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Song Sung Blue Poster

Song Sung Blue

Inspired by a legend. Bound by a dream.
2025 | 133m | English

(6749 votes)

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Popularity: 51 (history)

Director: Craig Brewer
Writer: Craig Brewer
Staring:
Details

Based on a true story, two down-on-their-luck musicians form a joyous Neil Diamond tribute band, proving it's never too late to find love and follow your dreams.
Release Date: Dec 25, 2025
Director: Craig Brewer
Writer: Craig Brewer
Genres: Romance, Drama, Music
Keywords wisconsin, based on true story, based on movie, milwaukee wisconsin, tribute band, biographical drama, based on documentary
Production Companies Davis Entertainment, Focus Features
Box Office Revenue: $40,718,000
Budget: $30,000,000
Updates Updated: Jan 16, 2026
Entered: Nov 30, 2025
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Full Credits

Name Character
Hugh Jackman Mike Sardina
Kate Hudson Claire Sardina
Michael Imperioli Mark Shurilla
Fisher Stevens Dr. Dave Watson
Jim Belushi Tom D'Amato
Ella Anderson Rachel
King Princess Angelina
Mustafa Shakir Sex Machine
Hudson Hilbert Hensley Dayna
Shyaporn Theerakulstit Somechai
John Beckwith Eddie Vedder
Jayson Warner Smith Earl / TCB
Cecelia Riddett Grandma Stengl
Sean Allan Krill Buddy Holmes
Jim Conroy Johnny
Kena Onyenjekwe Bomar
Jackie Cox Babs
Chacha Tahng Ranee
Faye Nightingale Dao
Darius De Haas Esquire #1
T. Oliver Reid Esquire #2 (as Timothy Oliver Reid)
Charles E. Wallace Esquire #3
Charles Gray Esquire #4 (as Charles H. Gray Jr.)
Carey Van Driest Dr. Betsy Holden
Eva Kaminsky AA Woman
Beth Malone Bridget
Rachel Cartwright Woman at Hegarty's
Leah Curney Admittance Nurse
Anya Banerjee Nurse Kett
Ben Krieger Roy
Kevin Logie Stage Manager
Jeanette Eng News Reporter
Claire Sardina Joan
Stanley Jamal Hampton Ricky
Tom O'Keefe Bobby
Staci Dickerson WTMJ Reporter
Phoenix Carnevale WTMJ Anchor
Christina Strack Adoptive Mother (as Christina Elvira Strack)
Johnny Olmez Adoptive Father (as Jonathan Olmez)
Mike DiGiacinto Suited Man
Christopher Manchuk Free Bird Guy
Michelle DiBenedetti Overly Excited Gal (as MJ DiBenedetti)
Kevin Alexander Guy Who Loves Neil
Gregg Mess Horn Section #1
Ivanhoe Aurelio Horn Section #2
Calvin Sexton Horn Section #3
Dina Selimovic Lamaze Teacher
Caryn Osofsky Maternity Nurse
Name Job
Lindsay Graham Ahanonu Casting
Vic Coram Unit Production Manager
David J. Thompson "A" Camera Operator, Steadicam Operator
Amy Vincent Director of Photography
John Carrafa Choreographer
Julian J. Delacruz "B" Camera Operator
Courtney Jarrell Makeup Artist
Brittany Romney Hairstylist
Alexandra Presas Casting Associate
George A. Lara Foley Mixer
Robert Fernandez Sound Re-Recording Mixer
Craig Brewer Writer, Director
Anouck Sullivan Makeup Department Head
David J. Schwartz Sound Mixer
Ashley Pynn Stunt Double
Scott Bomar Original Music Composer
Emilia Spirito Assistant Art Director
Pamela S. Westmore Makeup Artist
Johnny Villanueva Hairstylist
Stephen Powers Special Effects Coordinator
Eric Strausser Foley Editor
Alex Lemke Visual Effects Supervisor
Greg Kohs Original Film Writer
Alicia Zavarella Hair Department Head
Daniel McCabe Gaffer
Chris Cenatiempo Stunt Coordinator
Rumiko Ishii Assistant Art Director
Debra L. Ferullo Makeup Artist
Michael Anthony Sampson Hairstylist
Robert Dell'arena Special Effects Technician
Marko Costanzo Foley Artist
Michael Huber Visual Effects Supervisor
Clay A. Griffith Production Design
H.H. Cooper First Assistant Director
Billy Fox Editor
John Cenatiempo Stunt Coordinator
Henry Cline "C" Camera Operator
Jenn Vasilopoulos Key Hair Stylist
Greg Aharoni Set Dresser
Jacob Ribicoff Supervising Sound Editor, Sound Re-Recording Mixer
Luke DiTommaso Visual Effects Supervisor
Ernesto Martinez Costume Designer, Costume Design
Eric Calatayud Second Assistant Director
Trygge Toven Music Supervisor
Lisa K. Sessions Set Decoration
Angela Stauffer Art Direction
Adelina Atashi Key Makeup Artist
Sean Flanigan Hairstylist
Eugene Hitt Special Effects Supervisor
Opal Fleischmann Visual Effects Producer
Kera Dacy Script Supervisor
Name Title
John Davis Producer
John Fox Producer
Craig Brewer Producer
H.H. Cooper Co-Producer
Erika Hampson Executive Producer
Greg Kohs Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 10 1 2 1
2024 11 1 1 1
2024 12 1 2 1
2025 1 1 4 1
2025 2 1 2 1
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2025 9 2 4 1
2025 10 2 4 2
2025 11 3 5 2
2025 12 11 32 4
2026 1 28 53 17

