Popularity: 2 (history)
Director: | Stephen Hopkins |
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Writer: | Carey Hayes, Chad Hayes, Brian Rousso |
Staring: |
Katherine Morrissey, a former Christian missionary, lost her faith after the tragic deaths of her family. Now she applies her expertise to debunking religious phenomena. When a series of biblical plagues overrun a small town, Katherine arrives to prove that a supernatural force is not behind the occurrences, but soon finds that science cannot explain what is happening. Instead, she must regain her faith to combat the evil that waits in a Louisiana swamp. | |
Release Date: | Apr 05, 2007 |
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Director: | Stephen Hopkins |
Writer: | Carey Hayes, Chad Hayes, Brian Rousso |
Genres: | Horror |
Keywords | christianity, missionary, river, small town, miracle, bible, satanism, louisiana, swamp, faith, religion, skepticism, satanic ritual, biblical plagues, locust, science vs religion, plague, religious horror, christian belief, satanic ritual abuse |
Production Companies | Village Roadshow Pictures, Warner Bros. Pictures, Dark Castle Entertainment, Eyetronics, Chime Films |
Box Office |
Revenue: $62,771,059
Budget: $40,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Hilary Swank | Katherine |
David Morrissey | Doug |
Idris Elba | Ben |
AnnaSophia Robb | Loren McConnell |
Stephen Rea | Father Costigan |
William Ragsdale | Sheriff Cade |
John McConnell | Mayor Brooks |
David Jensen | Jim Wakeman |
Yvonne Landry | Brynn Wakeman |
Samuel Garland | William Wakeman |
Myles Cleveland | Kyle Wakeman |
Andrea Frankle | Maddie McConnell |
Mark Lynch | Brody McConnell |
Stuart Greer | Gordon |
Lara Grice | Isabelle |
Cody Sanders | Hank |
Burgess Jenkins | David Winter |
Sabrina A. Junius | Sarah Winter |
Jillian Batherson | Janet |
Karen Yum | Nun |
Afemo Omilami | Haman |
Axel C. Cartagena | Chilean Boy |
Javier Ortiz Cortés | Monastery Cop |
Iris Martinez | Old Chilean Woman |
Axel Anderson | Blind Man |
Robert Alonzo | Hazmat Worker |
Eddie J. Fernandez | Hazmat Worker |
Abraham Henderson | Man Speaking in Tongues |
Felipe Febres Rivera | Man Speaking in Tongues |
Gregorio Allende | Man Speaking in Tongues |
Sixta Rivera Romero | Woman Speaking in Tongues |
Rafael Fuentes Negrón | Padre Bonilla |
Michelle L. Clarke | Townsperson (uncredited) |
Sierra Lyn Duncil | Townsperson (uncredited) |
Lisa Marie Dupree | Teacher (uncredited) |
Carol Dupuy | Townsperson (uncredited) |
Louis Dupuy | Townsperson (uncredited) |
Stephanie Honoré | Secretary (uncredited) |
Cody Juneau | Prof. Katherine's Class Student (uncredited) |
Kevin Lorio | LSU Lecture Student (uncredited) |
Ross Rouillier | College Student (uncredited) |
Brian Tester | Tourist in Chile (uncredited) |
Kimberly Whitfield | LSU Lecture Student (uncredited) |
Ashley Wilkes | Townsperson (uncredited) |
Name | Job |
---|---|
John Frizzell | Orchestrator, Original Music Composer |
Jeffrey Kurland | Costume Design |
Lora Kennedy | Casting |
Douglas Noe | Prosthetic Makeup Artist |
Colby Parker, Jr. | Editor |
Carey Hayes | Screenplay |
Chris L. Spellman | Set Decoration |
Peter Levy | Director of Photography |
Dottie Starling | Visual Effects, CG Artist |
Beka Wilson | Key Hair Stylist |
Autumn Butler | Makeup Artist |
Kristen Donaldson | Art Department Coordinator |
Chad Hayes | Screenplay |
Graham 'Grace' Walker | Production Design |
Kathrine Gordon | Hair Department Head |
Morag Ross | Makeup Artist |
Rhonda O'Neal | Key Hair Stylist |
Mark W. Brown | Assistant Property Master |
Daniel Coe | Carpenter |
Georgie Miranda | Carpenter |
Roger Prater | Greensman |
Mark Weissenfluh | Leadman |
Robert Possum Miller | Propmaker |
Gail Briant | Scenic Artist |
Anthony J. Henderson | Sculptor |
Frank Hendrick | Set Dresser |
Mark Moretti | Storyboard Artist |
Kevin Jackson | Best Boy Grip |
Eric Dvorsky | Camera Technician |
Gilo Rosario | Dolly Grip |
Bruce Hazen | Electrician |
Eric Moore | Electrician |
