 
  Popularity: 6 (history)
| Director: | David Ayer | 
|---|---|
| Writer: | David Ayer, Skip Woods | 
| Staring: | 
| John "Breacher" Wharton leads an elite DEA task force that takes on the world's deadliest drug cartels. When the team successfully executes a high-stakes raid on a cartel safe house, they think their work is done – until, one-by-one, the team members mysteriously start to be eliminated. As the body count rises, everyone is a suspect. | |
| Release Date: | Mar 28, 2014 | 
|---|---|
| Director: | David Ayer | 
| Writer: | David Ayer, Skip Woods | 
| Genres: | Action, Drama, Crime, Thriller | 
| Keywords | mexico, hostage, drug addiction, atlanta, strip club, drug cartel, crime scene, police corruption, brutality, drugs, bribe, dea | 
| Production Companies | Universal Pictures, Open Road Films, QED International, ASR Productions, Crave Films, Roth Films | 
| Box Office | Revenue: $22,100,000 Budget: $35,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Arnold Schwarzenegger | John 'Breacher' Wharton | 
| Sam Worthington | James 'Monster' Murray | 
| Olivia Williams | Investigator Caroline Brentwood | 
| Mireille Enos | Lizzy Murray | 
| Joe Manganiello | Joe 'Grinder' Phillips | 
| Harold Perrineau | Jackson | 
| Josh Holloway | Eddie 'Neck' Jordan | 
| Terrence Howard | Julius 'Sugar' Edmonds | 
| Max Martini | Tom 'Pyro' Roberts | 
| Kevin Vance | Bryce 'Tripod' McNeely | 
| Mark Schlegel | 'Smoke' Jennings | 
| Maurice Compte | Sapo | 
| Ned Yousef | Dubai Money Launderer | 
| Martin Donovan | Floyd Demel | 
| Michael Monks | ASAC Phelps | 
| Nick Chacon | DEA Sniper | 
| Tim Ware | Stan Morris (DEA Interrogator) | 
| Gary Grubbs | Lou Cantrell (DEA Interrogator) | 
| B.J. Winfrey | DEA Agent | 
| Kendrick Cross | DEA Agent | 
| Hakim Callender | DEA Agent | 
| Troy Garity | Agent Spolcheck | 
| Morgan Alexandria | Stripclub Waitress | 
| Jermaine Holt | Stripclub Bouncer | 
| Jaime FitzSimons | Captain Walther | 
| Everton Lawrence | Deputy Hayes | 
| Neko Parham | Deputy Richards | 
| DeWayne Calhoun | Coroner | 
| Maia Moss-Fife | Coroner's Assistant | 
| Parisa Johnston | Forensic Technician | 
| Alan Gilmer | General Counsel | 
| Emily B. Torres | Mexican Federal Shooter | 
| Catherine Dyer | Karen Wharton | 
| Patrick Johnson | Jacob Wharton | 
| Jose L. Vasquez | Apartment Hitman | 
| Eddie J. Fernandez | Apartment Hitman | 
| Adrian F. Gonzalez | Apartment Hitman | 
| Jared Woods | Apartment Hitman | 
| Antony Matos | Apartment Hitman | 
| Laurence Chavez | Apartment Hitman | 
| Maya Santandrea | Latina Hostage | 
| Travis Lee Young | Redneck | 
| Terry Gragg | Redneck | 
| Paul Anthony Barreras | Brujo | 
| Amy Parrish | APD Officer | 
| Elizabeth Davidovich | Hostage in Monte Carlo | 
| Andrew Comrie-Picard | Car Crash Driver | 
| Andrew Fincher | Cop | 
| Mario Ramirez Reyes | Mexican Commandante | 
| Michelle Alvarado Martins | Brujo's Bar Girl | 
| Melissa Martínez | Pretty Bar Girl | 
| Jimmy Ortega | Sicario | 
| Sabrina LeBrun | Brujo's Female Sicario | 
| Luis Moncada | Brujo's Sicario | 
| Chris Trouble Delfosse | Brujo's Sicario | 
| Carlos Ayala | Brujo's Sicario | 
| Daniel Moncada | Brujo's Sicario | 
| Ralf Moeller | (uncredited) | 
| Name | Job | 
|---|---|
| Dan Cornwall | Gaffer | 
| Gary Tuers | Property Master | 
| Bruce McCleery | Director of Photography | 
| Lindsay Graham Ahanonu | Casting | 
| Devorah Herbert | Production Design | 
| Kevin Constant | Art Direction | 
| Jennifer M. Gentile | Set Decoration | 
| Tina Roesler Kerwin | Tattoo Designer, Makeup Department Head | 
| Cliff Carothers | Construction Coordinator | 
| Frank McEldowney | Greensman | 
| Thomas Minton | Set Designer | 
| Richard Blake Wester | Leadman | 
| Douglas Womack | Construction Coordinator | 
| Albert Gasser | Sound Effects Editor | 
| Randall L. Johnson | Boom Operator | 
| Piero Mura | Sound Designer | 
| John Sievert | Foley | 
| James L. Roberts | Special Effects Coordinator | 
| Marc Fishman | Sound Re-Recording Mixer | 
| Christian P. Minkler | Sound Re-Recording Mixer | 
| Andy Simonson | Visual Effects Producer | 
| Derek Bird | Visual Effects Supervisor | 
| Kyle Woods | Stunt Coordinator | 
| Heather Sease | Set Costumer | 
| Clint Bennett | Music Editor | 
| Elisa Carlson | Dialect Coach | 
| Babette Stith | Script Supervisor | 
| Paolo Cascio | Camera Operator | 
| Micky Froehlich | Camera Operator | 
| Marc Dobiecki | Second Unit Director of Photography, Underwater Camera | 
| Robert Zuckerman | Still Photographer | 
| Kelvin R. Trahan | Hair Department Head | 
| Lance Aldredge | Hairstylist | 
| Carla Brenholtz | Key Makeup Artist | 
| Tracey L. Miller-Smith | Makeup Artist | 
| Quintessence Patterson | Makeup Artist | 
| Toby Sells | Makeup Artist | 
