Tuck Everlasting
If you could choose to live forever, would you?
2002 | 90m | English
Popularity: 6 (history)
| Director: | Jay Russell |
|---|---|
| Writer: | James V. Hart, Natalie Babbitt, Jeffrey Lieber |
| Staring: |
| Teenager Winnie Foster is growing up in a small rural town in 1914 with her loving but overprotective parents, but Winnie longs for a life of greater freedom and adventure. | |
| Release Date: | Oct 11, 2002 |
|---|---|
| Director: | Jay Russell |
| Writer: | James V. Hart, Natalie Babbitt, Jeffrey Lieber |
| Genres: | Family, Fantasy, Drama, Romance |
| Keywords | fountain of youth, based on novel or book, immortality, forest, woods, teenage crush, teenage girl, teenage boy, mysterious stranger |
| Production Companies | Walt Disney Pictures |
| Box Office |
Revenue: $19,158,074
Budget: $15,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Alexis Bledel | Winnie Foster |
| William Hurt | Angus Tuck |
| Sissy Spacek | Mae Tuck |
| Jonathan Jackson | Jesse Tuck |
| Scott Bairstow | Miles Tuck |
| Ben Kingsley | Man in the Yellow Suit |
| Amy Irving | Mother Foster |
| Victor Garber | Robert Foster |
| Kosha Engler | Miles' Wife |
| Richard Pilcher | Constable |
| Bradley Coryell | Lead Mill Boy |
| John Badila | Baker |
| Julia Hart | Sally Hannaway |
| Naomi Kline | Beatrice Ruston |
| Kathryn Kelley | Mrs. Hannaway |
| Brigid Cleary | Mrs. Ruston |
| Sean Pratt | Young Pastor |
| Robert Lewis | Night Deputy |
| Jean Schertler | Grandmother Foster |
| Dominic Angelella | Bernard Price |
| Theresa Flynn | Mrs. Price |
| Elisabeth Shue | Narrator (voice) |
| Name | Job |
|---|---|
| James V. Hart | Screenplay |
| Jay Cassidy | Editor |
| G.A. Aguilar | Stunt Coordinator |
| Jennifer Badger | Stunt Double |
| Rick LeFevour | Stunt Double |
| Kira Roessler | Dialogue Editor |
| Doc Kane | ADR Mixer |
| Peter Epstein | Stunts |
| Blaise Corrigan | Stunts |
| Jay Russell | Director |
| Alison C. Rosa | Second Assistant Director |
| Dana Robin | Unit Production Manager |
| Ray Kluga | Art Direction |
| Barbara Cohen | Casting Director |
| Thomas Nellen | Makeup Department Head |
| Mary Gail Artz | Casting Director |
| Tony Burrough | Production Design |
| Natalie Babbitt | Novel |
| Carol Ramsey | Costume Design |
| Catherine Davis | Set Decoration |
| Janice Kinigopoulos | Hair Department Head |
| Jeffrey Lieber | Screenplay |
| James L. Carter | Director of Photography |
| David Brian Martin | Stunt Double |
| Jeffrey Lee Gibson | Stunt Double |
| Jay Spadaro | Stunt Double |
| Bob Colletti | Stunt Double |
| Tiffany Zappulla | Art Department Assistant |
| Catharine Fletcher Incaprera | Assistant Costume Designer |
| Lois DeArmond | Assistant Costume Designer |
| Marisa Aboitiz | Costume Supervisor |
| Jeannie Flynn | Key Costumer |
| Christine Wada | Costume Supervisor |
| Mara Majorowicz | Key Costumer |
| Linda M. Boyland | Costumer |
| Charmaine Henninger | Assistant Hairstylist |
| Gina W. Bateman | Assistant Makeup Artist |
| Mark Van Loon | Steadicam Operator, "B" Camera Operator |
| Deirdre Horgan | Script Supervisor |
| Martin J. Layton | Second Unit Director of Photography, Camera Operator |
| Mark Walpole | Second Assistant Camera |
| Kirk Francis | Production Sound Mixer |
