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Empire Records Poster

Empire Records

They're selling music but not selling out.
1995 | 90m | English

(68196 votes)

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Popularity: 3 (history)

Director: Allan Moyle
Writer: Carol Heikkinen
Staring:
Details

The employees of an independent music store learn about each other as they try anything to stop the store being absorbed by a large chain.
Release Date: Sep 22, 1995
Director: Allan Moyle
Writer: Carol Heikkinen
Genres: Comedy, Drama, Music
Keywords pop star, older man younger woman relationship, shoplifting, cupcake, twenty something, gameboy, money bag, sidewalk, independent film, record store, romantic dramedy
Production Companies Regency Enterprises, New Regency Pictures, Riche-Ludwig Productions
Box Office Revenue: $303,841
Budget: $10,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Liv Tyler Corey Mason
Robin Tunney Debra
Renée Zellweger Gina
Ethan Embry Marc
Rory Cochrane Lucas
Johnny Whitworth A.J.
Debi Mazar Jane
Coyote Shivers Berko
Anthony LaPaglia Joe Reaves
Maxwell Caulfield Rex Manning
Brendan Sexton III Warren
James 'Kimo' Wills Eddie
Ben Bode Mitchell Beck
Gary Bolen Croupier
Kimber Sissons Woman at Craps Table
Tony Zaar High Roller
Patt Noday Reporter
Julia Deane Kathy
Kessia Embry Autograph Girl
Michele Seidman Cop #1
Diana Taylor Cop #2
Bernard Granger Cop #3
Michael Harding Cop #4
Dave Brockie Lead Singer
Kawan Rojanatavorn Flower Delivery Guy
Corey Joshua Taylor Roulette Table Man
Melissa Caulfield Ballet Dancer
Lara Travis Veronica
Name Job
Joel Segal First Assistant Director
Jim Bridges Still Photographer
Carolyn Chen Second Unit Director of Photography
Gail Levin Casting
Bob Putynkowski Color Timer
Linda Folk ADR Supervisor
Paul J. Zydel ADR Mixer
Brian Ruberg Foley Mixer
Robin Harlan Foley Artist
Don Digirolamo Sound Re-Recording Mixer
Douglas Greenfield Dolby Consultant
Theresa Honeycutt Craft Service
Jeff Long Transportation Captain
Ralph Woollaston Construction Foreman
Molly Allen Location Manager
Douglas Axtell Sound Mixer
Randy Tambling Key Grip
Rufus Granger Jr. Dolly Grip
George Ball Gaffer
Annie Welles Script Supervisor
Alex L. Worman Unit Publicist
Beth Giles Assistant Property Master
Evelyne Barbier Set Designer
Alan Hook Set Designer
Carol Heikkinen Screenplay
Linda Spheeris Set Decoration
Peter Jamison Production Design
Susan Lyall Costume Design
John Huke Art Direction
Michael Chandler Editor
Paul Kurta Second Unit Director, Unit Production Manager
Rick Raphael Steadicam Operator
Ken Hudson Second Assistant Camera
John Verardi First Assistant Camera
Jeff Moore "B" Camera Operator
Sally Boldt Music Editor
Joe Earle Sound Effects Editor
Benjamin Beardwood Dialogue Editor
Bill Ward Assistant Sound Editor
Sukey Fontelieu ADR Editor
Walt Lloyd Director of Photography
Mitchell Leib Music Supervisor
Mo Henry Negative Cutter
Karen Glauber Music Consultant
Randle Akerson Supervising Sound Editor
Linda Keim Sound Effects Editor
Adam Sawelson Dialogue Editor
Jonathan Phillips Assistant Sound Editor
Dean Drabin ADR Mixer
Christina Tucker ADR Mixer
David Horton Jr. Foley Supervisor
Sarah Monat Foley Artist
Gary Alexander Sound Re-Recording Mixer
Scott Ganary Sound Re-Recording Mixer
Naomi Joy Todd Dialogue Coach
Jeffrey Schlatter Construction Coordinator
Mary Weisgerber Meyer Location Manager
Tricia Tomey Casting Associate
Jeff Goodwin Key Makeup Artist
Aaron F. Quarles Key Hair Stylist
Carolyn Greco Costume Supervisor
Greg Hull Special Effects Coordinator
Robert Maxfield Boom Operator
Rick Pour First Assistant Makeup Artist
Lizz Scalice First Assistant Hairstylist
Sevilla Granger Costumer
Dennis Zoppe Best Boy Grip
Clarence Brown Dolly Grip
Scott Graves Rigging Gaffer
Amy Chance Assistant Production Coordinator
Karen Eisenstadt Production Accountant
Robert Beck Property Master
John Frick Assistant Art Director
Tim Eckel Set Designer
Colleen Broderick Set Dresser
Joe D'Alessandro First Assistant "B" Camera
Pamela Jule Yuen Assistant Editor
Rick Baer Assistant Accountant
Susan Agnoff Art Department Coordinator
Thomas J. Nordberg First Assistant Editor
Allan Moyle Director
Philip A. Patterson Second Assistant Director
Mitchell Amundsen Camera Operator
David Horton Sr. Sound Effects Editor
Barbara Harris ADR Voice Casting
William 'Bill' Pitts Transportation Coordinator
Jery Hewitt Stunt Coordinator
Cynthia Streit Production Coordinator
Stefania Girolami Goodwin Second Second Assistant Director
Name Title
Paul Kurta Co-Producer
Alan Riche Producer
Tony Ludwig Producer
Michael G. Nathanson Producer
Arnon Milchan Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 23 33 16
2024 5 24 52 14
2024 6 21 30 12
2024 7 22 33 13
2024 8 18 25 11
2024 9 17 37 11
2024 10 16 28 8
2024 11 15 21 9
2024 12 14 21 7
2025 1 18 26 13
2025 2 12 20 3
2025 3 5 14 1
2025 4 2 3 1
2025 5 2 2 1
2025 6 3 5 1
2025 7 2 3 1
2025 8 2 3 2
2025 9 3 4 2
2025 10 2 3 2

