Popularity: 1 (history)
Director: | Tom Stoppard |
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Writer: | Tom Stoppard |
Staring: |
Two minor characters from the play "Hamlet" stumble around unaware of their scripted lives and unable to deviate from them. | |
Release Date: | Feb 08, 1991 |
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Director: | Tom Stoppard |
Writer: | Tom Stoppard |
Genres: | Comedy, Drama |
Keywords | fate, existentialism |
Production Companies | Brandenberg, Thirteen |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Gary Oldman | Rosencrantz |
Tim Roth | Guildenstern |
Richard Dreyfuss | The Player |
Iain Glen | Hamlet |
Ian Richardson | Polonius |
Donald Sumpter | Claudius |
Joanna Miles | Gertrude |
Joanna Roth | Ophelia |
John Burgess | Ambassador from England |
Livio Badurina | Tragedian (Alfred) |
Tomislav Maretic | Tragedian |
Mare Mlacnik | Tragedian |
Serge Soric | Tragedian |
Mladen Vasary | Tragedian |
Željko Vukmirica | Tragedian |
Branko Završan | Tragedian |
Ljubo Zečević | Osric |
Sven Medvešek | Laertes |
Vili Matula | Horatio |
Name | Job |
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William Shakespeare | Theatre Play |
Stanley Myers | Original Music Composer |
Nicolas Gaster | Editor |
Vaughan Edwards | Production Design |
Ivo Hušnjak | Art Direction |
Andreane Neofitou | Costume Design |
Doreen Jones | Casting |
Vicki Deason | Production Coordinator |
Maria Dziewulska | Makeup Artist |
Magdalen Gaffney | Makeup Artist |
Susan V. Kalinowski | Hairstylist |
Ivana Primorac | Makeup Artist |
Stephen Rose | Hairstylist |
Stephania Rosso | Hairstylist |
Zoran Blazevic | Assistant Director |
Zoran Budak | Second Unit Director, First Assistant Director |
Peter Cotton | Second Assistant Director |
Dubravko Scherr | Second Assistant Director |
Bill Westley | First Assistant Director |
Michael A. Carter | Sound Re-Recording Mixer |
Rick Dunford | Dialogue Editor |
Louis Kramer | Sound Recordist |
Jupiter Sen | ADR Editor |
Otto Snel | Sound Re-Recording Mixer |
Kevin Tayler | Sound Re-Recording Mixer |
Ricky Farns | Special Effects |
Marijan Karoglan | Special Effects |
David McCall | Special Effects |
Djuro Roic | Visual Effects |
Aldo Tončić | Stunts |
Roderick Barron | Camera Operator |
Ivica Boban | Choreographer |
Tom Stoppard | Theatre Play, Writer, Director |
Peter Biziou | Director of Photography |
Name | Title |
---|---|
Michael Brandman | Producer |
Emanuel Azenberg | Producer |
Iris Merlis | Co-Producer |
Patrick Whitley | Co-Producer |
Louise Stephens | Executive Producer |
Thomas J. Rizzo | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 9 | 15 | 6 |
2024 | 5 | 11 | 15 | 7 |
2024 | 6 | 10 | 18 | 5 |
2024 | 7 | 13 | 35 | 7 |
2024 | 8 | 10 | 21 | 6 |
2024 | 9 | 8 | 11 | 5 |
2024 | 10 | 11 | 23 | 5 |
2024 | 11 | 7 | 11 | 5 |
2024 | 12 | 8 | 18 | 5 |
2025 | 1 | 8 | 15 | 5 |
2025 | 2 | 8 | 13 | 3 |
2025 | 3 | 5 | 11 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 1 | 1 | 0 |
Trending Position
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2025 | 4 | 535 | 745 |
**Rosencrantz and Guildenstern must remain in the theater.** This film is perhaps the proof that not all successful plays are good enough to work in the cinema. Rosencrantz and Guildenstern are two characters from “Hamlet”, by William Shakespeare, but it is difficult for anyone to remember them w ... ithout being very knowledgeable about the literary work in question. They really barely matter to the action. Here, they are the main actors, and we are invited, in a way, to see things through their eyes. In theater, this is interesting. In the cinema, and for a general audience that doesn't know “Hamlet” so well, this doesn't seem like a good idea. Gary Oldman and Tim Roth brought the main roles to life with great panache and value, and the film ends up not being an absolute waste of time thanks to these two magnificent and valuable actors, full of talent. There is a high dose of “nonsense” in the dialogues between the two, and this can become tiring, but it generally works without surprising. The rest of the cast does not have such good material and opportunities to stand out, thus leaving the film somewhat devoid of good characters other than the protagonists. On a technical level, the emphasis is on the costumes and sets. I can't say that there is great historical rigor here: historically, Hamlet's life is located in Denmark in the Year One Thousand and what we see is Renaissance, much more suited to people and figures who would be contemporary with Shakespeare. But I didn't have any problems with that, and that's not even a problem because all of this is fiction and can be situated in time whenever you want. Much more difficult to bear is the slight feeling that we are watching a kind of recorded play instead of a film.