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The Yellow Tomahawk Poster

The Yellow Tomahawk

An Indian Scout and a Blonde Wildcat . . . They Faced the Most Savage of All Indian Raids!
1954 | 82m | English

(522 votes)

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Popularity: 2 (history)

Details

When the army insists on building a fort on Indian land, in defiance of a treaty, the warnings of a scout go unheeded.
Release Date: May 01, 1954
Director: Lesley Selander
Writer: Harold Jack Bloom, Richard Alan Simmons
Genres: Western
Keywords fort, native american, treaty
Production Companies Bel-Air Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Apr 28, 2024
Entered: Apr 28, 2024
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Full Credits

Name Character
Rory Calhoun Adam
Peggie Castle Katherine
Noah Beery Jr. Tonio (as Noah Beery)
Warner Anderson Major Ives
Peter Graves Sawyer
Lee Van Cleef Fire Knife
Rita Moreno Honey Bear
Dan Riss Sgt. Bandini
Walter Reed Keats
Patrick Sexton Lt. Bascomb (as Patrick Joseph Sexton)
Robert Bray Lieutenant Banion
Adam Williams Cpl. Maddock
James Best Private Bliss
Ned Glass Willy
Name Title
Organization Category Person
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Popularity History


Year Month Avg Max Min
2024 4 3 4 1
2024 5 4 9 2
2024 6 2 4 0
2024 7 4 9 1
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2024 9 3 6 2
2024 10 2 4 1
2024 11 2 8 1
2024 12 1 3 1
2025 1 1 4 1
2025 2 1 3 1
2025 3 1 2 1
2025 4 1 2 1
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2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 1 2 0
2025 10 2 3 2

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Reviews

John Chard
7.0

Heed thy warning or face the consequence. The Yellow Tomahawk is directed by Lesley Selander and written by Harold Jack Bloom and Richard Alan Simmons. It stars Rory Calhoun, Peggie Castle, Noah Beery Jr., Warner Anderson, Peter Graves, Lee Van Cleef and Rita Moreno. Music is by Les Baxter and ci ... nematography by Gordon Avil. Scout and tracker Adam Reed (Calhoun) is handed a yellow tomahawk by Cheyenne warrior Fire Knife (Cleef). It is to be given to Major Ives (Anderson) as a proclamation of war, a heed to get women and children out the way prior to attack. Ives stubbornly rejects the threat... Another splendid 1950s Oater begging to be sought out by fans of the genre, and another reason to laud Calhoun as underrated in his time. Story wise there are familiar tropes, but it's always nice to see a screenplay sympathetic to the Native Americans, where here led by *ahem* Van Cleef they are fed up of encroachment and seek to defend their tribal lands. There is honour in the actions, which in turn solidifies a believable friendship between Fire Knife and Reed. It's also in parts sexy, which gets its first marker during Reed and Katherine's (Castle) first meeting, god bless water! Ok! So the inevitable coupling is all a bit sudden and trite given an event previously, but the romance factor here does not hinder the depth of the screenplay. Also bonus is that Reed is not some unstoppable muscular hero, he is openly shown to be as fallible in a fight as all of us can be - twice! The makers are not here purely for comic book There's twists in store as well, one of which is a doozy, while the action as you would expect under Selander is very competent and exciting. You will not forget the massacre sequences, where the eye for an eye - violence begets violence theme is banging the drum, while the presence of Beery and Graves is most welcome. Filmed in Colour but released to TV in black and white, a Western fan can't help lament this fact. For you can see the wonderful Kanab locations begging to be colourized. Shame that. The messages within my grate on some, but if shrugging that off there is a whole lot for Western supporters to savour here. 7/10

May 16, 2024