Popularity: 4 (history)
| Director: | Scott Stewart |
|---|---|
| Writer: | Scott Stewart |
| Staring: |
| From the producers of Paranormal Activity, Insidious, and Sinister comes Dark Skies: a supernatural thriller that follows a young family living in the suburbs. As husband and wife Daniel and Lacey Barret witness an escalating series of disturbing events involving their family, their safe and peaceful home quickly unravels. When it becomes clear that the Barret family is being targeted by an unimaginably terrifying and deadly force, Daniel and Lacey take matters in their own hands to solve the mystery of what is after their family. | |
| Release Date: | Feb 21, 2013 |
|---|---|
| Director: | Scott Stewart |
| Writer: | Scott Stewart |
| Genres: | Science Fiction, Horror, Thriller |
| Keywords | supernatural, alien, fear |
| Production Companies | Alliance Films, Blumhouse Productions, Automatik Entertainment, Cinema Vehicle Services |
| Box Office |
Revenue: $25,174,316
Budget: $3,500,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Keri Russell | Lacy Barrett |
| Josh Hamilton | Daniel |
| Dakota Goyo | Jesse |
| J.K. Simmons | Edwin Pollard |
| Trevor St. John | Alex Holcombe |
| Annie Thurman | Shelly |
| Myndy Crist | Karen |
| Josh Wingate | Gun Salesperson |
| Ron Ostrow | Richard |
| Alyvia Alyn Lind | Young Daughter |
| Kadan Rockett | Sam Barrett |
| L.J. Benet | Kevin Ratner |
| Rich Hutchman | Mike Jessop |
| Jake Brennan | Bobby Jessop (as Jake Washburn) |
| Marion Kerr | Young Mother |
| Josh Stamberg | Police Officer |
| Tiffany Jeneen | Protection One Operator |
| Brian Stepanek | Security System Technician |
| Judith Moreland | Janice Rhodes |
| Adam Schneider | Young Husband |
| Jessica Borden | Young Wife |
| Kenneth Meseroll | Pete |
| Andy Umberger | Doctor Jonathan Kooper |
| Michael Patrick McGill | Ratner's Father |
| Alexandra Anthony | Naughty Cheerleader (as Alexandra Fulton) |
| Scott Anthony | Naughty Teacher |
| Tom Costello | Young Father |
| Jaeden Bettencourt | (photo double: Kadan Rockett) |
| Name | Job |
|---|---|
| Kelle Kutsugerus | Costume Design |
| Peter Gvozdas | Editor |
| David Dean Ebert | Art Direction |
| Philip Salick | Art Direction |
| Sandy Lindstedt | Set Decoration |
| Eleanor Sabaduquia | Makeup Department Head |
| Michael Ezell | Makeup Effects |
| Laura Altmann | Production Supervisor |
| Benjamin Nowicki | Art Department Coordinator |
| James A. Costello | Leadman |
| Kelly Cabral | Supervising Sound Editor |
| Michael Sana | Sound Effects Editor |
| Craig Mann | Sound Re-Recording Mixer |
| Mark Gullesserian | Special Effects Coordinator |
| Tiffany Smith | Visual Effects Producer |
| David Altenau | Visual Effects Supervisor |
| Rob King | Stunt Coordinator |
| Brad Grimmett | Steadicam Operator, Camera Operator |
| Michael Simmonds | Additional Photography |
| Monika Darby | Set Costumer |
| Tommy Aagaard | Visual Effects Editor, First Assistant Editor |
| Renetta G. Amador | Script Supervisor |
| Justin Carville | Production Accountant |
| Richard M. Bartholomay | Location Manager |
| Michael Fuchs | Steadicam Operator, Camera Operator |
| Matthew Pearce | Camera Operator |
| Rick Montgomery | Casting |
| Jeff Higinbotham | Production Design |
| Shane Richardson | Art Direction |
| Hernan Camacho | Set Decoration |
| Rachel Geary | Makeup Department Head |
| Justin Raleigh | Makeup Effects |
| Carly Hugo | Production Supervisor |
| Chris Rubin | Assistant Art Director |
| Peter DeCurtis | Leadman |
| Paul J. Diller | Sound Effects Editor |
| Jordan Wilby | Sound Effects Editor |
| Daniel N. Salas | Sound Editor |
| Andrew Somers | Visual Effects Supervisor |
| Matt von Brock | CG Supervisor |
| Dennis Scott | Stunt Coordinator |
| Gilbert Salas | Camera Operator |
| Matt Kennedy | Still Photographer |
| Cassiopeia Smith | Set Costumer |
| Lorena Talpan | First Assistant Editor |
| John Yarbrough | Transportation Coordinator |
| Jean-Paul Chreky | Script Supervisor |
| Kandice Billingsley | Location Manager |
| Lois Yaroshefsky | Studio Teachers |
| Jason Hayes | Hair Department Head |
| Anthony Gordon | Key Makeup Artist |
| Matthew Vose Campbell | First Assistant Director |
| Kerry McCrohan | Second Assistant Director |
| Alexandra Carlo | Art Department Production Assistant |
| Marshall King | Art Department Production Assistant |
| Patrick Spall | Assistant Property Master |
| Brandon Tonner-Connolly | Property Master |
| Isidoro Avila | Set Dresser |
| Lance Clark | Set Dresser |
| Jason Cortes | Set Dresser |
| Tory Harris | Set Dresser |
| Ed McGrady | Set Dresser |
| Shanna Worsham | Set Dresser |
