Popularity: 2 (history)
Director: | John Cassavetes |
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Writer: | John Cassavetes |
Staring: |
The relationship between Lelia, a light-skinned black woman, and Tony, a white man is put in jeopardy when Tony meets Lelia’s darker-skinned jazz singer brother, Hugh, and discovers that her racial heritage is not what he thought it was. | |
Release Date: | Oct 14, 1960 |
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Director: | John Cassavetes |
Writer: | John Cassavetes |
Genres: | Drama |
Keywords | passing for white, jazz |
Production Companies | Lion International |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Ben Carruthers | Ben |
Lelia Goldoni | Lelia |
Hugh Hurd | Hugh |
Anthony Ray | Tony |
Dennis Sallas | Dennis |
Tom Reese | Tom |
David Pokitillow | David |
Rupert Crosse | Rupert |
Davey Jones | Davey |
Pir Marini | Pir the Piano Player |
Victoria Vargas | Vickie |
Jack Ackerman | Jack |
Jacqueline Walcott | Jacqueline |
Cliff Carnell | |
Jay Crecco | |
Ronald Maccone | |
Bob Reeh | |
Joyce Miles | Girl in Restaurant |
Nancy Deale | Girl in Restaurant |
Gigi Brooks | Girl in Restaurant |
Lynn Hamilton | Girl at Party |
Marilyn Clark | Girl at Party |
Joanne Sages | Girl at Party |
Jed McGarvey | Girl at Party |
Greta Thyssen | Girl at Party |
John Cassavetes | Pedestrian (uncredited) |
Seymour Cassel | Al (uncredited) |
Arlene Corwin | Girl at Party (uncredited) |
Bobby Darin | Man at Rehearsal (uncredited) |
Avalon Lee | Girl at Party (uncredited) |
Ellen Paulos | Woman (uncredited) |
Gena Rowlands | Woman in Nightclub Audience (uncredited) |
Lisa Seagram | Woman (uncredited) |
Jean Shepherd | Man at Party (uncredited) |
Mel Stewart | Man at Party (uncredited) |
Name | Job |
---|---|
John Cassavetes | Editor, Writer, Director |
Al Ruban | Assistant Camera |
Charles Mingus | Original Music Composer, Musician |
Maurice McEndree | Editor |
Bob Reeh | Production Design |
Randy Liles | Production Design |
Erich Kollmar | Director of Photography |
Wray Bevins | Production Manager |
Al Giglio | Assistant Director |
Jay Crecco | Sound |
Cliff Carnell | Lighting Production Assistant |
David Simon | Lighting Technician |
Len Appelson | Supervising Editor |
Shafi Hadi | Musician |
Maxine Arnold | Production Assistant |
Anne Draper | Production Assistant |
Mary Anne Ehle | Production Assistant |
Judy Kaufman | Production Assistant |
Ellen Paulos | Production Assistant |
Leslie Reed | Production Assistant |
Larry Shaw | Still Photographer |
Name | Title |
---|---|
Seymour Cassel | Associate Producer |
Nikos Papatakis | Producer |
Maurice McEndree | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 14 | 26 | 10 |
2024 | 5 | 13 | 20 | 9 |
2024 | 6 | 14 | 28 | 6 |
2024 | 7 | 14 | 25 | 9 |
2024 | 8 | 11 | 20 | 6 |
2024 | 9 | 15 | 25 | 6 |
2024 | 10 | 9 | 13 | 6 |
2024 | 11 | 10 | 16 | 6 |
2024 | 12 | 8 | 17 | 5 |
2025 | 1 | 10 | 15 | 5 |
2025 | 2 | 7 | 10 | 3 |
2025 | 3 | 4 | 9 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 1 | 2 | 1 |
Trending Position
On paper, this jazz-fuelled, experimental looking, observation of racial tensions within a small group of friends made for an interesting concept. The execution though, well I found that really quite messy. There's three siblings. "Benny" (Ben Carruthers); "Hugh" (Hugh Lord) and "Leila" (Leila Goldo ... ni) with the sister having a far fairer skin tone than her brothers. "Benny" is a bit of a loose cannon, going with the flow in life; "Hugh" is a musician who is having a bit of a crisis of confidence that not even his supportive manager "Rupert" (Rupert Cross) can pull him from and finally there's the sister. She meets "Tony" (Anthony Ray) and falls completely for his charms. When he meets her brothers, however, there's an immediate sense of hostility. Not a violent one, especially, just one with pretty clear racial undertones that sets the scene for a drama to unfold in a meandering yet at times quite potent fashion. "Leila" finds herself caught up between her family and her lover and as the temperature gradually rises and the jazz accompaniment - trumpets particularly - gets more frenzied, this all encourages the dynamic of the story to become more turbulent and unsettling. So far, so good. It's just the acting. It's not very good nor is it very natural. There's a constant fluidity to the scenario that doesn't tally when "Leila" becomes smitten. It's never a plausible definite in this story of transience and movement, and way too much of the atmosphere here comes from the soundtrack - performances are almost incidental save for a few brawling scenes that seem to suggest that's mankind's solution to everything. It is innovative, I'd give it that, but John Cassavetes fails to invest his characters with any qualities that made me want to care, one way or the other, so i just didn't.