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Shadows Poster

Shadows

A film not to be missed.
1960 | 87m | English

(13268 votes)

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Popularity: 2 (history)

Director: John Cassavetes
Writer: John Cassavetes
Staring:
Details

The relationship between Lelia, a light-skinned black woman, and Tony, a white man is put in jeopardy when Tony meets Lelia’s darker-skinned jazz singer brother, Hugh, and discovers that her racial heritage is not what he thought it was.
Release Date: Oct 14, 1960
Director: John Cassavetes
Writer: John Cassavetes
Genres: Drama
Keywords passing for white, jazz
Production Companies Lion International
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
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Full Credits

Name Character
Ben Carruthers Ben
Lelia Goldoni Lelia
Hugh Hurd Hugh
Anthony Ray Tony
Dennis Sallas Dennis
Tom Reese Tom
David Pokitillow David
Rupert Crosse Rupert
Davey Jones Davey
Pir Marini Pir the Piano Player
Victoria Vargas Vickie
Jack Ackerman Jack
Jacqueline Walcott Jacqueline
Cliff Carnell
Jay Crecco
Ronald Maccone
Bob Reeh
Joyce Miles Girl in Restaurant
Nancy Deale Girl in Restaurant
Gigi Brooks Girl in Restaurant
Lynn Hamilton Girl at Party
Marilyn Clark Girl at Party
Joanne Sages Girl at Party
Jed McGarvey Girl at Party
Greta Thyssen Girl at Party
John Cassavetes Pedestrian (uncredited)
Seymour Cassel Al (uncredited)
Arlene Corwin Girl at Party (uncredited)
Bobby Darin Man at Rehearsal (uncredited)
Avalon Lee Girl at Party (uncredited)
Ellen Paulos Woman (uncredited)
Gena Rowlands Woman in Nightclub Audience (uncredited)
Lisa Seagram Woman (uncredited)
Jean Shepherd Man at Party (uncredited)
Mel Stewart Man at Party (uncredited)
Name Job
John Cassavetes Editor, Writer, Director
Al Ruban Assistant Camera
Charles Mingus Original Music Composer, Musician
Maurice McEndree Editor
Bob Reeh Production Design
Randy Liles Production Design
Erich Kollmar Director of Photography
Wray Bevins Production Manager
Al Giglio Assistant Director
Jay Crecco Sound
Cliff Carnell Lighting Production Assistant
David Simon Lighting Technician
Len Appelson Supervising Editor
Shafi Hadi Musician
Maxine Arnold Production Assistant
Anne Draper Production Assistant
Mary Anne Ehle Production Assistant
Judy Kaufman Production Assistant
Ellen Paulos Production Assistant
Leslie Reed Production Assistant
Larry Shaw Still Photographer
Name Title
Seymour Cassel Associate Producer
Nikos Papatakis Producer
Maurice McEndree Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 14 26 10
2024 5 13 20 9
2024 6 14 28 6
2024 7 14 25 9
2024 8 11 20 6
2024 9 15 25 6
2024 10 9 13 6
2024 11 10 16 6
2024 12 8 17 5
2025 1 10 15 5
2025 2 7 10 3
2025 3 4 9 1
2025 4 1 1 1
2025 6 1 1 1
2025 7 0 1 0
2025 8 1 2 0
2025 9 1 2 1

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Reviews

Geronimo1967
6.0

On paper, this jazz-fuelled, experimental looking, observation of racial tensions within a small group of friends made for an interesting concept. The execution though, well I found that really quite messy. There's three siblings. "Benny" (Ben Carruthers); "Hugh" (Hugh Lord) and "Leila" (Leila Goldo ... ni) with the sister having a far fairer skin tone than her brothers. "Benny" is a bit of a loose cannon, going with the flow in life; "Hugh" is a musician who is having a bit of a crisis of confidence that not even his supportive manager "Rupert" (Rupert Cross) can pull him from and finally there's the sister. She meets "Tony" (Anthony Ray) and falls completely for his charms. When he meets her brothers, however, there's an immediate sense of hostility. Not a violent one, especially, just one with pretty clear racial undertones that sets the scene for a drama to unfold in a meandering yet at times quite potent fashion. "Leila" finds herself caught up between her family and her lover and as the temperature gradually rises and the jazz accompaniment - trumpets particularly - gets more frenzied, this all encourages the dynamic of the story to become more turbulent and unsettling. So far, so good. It's just the acting. It's not very good nor is it very natural. There's a constant fluidity to the scenario that doesn't tally when "Leila" becomes smitten. It's never a plausible definite in this story of transience and movement, and way too much of the atmosphere here comes from the soundtrack - performances are almost incidental save for a few brawling scenes that seem to suggest that's mankind's solution to everything. It is innovative, I'd give it that, but John Cassavetes fails to invest his characters with any qualities that made me want to care, one way or the other, so i just didn't.

Feb 19, 2024