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The Fisher King

A Modern Day Tale About The Search For Love, Sanity, Ethel Merman And The Holy Grail.
1991 | 138m | English

(95202 votes)

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Popularity: 5 (history)

Details

Two troubled men face their terrible destinies and events of their past as they join together on a mission to find the Holy Grail and thus to save themselves.
Release Date: Sep 20, 1991
Director: Terry Gilliam
Writer: Richard LaGravenese
Genres: Comedy, Drama
Keywords holy grail, loss of loved one, homeless person, sense of guilt, suppressed past, yuppie, cynic, self-discovery, housebreaking, forgiveness, gun rampage, talk show, legend, unsociability, mental illness, fugue state
Production Companies TriStar Pictures
Box Office Revenue: $41,895,491
Budget: $24,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Robin Williams Parry
Jeff Bridges Jack
Amanda Plummer Lydia
Mercedes Ruehl Anne
Michael Jeter Homeless Cabaret Singer
William Jay Marshall Jamaican Bum
Chris Howell Red Knight
Adam Bryant Radio Engineer
Paul Lombardi Radio Engineer
David Hyde Pierce Lou Rosen
Ted Ross Limo Bum
Lara Harris Sondra
Warren Olney TV Anchorman
Frazer Smith News Reporter
Kathy Najimy Crazed Video Customer
Harry Shearer Sitcom Actor Ben Starr
Melinda Culea Sitcom Wife
James Remini Bum at Hotel
Mark Bowden Doorman
John Ottavino Father at Hotel
Brian Michaels Little Boy
Jayce Bartok First Punk
Dan Futterman Second Punk
Bradley Gregg Hippie Bum
William Preston John the Bum
Al Fann Superintendent
Stephen Bridgewater Porno Customer
John Heffernan Stockbroker Bum
Richard LaGravenese Strait Jacket Yuppie
Anita Dangler Bag Lady
Mark Bringelson Drooler
Johnny Paganelli Pizza Boy
Diane Robin Receptionist
Benjamin Redman Motorcyclist
Lisa Blades Parry's Wife
Christian Clemenson Edwin
Carlos Carrasco Doctor
Joe Jamrog Guard
John de Lancie TV Executive
Lou Hancock Nurse
Caroline Cromelin Radio Show Call-In (voice)
Kathleen Bridget Kelly Radio Show Call-In (voice)
Pat Fraley Radio Show Call-In (voice)
Mel Bourne Langdon Carmichael (uncredited)
Kristen Connors Ballroom Dancer (uncredited)
Jack Mulcahy Passerby (uncredited)
Tom Waits Disabled Vet (uncredited)
Craig 'Radio Man' Castaldo Bum (uncredited)
Name Job
Jophery C. Brown Stunts
George Fenton Original Music Composer
Roger Pratt Director of Photography
Richard LaGravenese Writer
Loyd Catlett Stunts
Gilbert B. Combs Stunts
Jeffrey J. Dashnaw Stunts
Rick Heinrichs Set Designer
Craig Haagensen Camera Operator
Ray Cooper Music Consultant
James Plannette Chief Lighting Technician
Joie Hutchinson Costume Supervisor
Rainer Judd Wardrobe Assistant
Todd M. Thaler Extras Casting
Joe Bird Set Decoration
Terry Gilliam Director
Howard Feuer Casting
Beatrix Aruna Pasztor Costume Designer
Lesley Walker Editor
Mel Bourne Production Design
Janet Brady Stunts
Greg Brickman Stunts
Pete Corby Stunts
Andy Duppin Stunts
J.B. Getzwiller Stunts
Bonnie Happy Stunts
Rikke Kesten Stunts
Harry Madsen Stunts
Bennie Moore Stunts
Julie Stone Stunts
Tony Mark Unit Production Manager
David McGiffert First Assistant Director
Joe Napolitano First Assistant Director
Carla Corwin Second Assistant Director
Cynthia A. Potthast Second Second Assistant Director
Marion Tumen Script Supervisor
P. Michael Johnston Art Direction
Cindy Carr Set Decoration
Ann Harmon Art Department Assistant
Jason Weil Set Designer
David C. Potter Leadman
Kristen Kelly Leadman
Larry Clark Bird Property Master
Ken Zimmerman Assistant Property Master
David Aaron Assistant Property Master
Nicholas J. Musuraca First Assistant Camera
Greg Walters Second Assistant Camera
Chuck Whelan Second Assistant Camera
Jeremy Hume Assistant Editor
Edward Stabile Assistant Editor
Tara Timpone Assistant Editor
Tullio Brunt Assistant Editor
Peter Pennell Sound Editor
Stefna Borges Assistant Sound Editor
Alan Paley Dialogue Editor
Andrew Melhuish Assistant Dialogue Editor
Bob Risk Foley Editor
Kevin Lane Music Editor
Thomas Causey Sound Mixer
Joseph F. Brennan Boom Operator
Richard Kite Boom Operator
Paul Carr Sound Re-Recording Mixer
Robert Farr Sound Re-Recording Mixer
Neil S. Buckhantz Video Assist Operator
Sharre Jacoby Post Production Supervisor
R. Michael De Chellis Lighting Technician
Johnny Gutierrez Lighting Technician
Andrew M. Nelson Rigging Gaffer
Daniel Sudick Special Effects
Paul Ary Best Boy Electric
Marty W. Eichmann Key Grip
Antonio V. Garrido Dolly Grip
Patrick Shaun Bard Grip
William R. Taylor Grip
Paul David Williams Grip
Dennis Dion Special Effects Supervisor
Linda Louise Taylor Costumer
Keith Greco Costume Designer
Vincent Jefferds Costume Designer
Zoltan Elek Key Makeup Artist
Lisa Meyers Key Hair Stylist
Chris Howell Stunt Coordinator
Robin Horness Choreographer
William Bowling Location Manager
James R. Maceo Assistant Location Manager
John Clifford Still Photographer
Stephen Vaughan Still Photographer
Richard Dean Rankin Construction Coordinator
Pam Cornfeld Production Coordinator
Alishan Coker Casting Assistant
Chris Allies Title Designer
Mark A. Baker Location Manager, Assistant Unit Manager
Kevin McCarthy Set Decoration
Thomas Wright Property Master
Tom McDermott Assistant Property Master
Johnathan Ercole First Assistant Camera
John Cambria Second Assistant Camera
Dennis Maitland II Sound Mixer
John Fundus Boom Operator
Ken Connors Chief Lighting Technician
Robert G. Connors Rigging Gaffer
Mike Miller Key Grip
Jimmy Finnerty Grip
Robert Miller Grip
Edward Drohan Special Effects Supervisor
Mary Coleman-Gierczak Costumer
Craig Lyman Makeup Artist
Mark Rhodes Location Manager
Ann F. Markel Assistant Location Manager
Lawrence P. Ganem Assistant Location Manager
Ed Ferraro Construction Coordinator
Cyd Adams Second Second Assistant Director
Name Title
Debra Hill Producer
Stacey Sher Associate Producer
Lynda Obst Producer
Tony Mark Associate Producer
Organization Category Person
Golden Globes Best Supporting Actress Mercedes Ruehl Nominated
Berlin International Film Festival Best Picture N/A Nominated
Venice Film Festival Best Supporting Actor Robin Williamson Nominated
Spirit Awards Best Supporting Actress Mercedes Ruehl Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 20 33 11
2024 5 24 32 16
2024 6 18 29 9
2024 7 22 45 13
2024 8 18 39 10
2024 9 19 32 10
2024 10 17 28 11
2024 11 16 28 11
2024 12 16 24 11
2025 1 18 34 11
2025 2 11 19 3
2025 3 5 16 1
2025 4 1 2 1
2025 5 2 2 1
2025 6 1 2 1
2025 7 1 2 1
2025 8 2 3 1
2025 9 3 5 3
2025 10 4 6 2