| Jack M. Nietzsche Jr. | Boom Operator |
| Dana Mulligan | First Assistant Editor |
| Jonathan Chibnall | First Assistant Editor |
| Lesley Langs | Music Editor |
| Charles Maynes | Supervising Sound Editor |
| Jon Mete | Sound Editor |
| Jamie Hardt | Assistant Sound Editor |
| Dean Beville | ADR Editor |
| Harry B. Miller III | ADR Editor |
| Cameron Steenhagen | Dialogue Editor |
| Dana Gustafson | Foley Editor |
| Thom 'Coach' Ehle | Dolby Consultant |
| Samuel Lehmer | Sound Re-Recording Mixer |
| Troy Porter | ADR Mixer |
| Christina Tucker | ADR Mixer |
| Newton TerMeer | Chief Lighting Technician |
| Rodney French | Key Grip |
| John C. Barber | Grip |
| Mark Hutchings | Grip |
| Brian Snell | Grip |
| Lorraine Walker | Assistant Property Master |
| Thomas 'Doc' Boguski | Production Coordinator |
| Kathi Ash | Location Manager |
| Mark Bero | Special Effects Coordinator |
| Douglas Retzler | Special Effects Assistant |
| Michael Davis | Construction Coordinator |
| David Beach | Construction Buyer |
| Frank J. Ellison | Production Accountant |
| Lori Scowley | First Assistant Accountant |
| Ron Phillips | Still Photographer |
| Gerald Titus | Driver |
| Carlyn Davis | Extras Casting |
| Molly Dedham | Extras Casting |
| Thomas M. Cornelius | Craft Service |
| Mary Beth Smith | Negative Cutter |
| Jeff Smithwick | Color Timer |
| Mat Beck | Visual Effects Supervisor |
| Cindy Jones | Visual Effects Producer |
| Yoshiya Yamada | 3D Modeller |
| Erik Liles | 2D Supervisor |
| Brian Ali Harding | Compositing Artist |
| William Ross | Original Music Composer |
| John Rusk | First Assistant Director |
| Stephen Hunter Flick | Supervising Sound Editor |
| Edward Steidele | Foley Artist |
| Name | Title |
|---|---|
| Marc Abraham | Producer |
| Armyan Bernstein | Executive Producer |
| Deborah Forte | Executive Producer |
| Max Wong | Executive Producer |
| Jane Startz | Producer |
| William Teitler | Executive Producer |
| Thomas A. Bliss | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 21 | 34 | 12 |
| 2024 | 5 | 24 | 63 | 12 |
| 2024 | 6 | 19 | 31 | 11 |
| 2024 | 7 | 21 | 31 | 14 |
| 2024 | 8 | 16 | 29 | 10 |
| 2024 | 9 | 18 | 28 | 10 |
| 2024 | 10 | 16 | 47 | 8 |
| 2024 | 11 | 14 | 25 | 8 |
| 2024 | 12 | 14 | 23 | 10 |
| 2025 | 1 | 17 | 34 | 10 |
| 2025 | 2 | 12 | 20 | 3 |
| 2025 | 3 | 6 | 16 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 6 | 3 |
Trending Position
r96sk
7.0
Good, but could've been far greater. I'm extremely intrigued by the concept of <em>'Tuck Everlasting'</em>. That's not to say it's anything incredibly revolutionary, but it's a premise that they could've done so much more with. I won't spoil what the main thing is, but it's certainly interesting. ... The first half of the film is excellent, it just disappointingly doesn't go that extra mile. Alexis Bledel (how the heck is that <i>not</i> Robin Tunney?!) is enjoyable as Winnie, while Jonathan Jackson does well as Jesse. Ben Kingsley is, at least in my opinion, the best performer on display - I love the look of his character, who is elusively only referred to as "The Man in the Yellow Suit". Huge potential there. Unfortunately, I come way from this feeling underwhelmed - despite the film doing a lot of positive things, including the score. Shame.
Jun 23, 2021