Trending Position


Year Month High Avg
2026 1 2 45
Year Month High Avg
2025 12 32 148

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Reviews

Brent_Marchant
6.0

Love stories are among one of the most common and most popular staples in the movie industry, and they can make for some of the best viewing when handled properly. But that handling is the key – if done well, it can yield moving and satisfying films. However, if mistreated, it can doom such releases ... significantly. And that, unfortunately, is what drags down the latest offering from writer-director Craig Brewer, an uneven, formulaic, manipulative and melodramatic fact-based romantic biopic about the lives of musical partners Mike Sardina (Hugh Jackman) and Claire Stingl (Kate Hudson). Based on director Greg Kohs’s 2008 documentary of the same name, this narrative feature tells the story of the performing duo of Lightning and Thunder, a couple that made a name for themselves in their hometown of Milwaukee and the surrounding area as a tribute band specializing in the music of Neil Diamond and, to a lesser extent, Patsy Cline. Theirs is a story of second chances, each having suffered setbacks in their married lives the first time around, as well as personal challenges, such as Mike’s battle with alcoholism and heart disease and Claire’s bout with depression. But both of them fought back, finding recovery in their music and in love, helping them each get back on their feet and enabling them to assist one another when new challenges arise. From that description, it would seem that such a premise should provide the basis for a solid love story. But, as noted above, the picture’s uneven handling and somewhat mawkish treatment undermine its potential for greatness. The lighthearted, storybook first half, for example, sets a tone that can’t support the more serious second half, forcing it to subsequently rely on calculated shifts in the direction of the narrative to make it work. In addition, the kitsch factor that drives the Neil Diamond repertoire at the outset is skillfully presented, if a bit overdone, at times approaching the format of a concert movie with incidental scenes interspersed to move the picture forward. But, when the film takes a darker tone, it comes across as incongruent with what preceded it, making viewers wonder how the two halves of the same story could have been combined in the same picture. To its credit, the performances of the songs are a genuine homage to the musicians being honored in this film, and the portrayals of the two leads are quite commendable, particularly that of Golden Globe Award nominee Kate Hudson. But, overall, there’s not enough here to make this one of those memorable Hollywood love stories that viewers will fondly recall for years to come, and that in itself truly is a song sung blue.

Dec 13, 2025
Geronimo1967
7.0

Mike (Hugh Jackman a.k.a. “Huge”) ekes out a living doing the tribute act circuit in Milwaukee and that’s where he meets Claire (Kate Hudson). She is trying to support her family, he’s a recovering alcoholic and it’s safe to say that neither are really fulfilled - until, he hits on the idea of a tea ... m approach to the works of Neil Diamond. With such an extensive back catalogue including “Sweet Caroline” how could they fail? Well their first gig as “Lightning and Thunder” is for a group of leather-clad bikers and so “Soolaimon” (no, me neither) doesn’t prove the best way to start a gig so much as a brawl. Reconvening, dusted down and targeting a less hostile audience though, they start to achieve some success and even open for “Pearl Jam”. Then as she is digging her garden, a rogue driver puts Claire in hospital and leaves her confidence shattered. With the also ailing Mike now working to keep the four of them and she reduced to the role of painkiller-fuelled couch potato, the question is now - can they regroup and pick-up where they left off, or will it all end up on the rocks? Jackman is fine here, but it’s really Hudson who steals the show with her personable performance - both on stage and when she’s in recovery mode. They both do their own singing and sensibly, Jackman doesn’t try to mimic Diamond as he turns out his hits whilst she accompanies gently on keys and vocals as well as getting toes a-tapping with a few country songs too. It’s not a biopic of Neil Diamond in any way, shape or form but it is one of two talented people who fell in love, hit the skids a few times but tried to persevere - enjoying themselves and entertaining us as they went. Did you know that “Cracklin’ Rosie” was actually about wine?

Jan 05, 2026