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The Dreamers

Together nothing is impossible. Together nothing is forbidden.
2003 | 115m | English

(138955 votes)

TMDb IMDb

Popularity: 5 (history)

Details

When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
Release Date: Oct 10, 2003
Director: Bernardo Bertolucci
Writer: Gilbert Adair
Genres: Drama, Romance
Keywords paris, france, love triangle, hotel, sexuality, flat, bathing, riot, first time, students' movement, crush, american, twins, incest, polyamory
Production Companies Peninsula Films, HanWay Films, Recorded Picture Company, Fiction
Box Office Revenue: $15,100,000
Budget: $15,000,000
Updates Updated: Aug 10, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Michael Pitt Matthew
Eva Green Isabelle
Louis Garrel Theo
Anna Chancellor Mother
Robin Renucci Father
Jean-Pierre Kalfon Jean-Pierre Kalfon
Jean-Pierre Léaud Jean-Pierre Léaud
Florian Cadiou Patrick
Pierre Hancisse First Buff
Valentin Merlet Second Buff
Lola Peploe The Usherette
Ingy Fillion Theo's Girlfriend
Name Job
Bernardo Bertolucci Director
Gilbert Adair Screenplay, Author
Fabio Cianchetti Director of Photography
Jacopo Quadri Editor
Juliette Ménager Casting
Jean Rabasse Production Design
Daniel Laurie Dialogue Editor, ADR Editor
Patrick Cauderlier Stunt Coordinator
Aldo Signoretti Hair Supervisor
Peter Burgis Foley Artist
Thi Thanh Tu Nguyen Makeup Artist
Lucy Boulting Casting
Howard Feuer Casting
Pierre du Boisberranger Art Direction
Eric Viellerobe Set Decoration
Louise Stjernsward Costume Design
Christophe Giraud Makeup Artist
Mark Auguste Supervising Sound Editor
Grégoire Delage Special Effects
Valerio Bonelli Visual Effects
Michel Anderson Stunts
Giorgio Gregorini Hairstylist
Thi-Loan Nguyen Makeup Supervisor
Ed Colyer Foley Recordist
Mike Prestwood Smith Sound Re-Recording Mixer
Andie Derrick Foley Artist
Ted Swanscott ADR Recordist
Derek Trigg Foley Editor
Peter Gleaves ADR Mixer
Colin Cooper ADR Recordist
Stuart Wilson Sound Mixer
Name Title
Jeremy Thomas Producer
John Bernard Co-Producer
Peter Watson Associate Producer
Hercules Bellville Associate Producer
Organization Category Person
Golden Globes Best International Feature N/A Nominated
Berlin International Film Festival Best Director Bernardo Bertolucci Nominated
Cannes Film Festival Best Director Bernardo Bertolucci Won
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 45 63 30
2024 5 54 84 38
2024 6 49 72 29
2024 7 54 80 37
2024 8 45 76 32
2024 9 38 59 30
2024 10 40 58 29
2024 11 44 67 30
2024 12 43 54 34
2025 1 52 65 40
2025 2 43 58 10
2025 3 11 47 3
2025 4 10 14 5
2025 5 9 10 7
2025 6 8 9 6
2025 7 8 10 7
2025 8 6 6 5

Trending Position


Year Month High Avg
2025 8 291 697
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2025 6 331 749
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2024 12 193 656
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2024 11 863 863
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2024 10 732 864
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2024 9 721 887
Year Month High Avg
2024 8 592 792

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Reviews

Geronimo1967
6.0

It's Paris in the springtime, in 1968, and the students are revolting. "Matthew" (Michael Pitt) is visiting from the USA and he encounters the siblings "Theo" (Louis Garrel) and "Isabelle" (Eva Green) with whom he shares a fascination with movies. They invite him to their home for dinner just as the ... ir parents are heading off on trip. It's clear to the visitor that these two have a curiously intimate relationship. Not incestuous, but not a kick in the shirt off it. What now ensues sees "Matthew" ensnared in their games that have basically few holds barred - an orgy of the body and the mind fuelled by curiosity, lust and fine red wines. There is something quite unique about the way in which Bertolucci uses sex (and there's plenty of nudity and sex here) as a tool to explore the character of these three young - and beautiful - people, probing their limits and their ideals in a provocative fashion. Until the very end, I'm not sure the ongoing civil disobedience has much to do with this, indeed I thought maybe that was a way of trying to add some intellectual gravitas to a narrative that is often thinly contrived and consists largely of what would have to be described as soft-porn. It's shocking at times, but the characters are completely undercooked with Garell, especially, having little to do except gradually come to resent the burgeoning sexual relationship developing between his sister and the stranger. It's not a good film, but it is a brave film and may well mark the end of the application of Victorian attitudes and mores to 21st century cinema.

Jun 11, 2024