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Eye for an Eye Poster

Eye for an Eye

What do you do when justice fails?
1996 | 101m | English

(22316 votes)

TMDb IMDb

Popularity: 4 (history)

Details

It's fire and brimstone time as grieving mother Karen McCann takes justice into her own hands when a kangaroo court in Los Angeles fails to convict Robert Doob, the monster who raped and murdered her 17-year-old daughter.
Release Date: Jan 12, 1996
Director: John Schlesinger
Writer: Erika Holzer, Amanda Silver, Rick Jaffa
Genres: Thriller
Keywords rape, gun, self-defense, rape and revenge, grieving parents
Production Companies Paramount Pictures
Box Office Revenue: $26,877,589
Budget: $20,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Sally Field Karen McCann
Kiefer Sutherland Robert Doob
Ed Harris Mack McCann
Beverly D'Angelo Dolly Green
Charlayne Woodard Angel Kosinsky
Joe Mantegna Detective Sergeant Denillo
Olivia Burnette Julie McCann
Alexandra Kyle Megan McCann
Keith David Martin
Philip Baker Hall Sidney Hughes
Natalija Nogulich Susan Juke
Armin Shimerman Judge Arthur Younger
Nicholas Cascone District Attorney Howard Bolinger
Darrell Larson Peter Green
Cynthia Rothrock Tina
Wanda Acuna Redheaded Woman
Sierra Pecheur Teacher
Donal Logue Tony
Iris Klein Office Staff (as Iris Fields)
Ross Bagley Sean
Michael B. Silver Assistant
Peter Kent Detective #2 (uncredited)
Eric Morris Columnist
Kim Kim Shopkeeper
Janet Dey Mourner
Name Job
Gary Epper Stunts
Janet Brady Stunts
William H. Burton Jr. Stunts
Dennis Deveaugh Stunts
Jophery C. Brown Stunts
James Newton Howard Original Music Composer
David J. Bomba Art Direction
Edward Tise Sound Mixer
Donald O. Mitchell Sound Re-Recording Mixer
Terry Rodman Supervising Sound Editor
Michael Trent Assistant Editor
Bruce Alan Greene Steadicam Operator
Robin L. Neal Makeup Department Head
John Ceniceros Set Dresser
Erika Holzer Novel
Mali Finn Casting
Bobbie Read Costume Design
Bobby J. Foxworth Stunt Coordinator
Frank A. Montaño Sound Re-Recording Mixer
Todd O. Russell Boom Operator
Ann Brodie Makeup Artist
Bob Baron ADR Mixer
Tom J. Furginson Set Dresser
Allen Kupetsky Second Assistant Director
Greg Brickman Stunts
Debbie Lynn Ross Stunts
Peter Honess Editor
Stephen Hendrickson Production Design
Jan K. Bergstrom Set Decoration
Beth Jochem Besterveld First Assistant Editor
Michael Herbick Sound Re-Recording Mixer
Martin Maryska Supervising Sound Editor
Leslie Lightfoot Makeup Artist
Scott G.G. Haller Foley Editor
Chere Rae Stunts
Robert Jauregui Stunts
John Schlesinger Director
Amir Mokri Director of Photography
Ana Maria Quintana Script Supervisor
Melinda Sue Gordon Still Photographer
Michael Polaire Unit Production Manager
Amanda Silver Writer
Rick Jaffa Writer
Gary Archer Prosthetics
Gregory Jacobs First Assistant Director
Troy Gilbert Stunts
Gilbert B. Combs Stunts
Gary Combs Stunts
John Hateley Stunts
Medusah Hairstylist
Name Title
Kathryn Knowlton Associate Producer
Michael I. Levy Producer
Michael Polaire Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 19 26 13
2024 5 19 36 13
2024 6 18 37 10
2024 7 22 38 13
2024 8 19 39 13
2024 9 16 25 10
2024 10 15 29 10
2024 11 14 32 8
2024 12 13 27 8
2025 1 30 74 10
2025 2 17 32 3
2025 3 6 18 1
2025 4 2 4 1
2025 5 4 6 3
2025 6 4 5 2
2025 7 4 6 2
2025 8 2 5 1
2025 9 2 4 1
2025 10 3 4 2

Trending Position


Year Month High Avg
2025 8 525 566
Year Month High Avg
2025 6 650 725

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Reviews

Geronimo1967
6.0

It's odd to see Sally Field with grittier role, and she isn't half bad here as the mother who has to listen on the telephone as her seventeen year old daughter is raped and murdered. "Karen" and husband "Mack" (Ed Harris) are further devastated when an administrative cock-up causes the apprehended a ... ssailant to be released on an technicality. Bent on revenge, she learns how to handle herself, and a gun - intent on achieving what the law couldn't. Kiefer Sutherland ("Doob") is the pretty unsavoury man upon who she sets her sights. The premiss of vengeance here ought to have provided for a more robust framework for this drama, but sadly the direction meanders and the film quickly loses the pace is starts with. There is a convincing vulnerability to Miss Field's performance, she plays the desperate mother well. Harris and Sutherland, however, feature far too sparingly with the latter simply failing to inject any menace into the proposition. Though violent at times, it strays all too often into melodrama territory and ends pretty much as you expect right from the outset. Sadly, this is really not much better than a mediocre television thriller that I doubt I will recall next week.

Jun 30, 2022