Popularity: 2 (history)
Director: | Ron Underwood |
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Writer: | Lowell Ganz, Babaloo Mandel |
Staring: |
Three New York businessmen decide to take a "Wild West" vacation that turns out not to be the relaxing vacation they had envisioned. | |
Release Date: | Jun 07, 1991 |
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Director: | Ron Underwood |
Writer: | Lowell Ganz, Babaloo Mandel |
Genres: | Comedy, Western |
Keywords | stetson, vacation, cattle drive, prairie, fish out of water, mid-life crisis, lighthearted |
Production Companies | Columbia Pictures, Castle Rock Entertainment, Nelson Entertainment, Face Productions |
Box Office |
Revenue: $179,033,791
Budget: $27,000,000 |
Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Billy Crystal | Mitch Robbins |
Daniel Stern | Phil Berquist |
Bruno Kirby | Ed Furillo |
Patricia Wettig | Barbara Robbins |
Helen Slater | Bonnie Rayburn |
Lindsay Crystal | Holly Robbins |
Noble Willingham | Clay Stone |
Jack Palance | Curly Washburn |
Tracey Walter | Cookie |
Josh Mostel | Barry Shalowitz |
David Paymer | Ira Shalowitz |
Bill Henderson | Ben Jessup |
Phill Lewis | Steve Jessup |
Jake Gyllenhaal | Danny Robbins |
Jeffrey Tambor | Lou |
Kyle Secor | Jeff |
Dean Hallo | T.R. |
Karla Tamburrelli | Arlene Berquist |
Yeardley Smith | Nancy |
Robert Costanzo | Sal |
Walker Brandt | Kim Furillo |
Molly McClure | Millie Stone |
Jane Alden | Mrs. Green |
Danielle Harris | Classroom Student |
Eddie Palmer | Classroom Student |
Howard Honig | Skycap |
Fred Maio | Doctor |
Jayne Meadows | Mitch's Mom |
Alan Charof | Mitch's Dad |
JJ Azan | Businessman (uncredited) |
Anne Lockhart | Ranch Hand / Passenger (uncredited) |
Robert Mickelson | Boy (uncredited) |
Lana Underwood | Student in Classroom (uncredited) |
Name | Job |
---|---|
Donald R. Abblett | Painter |
Kevin O'Connell | Sound Re-Recording Mixer |
Matt Patterson | Sound Recordist |
Charleen Richards-Steeves | ADR Mixer |
Larry Singer | ADR Supervisor |
Roger Stevenson | Cableman |
Thomas Whiting | ADR Editor |
Tim Song Jones | Other |
Larz Anderson | Special Effects |
Albert Delgado | Special Effects |
Ken Pepiot | Special Effects Coordinator |
Wayne Rose | Special Effects |
Paul Curley | Matte Painter |
Rocco Gioffre | Matte Painter |
Brian Burrows | Stunts |
Chema | Stunt Double |
Jerry Gatlin | Stunt Coordinator |
Mickey Gilbert | Second Unit Director, Stunt Coordinator |
Michael Adams | Stunts |
Bobby Aldridge | Stunts |
Tony Lee Boggs | Utility Stunts |
R.J. Chambers | Stunts |
Dave Anderberg | Grip |
Rick A. Benedetto | Electrician |
Lee Blasingame | First Assistant Camera |
Jim Carne | Electrician |
Alfonso Casado | Camera Loader |
Doug Cowden | Grip |
Mark Davison | First Assistant Camera |
Ron Underwood | Director |
Lowell Ganz | Screenplay |
Robert Eber | Additional Photography, Sound Mixer |
Chris Espeset | Dolly Grip |
Fernando Espiga | Additional Photography |
Leigh Feitelberg | Second Assistant Camera |
Eric Gigandet | Key Grip |
Nathaniel Goodman | First Assistant Camera |
Ron Goodman | Aerial Camera |
Kim Heath | Grip |
Paul Iski | Grip |
Gary B. Kibbe | Camera Operator |
George Loomis | Camera Operator |
Bruce McBroom | Still Photographer |
Christopher Lawrence | Costume Supervisor |
Mary Zophres | Assistant Costume Designer |
Judy L. Ruskin | Costume Design |
O. Nicholas Brown | Editor |
Rick Simpson | Set Decoration |
Pam Dixon | Casting |
Mark W. Mansbridge | Art Direction |
Lawrence G. Paull | Production Design |
Ken Chase | Key Makeup Artist |
Candida Conery | Hairstylist |
William A. Farley | Key Hair Stylist |
Peter Montagna | Makeup Artist |
