The Everlasting Secret Family
Once promised, forever bound.
1988 | 94m | English
Popularity: 0.7 (history)
| Director: | Michael Thornhill |
|---|---|
| Writer: | Frank Moorhouse |
| Staring: |
| A beautiful, if ambitious and amoral, youth is tapped to become the lover of a powerful senator. The young man quickly realizes that he can hold this place, with all its perks, only as long as he is young. He has no other function than being young. With the help of an aged judge, the young man, referred to only as The Lover, contrives a plan to make a change in the way of the world, a plan that will take him years to realize. To succeed, he must manipulate, in subtle and not-so-subtle ways, the senator, his wife, the family chauffeur (who was, when young, a lover), and, by implication, the entire well-planned and controlling everlasting secret family. | |
| Release Date: | Mar 10, 1988 |
|---|---|
| Director: | Michael Thornhill |
| Writer: | Frank Moorhouse |
| Genres: | Drama |
| Keywords | politics, lgbt, gay theme |
| Production Companies | FGH, International Film Management, Hemdale |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 11, 2026 Entered: May 03, 2024 |
| Name | Character |
|---|---|
| Arthur Dignam | Senator |
| Mark Lee | Youth |
| Heather Mitchell | Wife |
| Dennis Miller | Eric, the Chauffeur |
| John Meillon | The Judge |
| Beth Child | The Pottery Woman |
| Paul Goddard | The Son |
| Bogdan Koca | The Medical Specialist |
| John Clayton | The Mayor |
| Tim Page | The New Judge |
| Marcus Cornelius | Teacher at Oval |
| Drew Norman | Oil Boy |
| Alan Carey | Doctor at Oval |
| Ken Keen | Headmaster |
| Michael Winchester | School Teacher |
| Nick Holland | The New Chaffeur |
| Louis Nowra | Shop Assistant |
| Name | Job |
|---|---|
| Frank Moorhouse | Adaptation, Writer |
| Michael Thornhill | Director |
| Pamela Barnetta | Editor |
| Hilary Linstead | Casting |
| John Schiefelbein | Sound |
| Grant Stuart | Sound |
| Peta Lawson | Production Design, Art Direction |
| Anthony Jones | Costumer |
| Andrew Plain | Sound Editor |
| Julian Penney | Cinematography |
| Noriko Watanabe | Makeup & Hair |
| Graham Purcell | Costume Design |
| Susi Stitt | Clapper Loader |
| Geoffrey Wharton | Steadicam Operator |
| Lester Bishop | Grip |
| Reg Garside | Gaffer |
| Judy Whitehead | Continuity |
| Ron Cobb | Thanks |
| Tony Bremner | Music |
| Elizabeth Symes | Production Manager |
| Heather McLaren | Wardrobe Supervisor |
| Garry Phillips | Focus Puller |
| Sally Eccleston | First Assistant Camera |
| Barry Peake | Still Photographer |
| Craig Bryant | Best Boy Electric |
| Name | Title |
|---|---|
| Sue Carleton | Co-Producer |
| Antony I. Ginnane | Executive Producer |
| Michael Thornhill | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 5 | 1 |
| 2024 | 5 | 3 | 7 | 1 |
| 2024 | 6 | 2 | 4 | 1 |
| 2024 | 7 | 3 | 9 | 0 |
| 2024 | 8 | 2 | 4 | 1 |
| 2024 | 9 | 2 | 4 | 1 |
| 2024 | 10 | 2 | 4 | 1 |
| 2024 | 11 | 2 | 4 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 2 | 4 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 3 | 2 |
| 2025 | 11 | 3 | 6 | 0 |
| 2025 | 12 | 1 | 4 | 0 |
| 2026 | 1 | 2 | 7 | 0 |
| 2026 | 2 | 0 | 2 | 0 |
| 2026 | 3 | 0 | 1 | 0 |
Trending Position
There is something quite creepily unremarkable about the basic, fairly odious, premise of this drama. That is the fact that a wealthy and influential Australian senator (Arthur Dignam) has a penchant for schoolboys in their later teens, and so sends his Rolls Royce to fetch them from class so that t ... hey can come and entertain him. His chauffeur “Eric” (Dennis Miller) is entirely complicit in these activities, as - it would appear - are some of his teachers when the latest conquest (Mark Lee) is summoned. Now there is no suggestion of violence here, he is quite willing to trade his ass for what he perceives will be a life of luxury. What he doesn’t quite figure out, though, is that he is no “Dorian Gray” and as his youth fades, so does his marketability. Fortunately for him he is cute in more ways than one and so also befriends a kinky High Court judge (John Meillon) and the son of his lover (Paul Goddard) so he hopes he has done enough to insulate himself from being moved on, especially when the senator’s wife (Heather Mitchell) tires of him and becomes suspicious of his influence on her son. The story is seamy from the start; the dialogue is nothing special and the production actually reminded me of that “Return to Eden” mini-series from 1983. What is noticeable here is the very natural effort from Lee. He seems entirely comfortable in his character’s skin and he quite unnervingly sails through this drama playing the game for all it’s worth as he tries to King Canute the ageing process. It’s a fairly cynical drama about manipulation and desire, but I found it to be quite a bit better than I was expecting.