Popularity: 9 (history)
| Director: | Lasse Hallström |
|---|---|
| Writer: | John Irving |
| Staring: |
| Homer is an orphan who was never adopted, becoming the favorite of orphanage director Dr. Larch. Dr. Larch imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him? | |
| Release Date: | Dec 17, 1999 |
|---|---|
| Director: | Lasse Hallström |
| Writer: | John Irving |
| Genres: | Drama |
| Keywords | based on novel or book, drug addiction, cigarette, pregnancy, orphanage, maine, cider, orphan, incest, drug overdose, war injury, apple cider, anesthetic, incinerator, picking apples, 1940s, abortion, abortionist |
| Production Companies | Miramax, Nina Saxon Film Design, FilmColony |
| Box Office |
Revenue: $88,500,000
Budget: $24,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Tobey Maguire | Homer Wells |
| Charlize Theron | Candy Kendall |
| Delroy Lindo | Arthur Rose |
| Paul Rudd | Lt. Wally Worthington |
| Michael Caine | Dr. Wilbur Larch |
| Jane Alexander | Nurse Edna |
| Kathy Baker | Nurse Angela |
| Erykah Badu | Rose Rose |
| Kieran Culkin | Buster |
| Kate Nelligan | Olive Worthington |
| Heavy D | Peaches |
| J.K. Simmons | Ray Kendall |
| Erik Per Sullivan | Fuzzy |
| Paz de la Huerta | Mary Agnes |
| K. Todd Freeman | Muddy |
| Evan Parke | Jack |
| Jimmy Flynn | Vernon |
| Lonnie Farmer | Hero |
| Spencer Diamond | Curly |
| Skye McCole Bartusiak | Hazel |
| Sean Andrew | Copperfield |
| John Albano | Steerforth |
| Claire Daly | Clara |
| Colin Irving | Major Winslow |
| Annie Corley | Carla |
| Patrick Donnelly | Adopting Father |
| Edie Schechter | Adopting Mother |
| Kasey Berry | 12yr. Old Girl |
| Mary Bogue | Big Dot |
| Victoria Stankiewicz | Debra |
| Christine Stevens | Florence |
| Earle C. Batchelder | Dr. Holtz |
| Norma Fine | Mrs. Goodhall |
| John Irving | Stationmaster |
| Eric Bruno Borgman | Flirting Soldier on Train (uncredited) |
| Kevin Chapman | Adopting Dad (uncredited) |
| John H. Tobin | Man on Train (uncredited) |
| Name | Job |
|---|---|
| Peggy Schierholz | Hairstylist |
| Sharyn Cordice | Makeup Artist |
| Lisa Zeno Churgin | Editor |
| David Gropman | Production Design |
| Ron Bolanowski | Special Effects Coordinator |
| Deborah K. Larsen | Makeup Artist |
| Barbara A. Hall | Unit Production Manager |
| Diana Zock | Production Supervisor |
| Billy Hopkins | Casting |
| Wylie Griffin | Art Department Coordinator |
| Wayne Herndon | Hairstylist |
| Stephen P. Dunn | First Assistant Director |
| David Boulton | ADR Mixer |
| Laura Civiello | Supervising Dialogue Editor |
| Jasmine Kosovic | ADR Coordinator |
| Eytan Mirsky | Sound Effects Editor |
| Bob Olari | Sound Recordist |
| Louie Zakarian | Makeup Artist |
| Christina Stauffer | Second Assistant Director |
| Gina Alfano | Supervising ADR Editor |
| Richard P. Cirincione | Sound Effects Editor |
| Louis Bertini | Foley Editor |
| Dan Korintus | Dialogue Editor |
| Joshua Landis | Assistant Sound Editor |
| Bitty O'Sullivan-Smith | Dialogue Editor |
| Steve Pederson | Sound Re-Recording Mixer |
| Jacob Ribicoff | Foley Editor |
| Brian Vancho | Foley Artist |
| Ant Bohun | ADR Recordist |
| Scott Jones | ADR Mixer |
| Magdaline Volaitis | Dialogue Editor |
| Phillip Fuller | Sound Mix Technician |
| Brenda McNally | Hairstylist |
| Ellie Winslow | Makeup Artist |
| Katia Milani | Post Production Supervisor |
| Jane Goldsmith | Script Supervisor |
| Karen Schulz Gropman | Art Direction |
| Kerry Barden | Casting |
| Tom Perry | Sound Re-Recording Mixer |
| Maurice Schell | Supervising Sound Editor |
| Robert Bolanowski | Special Effects |
| Bob Chefalas | Sound Re-Recording Mixer |
| Joe Dohner | Foley Mixer |
| Bruce Kitzmeyer | Foley Editor |
| Marissa Littlefield | ADR Editor |
| Harry Peck Bolles | ADR Editor |
| Alex Raspa | ADR Recordist |
| Dominick Tavella | Sound Re-Recording Mixer |
| Peter Waggoner | Sound Re-Recording Mixer |
| Phil Hadaway | ADR Engineer |
| Zachary K. Lazar | Lighting Technician |
| Lasse Hallström | Director |
| John Irving | Screenplay, Novel |
| Oliver Stapleton | Director of Photography |
| Suzanne Smith Crowley | Casting |
| Beth A. Rubino | Set Decoration |
| Renee Ehrlich Kalfus | Costume Design |
| Charles Croughwell | Stunt Coordinator |
| Denney Pierce | Utility Stunts |
| Paul Prenderville | Second Second Assistant Director, First Assistant Director |
| Petur Hliddal | Production Sound Mixer |
| Frank Morrone | Sound Re-Recording Mixer |
| William Morts | Utility Stunts |
| Rachel Portman | Original Music Composer |
| Name | Title |
|---|---|
| Michele Platt | Associate Producer |
| Meryl Poster | Executive Producer |
| Leslie Holleran | Producer |
| Alan C. Blomquist | Producer |
| Bobby Cohen | Executive Producer |
