Primal Fear
Sooner or later, a man who wears two faces forgets which one is real.
1996 | 131m | English
Popularity: 5 (history)
| Director: | Gregory Hoblit |
|---|---|
| Writer: | William Diehl, Steve Shagan, Ann Biderman |
| Staring: |
| Defense attorney Martin Vail takes on jobs for money and prestige rather than any sense of the greater good. His latest case involves an altar boy, accused of brutally murdering the archbishop of Chicago. Vail finds himself up against his ex-pupil and ex-lover, but as the case progresses and the Church's dark secrets are revealed, Vail finds that what appeared a simple case takes on a darker, more dangerous aspect. | |
| Release Date: | Mar 06, 1996 |
|---|---|
| Director: | Gregory Hoblit |
| Writer: | William Diehl, Steve Shagan, Ann Biderman |
| Genres: | |
| Keywords | corruption, chicago, illinois, based on novel or book, death penalty, bishop, manipulation, court case, pornographic video, court, capital punishment, whodunit, psychiatrist, taunting, murder trial, altar boy, courtroom drama, legal drama, legal thriller, suspenseful, harsh |
| Production Companies | Paramount Pictures, Rysher Entertainment |
| Box Office |
Revenue: $102,616,183
Budget: $30,000,000 |
| Updates |
Updated: Jan 09, 2026 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| William Diehl | Novel |
| Steve Shagan | Screenplay |
| David Rosenbloom | Editor |
| Jeannine Oppewall | Production Design |
| Paul Allen | Set Dresser |
| Jane Shannon-Smith | Casting |
| Betsy Cox | Costume Design |
| Lanier Edwards | Stunts |
| Robert Grand | Production Manager |
| J. Stephen Buck | First Assistant Director |
| Lucille OuYang | Second Assistant Director |
| William Arnold | Art Direction |
| Cindy Carr | Set Decoration |
| Sharron Reynolds-Enriquez | Script Supervisor |
| Steve Cantamessa | Sound Mixer |
| Gary Thomas | Boom Operator |
| Ron Phillips | Still Photographer |
| Kacy Magedman | Art Department Coordinator |
| Jono Kouzouyan | Chief Lighting Technician |
| Bruce Fortune | Supervising Sound Editor |
| Greg Stacy | Sound Effects Editor |
| Cameron Frankley | Sound Effects Editor |
| Anthony Milch | Sound Effects Editor |
| Carin Rogers | Supervising Dialogue Editor |
| Joe Dorn | Supervising ADR Editor |
| Thomas W. Small | Foley Editor |
| Bob Baron | ADR Mixer |
| Marilyn Graf | Foley Mixer |
| Sarah Monat | Foley Artist |
| Robin Harlan | Foley Artist |
| Jim Weidman | Music Editor |
| Jeffrey J. Haboush | Sound Re-Recording Mixer |
| Kevin E. Carpenter | Sound Re-Recording Mixer |
| Robert Schaper | Sound Re-Recording Mixer |
| Rob Burton | Visual Effects Supervisor |
| Phil Hetos | Color Timer |
| Theresa Repola Mohammed | Negative Cutter |
| Phill Norman | Title Designer |
| Gregory Hoblit | Director |
| Ann Biderman | Screenplay |
| Michael Chapman | Director of Photography |
| James Newton Howard | Original Music Composer |
| Deborah Aquila | Casting |
| Ernie F. Orsatti | Stunt Coordinator |
| Rick LeFevour | Stunts |
| Denney Pierce | Stunts |
| Ray Lykins | Stunts |
| Bill Roe | Camera Operator |
| Linda Perlin | Stunts |
| Noon Orsatti | Stunts |
| Randy K. Singer | Foley Mixer |
| Larry Cook | Pilot |
| Bob Kenney | Pilot |
| Name | Title |
|---|---|
| Robert McMinn | Co-Producer |
| Hawk Koch | Executive Producer |
| Gary Lucchesi | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 42 | 59 | 27 |
| 2024 | 5 | 44 | 83 | 27 |
| 2024 | 6 | 33 | 52 | 21 |
| 2024 | 7 | 45 | 62 | 27 |
| 2024 | 8 | 30 | 46 | 21 |
| 2024 | 9 | 33 | 49 | 20 |
| 2024 | 10 | 30 | 48 | 20 |
| 2024 | 11 | 28 | 51 | 20 |
| 2024 | 12 | 25 | 47 | 18 |
| 2025 | 1 | 30 | 51 | 22 |
| 2025 | 2 | 21 | 33 | 4 |
| 2025 | 3 | 8 | 28 | 2 |
| 2025 | 4 | 4 | 6 | 4 |
| 2025 | 5 | 8 | 11 | 5 |
| 2025 | 6 | 5 | 7 | 4 |
| 2025 | 7 | 6 | 8 | 5 |
| 2025 | 8 | 5 | 8 | 4 |
| 2025 | 9 | 6 | 10 | 5 |
| 2025 | 10 | 7 | 11 | 5 |
| 2025 | 11 | 7 | 8 | 6 |
| 2025 | 12 | 6 | 8 | 5 |
| 2026 | 1 | 5 | 7 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 459 | 790 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 931 | 931 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 407 | 681 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 413 | 819 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 572 | 752 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 472 | 703 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 375 | 776 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 593 | 832 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 465 | 727 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 560 | 793 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 310 | 786 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 416 | 568 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 764 | 764 |
I was never the greatest fan of Richard Gere, but this is certainly one of his better performances. He is cocky lawyer "Vail", adept at ensuring his criminal fraternity clients evade justice. When the shocking news that an archbishop has been savagely murdered is announced, he decides on a bit of pr ... o-bono work to defend the young "Aaron" (Ed Norton) against the prosecuting skills of his ex-girlfriend "Janet" (Laura Linney). As the courtroom drama unfolds, though, we soon establish that there are undertones that call into question not just who did what to whom, but also the integrity of the victim and of many of his well-connected associates. The film belongs to Norton, though. As his character develops, with the assistance of probing psychologist "Molly" (Frances McDormand), we discover that there are quirks to his character that this actor delivers superbly. So much falls into place in the last ten minutes, or so, before a denouement that is both unexpected and perversely quite fitting. It is a bit too long, and takes maybe half an hour before it starts to simmer; but once the plot starts to advance in earnest, this becomes a superior crime thriller with twists, turns and strong performances throughout.
Primal Fear is a masterclass in tension, turning a courtroom drama into a high-stakes thriller under Gregory Hoblit’s sharp direction. Then there’s Edward Norton, in his very first role, who makes such an impression it’s no surprise he went on to win over 15 awards including a Golden Globe for Be ... st Supporting Actor. Playing Aaron, a timid altar boy with hidden depths. Richard Gere holds his own as the slick defense lawyer, Norton’s layered acting and the intense chemistry between them make this movie unforgettable. Primal Fear goes beyond a typical courtroom drama, serving up suspense, stellar performances, and production.
Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5** ...
Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5** ...
Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5** ...
Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5** ...
Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5** ...
Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5** ...
Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5** ...
Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5** ...
92/100 Easily included in my Top 5 Legal Thrillers of All Time, this is an exquisitely well-written story of Aaron, a young man who was present during the slaughter of an archbishop but insists he blacked out and doesn't remember anything. Looking for more fame, Attorney Martin Vail takes the cas ... e free. What follows is a fascinating ride that takes us though homicide, political corruption, sex abuse, gangsters, madness and a twist ending that is profound and shocking. Edward Norton is absolutely stellar as Aaron and everyone else is fantastic. Must see! -- DrNostromo.com