Tarik Naim Alherimi | Electrician |
Patricia Alonso | Location Casting |
Wayne Douglas Morgan | Production Assistant, Extras Casting Assistant |
Raúl J. Marín | Grip |
Francisco Román | Grip |
Charles 'Tom' Hinson | Key Rigging Grip |
Franklin Jones II | Rigging Grip |
Robert Veliky | Second Assistant "A" Camera |
Eyra Agüero Joubert | Casting Assistant |
Karen Wood | Extras Casting |
Janet Melody | Ager/Dyer |
Katalina Iturralde | Costumer |
Giselle Spence | Seamstress |
Ashlie Philastre | Set Costumer |
Amy Garback | CG Artist |
Paul Raeburn | Compositor |
Ziad Seirafi | Compositor |
Tom Daws | Compositor |
Marc Nanjo | Compositor |
Darren Christie | Digital Compositor |
Pete Howlett | Digital Compositor |
Brennan Prevatt | Digital Compositor |
Simon Hughes | Digital Compositor |
Sarah Lockwood | Digital Compositor |
Richard Stay | Digital Compositor |
Curtis Lindersmith | Digital Intermediate Editor |
Mark Edwards | Visual Effects Coordinator |
Sona Pak | Visual Effects Coordinator |
Lisa Maher | Visual Effects Producer |
Moriah Etherington-Sparks | Visual Effects Producer |
Stephen Craig | Visual Effects Production Assistant |
Richard Yuricich | Visual Effects Supervisor |
Doug Hemphill | Additional Sound Re-Recording Mixer |
David Jobe | Foley Mixer |
Paula Fairfield | Sound Effects Designer |
Michael Meinardus | Special Effects Coordinator |
Howard Berger | Special Effects Supervisor |
Robert Elhai | Orchestrator |
Trace Cheramie | Animal Wrangler |
Luke Letkey | Digital Compositor |
Foad Shah | Digital Compositor |
John J. Galloway | Digital Compositor |
Marc-Andre Samson | Matte Painter |
Terron Pratt | Visual Effects Coordinator |
Deak Ferrand | Visual Effects Designer |
Steve Garrad | Visual Effects Producer |
Jamie Venable | Visual Effects Producer |
Amit Dhawal | Visual Effects Supervisor |
Dion Hatch | Visual Effects Supervisor |
Billy Theriot | ADR Mixer |
Luis Antonio Landrau | Cableman |
Christopher Alba | First Assistant Sound Editor |
Rickley W. Dumm | Sound Effects Editor |
Bruce Tanis | Sound Effects Editor |
Roland N. Thai | Sound Effects Editor |
Gregg Rudloff | Sound Re-Recording Mixer |
Greg Hedgepath | Sound Designer, Supervising Sound Editor |
Reuben Simon | Foley |
Dale Ettema | Special Effects Technician |
Trevor Young | Digital Compositor |
Lisa Tutunjian | Digital Intermediate Editor |
Adam Avery | Visual Effects Coordinator |
Sherman Toy | Visual Effects Coordinator |
John Roesch | Foley Artist |
Tom Ozanich | Sound Designer |
Jeff Atmajian | Orchestrator |
Greg Nicotero | Special Effects Supervisor |
Joseph S. DeBeasi | Music Editor |
David Orr | Color Timer |
Stephen H. Sloan | First Assistant Editor |
George Doering | Musician |
Holly O'Quin | Animal Wrangler |
Blaise Corrigan | Stunts |
Glenn R. Wilder | Stunts |
Larry Rippenkroeger | Stunt Double |
Joel Kramer | Stunts |
Jack Gill | Stunt Coordinator |
Eddie J. Fernandez | Stunts |
Eddie Braun | Utility Stunts |
Hyesu Wiedmann | Orchestrator |
Claire Chandou | First Assistant Accountant |
Christopher C. Brown | Production Assistant |
Claire Schexnayder | Production Assistant |
Malcolm Adams | Production Assistant |
Kathy McHugh | Production Coordinator |
Trudy Ramirez | Script Supervisor |
Danny Yount | Title Designer |
Cliff Fleming | Pilot |
Andrew Kinney | Orchestrator |
Mark Jackson | Animal Coordinator |
Michael Buster | Dialect Coach |
Anthony Derrico | Production Assistant |
Shawn A. Mutchler | Production Assistant |
Maria Senger | Production Assistant |
Shari LaFranchi Blakney | Production Coordinator |
Lisa Davidson | Production Coordinator |
John Lavis | Set Medic |
Raquel Medina Rampolla | Production Coordinator |
Melody Tolentino | Production Secretary |
José R. Varona | Set Medic |
Mimi N. McGreal | Travel Coordinator |
Brigitte Bourque | Compositor |
Sonja Munsterman | Stunt Double |
Amberlynn Dorsey | Stunts |
Adam Barth | Video Assist Operator |
Sandra Lee Gimpel | Stunts |
Anthony G. Schmidt | Stunts |
Katina Waters | Stunt Double |
Nick Stanner | Stunt Double |
Josh Mueller | Stunt Double |