| Cedar Valentine | Art Department Coordinator | 
| Adam Klein | 3D Artist, Animation | 
| David McLean | Gaffer | 
| Jason Michael Brown | Assistant Costume Designer | 
| David Butler | Key Costumer | 
| Myra N. Foy | Seamstress | 
| Steve Karnes | Armorer | 
| Gregg Brilliant | Unit Publicist | 
| Daniel S. Irwin | Supervising ADR Editor, Supervising Dialogue Editor | 
| Halima K. Gilliam | First Assistant Editor | 
| Julie Feiner | Dialogue Editor | 
| Michelle Alvarado Martins | Stunts | 
| Martin De Boer | Stunt Double | 
| David Ayer | Writer, Director | 
| Skip Woods | Writer | 
| Dody Dorn | Editor | 
| Mary Vernieu | Casting | 
| Mary Claire Hannan | Costume Design | 
| Mike Gunther | Second Unit Director, Stunt Coordinator | 
| Billy D. Lucas | Stunt Coordinator | 
| Ramon Engle | Camera Operator | 
| Matthew W. Mungle | Prosthetic Designer | 
| Caitlin McKenna | ADR Voice Casting | 
| Cliff Fleming | Aerial Coordinator | 
| David Sardy | Original Music Composer | 
| Gabriel Beristain | Additional Photography | 
| Jennifer Badger | Stunt Double | 
| Elizabeth Davidovich | Stunts | 
| Denise Gallo | Stunts | 
| Chad Guerrero | Stunts | 
| Dieter Rauter | Stand In | 
| Luci Romberg | Stunt Double | 
| Jasi Cotton Lanier | Stunts | 
| Rosie Bernhard | Stunt Driver | 
| Clinton Wayne | Prosthetic Supervisor | 
| Name | Title | 
|---|---|
| Paul Hanson | Producer | 
| Palak Patel | Producer | 
| Ethan Smith | Producer | 
| Paul Anthony Barreras | Associate Producer | 
| Jason Blumenfeld | Executive Producer | 
| Gernot Friedhuber | Co-Producer | 
| Anton Lessine | Executive Producer | 
| Alex Ott | Co-Producer | 
| Sasha Shapiro | Executive Producer | 
| Geoff Yim | Executive Producer | 
| Bill Block | Producer | 
| David Ayer | Producer | 
| Mike Gunther | Associate Producer | 
| Joe Roth | Executive Producer | 
| Albert S. Ruddy | Executive Producer | 
| Skip Woods | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 29 | 42 | 18 | 
| 2024 | 5 | 30 | 57 | 19 | 
| 2024 | 6 | 24 | 39 | 17 | 
| 2024 | 7 | 29 | 58 | 16 | 
| 2024 | 8 | 25 | 47 | 14 | 
| 2024 | 9 | 22 | 40 | 12 | 
| 2024 | 10 | 20 | 41 | 12 | 
| 2024 | 11 | 20 | 43 | 12 | 
| 2024 | 12 | 19 | 38 | 13 | 
| 2025 | 1 | 20 | 42 | 13 | 
| 2025 | 2 | 13 | 22 | 3 | 
| 2025 | 3 | 7 | 29 | 1 | 
| 2025 | 4 | 2 | 3 | 2 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 2 | 2 | 1 | 
| 2025 | 7 | 2 | 2 | 1 | 
| 2025 | 8 | 3 | 3 | 2 | 
| 2025 | 9 | 3 | 5 | 2 | 
| 2025 | 10 | 4 | 6 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 1000 | 1000 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 501 | 773 | 
Not expected this from the director. For a title called 'Sabotage' which had one of our times greatest action hero in it the story drags with lots of drama than stunts. Arnold Schwarzenegger is not young anymore and he's not capable of heavy stunts, but still he handled well those crucial parts. No ... doubt he was good, and also the direction, but the story was not well written. Especially the twist was so pale and the supporting characters were hyped better than the Arnie's, but failed to hold and deliver when the story needed them. Due to create the suspense some of the assassins were kept undisplayed for the viewers and that is another let down. Because in the whole movie action sequences were the weakest except the opening scene and those murders were somehow produced expectancy. This movie was not bad, but an average. It can be watched once though it may not fulfill your thirst for fine enjoyment. You may like what I did not, so I can't put it to discardable list. 6½/10
I cannot help but wonder if this movie would have gotten better reviews if Schwarzenegger had not been cast in the lead role. I get the feeling that people had certain expectations due to the choice of actor. In any case, the ridiculously low one and two star ratings are rubbish. They are utterly un ... deserved as far as I am concerned. Personally, I quite liked the movie. Sure it is not Oscar material and it will not go on any of my top ten lists but I found it rather enjoyable to watch. Schwarzy is not young any more so you should not expect him to play roles as he did at the height of his career before he made the unfortunate decision to wade into the dirty waters of politics. Still he performed quite alright in the various action scenes in this movie. And there are a fair amount of action in the movie as well as a fair amount of blood substitute. It is not really an all out action movie though and the story that underpins the action have a certain amount of drama in it. I would say that the actors in general are doing a god job of their roles. The drug enforcement team looks more like a biker gang than a police team but then, to work