P2
A new level of terror.
2007 | 98m | English
Popularity: 4 (history)
| Director: | Franck Khalfoun |
|---|---|
| Writer: | Franck Khalfoun, Alexandre Aja, Grégory Levasseur |
| Staring: |
| A businesswoman finds herself locked with a unhinged security guard in a parking garage after getting stuck working late on Christmas Eve. | |
| Release Date: | Nov 09, 2007 |
|---|---|
| Director: | Franck Khalfoun |
| Writer: | Franck Khalfoun, Alexandre Aja, Grégory Levasseur |
| Genres: | Horror, Thriller |
| Keywords | kidnapping, parking garage, basement garage, psychopath, security guard, executive, christmas |
| Production Companies | Summit Entertainment |
| Box Office |
Revenue: $7,766,240
Budget: $3,500,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Rachel Nichols | Angela Bridges |
| Wes Bentley | Thomas |
| Simon Reynolds | Bob Harper |
| Philip Akin | Karl |
| Miranda Edwards | Jody |
| Paul Sun-Hyung Lee | Man in Elevator |
| Grace Lynn Kung | Woman in Elevator |
| Philip Williams | Cop #1 |
| Arnold Pinnock | Cop #2 |
| Bathsheba Garnett | Homeless Woman |
| Franck Khalfoun | Newsman |
| Stephanie Moore | Lorraine (voice) |
| Name | Job |
|---|---|
| Jamie Jones | Stunt Coordinator |
| Franck Khalfoun | Screenplay, Director |
| Alexandre Aja | Screenplay, Story |
| Grégory Levasseur | Screenplay, Story |
| Edward A. Queffelec | Stunts |
| Nathan Whitehead | First Assistant Sound Editor |
| Jennifer Markowitz | Casting Assistant |
| Mark Bennett | Casting |
| Robin D. Cook | Casting |
| Ruth Secord | Costume Design |
| Patrick McMahon | Editor |
| Andrew Hull | Art Direction |
| Oleg M. Savytski | Production Design |
| Liesl Deslauriers | Set Decoration |
| Etheline Joseph | Key Hair Stylist |
| Diane Mazur | Key Makeup Artist |
| Chi Fung | First Assistant Director |
| Jim Benton | Carpenter |
| Darcy Ellard | Carpenter |
| Bruce Graydon | Carpenter |
| Harry Kassardjian | Carpenter |
| Grant Kilroy | Carpenter |
| Takashi Komai | Carpenter |
| Alan Moy | Carpenter |
| Shane Wanstall | Carpenter |
| Jeff Flint | Carpenter |
| Ron Lightfoot | Construction Coordinator |
| Jeff Graydon | Head Carpenter |
| Ken Aziz | Painter |
| Neil Haines | Painter |
| David Kim | Painter |
| Enrique Patritti | Painter |
| Michael Zaharuk | Painter |
| James R. Murray | Property Master |
| Jerry Nicolaou | Second Assistant Art Director |
| David Maltese | Set Decoration Buyer |
| Graham Caswell | Set Designer |
| William Kucheran | Set Dresser |
| Cherie Spencer | Set Dresser |
| Andrea Dietrich | Storyboard Artist |
| Dennis Daigle | Best Boy Electric |
| Paolo Perin | Best Boy Grip |
| Darren Spriet | Camera Loader |
| Brian Gedge | Camera Operator |
| David Perkins | Camera Operator |
| Chris Alexander | Camera Operator |
| Bart Bialasik | Camera Trainee |
| Johnny Wersta | Dolly Grip |
| Brent Marrale | Electrician |
| Ramesh Yogendran | Electrician |
| Robert Dias | Electrician |
| Kevin LeBlanc | First Assistant "A" Camera |
| Ernest Spiteri | First Assistant "B" Camera |
| Lem Ristsoo | First Assistant "C" Camera |
| Ira Cohen | Gaffer |
| Paul Michel | Gaffer |
| Yuri Sandler | Grip |
| Chris Wilson | Grip |
| Robin Lopes | Grip |
| Christopher J. Toudy | Key Grip |
| Blain Thrush | Second Assistant Camera |
| Steve Wilkie | Still Photographer |
| Eric Thompson | ADR Mixer |
| Jason Hopfner | Boom Operator |
| Gregg Barbanell | Foley Artist |
| Christopher Alba | Foley Editor |
| Lucy Sustar | Foley Mixer |
| David Hingorany | Sound Mix Technician |
| Rick Penn | Sound Mixer |
| Gabriel J. Serrano | Sound Recordist |
| Mark Larry | Supervising Sound Editor |
| Brock Jolliffe | Special Effects Coordinator |
| Geoff Hill | Special Effects Technician |
| Damon Bishop | Prosthetics |
| François Dagenais | Prosthetics |
| Christy Beckert | Digital Compositor |
| August Coleman | Digital Compositor |