Mairin Blake | Unit Manager |
Edward D. Markley | Production Manager |
Jerry Ballew | First Assistant Director |
Anthony Brand | First Assistant Director |
Jim Chory | First Assistant Director |
Doug Metzger | First Assistant Director |
Nina K. Noble | Second Assistant Director |
Irby Jay Smith Jr. | Second Second Assistant Director |
Jeffrey Wetzel | Second Assistant Director |
Dennis Butterworth | Greensman |
Robert J. Carlyle | Construction Foreman |
Clete Cetrone | Propmaker |
Michael R. Gannon | Assistant Property Master |
Bobby Joe Garren | Greensman |
Mike Higelmire | Leadman |
Geoff Hubbard | Set Designer |
Mark Konkel | Painter |
Gary Kudroff | Set Dresser |
Dick Lasley | Storyboard Artist |
W. Scott Mason | Construction Foreman |
William A. Petrotta | Property Master |
Clarence Lynn Price | Construction Coordinator |
Ray Rarick | Construction Foreman |
John A. Scott III | Set Dresser |
Tom Southwell | Storyboard Artist |
Stan Tropp | Set Designer |
William Kemper Wright | Set Dresser |
Steven DeSantis | Propmaker |
Luigi Mugavero | Set Dresser |
Alan Swain | Carpenter |
Timothy Vierra | Propmaker |
Christopher Windisch | Carpenter |
James Ashwill | Foley Mixer |
George Baetz | Boom Operator |
Kevin Bartnof | Foley Artist |
Bob Beemer | Sound Re-Recording Mixer |
Patty Dobie | Assistant Sound Editor |
Louis L. Edemann | Supervising Sound Editor |
Ellen Decker Franklin | Assistant Sound Editor |
Leonard T. Geschke | Sound Editor |
Hilda Hodges | Foley Artist |
Nils C. Jensen | Sound Editor |
Suhail Kafity | Sound Editor |
Rick Kline | Sound Re-Recording Mixer |
Mary Jo Lang | Foley Recordist |
Colin C. Mouat | Sound Editor |
Chuck Neely | Sound Editor |
Alan L. Nineberg | ADR Supervisor |
Bob O'Brien | Sound Editor |
Melton C. Maxwell | Gaffer |
Tom Meyer | Grip |
John W. Murphy | Grip |
Antonio Navarro | Camera Loader |
William 'Bear' Paul | Key Grip |
William Eddie Paul | Grip |
Andreas Schneuwly | First Assistant Camera |
Chuck Sharp | Best Boy Electric |
Gil Valle | Second Company Grip |
Dudley J. Voll | Second Assistant Camera |
Randy Woods | Electrician |
Jonathan Woolf | Dolly Grip |
Ángel Yebra | First Assistant Camera |
Steve Banister | Second Assistant Camera |
Myke Groves | Electrician |
Edward A. Gutentag | Assistant Camera |
Scott Kidner | Lighting Technician |
Kyle T. MacDowell | Grip |
Stephen Mullen | Electrician |
Ray Ortega | Electrician |
Bob Kurtz | Animation Director |
Gary Mooney | Animation |
Sylvia Fay | Extras Casting |
Sally Jackson | Casting |
Kenneth Post | Extras Casting |
Marla Shertz Wilson | Casting Associate |
Barbara Ayers | Costume Supervisor |
Deborah Lancaster | Costume Supervisor |
Timothy Alberts | Wardrobe Supervisor |
Gary Burritt | Negative Cutter |
Bryan H. Carroll | Assistant Editor |
Edward Malone | Assistant Editor |
Insley Pearre | Post Production Assistant |
Art Tostado | Color Timer |
Mark Perzely | Assistant Editor |
Barbara Heller | Location Manager |
James A. Maguire | Location Manager |
Jose Luis Trivino | Assistant Location Manager |
Phillips 'Flip' Wylly Jr. | Location Manager |
Frank Bennett | Orchestrator |
Brad Dechter | Orchestrator |
Edie Lehmann Boddicker | Vocals |
Hummie Mann | Conductor, Additional Music |
Mark McKenzie | Orchestrator, Conductor |
Lisa Morlas | Music Editor |
Joel Moss | Scoring Mixer |
Thomas Richard Sharp | Orchestrator |
Scott Stambler | Music Editor |
George Doering | Musician |
Nick Vidar | Music Programmer |
Sherry Whitfield | Music Editor |
Beverly Winston | Script Supervisor |
Bo Falck | Transportation Coordinator |
Rick Mercier | Transportation Captain |
Tony Mercier | Transportation Co-Captain |
