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Favorite Son Poster

Favorite Son

There's no place like home.
2008 | 90m | English

(214 votes)

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Popularity: 2 (history)

Details

A story of family, of dreams deferred, and of a final chance at redemption. Frustrated with his waning baseball career, David returns to his hometown and becomes obsessed with a local lovely, reaching out to her troubled son. When David is rejected, the townsfolk gossip about his relationship with the boy.
Release Date: Sep 30, 2008
Director: Howard Libov
Writer: Michael Stewart, Howard Libov
Genres: Drama
Keywords
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Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024
Entered: Apr 26, 2024
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Full Credits

Name Character
Pablo Schreiber David
Connor Paolo Ross
Kellie Overbey Joan
Richard Bekins Coach William Huston
Brian Hotaling Peter
Ian Hyland Henry
Name Job
Michael Stewart Writer
Emily Gumpel Editor
Benjamin Wolf Director of Photography
Howard Libov Writer, Director
Name Title
Pablo Schreiber Co-Producer
Brian Gonsar Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 4 9 1
2024 5 6 12 2
2024 6 4 16 1
2024 7 4 8 1
2024 8 3 8 1
2024 9 2 4 1
2024 10 2 5 1
2024 11 2 3 1
2024 12 2 6 1
2025 1 3 6 1
2025 2 1 2 1
2025 3 1 2 1
2025 4 1 3 1
2025 5 2 4 1
2025 6 1 2 1
2025 7 0 2 0
2025 8 1 3 0
2025 9 2 3 1
2025 10 2 2 2

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Reviews

Geronimo1967
5.0

When "David" (Pablo Schreiber) returns to his hometown after a decent minor-league baseball career, his welcome is less that warm. Keen to put down some roots, he meets and falls for "Joan" (Kellie Overbey) who has a teenage son "Ross" (Connor Paolo) - a lad who probably needs a father figure. "Davi ... d" struggles to get any traction from the woman and when he starts to spend more time with the somewhat rebellious youth, people - including "Joan" - start to jump to some conclusions, especially when the two men go swimming in an out of the way lake. It's at this stage that the plot becomes a little more interesting; the melodrama ebbs a little and we are left with quite a menacing undercurrent of predatory behaviour that could leave the young man particularly vulnerable from an authority figure trusted by all. Sadly, though the film ends well enough, the vast majority of this is just a rather mundane rite-of-passage type thing with no stand out performances (except, perhaps for the young Paolo) and a dialogue that is very pedestrian. It does look good, but any half decent cinematographer ought to have been able to deliver that, given the beauty of their rural surroundings. It tries to deal with subjects well worth exposure, but this is all just too superficial to make any lasting contribution.

Apr 04, 2022