Kokuho
2025 | 174m | Japanese
Popularity: 6 (history)
| Director: | Sang-il Lee |
|---|---|
| Writer: | Shuichi Yoshida, Satoko Okudera |
| Staring: |
| Nagasaki, 1964: Following the death of his yakuza father, 15-year-old Kikuo is taken under the wing of a famous kabuki actor. Alongside Shunsuke, the actor’s only son, he decides to dedicate himself to this traditional form of theatre. For decades, the two young men grow and evolve together – and one will become the greatest Japanese master of the art of kabuki. | |
| Release Date: | Jun 06, 2025 |
|---|---|
| Director: | Sang-il Lee |
| Writer: | Shuichi Yoshida, Satoko Okudera |
| Genres: | Drama |
| Keywords | rivalry, cross dressing, period drama, gender roles, lgbt, kabuki, 1960s, theater performance, japanese culture, nagasaki, japan, festival chéries chéris |
| Production Companies | TOHO, Aniplex, Lawson, AMUSE, CREDEUS, Myriagon Studio |
| Box Office |
Revenue: $130,541,608
Budget: $8,000,000 |
| Updates |
Updated: Feb 20, 2026 Entered: Nov 23, 2025 |
| Name | Character |
|---|---|
| Ryo Yoshizawa | Kikuo Tachibana |
| Ryusei Yokohama | Shunsuke Ogaki |
| Mitsuki Takahata | Harue Fukuda |
| Shinobu Terajima | Sachiko Ogaki |
| Soya Kurokawa | Kikuo (young) |
| Keitatsu Koshiyama | Shunsuke (young) |
| Min Tanaka | Mangiku Onogawa |
| Ken Watanabe | Hanjiro Hanai |
| Nana Mori | Akiko |
| Takahiro Miura | Takeno |
| Ai Mikami | Fujikoma |
| Masatoshi Nagase | Gongoro Tachibana |
| Kyūsaku Shimada | Umeki |
| Emma Miyazawa | Matsu Tachibana |
| Kumi Takiuchi | Ayano (adult) |
| Misa Wada | Maid |
| Nagiko Tsuji | Maid |
| Tateto Serizawa | Gen |
| Yusaku Mori |
| Name | Job |
|---|---|
| Shuichi Yoshida | Novel |
| Nao Shimoyama | Production Design |
| Tetsuya Shiraishi | VFX Supervisor |
| Takuma Sakai | Decorator |
| Marihiko Hara | Theme Song Performance, Original Music Composer |
| Tsuyoshi Imai | Editor |
| Masaya Kitada | Sound Effects |
| Toshihiro Sugita | Music Producer |
| Kyoko Toyokawa | Makeup & Hair |
| Satoko Okudera | Screenplay |
| Masunobu Motokawa | Casting Director |
| Yuki Kishizuka | Assistant Director |
| Sang-il Lee | Director |
| Kumiko Ogawa | Costume Design |
| Naomi Hibino | Makeup Artist |
| Tadashi Nishimatsu | Wigmaker |
| Sofian El Fani | Director of Photography |
| Yuki Nakamura | Lighting Director |
| Yohei Taneda | Production Design |
| Mitsugu Shiratori | Sound Recordist |
| Name | Title |
|---|---|
| Shinzô Matsuhashi | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 11 | 2 | 4 | 0 |
| 2024 | 12 | 3 | 8 | 2 |
| 2025 | 1 | 2 | 4 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 3 | 3 | 1 |
| 2025 | 10 | 4 | 6 | 3 |
| 2025 | 11 | 5 | 6 | 3 |
| 2025 | 12 | 4 | 6 | 3 |
| 2026 | 1 | 7 | 12 | 2 |
| 2026 | 2 | 5 | 7 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 2 | 91 | 240 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 53 | 353 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 79 | 405 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 47 | 126 |
First of all, I want to thank Feat Pictures for bringing this magical, lavish, and grand Japanese film to Indonesia. I genuinely couldn’t take my eyes off the screen while watching it. One of my favorite aspects is how carefully the film handles its use of music knowing exactly when to bring in the ... score and when to let silence take over. Moments of quiet often make the atmosphere hit even harder, and it’s rare to see that level of restraint and precision. It honestly feels like a shame that the film only received an Oscar nomination for makeup. So many of its technical elements deserved recognition, especially the original score and the stunning cinematography. The close-up shots are particularly beautiful. In my opinion, the film was seriously snubbed in the Best International Feature Film category. On top of that, the drama between the two main characters is incredibly compelling, with a relationship dynamic that feels rich and well-developed.