke |
| Nancy Kelly | Pat Marvin |
| Jane Farrar | Dolores Tucker |
| Phillip Terry | Ben Scribner |
| Richard Gaines | James R. Tarlock |
| Charles Arnt | Sonny Tucker |
| Claire Rochelle | Smitty |
| Dewey Robinson | Mac |
| Roma Aldrich | Mavis |
| Jack Chefe | Maitre D' |
| Charles Delaney | Joe Jackson |
| Cyril Delevanti | Henry |
| Edward Earle | District Attorney Merkle |
| Kit Guard | Butch |
| Eddie Hall | Newspaper Photographer |
| Donald Kerr | Newspaper Reporter |
| Al Murphy | Bartender |
| Spec O'Donnell | Messenger |
| Hugh Prosser | Detective |
| Name | Job |
|---|---|
| Ralph Graves | Story |
| Winston Miller | Story, Screenplay |
| Maxwell Shane | Screenplay |
| Fred Jackman Jr. | Director of Photography |
| Alexander Laszlo | Original Music Composer |
| Henry Adams | Editor |
| Howard A. Smith | Editor |
| Frank Paul Sylos | Art Direction |
| L.B. Merman | Unit Manager |
| Nat Merman | Assistant Director |
| Frank McWhorter | Sound |
| William Berke | Director |
| Name | Title |
|---|---|
| William H. Pine | Producer |
| William C. Thomas | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 10 | 1 |
| 2024 | 5 | 4 | 7 | 2 |
| 2024 | 6 | 5 | 21 | 1 |
| 2024 | 7 | 3 | 5 | 1 |
| 2024 | 8 | 2 | 4 | 0 |
| 2024 | 9 | 3 | 6 | 1 |
| 2024 | 10 | 3 | 7 | 1 |
| 2024 | 11 | 3 | 9 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 2 | 5 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 3 | 5 | 1 |
| 2025 | 10 | 4 | 5 | 4 |
Trending Position
I was a fan of Chester Morris. He managed to deliver a quickly paced dialogue amusingly well, without it seeming forced or strained. This is one of his better efforts, with half decent dialogue from Winston Miller and a better the average foil in Nancy Kelly ("Pat"). It is centred around the antics ... at a magazine, where she is brought in as a photographer to liven up their rather staid publication, and of the interesting/bonkers folks who own/work for it. The plot offers us a few more quirk than usual, too - and though we are never really in doubt about what's going to happen; the road is agreeably bumpy for much of the hour this takes. Not bad at all...