| Ignacio Garcerón | CG Artist |
| Jason Fotter | Compositing Supervisor |
| Chris Faczek | Compositor |
| Josh Miyaji | Compositor |
| Brian D. Williams | Compositor |
| Matthew Massarella | Compositor |
| Dennis Sanchez | Systems Administrators & Support |
| Michael Zavala | Visual Effects Coordinator |
| Diane Macke | Visual Effects Production Manager |
| Aynee Osborn | Dialogue Editor |
| Traci E. Smithe | Hair Department Head |
| Elizabeth Rabe | Assistant Hairstylist |
| Adam Druxman | First Assistant Director |
| Danny Giles | Second Assistant Director |
| Aaron Becker | Title Designer |
| Justin Denis | Art Department Production Assistant |
| Bruce Muller | Art Department Production Assistant |
| Jamie Maheu | Property Master |
| Caroline Applegarth | Set Dresser |
| William Boukhaled | Set Dresser |
| Ryan James Coombe | Set Dresser |
| Morgan Gillio | Set Dresser |
| Sammy Loreno | Set Dresser |
| Daniel Tritto | Set Dresser |
| Bruce Coy | CG Artist |
| Evan Underwood | CG Artist |
| Antonio Chang | Compositor |
| Philip Sisk | Compositor |
| Kevin Yuille | Compositor |
| William J. Cox | Digital Compositor |
| Matt Resta | VFX Artist |
| Sammie Crowley | Visual Effects Production Assistant |
| Matthew T. Rodgers | Aerial Camera |
| James Andrew Turpin | Best Boy Electric |
| Kaya Dillon | Best Boy Grip |
| Kevin Massey | Chief Lighting Technician |
| Oliver Mancebo | Digital Imaging Technician |
| Dave Palestine | Dolly Grip |
| David Leb | First Assistant "A" Camera |
| Gary Webster | First Assistant "C" Camera |
| Joe T. Creep | Grip |
| Bryan Gilbert | Grip |
| Chris Rauch | Grip |
| Erica Thurlow | Grip |
| Michael Orr | Grip |
| Sean C. Mehen | Key Grip |
| Wesley Alley | Lighting Technician |
| Justin Gamboa | Second Assistant "B" Camera |
| Dave Davenport | Assistant Editor |
| Ryan McKeague | Digital Intermediate Assistant |
| Paul Rehder | Digital Intermediate Assistant |
| Matt Blackshear | Digital Intermediate Editor |
| Michael Cioni | Digital Intermediate |
| Katie Fellion | Digital Intermediate |
| Holly Isaacson | Editorial Production Assistant |
| Evan Daum | ADR Mixer |
| Doug Latislaw | ADR Mixer |
| Cole Bluma | Boom Operator |
| Greg Sextro | Boom Operator |
| Scott Curtis | Foley Mixer |
| Charles German | Utility Sound |
| Erin Vitali | Production Coordinator |
| Chris Ruiz | Production Secretary |
| Elena Savko | Stunts |
| Christopher J. Schuster | Drone Pilot |
| Le Richardson | Best Boy Grip |
| Amanda Morgan | Camera Loader |
| Mark Koenig | Chief Lighting Technician |
| Scott Resnick | Digital Imaging Technician |
| Wayne Stroud | Dolly Grip |
| Benjamin Steeples | First Assistant "B" Camera |
| Scott Baty | Grip |
| Eric Fahy | Grip |
| Peter Milmoe | Grip |
| Mark Schwebel | Grip |
| David Zera | Grip |
| Oliver Ogden | Grip |
| Adam Barbay | Key Grip |
| Dylan Conrad | Second Assistant "A" Camera |
| Dan Fuller | Second Assistant Camera |
| Nathan Hankins | Assistant Editor |
| Keenan Mock | Digital Intermediate Assistant |
| Ian Vertovec | Digital Intermediate Colorist |
| Des Carey | Digital Intermediate Producer |
| Peter Cioni | Digital Intermediate |
| Paul Geffre | Digital Intermediate |
| Patrick Christensen | ADR Engineer |
| Judah Getz | ADR Mixer |
| Tom Ryan | ADR Mixer |
| Sara Glaser | Boom Operator |
| Robert Batha | Foley Editor |
| Buck Robinson | Production Sound Mixer |
| Zsolt Magyar | Sound Mixer |
| Karen M. Fuchs | First Assistant Accountant |
| Mandy Yaeger | Production Coordinator |
| Scott Stewart | Writer, Director |
| Joseph Bishara | Music |
| Jed Dornoff | Makeup Artist |
| Pamela Incardona | Costume Supervisor |
| Deirdra E. Govan | Costume Supervisor |
| David Boyd | Director of Photography |
| Eric Hayden | Compositor |
| Dawn Fintor | Foley Artist |
| Alicia Stevenson | Foley Artist |
| John D'Aquino | Production Sound Mixer |
| Rick Osako | Unit Production Manager |
| Carter Ward | Production Assistant |
| Name | Title |
|---|---|
| Jason Blum | Producer |
| Harvey Weinstein | Executive Producer |
| Bob Weinstein | Executive Producer |
| Scott Stewart | Executive Producer |
| Brian Kavanaugh-Jones | Executive Producer |
| Charles Layton | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 39 | 17 |
| 2024 | 5 | 26 | 39 | 19 |
| 2024 | 6 | 28 | 40 | 19 |
| 2024 | 7 | 29 | 54 | 17 |
| 2024 | 8 | 23 | 46 | 13 |
| 2024 | 9 | 17 | 31 | 11 |
| 2024 | 10 | 19 | 40 | 14 |
| 2024 | 11 | 20 | 50 | 12 |
| 2024 | 12 | 17 | 29 | 12 |
| 2025 | 1 | 18 | 31 | 11 |
| 2025 | 2 | 12 | 20 | 3 |
| 2025 | 3 | 6 | 20 | 1 |
| 2025 | 4 | 3 | 6 | 1 |
