Menu
Rosencrantz & Guildenstern Are Dead Poster

Rosencrantz & Guildenstern Are Dead

A man talking sense to himself is no madder than a man talking nonsense not to himself.
1991 | 117m | English

(25065 votes)

TMDb IMDb

Popularity: 1 (history)

Director: Tom Stoppard
Writer: Tom Stoppard
Staring:
Details

Two minor characters from the play "Hamlet" stumble around unaware of their scripted lives and unable to deviate from them.
Release Date: Feb 08, 1991
Director: Tom Stoppard
Writer: Tom Stoppard
Genres: Comedy, Drama
Keywords fate, existentialism
Production Companies Brandenberg, Thirteen
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 09, 2025
Entered: Apr 13, 2024
Trailers and Extras

No trailers or extras available.

International Posters

Full Credits

Name Character
Gary Oldman Rosencrantz
Tim Roth Guildenstern
Richard Dreyfuss The Player
Iain Glen Hamlet
Ian Richardson Polonius
Donald Sumpter Claudius
Joanna Miles Gertrude
Joanna Roth Ophelia
John Burgess Ambassador from England
Livio Badurina Tragedian (Alfred)
Tomislav Maretic Tragedian
Mare Mlacnik Tragedian
Serge Soric Tragedian
Mladen Vasary Tragedian
Željko Vukmirica Tragedian
Branko Završan Tragedian
Ljubo Zečević Osric
Sven Medvešek Laertes
Vili Matula Horatio
Name Job
William Shakespeare Theatre Play
Stanley Myers Original Music Composer
Nicolas Gaster Editor
Vaughan Edwards Production Design
Ivo Hušnjak Art Direction
Andreane Neofitou Costume Design
Doreen Jones Casting
Vicki Deason Production Coordinator
Maria Dziewulska Makeup Artist
Magdalen Gaffney Makeup Artist
Susan V. Kalinowski Hairstylist
Ivana Primorac Makeup Artist
Stephen Rose Hairstylist
Stephania Rosso Hairstylist
Zoran Blazevic Assistant Director
Zoran Budak Second Unit Director, First Assistant Director
Peter Cotton Second Assistant Director
Dubravko Scherr Second Assistant Director
Bill Westley First Assistant Director
Michael A. Carter Sound Re-Recording Mixer
Rick Dunford Dialogue Editor
Louis Kramer Sound Recordist
Jupiter Sen ADR Editor
Otto Snel Sound Re-Recording Mixer
Kevin Tayler Sound Re-Recording Mixer
Ricky Farns Special Effects
Marijan Karoglan Special Effects
David McCall Special Effects
Djuro Roic Visual Effects
Aldo Tončić Stunts
Roderick Barron Camera Operator
Ivica Boban Choreographer
Tom Stoppard Theatre Play, Writer, Director
Peter Biziou Director of Photography
Name Title
Michael Brandman Producer
Emanuel Azenberg Producer
Iris Merlis Co-Producer
Patrick Whitley Co-Producer
Louise Stephens Executive Producer
Thomas J. Rizzo Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 9 15 6
2024 5 11 15 7
2024 6 10 18 5
2024 7 13 35 7
2024 8 10 21 6
2024 9 8 11 5
2024 10 11 23 5
2024 11 7 11 5
2024 12 8 18 5
2025 1 8 15 5
2025 2 8 13 3
2025 3 5 11 1
2025 4 2 3 1
2025 5 1 2 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 1 1 0
2025 9 1 2 0
2025 10 1 1 0

Trending Position


Year Month High Avg
2025 4 535 745

Return to Top

Reviews

FilipeManuelNeto
4.0

**Rosencrantz and Guildenstern must remain in the theater.** This film is perhaps the proof that not all successful plays are good enough to work in the cinema. Rosencrantz and Guildenstern are two characters from “Hamlet”, by William Shakespeare, but it is difficult for anyone to remember them w ... ithout being very knowledgeable about the literary work in question. They really barely matter to the action. Here, they are the main actors, and we are invited, in a way, to see things through their eyes. In theater, this is interesting. In the cinema, and for a general audience that doesn't know “Hamlet” so well, this doesn't seem like a good idea. Gary Oldman and Tim Roth brought the main roles to life with great panache and value, and the film ends up not being an absolute waste of time thanks to these two magnificent and valuable actors, full of talent. There is a high dose of “nonsense” in the dialogues between the two, and this can become tiring, but it generally works without surprising. The rest of the cast does not have such good material and opportunities to stand out, thus leaving the film somewhat devoid of good characters other than the protagonists. On a technical level, the emphasis is on the costumes and sets. I can't say that there is great historical rigor here: historically, Hamlet's life is located in Denmark in the Year One Thousand and what we see is Renaissance, much more suited to people and figures who would be contemporary with Shakespeare. But I didn't have any problems with that, and that's not even a problem because all of this is fiction and can be situated in time whenever you want. Much more difficult to bear is the slight feeling that we are watching a kind of recorded play instead of a film.

Oct 06, 2023