Popularity: 5 (history)
| Director: | Jonathan Frakes |
|---|---|
| Writer: | Brannon Braga, Ronald D. Moore, Rick Berman |
| Staring: |
| The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy. | |
| Release Date: | Nov 22, 1996 |
|---|---|
| Director: | Jonathan Frakes |
| Writer: | Brannon Braga, Ronald D. Moore, Rick Berman |
| Genres: | Adventure, Action, Science Fiction, Thriller |
| Keywords | borg, enterprise-e, cyborg, montana, resistance, inventor, starship, repayment, obsession, spacecraft, teleportation, time travel, speed of light, business start-up, space opera, first contact, outer space, traumatized man |
| Production Companies | Paramount Pictures |
| Box Office |
Revenue: $146,027,888
Budget: $46,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Patrick Stewart | Captain Jean-Luc Picard |
| Jonathan Frakes | Commander William T. Riker |
| Brent Spiner | Lieutenant Commander Data |
| LeVar Burton | Lieutenant Commander Geordi La Forge |
| Michael Dorn | Lieutenant Commander Worf |
| Gates McFadden | Commander Beverly Crusher |
| Marina Sirtis | Counselor Deanna Troi |
| James Cromwell | Dr. Zefram Cochrane |
| Alfre Woodard | Lily Sloane |
| Alice Krige | Borg Queen |
| Neal McDonough | Lieutenant Hawk |
| Dwight Schultz | Lieutenant Barclay |
| Cameron Oppenheimer | Ensign Kellogg |
| Robert Picardo | Enterprise EMH |
| Adam Scott | Defiant Con Officer |
| Ray Uhler | Holodeck Nightclub Dancer (uncredited) |
| Eric Steinberg | Porter |
| Joey Anaya | Borg (uncredited) |
| Don Stark | Nicky the nose |
| Patti Yasutake | Nurse Ogawa |
| Jack Shearer | Admiral Hayes |
| Michael Horton | Security Officer |
| Ethan Phillips | Holodock Nightclub Maitre d' (uncredited) |
| Majel Barrett | Computer (voice) |
| Name | Job |
|---|---|
| John Kay | Songs |
| Matthew F. Leonetti | Director of Photography |
| Jerry Goldsmith | Original Music Composer |
| Junie Lowry-Johnson | Casting |
| Brannon Braga | Story, Screenplay |
| Ronald D. Moore | Story, Screenplay |
| Deborah Everton | Costume Design |
| Michael Westmore | Makeup Supervisor, Makeup Designer |
| Rick Berman | Story |
| Jake Garber | Special Effects Makeup Artist |
| Jeff Atmajian | Orchestrator |
| David F. Van Slyke | Sound Effects Editor |
| Craig Barron | Visual Effects Supervisor |
| Jimmy Nickerson | Stunts |
| John Knoll | Visual Effects Supervisor |
| Daryl Tucker | Grip |
| Rosine 'Ace' Hatem | Stunts |
| Joey Anaya | Stunts |
| Chic Daniel | Stunts |
| Eddy Donno | Stunts |
| Tony Donno | Stunts |
| Mark De Alessandro | Stunts |
| Kenny Endoso | Stunts |
| Steve DeRelian | Stunts |
| Andy Gill | Stunts |
| Christian J. Fletcher | Stunts |
| Gary Guercio | Stunts |
| Thomas Robinson Harper | Stunts |
| Buddy Joe Hooker | Stunts |
| Kim Robert Koscki | Stunts |
| John C. Meier | Stunts |
| Steve Picerni | Stunts |
| Manny Perry | Stunts |
| Pat Romano | Stunts |
| John Rottger | Stunts |
| James Ryan | Stunts |
| Gary Epper | Stunts |
| Ron Wilkinson | Art Direction |
| John W. Wheeler | Editor |
| Ron Surma | Casting |
| Herman F. Zimmerman | Production Design |
| Anastasia Emmons | Editor |
| John M. Dwyer | Set Decoration |
| Robert Blackman | Costume Design |
| Sarah Shawe | Costume Supervisor |
| Barbara Ronci | Hairstylist |
| Mark Bussan | Makeup Artist |
| Camille Calvet | Makeup Artist |
| Monty Westmore | Makeup Artist |
| Joe Podnar | Special Effects Makeup Artist |
| Lee Ann Brittenham | Hairstylist |
| Belinda Bryant | Makeup Artist |
| Scott Wheeler | Makeup Artist |
| Jane Galli | Special Effects Makeup Artist |
| Danny Valencia | Hairstylist |
| Ellis Burman Jr. | Makeup Artist |
| Derik Wingo | Special Effects Makeup Artist |
| Brad Look | Makeup Artist |
| Gilbert A. Mosko | Makeup Artist |
| Tina Hoffman | Makeup Artist |
| Chris McBee | Hairstylist |
| James MacKinnon | Prosthetic Makeup Artist |
| Natalie Wood | Makeup Artist |
| Toby Lamm | Special Effects Makeup Artist |
| Mary Kay Morse | Makeup Artist |
| R. Stephen Weber | Makeup Artist |
| June Westmore | Makeup Artist |