Trending Position


Year Month High Avg
2025 8 684 706
Year Month High Avg
2025 7 887 929
Year Month High Avg
2025 6 104 542
Year Month High Avg
2025 4 675 780

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Reviews

FilipeManuelNeto
9.0

**An animated film, full of rebellion and energy.** Remember the stores that sold music records and CDs? There are still some, and the rebirth of vinyl, very recent, has allowed a certain rebirth of the commercial sector, somewhat in response to the massification and popularization of music in “s ... treaming” and digital downloads that we already have as something common in our lives. This film is about a store open 24 hours a day, with spaces to sell and listen to music. It is managed by young people, with young employees, an idiot owner and a manager who dreams of buying the space. It turns out that one of the employees decided to go to a casino and lost all the money saved for that project. The action takes place the day after the incident. In addition to the fate of the store and its employees, which is at stake, each one lives their own story, has characteristics and personality. Incidentally, the entire construction and development of the story and characters is one of the most positive aspects of the film. We have a young teenager who particularly wants to lose her virginity but has serious problems with amphetamines, an aspiring art major, a crook with a complicated childhood, a liberal girl who seems to particularly enjoy sexual adventures, a crazy rocker. In addition to the employees, we also have a former musical star who decides to go there to promote a new CD and cause some funny problems. The film has an impressive cast, and it's worth seeing who the actors are and where they are today. We understand well that each one wanted to make the best use of this opportunity. Contrary to what the posters suggest, Liv Tyler, who is the daughter of a rock musician, has a character without a leading role, but does an excellent job, even acting opposite her (then) stepfather, Coyote Shivers. Rory Cochrane, Renée Zellweger and Ethan Embry are also here, and each of them does a very competent job. Despite the centrality of his character, Anthony La Paglia does not steal the spotlight for himself and shares our attention with his co-stars generously and doing a very well done job. We also have Robin Tunney, bald and rebellious, Debi Mazar and Johnny Whitworth. The less sympathetic roles go to Max Caulfield and Ben Bode, and they're refreshingly comic. On a technical level, what stands out positively is the enormous animation of the film. There are no dead moments. The story is constructed in such a way as to give us a kind of moral about the brevity of life and the need to take advantage of the time, live life, even taking risks and making mistakes. Added to this is a strident soundtrack, full of strength, where rock predominates and emanates energy, positivity and rebelliousness. The songs used here are well known and fans of the rock genre will love it. Incidentally, the albums released with the soundtrack were a success, in absolute contrast to the film itself, which failed in cinemas, was bombed by critics and only acquired a certain popularity and public recognition in much more recent years. Perhaps it was simply ahead of its time.

May 22, 2023