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Dogma Poster

Dogma

Get touched by an angel.
1999 | 130m | English

(238955 votes)

TMDb IMDb

Popularity: 5 (history)

Director: Kevin Smith
Writer: Kevin Smith
Staring:
Details

An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loophole and reenter Heaven.
Release Date: Oct 04, 1999
Director: Kevin Smith
Writer: Kevin Smith
Genres:
Keywords angel, wisconsin, church service, aftercreditsstinger, duringcreditsstinger
Production Companies View Askew Productions
Box Office Revenue: $33,535,478
Budget: $10,000,000
Updates Updated: Jan 08, 2026
Entered: Apr 13, 2024
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Extras

International Posters

Full Credits

Name Character
Ben Affleck Bartleby
Matt Damon Loki
Linda Fiorentino Bethany
Salma Hayek Pinault Serendipity
Jason Lee Azrael
Jason Mewes Jay
Alan Rickman Metatron
Chris Rock Rufus
George Carlin Cardinal Glick
Bud Cort John Doe Jersey
Alanis Morissette God
Jeff Anderson Gun Salesman
Brian O'Halloran Grant Hicks
Janeane Garofalo Liz
Betty Aberlin Nun
Dwight Ewell Kane
Guinevere Turner Bus Station Attendent
Bryan Johnson Protestor #1
Walt Flanagan Protestor #2
Jared Pfennigwerth Stygian Triplet
Kitao Sakurai Stygian Triplet
Barret Hackney Stygian Triplet
Dan Etheridge Priest at St. Stephen's
Derek Milosavljevic Kissing Couple
Lesley Braden Kissing Couple
Nancy Bach Mrs. Reynolds
Armando Rodriguez Waiter
Kevin Smith Silent Bob
Scott Mosier Smooching Seaman
Monica Hampton Seaman Smoocher
Ben Cain Gangster #1
Richard Baderinwa Gangster #2
Javon Johnson Gangster #3
Derrick Sanders Gangster #4
Mark Joy Whitland
Linda Levine Woman in Boardroom
Ethan Suplee Norman (voice)
Jonathan Gordon Blanket Boy on Train
Matthew Maher Bartender
Nancy Mosser Governor Dalton
Robert Holtzman Officer McGee
Ming Chen Club Patron (uncredited)
Chris Kittinger Bus Sleeper (uncredited)
Kimberly Loughran Woman in Elevator (uncredited)
Jim Mahfood Parishioner (uncredited)
Brendan McFadden Parishioner (uncredited)
Joe Nozemack Parishioner (uncredited)
Ernest O'Donnell Reporter (uncredited)
Vincent Pereira Extra (uncredited)
Brian Quinn Man Holding Mooby Figurine in Airport (uncredited)
Bob Schreck Parishioner (uncredited)
Joe Shelby Bus Rider (uncredited)
J.E. Smith Businessman (uncredited)
Adrienne Wehr Protestor (uncredited)
Name Job
Shannon Mills Sound Effects Editor
Robert D. Yeoman Director of Photography
Howard Shore Original Music Composer
Adam Kane Camera Operator
Elise G. Viola Art Direction
Jeannee Josefczyk Key Makeup Artist
Jeffrey A. Rubis Key Hair Stylist
James Alan Hensz First Assistant Director
Ethan Van der Ryn Supervising Sound Editor
Carol Banker Script Supervisor
Jodi Michelle Pynn Stunts
Diana Stoughton Set Decoration
Andre Fenley Sound Effects Editor
Gary Jensen Stunt Coordinator
Derrick Simmons Stunts
R. Vincent Smith Property Master
Ethan Jensen Stunts
Cheryl Bermeo Stunts
David Powledge Stunts
John Gillespie Stunts
Marty Pistone Stunts
Robert Holtzman Production Design
Abigail Murray Costume Design
Taylor Knight Hairstylist
Megan Graham Art Department Coordinator
Buster Pile Construction Coordinator
Rachel Kick Makeup Artist
Mike Richer Construction Foreman
John S. Moyer Steadicam Operator
Diane Collins Wardrobe Supervisor
Deborah Mannis-Gardner Music Director
Ewa Sztompke Dialogue Editor
Augie Carton First Assistant Director
John Nuler Steadicam Operator
Eileen Sieff Stroup Set Costumer
Randall Poster Music Supervisor
Lisa Bradley Production Coordinator
Brian Sweeney Camera Operator
Shari Johanson Music Editor
Gabbie Asher Script Editor
J.T. Hornstein Choreographer
Richard Quinn Dialogue Editor
Athena Alexander Second Assistant Director
Ben Jensen Stunts
Paul Nuckles Stunts
Cris Thomas-Palomino Stunts
Kevin Smith Writer, Editor, Director, Special Effects
Scott Mosier Second Unit Director, Editor
Frank Ferrara Sr. Stunts
Martin Scorsese Thanks
Name Title
Jonathan Gordon Executive Producer
Laura Greenlee Co-Producer
Scott Mosier Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 26 42 18
2024 5 29 45 21
2024 6 26 44 16
2024 7 22 34 16
2024 8 24 57 13
2024 9 20 28 12
2024 10 23 35 12
2024 11 21 54 13
2024 12 18 36 11
2025 1 19 36 13
2025 2 14 18 4
2025 3 6 19 1
2025 4 3 3 2
2025 5 3 4 3
2025 6 4 6 2
2025 7 3 4 2
2025 8 3 4 2
2025 9 4 5 4
2025 10 4 6 4
2025 11 7 9 4
2025 12 7 9 5
2026 1 7 12 5