Steven Ritzi | Stunt Coordinator |
Chad Mason | Stunts |
Bryan Friday | Stunt Double |
Charlie Brewer | Stunts |
Cody Gill | Stunts |
Cal Johnson | Utility Stunts |
Lex D. Geddings | Utility Stunts |
Jay Amor | Stunts |
Louis Dupuy | Stunt Driver |
David Forrest | Makeup Department Head |
Brian Rousso | Story |
Scott Ritenour | Art Direction |
Bonnie Clevering | Hairstylist |
Paige Reeves | Key Makeup Artist |
Gladys Bustos | Assistant Property Master |
Jeffrey Scott Thomas | Carpenter |
Denise Templeton | Construction Buyer |
Larry Misselhorn | Head Greensman |
Andrew Petrotta | Property Master |
Randy Kenan | Propmaker |
Luis Edgardo Maldonado | Props |
Andrew M. Casbon III | Scenic Artist |
Jeff B. Adams Jr. | Set Designer |
Michael Hendrick | Set Dresser |
John B. Clarey III | Carpenter |
Byron Denson | Propmaker |
Joe Walsh Jr. | Carpenter |
Tom Jones Jr. | Construction Coordinator |
Sean Ginevan | Leadman |
Willie Thoms | Propmaker |
Trey Merrill | Propmaker |
Virle S. Reid | Props |
Elliott Glick | Scenic Artist |
Luis E. Colón | Set Dresser |
Juan Guallini Indij | Set Dresser |
Christopher M. Fisher | Assistant Camera |
Jimmy Ferguson | Additional Second Assistant Camera |
Jeff Stewart | Camera Loader |
Giovani Lampassi | Chief Lighting Technician |
Jahoon Koo | Electrician |
Kevin McGill | First Assistant Camera |
Louis Normandin | Grip |
Ben Bardin | Key Grip |
Andy Clapp | Rigging Gaffer |
Shannon Van Metre | Second Assistant Camera |
Gene Page | Still Photographer |
Pepper Morgan | Extras Casting Assistant |
Robert Wojewodski | Assistant Costume Designer |
Gladyris Silva | Costumer |
Lesley D. Wickham | Seamstress |
Helena Masand | Animation |
Eric Pender | CG Artist |
Andrew Chapman | CG Supervisor |
Nabil Schiantarelli | Compositor |
Jayni Borgaro | Compositor |
Jesse Fernley | Compositor |
Matthew T. Wilson | Compositor |
Stuart Cripps | Digital Compositor |
Anthony Mabin | Digital Compositor |
Judy Barr | Digital Compositor |
Stephen Campbell | Camera Operator |
Sammy Beavers | Chief Lighting Technician |
Danielle Greenup | Electrician |
Justin Wright | Electrician |
Jorge Sánchez | First Assistant "A" Camera |
Luke Porterfield | Grip |
Frank Boone | Key Grip |
Rowland Egerton | Rigging Grip |
Zoraida Luna Luna | Second Assistant "A" Camera |
Chris Shadley | Video Assist Operator |
Marty Keener Cherrix | Location Casting |
Loretta Harper | Costumer |
Sharlene Ruffino Weimer | Costumer |
Ali Lammari | Set Costumer |
John Cassella | CG Artist |
Frederique Schafer | CG Artist |
Patrick Kavanaugh | Compositing Supervisor |
Emeline Tedder | Compositor |
Brandon Criswell | Compositor |
Mathias Frodin | Compositor |
Gurel Mehmet | Concept Artist |
Enid Dalkoff | Digital Compositor |
Craig Crawford | Digital Compositor |
Richard Briscoe | Digital Compositor |
Claire Inglis | Digital Compositor |
Christoph Salzmann | Digital Compositor |
Andre Brizard | Digital Compositor |
Ken McGaugh | Visual Effects Supervisor |
Michael J. Fox | ADR Mixer |
Beauxregard Neylon | ADR Recordist |
Stephanie Flack | Dialogue Editor |
Alyson Dee Moore | Foley Artist |
Carla Murray | Sound Effects Designer |
Jason King | Sound Effects Editor |
Jussi Tegelman | Sound Effects Editor |
Dale Triguero | Special Effects Technician |
Florent Danny Retz | Assistant Editor |
Stacey S. Clipp | First Assistant Editor |
Pete Anthony | Conductor |
Andrew Dorfman | Music Editor |
Jerome Leroy | Orchestrator |
Renee D. Czarapata | First Assistant Accountant |
Adam Babin | Production Assistant |
Chris Kirkland | Production Assistant |
Jason Reppert | Production Assistant |
Aubrie Campbell Canfield | Production Assistant |
Mary Stuart | Visual Effects Producer |
Thomas Tannenberger | Visual Effects Producer |
Julia Neighly | Visual Effects Production Manager |
Bryan Hirota | Visual Effects Supervisor |
Rocco Gioffre | Visual Effects Supervisor |
Alex Raspa | ADR Mixer |
Ross Simpson | Boom Operator |
James Morioka | Dialogue Editor |
Dane A. Davis | Sound Effects Editor |