Russ Tolliver | Production Driver |
Christy Dimmig | Production Coordinator |
K. Lenna Katich | Production Accountant |
David Linck | Unit Publicist |
Sonya Ooten | Production Assistant |
Darin Rivetti | Production Assistant |
Babaloo Mandel | Screenplay |
Marc Shaiman | Original Music Composer |
Dean Semler | Director of Photography |
Todd McIntosh | Makeup Artist |
Fraser Clarke Heston | Second Unit Director |
Charles L. Campbell | Supervising Sound Editor |
John Roesch | Foley Artist |
Lance Gilbert | Stunts |
Tim Gilbert | Stunts |
Troy Gilbert | Stunts |
Ginger Sledge | Location Scout |
Kerry Lyn McKissick | Script Supervisor |
Gregory Dark | Line Producer |
Renee Faia | Art Department Coordinator |
Mack MacReady | Stunt Driver |
Lampton Enochs | Location Manager |
Name | Title |
---|---|
Irby Smith | Producer |
Billy Crystal | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 26 | 45 | 17 |
2024 | 5 | 25 | 38 | 20 |
2024 | 6 | 25 | 41 | 11 |
2024 | 7 | 33 | 94 | 17 |
2024 | 8 | 18 | 30 | 13 |
2024 | 9 | 18 | 27 | 11 |
2024 | 10 | 15 | 35 | 8 |
2024 | 11 | 14 | 26 | 8 |
2024 | 12 | 14 | 20 | 9 |
2025 | 1 | 18 | 39 | 10 |
2025 | 2 | 13 | 24 | 3 |
2025 | 3 | 6 | 20 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 2 | 2 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 3 | 4 | 2 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 835 | 835 |
This is is a fairly funny movie. Billy Crystal’s character and two friends head out for a dude ranch for an adventure vacation. The jokes come vast and furious as do the sight gags. Jack Palance made a bit of a name for himself with his cowboy antics and one-armed pushups. My favorite scene had n ... othing to do with dude ranch stuff. Mitch (Crystal) is explaining how a DVD recorder doesn’t even require the tv to record a show, and his friend just isn’t getting it. It’s hilarious. This isn’t a movie classic or anything, but plenty entertaining enough.
As their fortieth birthdays loom large and illustrate to "Mitch" (Billy Crystal), "Ed" (Bruno Kirby) and "Phil" (Daniel Stern) that their high-powered city jobs are ultimately quite unfulfilling, they decide to take up the challenge of herding some cows from Mexico up to Colorado. Completely unused ... to the wilderness, or indeed to anything without air-conditioning and comfort, they are put under the charge of the gnarly "Curly" (Jack Palance) who's disdain for this hapless trio is fairly clear from the outset. What chance they can adapt their city attitudes to cope with all that nature can throw at them? Well on that front there's not the slightest bit of jeopardy, it's all about their "journey". There, I think it will all depend on whether or not you like Billy Crystal's style of semi-slapstick comedy. I don't really and so wasn't particularly engaged as this sort of merged John Wayne with Laurel and Hardy. Palance looks like he's enjoying himself, and easily steals the show with his facial expressions conveying just as much as the rather predictable script. Stern also delivers quite entertainingly as they battle with the cattle and the snakes that rattle amidst some stunning New Mexico scenery that sets up the story perfectly. It's a story about recalibrating life and on that score it sends quite a powerful message about people stopping every now and again to appreciate what they had/have and to take stock of what they want to come next. That thrust epitomises the difference between the urban and the rural, their population's who do and those who talk about doing quite well - but the humour was just all bit lame for me and the whole thing takes too long to finish where I always thought it would.