Menu
Funny Face Poster

Funny Face

'S Wonderful! 'S Marvelous!
1957 | 103m | English

(34929 votes)

TMDb IMDb

Popularity: 2 (history)

Director: Stanley Donen
Writer: Leonard Gershe
Staring:
Details

A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.
Release Date: Feb 13, 1957
Director: Stanley Donen
Writer: Leonard Gershe
Genres: Comedy, Romance, Music
Keywords paris, france, photographer, dance, musical, man woman relationship, intellectual, beatnik, fashion photographer, book store, eiffel tower, paris, fashion show, fashion magazine, high fashion, fashion model, women's fashion
Production Companies Paramount Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Audrey Hepburn Jo Stockton
Fred Astaire Dick Avery
Kay Thompson Maggie Prescott
Michel Auclair Prof. Emile Flostre
Robert Flemyng Paul Duval
Dovima Marion
Suzy Parker Specialty Dancer (Think Pink Number)
Sunny Hartnett Specialty Dancer (Think Pink Number)
Jean Del Val Hairdresser
Virginia Gibson Babs
Sue England Laura
Ruta Lee Lettie
Alex Gerry Dovitch
Bess Flowers Fashion Show Spectator
Iphigenie Castiglioni Armande
Bert Stevens Guest at Aborted Fashion Show
Harold Miller Guest at Aborted Fashion Show (uncredited)
Franklyn Farnum Guest at Duval's Fashion Show (uncredited)
Brandon Beach Guest at Aborted Fashion Show
Carole Eastman Specialty Dancer (uncredited)
Leoda Richards Fashion Show Spectator
Marion Gray
Marilyn White Receptionist (uncredited)
Oliver Cross Fashion Show Guest (uncredited)
Charles Fogel Fashion Show Guest (uncredited)
Sam Harris Fashion Show Guest (uncredited)
Name Job
Adolph Deutsch Orchestrator, Conductor
Stanley Donen Director
Edith Head Costume Design
Sam Comer Set Decoration
Wally Westmore Makeup Supervisor
George Gershwin Original Music Composer, Songs
Ira Gershwin Lyricist
Richard Avedon Title Designer
Ray June Director of Photography
Hubert de Givenchy Costume Design
Van Cleave Orchestrator
Roger Edens Additional Music
George W. Davis Art Direction
Alexander Courage Orchestrator
Leonard Gershe Additional Music, Writer
Conrad Salinger Orchestrator
Skip Martin Orchestrator
Eugene Loring Choreographer
Hal Pereira Art Direction
John P. Fulton Special Effects
Richard Mueller Other
Frank Bracht Editor
Nellie Manley Hair Supervisor
Winston H. Leverett Sound Recordist
Robert McCrellis Props
Farciot Edouart Special Effects
George Leverett Sound Recordist
Carmel Snow Thanks
Charles Sickler Grip
Ray Moyer Set Decoration
William McGarry Assistant Director
Mike Semenario Grip
Fred Astaire Choreographer
Name Title
Roger Edens Producer
Organization Category Person
Academy Awards Best Actress Audrey Hepburn Nominated
Cannes Film Festival Best Supporting Actress Kay Kendall Won
Venice Film Festival Best Supporting Actress Kay Kendall Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 29 48 20
2024 5 28 43 16
2024 6 24 42 12
2024 7 50 128 21
2024 8 25 56 16
2024 9 19 32 11
2024 10 17 47 11
2024 11 16 31 9
2024 12 15 26 8
2025 1 19 32 12
2025 2 12 21 3
2025 3 6 18 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 2 2 1
2025 7 1 2 1
2025 8 1 2 1
2025 9 2 2 1
2025 10 2 2 2

Trending Position


No trending metrics available.

Return to Top

Reviews

Geronimo1967
7.0

Despite the presence of Audrey Hepburn and Fred Astaire, I think this film actually belongs to Kay Thompson. She plays really well as the 1950s version of Dame Anna Wintour in this amiable, if a little thinly spread, musical comedy. Infuriated by the rather drab quality of her latest "Quality" magaz ... ine, she determines to revamp the whole thing. In pink! A bookshop being used for a photo shoot by "Avery" (Astaire) provides the unlikely source for her new model - "Jo" (Hepburn) who is to the fashion industry what Herod was to babies. "Avery" is clever, though, and he offers a trade off that sees her do a shoot in Paris in return for a meeting with "Prof. Flostre" (Michel Auclair). What now ensues is all fairly predictable, a love triangle with "Jo" in the middle vacillating. George & Ira Gerschwin provided the musical numbers, and though they are very well staged, the film lacks a killer song. That said, Thompson is on super form as the no-nonsense boss, the dance numbers are colourful and energetic and finally, Hepburn has a lovely vivacity and enthusiasm to her performance - she takes to the musical numbers very much like a duck to water. Astaire isn't at his best, and Robert Flemyng's accent isn't the best either - but at the end, the whole thing falls into place with an enjoyable certainty.

Jun 27, 2022