Mark Larry | Sound Effects Editor |
Eric Lindemann | Sound Effects Editor |
Pud Cusack | Sound Mixer |
John T. Reitz | Sound Re-Recording Mixer |
Valerie Davidson | Foley |
Daniel Brock | Utility Sound |
Chris Brenczewski | Special Effects Technician |
Steve Kline | Special Effects Technician |
Jose Antonio Paramo | Special Effects Technician |
Tod Feuerman | Additional Editor |
Mike Kennedy | Digital Intermediate Producer |
Mo Henry | Negative Cutter |
Jim Harrison | Music Editor |
Bill R. Dean | Sound Effects Editor |
David E. Campbell | Sound Re-Recording Mixer |
Julia Evershade | Supervising ADR Editor |
Ross Levy | Utility Sound |
Garnet Baril | Special Effects Technician |
John W. Fisher | Special Effects Technician |
Bruce Y. Kuroyama | Special Effects Technician |
Cara Leibovitz | Unit Publicist |
Eric M. Vega | Production Coordinator |
Brie Lybrand | Stunt Double |
Brian Simpson | Utility Stunts |
Margie McLamb Holowaty | Travel Coordinator |
Wyatt Tipton | Stunts |
Stephen Hopkins | Director |
Robert Alonzo | Stunts |
Cliff Lanning | First Assistant Director |
Name | Title |
---|---|
Joel Silver | Producer |
Robert Zemeckis | Producer |
Kate Garwood | Associate Producer |
Bruce Berman | Executive Producer |
Erik Olsen | Executive Producer |
Richard Mirisch | Co-Producer |
Steve Richards | Executive Producer |
Susan Downey | Producer |
Herb Gains | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 27 | 41 | 19 |
2024 | 5 | 30 | 53 | 20 |
2024 | 6 | 27 | 44 | 13 |
2024 | 7 | 28 | 46 | 15 |
2024 | 8 | 21 | 37 | 13 |
2024 | 9 | 24 | 46 | 13 |
2024 | 10 | 21 | 32 | 13 |
2024 | 11 | 17 | 28 | 11 |
2024 | 12 | 21 | 37 | 12 |
2025 | 1 | 21 | 61 | 12 |
2025 | 2 | 14 | 23 | 3 |
2025 | 3 | 7 | 20 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 3 | 6 | 2 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 839 | 919 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 692 | 692 |
The Reaping harvests souls of the religiously devoted by subjecting them to this. “What hath God wrought?”. If ever there was a tagline that would instantly persuade audiences to leap up from their sofas, drive to the nearest cinema complex and purchase a couple of tickets, it’s this one. Sure, usin ... g a phrase from the Book of Numbers (as opposed to Exodus which is the primary plot device of the film...) certainly sets the religiously inclined tone, that eventually dissolves into the plagued river of blood but more on that later. It also indicates the unimaginative stupidity that ensues, leaving logic and science behind for a faith-based apocalyptic tale that is in need of some serious stoning. A professor in debunking miracles is invited to investigate a “river of blood” in the nearby town of Haven, but is quickly ensnared in an apocalyptic mystery. Whilst not the worst horror film in the existence of cinema, with a tepid schlocky tone that somewhat juxtaposes the devoted Christian ideologies presented, yet is so inexplicably dumb that it will leave you questioning why such a film was created in the first place. Its initial introduction commenced with much promise. Science against religion. Simple logical explanations explaining what many describe as religious miracles. Yes, it’s relatively on the nose and misses the point of acquiring faith, yet remained an interesting direction for the first half that managed to conjure up various problematic conversations. Hot off her Oscar win, swanky Swank muddles through this unusual mystery with much trepidation, choosing not to believe that the plagues of Egypt condemning Haven are in fact coincidental, offering scientific explanations. Algae bloom for the “blood river” that has the consistency of red-dyed water (sorry not sorry...). Infections terminating frogs, that is never explained how they fell from the sky, but whatever. Flies consuming the flesh of the frogs, and you get the idea. She remains unconvinced throughout these biblical mishaps, and provides an interesting angle. Well, that is until about halfway through when she switches from being Bill