undercover in the world of the drug cartels you really have to be part crazy. There are no young sexy chicks in this movie, unless you count a few scenes in bars and strip clubs. Actually the two female lead characters can be said to be downright ugly which may be another reason why some people of the younger audience give the movie a low rating although that is of course pure speculation on my part :-) . In any case, I think the choice of female characters fits perfectly well with the rest of the movie (as well as Schwarzy’s age). The story is a mix of the fairly classical one of revengeful drug cartels and incompetent FBI directors with a bit of a twist from the money heist and the disappearing money. The implementation might be a wee bit imperfect at times but to me it was a good enough story. I did like the ending with the classical shoot out in the bar although I also did consider taking a star off due to the tragic last few scenes. What can I say? I am a sucker for happy endings.
**A hopeless mess from start to finish, unfortunately.** This is not a good film, not even to watch with your buddies while drinking beer (which I did). It has some promise in its premise, and at one point we actually wanted to know how the actual betrayal was done, but that feeling soon vanished ... . I personally think that Arnold does a decent job with what he has to work with, the rest of the actors are pretty atrocious though. Sam Worthington is the best of the rest but that isn't saying much. Pair this with some of the most clichéd, over-the-top, obnoxious personalities ever put on film and sprinkle some next level cringeworthy dialogue on top and you have a recipe for characters you will actively despise. We actually cheered when they got killed off. The biggest flaw of the movie is the editing though. As I mentioned we really wanted to be invested in this movie but either the director or the editor was really hung-over - or possibly still drunk - when they cut this movie. Multiple scenes and situations made less than no sense, and the final nail in the coffin was the realization that the inciting moment, the very reason the entire movie exists, was so badly edited that none of us understood what actually had happened until it was explained by a character much later. The final ten minutes of the movie made it painfully clear that it wouldn't have mattered if we had understood it, or anything really, as the "twist" (I wish I could use even bigger quotation marks) is both underwhelming and as twisted as metal ruler. You get no explanation of how the betrayal is done, no explanation why the events that are portrayed in the movie ever take place, nor why the characters act the way they did. Honestly though, it's our own fault to expect any sort of arc or depth to characters that probably has fewer than two lines of description in the script. It made for some relatively entertaining moments though when all of a sudden characters acted even more erratic and confusing than usual. It became a game of sorts to try and figure out if this was because one or more scenes were cut or if the writer/director actually was that incompetent. The one redeeming quality of this movie is that they took their blood and splatter of said blood seriously. There are a couple of almost intense moments solely due to some realistic gore. There isn't enough to entice any fans of gore and splatter to watch this though. Give this one a pass unless you're really acing for some sub-par action with a mediocre performance from Arnold.
<em>'Sabotage'</em> is almost watchable, but it just falls short of being that in my eyes. It does have issues. I didn't really enjoy Arnold Schwarzenegger in this, but his performance does improve slightly as the film goes on. Mireille Enos isn't the best, nor are any of her co-stars behind Arni ... e to be honest - Sam Worthington and Olivia Williams are alright, more miss than hit though. This 2014 flick also feels like an all too obvious attempt to replicate <em>'<a href="https://letterboxd.com/film/the-expendables/" rel="nofollow">The Expendables</a>'</em> from four years prior (or same year, going by TE3), at least until the ending - where I feel like it does something else. Speaking of the conclusion though, it all felt a bit rushed and not well developed. Another negative is that all the characters are unlikeable, even across the first chunk when the film seems to want them to be. Those are numerous criticisms, evidently, and would usually equal a lower rating from myself. However, as noted at the top, it is almost something I could just sit back and watch, without thinking too much about it. I'm all for so-called 'switch off your brain' flicks, but this doesn't quite reach that level in my opinion.