| Chad Goei | Digital Compositor |
| Diana Hinek | Digital Compositor |
| Tim Vincent | Digital Intermediate Colorist |
| Laura LeFaivre | Visual Effects Producer |
| Jamison Scott Goei | Visual Effects Supervisor |
| Tom Farr | Stunt Coordinator |
| Robin Bigglestone | Assistant Costume Designer |
| Emerald Goldsmith | Casting Assistant |
| Brian Day | Assistant Editor |
| Harry Muller | Color Timer |
| Jeff Chaves | Colorist |
| Jeremy Pinard | Assistant Location Manager |
| Jorge Contreras | Location Assistant |
| Roger Lumyoung | Location Assistant |
| Thomas Vencelides | Location Manager |
| Dwight Mikkelsen | Conductor |
| Stephen Lotwis | Music Editor |
| Buck Damon | Music Supervisor |
| Richard Bronskill | Orchestrator |
| Jeffery Alan Jones | Orchestrator |
| Larry Rench | Orchestrator |
| Eddie Bowman | Transportation Coordinator |
| Steven 'Sparky' Carr | Transportation Captain |
| Darren Martin | Craft Service |
| Ashleigh Millar | Craft Service |
| David Kinnersly | Craft Service |
| Carla Spizziri | First Assistant Accountant |
| Pauline K. Quong | Payroll Accountant |
| Julie Hansen | Post Production Accountant |
| Kym Crepin | Production Accountant |
| Ryan Eldridge | Production Assistant |
| Will Taylor | Production Assistant |
| Dan Warry-Smith | Production Assistant |
| Cristin L. Cornett | Production Coordinator |
| Jill Carter | Script Supervisor |
| Lisa Shamata | Unit Publicist |
| Tom Hajdu | Music |
| Andy Milburn | Music |
| Chris David | Sound Re-Recording Mixer |
| Greg Copeland | Production Manager |
| Bradley M. Goodman | Post Production Supervisor |
| Andrea Isaacs | Executive In Charge Of Production |
| Mary Ann Stevens | Stunts |
| Cotton Mather | Stunts |
| Peter Yan | Stunts |
| Marshall Garlington | Sound Re-Recording Mixer |
| Travis MacKay | ADR Recordist |
| Leland Bond | Orchestrator |
| Andy Potvin | Dolby Consultant |
| Maxime Alexandre | Director of Photography |
| Churchill Ross | Best Boy Grip |
| Name | Title |
|---|---|
| Daniel J. Heffner | Co-Producer |
| Patrick Wachsberger | Producer |
| Greg Copeland | Co-Producer |
| Andrew Matosich | Associate Producer |
| Bob Hayward | Executive Producer |
| David Garrett | Executive Producer |
| Alix Taylor | Executive Producer |
| Alexandre Aja | Producer |
| Erik Feig | Producer |
| Grégory Levasseur | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 24 | 38 | 15 |
| 2024 | 5 | 26 | 57 | 12 |
| 2024 | 6 | 37 | 58 | 17 |
| 2024 | 7 | 54 | 95 | 28 |
| 2024 | 8 | 43 | 79 | 22 |
| 2024 | 9 | 17 | 34 | 11 |
| 2024 | 10 | 20 | 39 | 13 |
| 2024 | 11 | 18 | 41 | 11 |
| 2024 | 12 | 18 | 27 | 13 |
| 2025 | 1 | 21 | 38 | 13 |
| 2025 | 2 | 13 | 18 | 3 |
| 2025 | 3 | 5 | 16 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 2 | 6 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 850 | 850 |
mooney240
6.0
**P2 isn’t unique, but its outstanding lead, Christmas charm, and smart decisions make it a well-done and entertaining thriller.** P2 might be a straightforward kidnapping thriller, but with a female lead that makes smart survival decisions and surprisingly strong performances for a B slasher fli ... ck, P2 is a solid suspense film that genre fans can use to celebrate the holidays. Rachel Nichols delivers a performance that makes her terror and resolve feel genuine and convincing and adds some realism to the film. So much better than what you would expect in a low-budget horror movie. Watching her character develop from panicked to decisive and strong is a major film highlight. Wes Bentley’s villain is crazed, creepy, and unpredictable, keeping the audience guessing whether he will try to romance or murder his victim. P2 is a simple low-budget thriller that might not be award-worthy but still entertains anyone looking for a different type of Christmas movie.
Oct 01, 2022