Nye the Science Guy to Pope Francis of the Vatican. Suddenly she has faith, despite her tragic backstory clumsily spliced with the main plot, and holy reaping balls do events get crazy. CGI locust infestation, satanic cult crazes and a thunderstorm of fire that incinerates life in a matter of seconds. It went from a minor science experiment to absolute chaos, quicker than a snap of your fingers. The change of pace is so jarring and bewildering, that when the predictably obtuse third act arrives you’re stunned into silence. The tantalising debunking approach now plagued by, well, the plagues. The mystery is ham-fisted and makes no sense whatsoever. Constant flashbacks providing clues, more like clear answers mind you, were choppy and fragmented. It’s not scary in the slightest. Main characters are expended and forgotten about almost instantly, a shame considering Elba was decent as always. And what’s Rea’s purpose in this? No seriously. Except for providing basic exposition, he seemed pointless in this endeavour. A very minuscule part of my soul wants to like this for being the barking mad mystery that it is. To an extent, it is watchable if you know to turn your brain off and devour all the spiel on religious provocations, despite the interesting first act. It has this surreal allure, making each watch tolerable. But then I think back to the last thirty minutes and I then really want to experience all ten plagues for myself. Incomprehensibly ludicrous. What hath God wrought you ask? This.
_**Intriguing first act gives way to dull second act, but decent ending**_ Released in 2007, "The Reaping" is a about a former ordained missionary who's now a professor who debunks supposed miracles around the world (Hilary Swank). She and her assistant (Idris Elba) venture to a bayou town where, ... amazingly, the ten plagues of Exodus are manifesting (!). David Morrissey plays their host in the town while AnnaSophia Robb plays the 12 year-old focal point of the plagues. Are the plagues real or can they be scientifically explained? If they're real, who's the source, God or the devil? This is a haunting mystery horror film rather than a monster/slasher movie, so if you're looking for the latter don't bother. That said, this is an extremely well-made production. The visuals of the various plagues are awesome, particularly the bayou turning to blood, the locusts and fire raining from the sky. Moreover, Swank looks super sharp in the manner of Raquel Welch (neither are my type, but who can deny their looks that kill?). Elba is a likable partner and Morrissey seems creepy from the get-go. As for AnnaSophia, it's clear even at 12 years of age that she was gonna morph into a curvy cutie. Where the movie goes wrong are elements of the story/script. It starts out good and is intriguing for the first 45 minutes or so, but then the next 30 minutes seriously lag. When the plot twist is revealed in the last act it turned me off the first time I watched the film, but I was braced for it with my second viewing and was able to accept it. The ending, while cartoonish, is spectacular in the manner of the end of "Raiders of the Lost Ark." So this is a solid mystery/horror movie, but it could've been better if they worked out the kinks in the screenplay, like the draggy second act and unsavory plot twist. The film runs 99 minutes and was shot in St. Francisville, Louisiana (the bayou town), Louisiana State University in Baton Rouge, Shreveport & New Orleans, Louisiana, as well as San Juan, Porta Rico (the opening sequence) and Austin Texas. GRADE: B-
Watchable enough supernatural horror (in the vein of The Omen I guess), there's not a whole lot that was memorable save maybe for the finale. Hilary Swank felt like she was mailing it in as I didn't have much emotion in spite of her character's tragic background while Idris Elba, as great of an as h ... e is, didn't make much of a mark and felt wasted. Can't say I was once scared but in fairness, these type of horror movies rarely do much for me. **2.75/5**