| Michael D. Weldon | First Assistant Camera |
| Christine Heinz | Key Costumer |
| Yvette Ammon | Set Costumer |
| Curt Jones | Construction Foreman |
| Brent W. Bell | Leadman |
| John Young | Camera Loader |
| Bogdan Iofciulescu | Techno Crane Operator |
| Clete Cetrone | Construction Foreman |
| Gary Metzen | Painter |
| Linda A. King | Set Designer |
| William D. Barber | Camera Operator |
| Jennifer Bender | Extras Casting |
| Mike Milliken | Color Timer |
| Bruce Botnick | Music Editor |
| Anthony Milch | Sound Editor |
| Jeff Olson | Visual Effects Producer |
| Elijah Bryant | Set Dresser |
| Philip Calhoun | Set Dresser |
| Tim Marshall | Assistant Chief Lighting Technician |
| Francis X. Valdez III | Assistant Chief Lighting Technician |
| Randy Feemster | Camera Operator |
| Bryan McMahan | Colorist |
| Leah Brown | Costumer |
| Larry D. Koszakovszky | Set Dresser |
| John Mann | Storyboard Artist |
| David Luckenbach | Steadicam Operator |
| Matthew A. Hoffman | Key Costumer |
| Thomas J. Arp | Construction Coordinator |
| Frank Leasure | Construction Foreman |
| Martha Johnston | Set Designer |
| Henryk Cymerman | Second Unit Director of Photography |
| Norman G. Langley | Electrician |
| Dean Wilson | Property Master |
| Les Gobruegge | Set Designer |
| Lee Scott | Music Editor |
| Glen R. Feldman | Assistant Property Master |
| Joe Colwell | Painter |
| Roger L. King | Property Master |
| Tom Keefer | Key Grip |
| Heidi Odum Strasburg | Costumer |
| Theresa Repola Mohammed | Negative Cutter |
| Cliff Kohlweck | Music Editor |
| Penny Smartt-Juday | Art Department Coordinator |
| William Hawkins | Set Designer |
| J. Chuck Biagio | Best Boy Grip |
| Wayne Tidwell | Video Assist Operator |
| Gina DeDomenico Flanagan | Costume Illustrator |
| Arthur Morton | Orchestrator |
| Lowell Peterson | Additional Photography |
| Christian H. Burton | Assistant Camera |
| Barry Tugendhaft | Greensman |
| Jerry Wax | Set Dresser |
| Mike Weathers | Chief Lighting Technician |
| Michael Condro | First Assistant Camera |
| Tim Board | Additional Editor |
| Pat Blymyer | Chief Lighting Technician |
| Gregory Shummon | Lighting Technician |
| Sonny Merritt | Costumer |
| Kenneth Hall | Music Editor |
| Robert Morrisey | Assistant Sound Editor |
| John Agalsoff Jr. | Cableman |
| Jeff Clark | Sound Effects Editor |
| Kerry Dean Williams | ADR Editor |
| Krystyna Demkowicz | Visual Effects Producer |
| Bob Baron | ADR Mixer |
| Alex Jaeger | Visual Effects Art Director |
| David Lee Fein | Foley Artist |
| Tammy Fearing | Foley Editor |
| Scott G.G. Haller | Sound Effects Editor |
| John McCunn | Visual Effects Producer |
| Dennis Turner | Sequence Supervisor |
| Joseph F. Brennan | Boom Operator |
| Robin Harlan | Foley |
| Tom Perry | Sound Re-Recording Mixer |
| Jason Bardis | Special Effects Technician |
| Zack Davis | ADR Editor |
| Richard Corwin | Dialogue Editor |
| Sarah Monat | Foley Artist |
| Philip Rogers | Sound Recordist |
| Samuel E. Price | Special Effects Assistant |
| Habib Zargarpour | CG Supervisor |
| David Takemura | Visual Effects Supervisor |
| Anne Couk | First Assistant Sound Editor |
| Cameron Frankley | Supervising Sound Editor |
| James Wolvington | Supervising Sound Editor |
| Andy Evans | Special Effects Assistant |
| Adam Howard | Visual Effects Supervisor |
| Ken Dufva | Foley Artist |
| Randy Singer | Foley Mixer |
| Steve Pederson | Sound Re-Recording Mixer |
| Scott Curtis | Foley Editor |
| Ed Callahan | Foley Editor |
| Brad Sherman | Sound Re-Recording Mixer |
| Mike Szakmeister | Supervising Dialogue Editor |
| John Deall | Mechanical Designer |
| Ralph Winiger | Special Effects Assistant |
| Jeffery Yost | CG Artist |
| Roger Fearing | Assistant Sound Editor |
| Doug Jackson | Sound Effects Editor |
| Thomas Causey | Sound Mixer |
| Thomas D. Bacho Jr. | Special Effects Technician |
| Donald T. Black | Special Effects Assistant |
| Carl Hooper | CG Animator |
| Mark Santoni | First Assistant Camera |
| John D. Babin | Rigging Grip |
| Nick Vidar | Music Programmer |
