Popularity: 18 (history)
| Director: | Antoine Fuqua |
|---|---|
| Writer: | Richard Wenk |
| Staring: |
| McCall believes he has put his mysterious past behind him and dedicated himself to beginning a new, quiet life. But when he meets Teri, a young girl under the control of ultra-violent Russian gangsters, he can’t stand idly by – he has to help her. Armed with hidden skills that allow him to serve vengeance against anyone who would brutalize the helpless, McCall comes out of his self-imposed retirement and finds his desire for justice reawakened. If someone has a problem, if the odds are stacked against them, if they have nowhere else to turn, McCall will help. He is The Equalizer. | |
| Release Date: | Sep 24, 2014 |
|---|---|
| Director: | Antoine Fuqua |
| Writer: | Richard Wenk |
| Genres: | Action, Crime, Thriller |
| Keywords | corruption, call girl, assassin, hostage, fbi, hitman, gangster, sadism, vigilante, remake, sociopath, revenge, organized crime, gore, teenage prostitute, commando, interrogation, surveillance, fake death, ex soldier, loner, black ops, hand to hand combat, mysterious past, vigilante justice |
| Production Companies | Columbia Pictures, Village Roadshow Pictures, Escape Artists, Mace Neufeld Productions, LStar Capital, Lonetree Entertainment |
| Box Office |
Revenue: $192,330,738
Budget: $55,000,000 |
| Updates |
Updated: Sep 03, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Denzel Washington | Robert McCall |
| Marton Csokas | Teddy |
| Chloë Grace Moretz | Teri |
| David Harbour | Masters |
| Haley Bennett | Mandy |
| Bill Pullman | Brian Plummer |
| Melissa Leo | Susan Plummer |
| David Meunier | Slavi |
| Johnny Skourtis | Ralphie |
| Alex Veadov | Tevi |
| Vladimir Kulich | Vladimir Pushkin |
| E. Roger Mitchell | Lead Investigator |
| James Wilcox | Pederson |
| Mike O'Dea | Remar |
| Anastasia Mousis Sanidopoulos | Jenny |
| Allen Maldonado | Marcus |
| Rhet Kidd | Jay |
| Mike Morrell | HM Brian |
| Matt Lasky | Marat |
| Shawn Fitzgibbon | Little John Looney |
| Vitaliy Shtabnoy | Andri |
| Timothy John Smith | Detective Gilly |
| Robert Wahlberg | Detective Harris |
| Steve Sweeney | Counterman |
| Owen Burke | Thief |
| Luz Mery Sanchez | Ralphie's Mom |
| John Romualdi | Agent Mosley |
| Johnny Messner | P&E Worker |
| Patrick Coppola | Homeowner |
| William Xifaras | Laborer |
| Jenny Johnson | Reporter |
| Peter Haydu | Bank Officer |
| Tait Fletcher | Teddy's Guy |
| Mark Stefanich | Teddy's Guy |
| Dan Bilzerian | Teddy's Guy |
| Matt Leonard | Teddy's Guy |
| Sala Baker | Teddy's Guy |
| Yan Dron | Teddy's Guy |
| Andrew Farazi | Gangster (uncredited) |
| Christopher Weigel | Russian Patron (uncredited) |
| Dennis Keiffer | Teddy's Guy (uncredited) |
| Lance Norris | Butcher (uncredited) |
| Alex Ziwak | Russian Heavy / Bouncer (uncredited) |
| Tiffany Crosby | Pedestrian (uncredited) |
| Austin J. Ryan | Boy (uncredited) |
| Name | Job |
|---|---|
| Richard Wenk | Writer |
| Harry Gregson-Williams | Original Music Composer |
| Airon Armstrong | Stunts |
| Lin Oeding | Stunt Coordinator |
| Michael Sloan | Characters |
| Richard Lindheim | Characters |
| Megan Blake | Graphic Designer |
| Lee Gren | Graphic Designer |
| Stephanie Charbonneau | Graphic Designer |
| Antoine Fuqua | Director |
| Mauro Fiore | Director of Photography |
| John Refoua | Editor |
| Mary Vernieu | Casting |
| Naomi Shohan | Production Design |
| Bryce Burke | Stunt Double |
| Alex Chansky | Stunt Double |
| Clay Donahue Fontenot | Stunt Double |
| Adam Shippey | Stunt Double |
| Roberto Lopez | Stunt Double |
| Dean Neistat | Stunt Double |
| Stephen Oyoung | Fight Choreographer |
| Declan Mulvey | Stunt Double |
| Tom O'Connell | Stunt Double |
| Matt Leonard | Stunts |
| Dennis Keiffer | Stunts |
| Mark Stefanich | Stunts |
| Kofi Yiadom | Stunts |
| Chuck Jeffreys | Stunts |
| Nash Edgerton | Stunts |
| Yan Dron | Stunts |
| Willis Chung | Stunts |
| Angela Peri | Casting |
| Tina Ulee | Set Costumer |
| Kathleen Largay | Digital Intermediate |
| Jill Rosenblatt | Production Accountant |
| Rob Fitz | Makeup Artist |
| Brian Heller | Helicopter Camera |
| Leigh Dillon | Dialect Coach |
| Laura Torrance | Studio Teachers |
| Michael Magill | Dialogue Editor |
| Doug Delaney | Digital Intermediate Colorist |
| Robert Powell | Stunt Double |