| Richard N. Gladstein | Producer |
| Bob Weinstein | Executive Producer |
| Harvey Weinstein | Executive Producer |
| Lila Yacoub | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Picture | N/A | Nominated |
| Academy Awards | Best Picture | N/A | Nominated |
| Golden Globes | Best Supporting Actress | Janet Wright | Won |
| BAFTA Awards | Best Director | Lasse Hallström | Nominated |
| BAFTA Awards | Best Supporting Actor | N/A | Won |
| BAFTA Awards | Best Supporting Actress | N/A | Won |
| BAFTA Awards | Best Supporting Actress | Helen Huntley | Nominated |
| Spirit Awards | Best Actor | Tobey Maguire | Nominated |
| Spirit Awards | Best Supporting Actor | Paul Newman | Won |
| SAG Awards | Best Director | Lasse Hallström | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 40 | 15 |
| 2024 | 5 | 24 | 46 | 14 |
| 2024 | 6 | 21 | 34 | 14 |
| 2024 | 7 | 23 | 41 | 14 |
| 2024 | 8 | 21 | 48 | 13 |
| 2024 | 9 | 24 | 43 | 16 |
| 2024 | 10 | 22 | 40 | 15 |
| 2024 | 11 | 19 | 36 | 10 |
| 2024 | 12 | 18 | 29 | 12 |
| 2025 | 1 | 18 | 30 | 14 |
| 2025 | 2 | 14 | 23 | 3 |
| 2025 | 3 | 6 | 20 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 5 | 6 | 3 |
| 2025 | 10 | 6 | 10 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 813 | 902 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 526 | 725 |
Beauty and the beast in Maine during WWII On the surface “The Cider House Rules” (1999) is a quality period piece about life at an apple orchard and orphanage in Maine during WWII. Tobey Maguire stars as Homer Wells, who was raised at a remote orphanage and favored by caretaker Dr. Larch (Michael ... Caine), who imparts his vast medical knowledge & skills to the young man. At the age of 21 Homer decides to leave the orphanage with a couple that stopped by for an illegal abortion and ends up working at an apple orchard. Will he ever return? It's the subtext where the film soars for those interested in ruminations on the complexities of morality and the place that outward or inward rules play. Here's a taste: The movie contrasts outer rules with innate moral rules. The former can be broken as it suits the individual without any ill-effects, like the cider house rules in the film or stepping over the wall at Niagara Falls to get a better picture; innate moral rules, however, cannot be broken without severe consequences. To illustrate, the apple workers rightly mock the cider house rules made by people who don't know what it's like to live & work there, but one laborer breaks a universal spiritual law and so loses a close relationship and something worse, which conveys the idea that "the wages of sin is death." Another example involves the rules of society demanding that a person have proper credentials in order to do the work Dr. Larch performs, and understandably so, but official credentials on a wall are irrelevant in regards to some people, like Homer, who's thoroughly expert at his craft, credentials or no credentials. And so Larch creates fake "proper" credentials to appease officials and patients. Also, Wally & Candy (Paul Rudd & Charlize Theron) impulsively have an illegal abortion at the beginning of the movie but, by the end, it doesn't look like they're going to have very wild sex anymore (which is different than saying they won't have any sexual relations). They no doubt strongly regret deciding to break the rules and have an abortion, which was illegal at the time. Obviously the movie's not far Left or far Right; it's somewhere in the middle in its realistic reflections on moral complexities and ambiguities. Both sides of the abortion debate, for instance, are presented. And, while it could be argued that the movie somewhat supports the pro-choice position, it doesn’t neglect to convey the conservative view and effectively shows how the debate is more complex than black or white. For example, if a man forces his self on a woman and she gets pregnant, the life within her is not there by her choice and therefore she arguably has the right to abort that life with the blood of the child being on the head of the impregnating male. Elsewhere, Homer argues the conservative position, suggesting that people should be responsible enough to control themselves BEFORE a woman is impregnated and the ugly issue of abortion rears its head. Dr. Larch later remarks that he wishes the world were as idealistic as Homer sees it, but instead we’re stuck with an intricately phukked up planet where people make wrong choices all the time, which have a negative domino effect. The film runs 2 hours, 6 minutes and was shot in Northampton, Massachusetts (orphanage); Dummerston, Vermont (orchard); Bernard, Corea and Sand Beach, Maine; as well as surrounding New England locations. GRADE: B+