Trending Position


Year Month High Avg
2025 7 577 675
Year Month High Avg
2025 3 810 902
Year Month High Avg
2024 11 937 937

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Reviews

GenerationofSwine
10.0

My dad and I had this thing we did where we went to see a movie or rented a movie from the time before I could remember to, well, almost until the day he passed away. There was always time to catch a movie, an it's a bit easier because it isn't as weather dependent as playing catch is. My dad too ... k me to see this when I was a kid, and I absolutely hated it, I thought it was a horrible movie. And then, I watched it again when I was in high school and I absolutely loved it. Thought it was an amazing film. And then I showed it to my wife, who pointed out that I was only 11 when dad took me to see it. And now I can see how my attitude about this totally changed. It is really the story about the Fisher King isn't it? At least it's a grail quest to restore the health to someone who kind of acts like a charitable king with the worst Percival character known to mankind. And, I don't mean to cast shade on Jeff Bridges by that. He played a great role, the... well... I can't think of a polite word for his character. But we all know people a little like him don't we? He's a bit stereotyped of that friend that you also kind of hate, but he pulls it off absolutely brilliantly. He's just, you know, not the pure Godly Percival that we know from the legends. But then again, Williams isn't exactly the same dignified wounded king is he? He kind of comes across as a bit of a Leprechaun in this, and he is the most redeemed of any character in Arthurian Legends. He kind of out Percivals Percival in this... .... but who cares? It's Terry Gilliam redoing the Fisher King, once more tackling a Grail Quest and it is all brought to you in a way that only Terry Gilliam can bring it to you... ... OK, yeah, it's Gilliam, so it could be a bit of a bias review. At any rate, so long as you're not watching this in the theater with your dad when you are 11 you're going to enjoy the heck out of this film. And even if your dad does make you watch it when you are 11, give it a few years, watch it again, and I promise the second time around you will enjoy the heck out of it.

Jan 12, 2023
Geronimo1967
7.0

"Jack Lucas" (Jeff Bridges) is one of those late night radio presenters who loves the sound of his own voice and who enjoys nothing better than to put down, disdainfully, the collection of sad individuals who phone in with their problems. It's one of his casual off-the-cuff remarks that leads to a t ... ragedy and a spiral that sends him into some serious doldrums. Things change for ever one night when he finds himself on the wrong end of a beating and then rescued by an eccentric looking fellow called "Parry" (Robin Williams). This is an erudite and complicated man who is obsessed with the "Fisher King" legend of the Holy Grail. Upon further investigation, "Lucas" learns more of the tragic cause of his new friend's predicament and as much as for his own salvation as for that of "Parry", he embarks on a task to find him meaning again. To that end he introduces him to the shy "Lydia" (Amanda Plummer) in the hope that this might help him find a new reason to live again. Things come full circle when "Parry" himself becomes a victim of the thugs and "Lucas" must strive to fulfil the quest and save something of both men. Whilst all of this chaos is bubbling away, it's down to "Anna" (Mercedes Ruehl) who is the former broadcaster's long-suffering girlfriend, to carefully tread on the eggshells of her relationship with him whilst quite temperamentally (and engagingly) trying to make sure she keeps him on as straight and narrow a path as possible. This is one of Bridges' better and more natural efforts and he works well with what I thought was an over-the-top performance from Williams to provide a film that is at times funny and at times quite poignant. The underlying mythology is quite effective at providing a modern day conduit for an ancient story of a hunt for the perfect in all of us and though it does take it's time, Bridges keeps it going.

Jun 02, 2024