| Jeffery Kincannon | Stunt Driver |
| Jon Trosky | Stunts |
| Nico Woulard | Stunts |
| Ryan Hanna | Stunts |
| Tihomir Dukić | Stunts |
| Lukasz Jogalla | Second Unit Director of Photography |
| Daniel Arrias | Stunts |
| Lindsay Graham Ahanonu | Casting |
| Leslie E. Rollins | Set Decoration |
| David Lazan | Art Direction |
| Tom Sola | Construction Foreman |
| Robin Harlan | Foley |
| David Esparza | Sound Designer |
| Scott Garfield | Still Photographer |
| Dave Cambria | Rigging Gaffer |
| Jennifer Gerbino | Property Master |
| Chris Andrew Ciulla | ADR & Dubbing |
| Richard Whitfield | Music Editor |
| Cid Swank | Unit Publicist |
| Jeremy Woodward | Set Designer |
| Sarah Monat | Foley |
| Brian Drewes | Visual Effects Producer |
| Kirk R. Gardner | Steadicam Operator, Camera Operator |
| Lara Quinlan | Set Costumer |
| Alexandr Dvornikov | Translator |
| Cameron Matheson | Leadman |
| Liz Bernstrom | Makeup Department Head |
| Morning Star Schott | Digital Intermediate |
| Aimee Butterfield | Property Master |
| Theodore Suchecki | Construction Coordinator |
| Steve Pederson | Sound Re-Recording Mixer |
| Elizabeth Cecchini | Hairstylist |
| Kim Nelson | Scenic Artist |
| William Paley | First Assistant Editor |
| Don Libby | CG Supervisor |
| Sebastián Almeida | Camera Operator |
| Mandy Arnold | Digital Intermediate |
| Mark Fitzgerald | Location Manager |
| Sherryn Smith | Makeup Artist |
| Molly Allen | Production Supervisor |
| Denis Leining | Art Department Coordinator |
| Daniel J. Leahy | Sound Re-Recording Mixer |
| David Richert | Camera Operator |
| David Rickson | Scenic Artist |
| Betsy Kuehn | Script Supervisor |
| Butch McCarthy | Greensman |
| Sean Devereaux | Visual Effects Supervisor |
| Paul Weathered | Picture Car Coordinator |
| Jessica Drake | Dialect Coach |
| Deirdre Horgan | Script Supervisor |
| David C. Robinson | Costume Design |
| Mandell Winter | Supervising Sound Editor |
| Ryan Collins | Sound Effects Editor |
| Jack Lynch | Special Effects Coordinator |
| Chris Culliton | Gaffer |
| Marc Dominic Rienzo | Digital Effects Supervisor |
| Eminem | Songs |
| Keith Woulard | Stunt Coordinator |
| Name | Title |
|---|---|
| Kat Samick | Associate Producer |
| Richard Wenk | Producer |
| Steve Tisch | Producer |
| Michael Sloan | Producer |
| Alex Siskin | Producer |
| Tony Eldridge | Producer |
| Ezra Swerdlow | Executive Producer |
| Molly Allen | Associate Producer |
| David Bloomfield | Executive Producer |
| Mace Neufeld | Producer |
| Ben Waisbren | Executive Producer |
| Lance Johnson | Co-Producer |
| Denzel Washington | Producer |
| Todd Black | Producer |
| Jason Blumenthal | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 112 | 167 | 79 |
| 2024 | 5 | 126 | 215 | 87 |
| 2024 | 6 | 102 | 126 | 79 |
| 2024 | 7 | 139 | 200 | 103 |
| 2024 | 8 | 110 | 161 | 81 |
| 2024 | 9 | 108 | 164 | 83 |
| 2024 | 10 | 92 | 126 | 71 |
| 2024 | 11 | 137 | 221 | 75 |
| 2024 | 12 | 155 | 367 | 105 |
| 2025 | 1 | 153 | 210 | 97 |
| 2025 | 2 | 88 | 147 | 22 |
| 2025 | 3 | 33 | 135 | 6 |
| 2025 | 4 | 22 | 27 | 18 |
| 2025 | 5 | 20 | 23 | 16 |
| 2025 | 6 | 17 | 21 | 14 |
| 2025 | 7 | 15 | 20 | 13 |
| 2025 | 8 | 16 | 19 | 12 |
| 2025 | 9 | 16 | 23 | 13 |
| 2025 | 10 | 14 | 20 | 11 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 396 | 750 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 127 | 554 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 697 | 813 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 877 | 946 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 651 | 787 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 492 | 758 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 602 | 829 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 140 | 531 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 365 | 647 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 121 | 583 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 82 | 497 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 104 | 463 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 875 | 875 |
Watched the movie last night, kept me interested although somewhat predictable plot. Big bad guy, quiet good guy, helpless victims, bad guy gets his. Overall I did like the movie, but then again I like anything Denzel is in. ...