| Judi Brown | Script Supervisor |
| Terry D. Frazee | Special Effects Coordinator |
| Logan Frazee | Special Effects Assistant |
| Scott Lingard | Special Effects Assistant |
| Todd Boyce | CG Animator |
| David Owen | Still Photographer |
| Michael McGovern | Visual Effects Editor |
| Alan Shultz | Dolly Grip |
| Joe Diaz | Costumer |
| Robert Ulrich | Supervising ADR Editor |
| Pamela Bentkowski | Foley |
| Linda Di Franco | Foley Editor |
| Michael Gleason | Visual Effects Editor |
| Jerry Fleck | First Assistant Director |
| Rosemary C. Cremona | Second Assistant Director |
| Debbie Lynn Ross | Stunts |
| Ronnie Rondell Jr. | Stunt Coordinator |
| Brian J. Williams | Stunt Double |
| Kenny Alexander | Stunts |
| Janet Brady | Stunts |
| William H. Burton Jr. | Stunts |
| Andy Epper | Stunts |
| Richard Epper | Stunts |
| James M. Halty | Stunts |
| Frankie 'G' Garbutt | Stunts |
| Billy Hank Hooker | Stunts |
| Maria R. Kelly | Stunts |
| Wayne King | Stunts |
| Bob McGovern | Stunts |
| Dustin Meier | Stunts |
| Joyce McNeal | Stunts |
| Monte Rex Perlin | Stunts |
| John Nowak | Stunts |
| Jimmy Romano | Stunts |
| Tom Poster | Stunts |
| Craig Shugart | Stunts |
| Jonathan Frakes | Director |
| Danny Rogers | Stunts |
| Gene Roddenberry | Original Series Creator |
| Alexander Courage | Orchestrator |
| Name | Title |
|---|---|
| Rick Berman | Producer |
| Marty Hornstein | Executive Producer |
| Peter Lauritson | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
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| 2024 | 4 | 33 | 50 | 22 |
| 2024 | 5 | 63 | 93 | 50 |
| 2024 | 6 | 42 | 71 | 21 |
| 2024 | 7 | 35 | 61 | 22 |
| 2024 | 8 | 27 | 39 | 18 |
| 2024 | 9 | 29 | 45 | 21 |
| 2024 | 10 | 31 | 65 | 16 |
| 2024 | 11 | 23 | 45 | 14 |
| 2024 | 12 | 25 | 37 | 15 |
| 2025 | 1 | 22 | 38 | 15 |
| 2025 | 2 | 17 | 26 | 3 |
| 2025 | 3 | 8 | 27 | 2 |
| 2025 | 4 | 3 | 4 | 2 |
| 2025 | 5 | 4 | 4 | 3 |
| 2025 | 6 | 4 | 4 | 3 |
| 2025 | 7 | 3 | 4 | 3 |
| 2025 | 8 | 4 | 5 | 3 |
| 2025 | 9 | 5 | 8 | 3 |
| 2025 | 10 | 5 | 8 | 3 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 825 | 893 |
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| 2025 | 9 | 823 | 823 |
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| 2025 | 8 | 707 | 720 |
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| 2025 | 6 | 660 | 845 |
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| 2025 | 5 | 561 | 776 |
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| 2025 | 4 | 416 | 744 |
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| 2025 | 3 | 510 | 609 |
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| 2025 | 2 | 789 | 874 |
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| 2025 | 1 | 575 | 800 |
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| 2024 | 12 | 855 | 855 |
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| 2024 | 11 | 916 | 916 |
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| 2024 | 9 | 990 | 990 |
_**Solid Next Generation Trek film with The Borg**_ Released in 1996 and directed by Jonathan Frakes, "Star Trek: First Contact" features The Next Generation characters taking on the Borg, a collection of species that have been turned into cybernetic organisms functioning as drones in a hive-mind ... called the Collective. In order to escape imminent destruction by the Federation, a Borg mini-ship flees back in time to 2063 to prevent the renowned Zefram Cochrane (James Cromwell) from accomplishing the initial warp drive and the subsequent first contact with an alien race, which later paved the way for the Federation of Planets. Alfre Woodard has a key role as a colleague of Cochrane. The Borg are an excellent villain and one of the greatest contributions of The Next Generation TV series, along with all its elaboration on Klingon culture. Here the Borg are augmented by the introduction of a Queen (Alice Krige), which some feel detracted from the impersonal and eerie race while others think enhanced them. It makes no difference to me personally, but it fits the parallel of a queen bee