Popularity: 4 (history)
Director: | Abdellatif Kechiche |
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Writer: | Abdellatif Kechiche, Ghalya Lacroix |
Staring: |
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself. | |
Release Date: | Oct 09, 2013 |
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Director: | Abdellatif Kechiche |
Writer: | Abdellatif Kechiche, Ghalya Lacroix |
Genres: | Drama, Romance |
Keywords | self-discovery, love, sexual attraction, homophobia, coming of age, lesbian relationship, based on graphic novel, sexual desire, lgbt, literary adaptation, self exploration, lesbian, teenager, high school student, teenage sexuality, sexual awakening, social class, lille, france, erotic, age-gap relationship |
Production Companies | France 2 Cinéma, RTBF, Wild Bunch, SCOPE Pictures, Quat'sous Films, Alcatraz Films, Vértigo Films |
Box Office |
Revenue: $19,465,835
Budget: $4,300,000 |
Updates |
Updated: Mar 12, 2025 (Update) Entered: Mar 12, 2025 |
Name | Job |
---|---|
Abdellatif Kechiche | Screenplay, Director |
Albertine Lastera | Editor |
Camille Toubkis | Editor |
Ghalya Lacroix | Screenplay, Editor |
Julia Lemaire | Set Decoration, Production Design |
François Fripiat | Dialogue Editor |
Sophie Blanvillain | Casting |
Coline Débée | Assistant Set Dresser |
Clément Trahard | Boom Operator |
François Guerrar | Publicist |
Roland Voglaire | Supervising Dialogue Editor |
Sofian El Fani | Director of Photography |
Jean-Marie Lengellé | Editor |
Joey van Impe | Dialogue Editor |
Laurent Launes | VFX Artist |
Bahijja El Amrani | Casting, Second Assistant Director |
Mélanie Blouin | Sound Editor |
Alissa Doubrovitskaïa | Post Production Assistant |
Gaëtan Hugnet | Post Production Assistant |
Milène Chave | Boom Operator |
Marcela Figueroa | Assistant Editor |
Renaud Guillaumin | Sound Editor |
Xavier Remy | Boom Operator |
Serge Hannecart | Camera Operator |
Jérôme Chenevoy | Sound Mixer |
Olivier Théry-Lapiney | Line Producer |
Denis Martin | Sound |
Nicolaos Zafiriou | Additional Camera |
Jean-Louis Viroux | Foley Editor |
Sophie Brunet | Editorial Staff, Editor |
Elise Luguern | Music Supervisor |
Phil Symes | Publicist |
Benoît Pilot | Production Manager |
Caroline Reynaud | Sound Editor |
Antoine Fromental | Assistant Director |
Martin Neufkens | Production Accountant |
Fabien Pochet | Supervising Sound Editor |
Kévin Laperrière | Assistant Editor |
Paloma Garcia Martens | Costume Design |
Dorothée Lissac | Costume Supervisor |
Monya Galbi | First Assistant Director |
Sébastien Goepfert | Camera Operator |
Judith Chalier | Casting |
Kader Bouallaga | Location Manager |
Auriane Lacince | First Assistant Director |
Romain Cadilhac | Boom Operator |
Adélaïde Basson | Post Production Assistant |
Jul Maroh | Graphic Novel |
Frédéric Alexandre | Assistant Director |
Nicolas Turek | Assistant Director |
Sarah Zaanoun | Assistant Editor |
Etienne Grandou | Thanks |
Name | Title |
---|---|
Abdellatif Kechiche | Producer |
François Guerrar | Associate Producer |
Vincent Maraval | Producer |
Brahim Chioua | Producer |
Laurence Clerc | Co-Producer |
Organization | Category | Person | |
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Cannes Film Festival | Best Picture | N/A | Nominated |
Cannes Film Festival | Best Actress | Adèle Exarchopoulos | Won |
Cannes Film Festival | Best Picture | N/A | Won |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 32 | 38 | 17 |
2024 | 5 | 35 | 41 | 27 |
2024 | 6 | 34 | 42 | 25 |
2024 | 7 | 45 | 62 | 33 |
2024 | 8 | 29 | 36 | 23 |
2024 | 9 | 38 | 50 | 25 |
2024 | 10 | 30 | 39 | 23 |
2024 | 11 | 30 | 59 | 22 |
2024 | 12 | 29 | 56 | 21 |
2025 | 1 | 30 | 35 | 25 |
2025 | 2 | 28 | 40 | 6 |
2025 | 3 | 9 | 32 | 1 |
2025 | 4 | 5 | 8 | 3 |
2025 | 5 | 5 | 5 | 4 |
2025 | 6 | 5 | 6 | 4 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 5 | 6 | 4 |
2025 | 9 | 4 | 5 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 296 | 706 |
Year | Month | High | Avg |
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2025 | 7 | 437 | 735 |
Year | Month | High | Avg |
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2025 | 6 | 473 | 759 |
Year | Month | High | Avg |
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2025 | 5 | 519 | 812 |
Year | Month | High | Avg |
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2025 | 4 | 279 | 694 |
Year | Month | High | Avg |
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2025 | 3 | 393 | 686 |
Apart from the NC-17 sex scenes, the buzz of this film made me think it was going to be about the two people on the poster. But from the first frame, it's really just about one — Adele. So much film is spent focused on her face that it's easy to lose contact with other characters and the world aroun ... d her. But in doing so, I felt very drawn into her thought process, which made the story of her romance to Emma that much more powerful, despite the language barrier and the relationship's keen specificities. Being so drawn in proved very helpful during the breakup scene. On it's own, you see a woman scorned and the sad stupidity of her unfaithful lover fighting a lost cause. But because we know so much about that unfaithful lover, I felt worse, because I know what led her to this place and was sad she couldn't articulate it in the moment. It added to what I think is the film's major achievement -- showing how an ecstatic love like Emma's and Adele's can end up feeling so isolating.
I became obsessed with Adele Exarchopoulos after seeing this. Didn't even have to look up that spelling. I ordered a custom-made 32" x 48" ish sized poster of her for my apartment that's still around somewhere. I'm pretty sure I tried to find her on snapchat. Thanks for reading. ...
"Adèle" (Adèle Exarchopoulos) is a bit of a fish out of water at school. She doesn't quite fit in and finds the whole "boy" thing a bit of a turn off. Luckily the school also has it's extrovert in the blue-haired "Emma" (Léa Seydoux). She is shunned by her classmates because of the perception that s ... he is just too eccentric for the normal kids, but "Adèle" finds her fascinating. Striking up a friendship, she soon discovers that there is more to be had from this alliance: something that comes with plusses and minuses and introduces her to the extremes of joy and pain. It's an obsession, an infatuation - an addiction, even, for "Adèle" but does "Emma" reciprocate. Is she looking for the same things from their relationship? Now, I'd have to say that there is no need for this story to take three hours to tell. At times it's a bit soapy, repetitive and moves as glacially as our own real-life experiences might have done - and who wants to relive them in real-time? That said, director Abdellatif Kechiche takes his time to carefully craft the characterisations of the women and of their families and the boys who are on the periphery of the girl's maturing personalities. There emerges an effective and engaging dynamic between the pair as the path of their true love most certainly doesn't run smoothly, and with some pithy dialogue and just a little raunchiness now and again, this is a better than average story of the challenges of an awakening spirit conflicted, hormonal and confused. It's worth a watch, but it can be a bit of a slog at times.