Popularity: 1 (history)
Director: | Walter Forde |
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Writer: | Sidney Gilliat, Clifford Grey |
Staring: |
The theft of a famous painting leads to murder and many suspects on a plush train speeding from Paris to Rome. | |
Release Date: | Oct 31, 1932 |
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Director: | Walter Forde |
Writer: | Sidney Gilliat, Clifford Grey |
Genres: | Thriller |
Keywords | train |
Production Companies | Gaumont-British Picture Corporation |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 (Update) Entered: Apr 26, 2024 |
Name | Character |
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Conrad Veidt | Zurta |
Esther Ralston | Asta Marvelle |
Hugh Williams | Tony |
Donald Calthrop | Poole |
Joan Barry | Mrs. Maxted |
Harold Huth | George Grant |
Gordon Harker | Tom Bishop |
Eliot Makeham | Mills |
Cedric Hardwicke | Alistair McBane |
Frank Vosper | M. Jolif |
Finlay Currie | Sam, Publicist |
Muriel Aked | Spinster |
Name | Job |
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Walter Forde | Director |
Frank Vosper | Dialogue |
Bernard Knowles | Visual Effects |
Carl Laemmle | Presenter |
Sidney Gilliat | Screenplay |
Fredrick Y. Smith | Editor |
Andrew Mazzei | Art Direction |
Günther Krampf | Director of Photography |
Leighton Lucas | Original Music Composer |
Ian Dalrymple | Editor |
Gordon Conway | Costume Design |
Victor A. Peers | Unit Production Manager |
W.J. Dodds | Assistant Director |
Pat Morton | Assistant Director |
R.K. Neilson-Baxter | Assistant Director |
Albert Jullion | Assistant Art Director |
George Gunn | Sound Supervisor |
T.S. Lyndon-Haynes | Sound Recordist |
Bill Salter | Sound |
Jack Whitehead | Special Effects |
S.R. Bonnett | Camera Operator |
Stephen Dade | Camera Operator |
Gordon Dines | Assistant Camera |
George Stevens | Assistant Camera |
Louis Levy | Music Director |
Clifford Grey | Story |
Ralph Stock | Dialogue |
Stan Jolly | Sound Editor |
Name | Title |
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Michael Balcon | Producer |
Phil C. Samuel | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 3 | 7 | 1 |
2024 | 5 | 6 | 10 | 3 |
2024 | 6 | 4 | 16 | 1 |
2024 | 7 | 3 | 8 | 2 |
2024 | 8 | 3 | 8 | 1 |
2024 | 9 | 2 | 4 | 1 |
2024 | 10 | 2 | 5 | 1 |
2024 | 11 | 2 | 4 | 1 |
2024 | 12 | 2 | 8 | 1 |
2025 | 1 | 2 | 7 | 1 |
2025 | 2 | 1 | 2 | 1 |
2025 | 3 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 2 | 0 |
Trending Position
f this were to be a variant on the famous Agatha Christie train story, then "Hercule Poirot" may have ended up having an entire train's worth of murders to investigate. Rarely, can any one journey involve so many miscreants as this one from Paris to Rome. Geographically, it isn't that far - but when ... a man goes aboard intent on acquiring a recently stolen van Dyke painting - the folks who originally pinched it are also on the hunt - it takes on dangerously risky proportions. Conrad Veidt is particularly effective, as is Sir Cedric Hardwicke as the publicity-seeking magnate who would give "Scrooge" a run for his money in private, and Esther Ralston as the wannabe actress "Asta". Frank Vosper (who co-wrote some of this with Sidney Gilliat and Clifford Grey), Hugh Williams and Finlay Currie all contribute well to the quickly paced, frequently pithy dialogue with a gently increasing degree of suspense aided by some convincing looking sets and a genuinely good story. Some of the travelling effects are dated, now - but that doesn't impact too much on what is an enjoyable crime caper with plenty of twists.