in a honey bee colony. Besides, why wouldn’t there be a central intelligence? There are some gems to mine from the proceedings, like Cochrane's revelation of his carnal motivations for developing warp drive and Picard's hell-bent desire to annihilate the Borg. Speaking of Picard, Patrick Stewart carries the film with his unique star power, which is very different from Shatner, but just as effective. Interestingly, The Next Generation TV series never developed a prominent triumvirate like Kirk/Spock/McCoy, but rather a dyad, Picard and Data. Whereas this duo was core to the previous TNG film, "Generations" (1994) and the last one, "Nemesis" (2002), it's not as evident here until the last act when Picard attempts to rescue the charismatic android, but that's only because they get separated early on and Data ends up hanging out with the Borg Queen. By the way, Picard's self-sacrificial desire to save Data reveals a weakness in the script: After the Enterprise is set to self-destruct, Picard only has 15 MINUTES to rescue Data and escape the ship, but Picard is shown having a meaningful discussion with Lily (Woodard). _Why sure!_ Another gem of the film is the revelation of the alien race at the end, which prompts a "Wow" reaction to fans of Star Trek (although erudite Trekkers undoubtedly knew what was coming). There are other flaws, like the jarring, contrived excuse for going back in time and the questionable fiery confrontation between Picard and Lily. I say "questionable" because something about the sequence renders it somewhat shaky; it may be the acting, the writing or some combination, but they needed to work out the kinks. Still, that scene has some good aspects, like Picard's line: "The line must be drawn HERE!" and the build-up to it. While I favor 1994's "Generations" to "First Contact" because of the fascinating story elements, e.g. the Nexus, and the potent subtext (see my review), and even marginally prefer the underrated "Nemesis" (2002), this doesn't take away from the fact that "First Contact" is a quality installment in the series, which gets better with repeat viewings despite its weaknesses. The movie runs almost 111 minutes and was shot in the studio with location shooting at Angeles National Forest and Green Valley, Arizona (substituting for Montana). GRADE: B
Good watch, could watch again, and can recommend (at least for dedicated "Star Trek" fans). My favorites aspects of all of "Star Trek" are The Borg, and the artificial entities like Data. This movie potentially ruins both of them, depending on who you ask. Also, time travel is the worst. I w ... ould have been much happier if we hadn't bothered with time travel as that creates a lot of other questions about why The Borg haven't utilized it before if they had such technology. The investigation of humanity in The Borg and Data are pretty interesting though, seeing Data find what it is to FEEL is a great, but seeing The Borg personified into a single entity to which one can converse is odd, at best. Seeing the Enterprise defend against Borg assault was fun, but none of the "First Contact" stuff was compelling at all.
Really solid and suspense-filled Star Trek film. Seen this one once before and still holds up along with the visual effects which were decent for its time. This is also the first complete TNG feature and unlike Generations, did feel like a movie rather than two-part episode. 4.0/5 ...
Interesting how this film divides opinion like no other from this franchise. It is my least favourite (except perhaps "The Final Frontier") as it does attempt to impose a morality that is well beyond the scope of the talent involved - both on screen and at the typewriter. The effects are certainly s ... pecial, but even with the quirky contribution of James Cromwell I'm struggling to think of this as anything better than a longer episode of "Next Generation" with all of it's pseudo-intellectual idealism. Like so many films directed by and starring their stars; objectivity is sometimes first under the bus - I fear that is the case here.