For me this was a very entertaining vigilante flick. Denzel Washington is excellent in his role as a cold and calculating yet compassionate vigilante. The movie is slower than a lot of movies in this genre but that does not make it boring and when the action starts it is measured (for a movie in thi ... s genre) and well done. Although there is a red thread, started by McCall’s first act of vigilantism, running through the movie he also performs a few on the side jobs as well during the movie. I like the vigilante stuff so for me this was some nice fillers to round off the movie. The main thread pitches McCall against a real psychopathic Russian enforcer. No one can say that this movie did not have a well done bad guy. The role is quite well played. The guy is creepy to say the least. Not to mention violent of course but then so is McCall when the time is right. One thing I liked with this movie is that McCall it is not one of the usual run around, look dangerous and clobber the bad guys in periodic outbursts of violence stereotypes. McCall is always calm, calculating, behaving intelligently and the baddies almost never realizes the mistake they just did until it is quite a bit too late. Sure, the capacity of McCall to clobber the bad guys, usually without getting hurt himself, is bordering on superhuman but what the heck, it is fiction after all. Totally realistic movies are rarely fun, at least not movies of this genre. Also, the end fight where the baddies are more or less running around aimlessly and get taken out could have been better. Especially since the Russian mobster had shown quite a bit of intelligence up until that point. Having said that, I did like that it did not degenerate into the usual 20 minute shoot anything that moves nonsense. McCall is continuing his cold and calculating rampage through the unfortunate individuals on the wrong side and the various ways of disposing of them are rather creative. On the whole I found this to be a rather entertaining movie. In one sense it is the usual vigilante stuff, which I happen to like, but in one sense it is not your normal run of the mill vigilante movie thanks to Denzel Washington’s cold, calculating and intelligent portrayal of McCall.
Expected pretty good, got very good. Can't call _The Equaliser_ a perfect movie, but I love me a mixed bag of content like this. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._ ...
Denzel Washington saves the day. There's nothing I'd consider special about <em>'The Equalizer'</em>, though thanks to a typically stellar performance from lead Washington I still had a fun time watching this 2014 release. It's a great showing from Denzel, not that that is a surprise given he is ... - alongside Leonardo DiCaprio - my favourite actor. Otherwise, it's a pretty standard vigilante action flick which probably goes on for slightly too long and features some forgettable, if solid, support cast/characters, the latter is especially true for the rather plain villains. The music is also standard, though does improve towards the end with the final score and end credit soundtrack. All in all, a worthwhile watch thanks to Denzel. I'm hoping the sequel, whilst still featuring a top lead performance, is more of a well rounded effort - I guess I'll soon see!
“McCall” (Denzel Washington) has taken refuge from his chequered history by laying low working in a DIY store, minding his own business. That peaceful existence is compromised, though, when his colleague “Teri” (Chloë Grace Moretz) ends up in an altercation with a mysterious thug that puts her in ho ... spital. Seeking to avenge this, his meticulous retribution soon attracts the attentions of the equally calculating “Teddy” (Martin Csokas) who seems to have an army at his disposal for “McCall” to find various ways to slaughter whilst both play a perilous cat and mouse game. Now there’s really precious little jeopardy here. We know how it’s going to end up, but along the way Washington and Csokas create quite an effective degree of menace aided by loads of dimly lit photography and fairly end-to-end brutality. We, of course, discover a little more of why our ninja has become a recluse - but that’s provided more for reference rather than to subsume us in a mire of sentiment and there’s actually very little here to distract us from an out and out revenge thriller that delivers well. It does miss that little jingle that used to accompany Edward Woodward when was “The Equalizer” but aside from that, allows Washington to thrive at his deadliest less-is-more.