| 2025 | 5 | 3 | 6 | 2 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 4 | 6 | 2 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 777 | 881 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 705 | 705 |
Enter Sandman. Dark Skies is written and directed by Scott Stewart. It stars Keri Russell, Josh Hamilton, Dakota Goyo, Kaden Rockett and J.K. Simmons. Music is by Joseph Bishara and cinematography by David Boyd. Two possibilities exist... Either we are alone in the universe or we are not. Both ... are equally terrifying. - Arthur C. Clarke Movies involving alien visitations are notoriously tricky things to execute, there's a very thin line between cerebral willingness and crummy construction. Dark Skies unsurprisingly is another in a long line of sci-fi/horror movies that divides the respective genre followers. Plot finds the Barrett family home suddenly succumbing to mysterious phenomena, suicidal birds, time lapses, poltergeist activity, nightmares and body markings et al... It's a film that most definitely didn't deliver the spook fest that the (mixed) marketing campaign suggested, while it unfortunately comes off as a collage of well known genre titles of recent pasts. Add to this some less than great acting from the adult leads, the complete waste of J.K. Simmons in a very promising role, and unoriginality of concepts, then it's not hard to see why it has been the victim of venom in some quarters. However, Scott Stewart is not guilty of taking the easy route to genre cinema as per production. There's no over reliance on CGI, or for big booms and crashes to startle in the name of cheap thrills, in fact the scare scenes are well placed and well timed. He also proves to be a very good purveyor of slow burn atmospherics, itself something that can alienate the more boisterous and excitable genre fans. The vision of a suburban American family under siege is well played out, the little trials and tribulations of a working class family not swamping the big objective, so when things gather apace and the child actors come to the fore, time invested by the patient is rewarded. If at times it doesn't have the courage of its convictions, Dark Skies at the very least doesn't resort to alien abduction clichés to seal its deal. There's a number of "issues" with it, especially if you are either into clinical alien abduction science (history) or edge of your seats underwear shocks, but this is above average and worth a viewing for those interested in such dalliances. 6/10
**A dark force from out of the world!** It was one of the long due film, despite releasing just 4 years ago. Those who saw it said me not to miss it. But they also warned me it was a common horror theme with a slight change in the storyline. Since horror is the least average rated genre in my col ... lection, I was not expecting it to be a masterpiece. That could be another reason why I liked it. Yeah, the same old blueprint horror flick, even though it was not as bad as what some people are saying. Except the opening quote reveals most of the film's twist. And the twist at the end was not actually a twist if a person knew it before. A small family struggling with finances, lately witnessing some strange events in the house. But once it takes a serious turn, now they must find a solution for it, or else the unity might fall apart. After getting some idea of everything happening, they meet an expert and gain some important inputs. Now their fightback begins, the challenge they are about to face going to decide the future of the family. Their plan and its execution, the remaining film is to tell us what happens to them. The JK Simmon's role was one of the most overused roles is horror films. I did not like that, but I liked his appearance. It is also an open end if this film gets a sequel. Like usual when a family struggling, people around them going blind were a cliché. Yeah, I know horror films can't get out of such thing. It's very rare to see a film out of these platforms. Yet it was an okay film, if you prefer a decent entertainment over an experimental film, which is not guaranteed entertainment. But usually it is an enjoyable flick by most of the people. Despite familiarity, one would have a nice time with it. _7/10_
Great watch, could watch again, and can recommend. Keri Russell does quality crazy lady, and this movie is basically what "Paranormal Activity" should have been combined with a good version of a Slenderman movie. There's a very satisfying conspiracy meat to the plot: the escalating defenses co ... mbined with a literally conspiracy theory "nut". Part of the fun of this is that it is all presented in a very real, believable manner. The atmosphere the movie creates is reason enough to watch it.