Trending Position


Year Month High Avg
2026 1 288 676
Year Month High Avg
2025 12 170 524
Year Month High Avg
2025 11 194 486
Year Month High Avg
2025 4 683 790
Year Month High Avg
2025 3 320 670
Year Month High Avg
2025 2 981 981
Year Month High Avg
2025 1 831 861
Year Month High Avg
2024 12 735 793
Year Month High Avg
2024 11 418 787
Year Month High Avg
2024 10 693 842
Year Month High Avg
2024 9 902 902
Year Month High Avg
2024 8 957 973

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Reviews

Ruuz
7.0

I didn't know it at the time, but watching _Mallrats_ on VHS as a kid was my first foray into View Askew, but it wasn't until _Dogma_ that I realised there was something bigger and better I could latch on to with Kevin Smith at the helm. _Final rating:★★★½ - I really liked it. Would strongly reco ... mmend you give it your time._

Jun 23, 2021
narrator56
7.0

I bought this as a DVD years ago assuming it was some kind of drama or thriller a la The DaVinci Code. Turns out it is a comedy - well, almost a farce it seems. As an atheist I am okay with mocking organized religion, but he plethora of blasphemy might be too much for some viewers. There were a f ... ew plot holes that jumped out at me, but they were forgivable in this type of comedy. With a wink and a nod, they cast edgy comedian and atheist George Carlin as a big time evangelist or bishop or something. It seemed to take a while for the various pieces of plot to merge together, unless it was just me being thick. The movie has some laughs and is well written in places. Alan Rickman looks like he is having fun, which meant that I did too when he was on screen. So yeah, it was a fun watch mostly, but on the other hand, I gave away the DVD, so there’s that.

Jun 23, 2021
Geronimo1967
7.0

Though I did think some of the visual humour here was a bit puerile, some of the writing really does expose the concept of religiosity across almost all faiths to some fairly unflattering scrutiny, and at times holds the idea of monotheism up to some carefully calculated and potent ridicule. Of cour ... se, it’s supposed to be a comedy and much like Monty Python’s satirical “Life of Brian” (1979) it is deliberate in it’s intent to poke some fun at something hitherto left well alone by Hollywood. The story is all about God’s former enforcer “Loki” (Matt Damon) who had got tired of killing Egyptian babies and visiting plaques on mankind, and so had quit. That left his boss quite cross and saw both him and his friend “Bartleby” (Ben Affleck) banished to live on earth with all the pesky humans. Then, one day they get a copy of a newspaper article that suggests that there might just be a way home - but that would come at one hell of a cost, and must be prevented at all costs. Any thwarting is going to be organised by “Metatron” (Alan Rickman) but is going to have to be implemented by the unwitting last scion “Bethany” (Linda Fiorentino) who hasn’t a clue about her legendary antecedence. How is she, a mere mortal woman, meant to stop angels? Well fortunately, she has some help in the guises of an apostle (Chris Rock), a muse (Salma Hayek) and a couple of prophets - the sex obsessed “Jay” (Jason Mewes) and his best pal, the very silent “Bob” (Kevin Smith). What we also quickly realise, is that someone mischievous must have sent them the idea in the first place, so strings are being pulled - but by whom? What now ensues sees a series of escapades unfold that entertainingly challenge some of the most established mores of scripture whilst questioning almost everything that might be sacred, not least suggesting the the Almighty might be more of an Almightress! It is a little uneven, but it does has enough purple patches, usually with the on-form Rickman, Hayek and unusually (for me, anyway) Chris Rock. Mewes plays as if he were straight out of a “Bill and Ted” adventure and I felt that Fiorentino held her ground really well as the frequently perplexed lass getting to grips with the extent of “immortality” that was now permeating her otherwise perfectly mundane life. It’s irreverent, uncouth and sometime very near the bone, but it’s the structure of organised faith rather than faith itself that is the object of the plot, and there are times when I did laugh out loud. Twenty-five years on, it has retained a degree of relevance and pertinence that auteur Kevin Smith ought still to be able to look back upon with some pride. Sure, it maybe a little too long - especially at the drawn-out conclusion, but it is really quite witty and Damon and Affleck bounce effortlessly off each other. I enjoyed this more than I remembered when I saw it first time round. Perhaps I’ve just become even more cynical?

Nov 13, 2025