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Star Trek: First Contact Poster

Star Trek: First Contact

Resistance is futile.
1996 | 111m | English

(136308 votes)

TMDb IMDb

Popularity: 5 (history)

Details

The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy.
Release Date: Nov 22, 1996
Director: Jonathan Frakes
Writer: Brannon Braga, Ronald D. Moore, Rick Berman
Genres: Adventure, Action, Science Fiction, Thriller
Keywords borg, enterprise-e, cyborg, montana, resistance, inventor, starship, repayment, obsession, spacecraft, teleportation, time travel, speed of light, business start-up, space opera, first contact, outer space, traumatized man
Production Companies Paramount Pictures
Box Office Revenue: $146,027,888
Budget: $46,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Patrick Stewart Captain Jean-Luc Picard
Jonathan Frakes Commander William T. Riker
Brent Spiner Lieutenant Commander Data
LeVar Burton Lieutenant Commander Geordi La Forge
Michael Dorn Lieutenant Commander Worf
Gates McFadden Commander Beverly Crusher
Marina Sirtis Counselor Deanna Troi
James Cromwell Dr. Zefram Cochrane
Alfre Woodard Lily Sloane
Alice Krige Borg Queen
Neal McDonough Lieutenant Hawk
Dwight Schultz Lieutenant Barclay
Cameron Oppenheimer Ensign Kellogg
Robert Picardo Enterprise EMH
Adam Scott Defiant Con Officer
Ray Uhler Holodeck Nightclub Dancer (uncredited)
Eric Steinberg Porter
Joey Anaya Borg (uncredited)
Don Stark Nicky the nose
Patti Yasutake Nurse Ogawa
Jack Shearer Admiral Hayes
Michael Horton Security Officer
Ethan Phillips Holodock Nightclub Maitre d' (uncredited)
Majel Barrett Computer (voice)
Name Job
John Kay Songs
Matthew F. Leonetti Director of Photography
Jerry Goldsmith Original Music Composer
Junie Lowry-Johnson Casting
Brannon Braga Story, Screenplay
Ronald D. Moore Story, Screenplay
Deborah Everton Costume Design
Michael Westmore Makeup Supervisor, Makeup Designer
Rick Berman Story
Jake Garber Special Effects Makeup Artist
Jeff Atmajian Orchestrator
David F. Van Slyke Sound Effects Editor
Craig Barron Visual Effects Supervisor
Jimmy Nickerson Stunts
John Knoll Visual Effects Supervisor
Daryl Tucker Grip
Rosine 'Ace' Hatem Stunts
Joey Anaya Stunts
Chic Daniel Stunts
Eddy Donno Stunts
Tony Donno Stunts
Mark De Alessandro Stunts
Kenny Endoso Stunts
Steve DeRelian Stunts
Andy Gill Stunts
Christian J. Fletcher Stunts
Gary Guercio Stunts
Thomas Robinson Harper Stunts
Buddy Joe Hooker Stunts
Kim Robert Koscki Stunts
John C. Meier Stunts
Steve Picerni Stunts
Manny Perry Stunts
Pat Romano Stunts
John Rottger Stunts
James Ryan Stunts
Gary Epper Stunts
Ron Wilkinson Art Direction
John W. Wheeler Editor
Ron Surma Casting
Herman F. Zimmerman Production Design
Anastasia Emmons Editor
John M. Dwyer Set Decoration
Robert Blackman Costume Design
Sarah Shawe Costume Supervisor
Barbara Ronci Hairstylist
Mark Bussan Makeup Artist
Camille Calvet Makeup Artist
Monty Westmore Makeup Artist
Joe Podnar Special Effects Makeup Artist
Lee Ann Brittenham Hairstylist
Belinda Bryant Makeup Artist
Scott Wheeler Makeup Artist
Jane Galli Special Effects Makeup Artist
Danny Valencia Hairstylist
Ellis Burman Jr. Makeup Artist
Derik Wingo Special Effects Makeup Artist
Brad Look Makeup Artist
Gilbert A. Mosko Makeup Artist
Tina Hoffman Makeup Artist
Chris McBee Hairstylist
James MacKinnon Prosthetic Makeup Artist
Natalie Wood Makeup Artist
Toby Lamm Special Effects Makeup Artist
Mary Kay Morse Makeup Artist
R. Stephen Weber Makeup Artist
June Westmore Makeup Artist
Michael D. Weldon First Assistant Camera
Christine Heinz Key Costumer
Yvette Ammon Set Costumer
Curt Jones Construction Foreman
Brent W. Bell Leadman
John Young Camera Loader
Bogdan Iofciulescu Techno Crane Operator
Clete Cetrone Construction Foreman
Gary Metzen Painter
Linda A. King Set Designer
William D. Barber Camera Operator
Jennifer Bender Extras Casting
Mike Milliken Color Timer
Bruce Botnick Music Editor
Anthony Milch Sound Editor
Jeff Olson Visual Effects Producer
Elijah Bryant Set Dresser
Philip Calhoun Set Dresser
Tim Marshall Assistant Chief Lighting Technician
Francis X. Valdez III Assistant Chief Lighting Technician
Randy Feemster Camera Operator
Bryan McMahan Colorist
Leah Brown Costumer
Larry D. Koszakovszky Set Dresser
John Mann Storyboard Artist
David Luckenbach Steadicam Operator
Matthew A. Hoffman Key Costumer
Thomas J. Arp Construction Coordinator
Frank Leasure Construction Foreman
Martha Johnston Set Designer
Henryk Cymerman Second Unit Director of Photography
Norman G. Langley Electrician
Dean Wilson Property Master
Les Gobruegge Set Designer
Lee Scott Music Editor
Glen R. Feldman Assistant Property Master
Joe Colwell Painter
Roger L. King Property Master
Tom Keefer Key Grip
Heidi Odum Strasburg Costumer
Theresa Repola Mohammed Negative Cutter
Cliff Kohlweck Music Editor
Penny Smartt-Juday Art Department Coordinator
William Hawkins Set Designer
J. Chuck Biagio Best Boy Grip
Wayne Tidwell Video Assist Operator
Gina DeDomenico Flanagan Costume Illustrator
Arthur Morton Orchestrator
Lowell Peterson Additional Photography
Christian H. Burton Assistant Camera
Barry Tugendhaft Greensman
Jerry Wax Set Dresser
Mike Weathers Chief Lighting Technician
Michael Condro First Assistant Camera
Tim Board Additional Editor
Pat Blymyer Chief Lighting Technician
Gregory Shummon Lighting Technician
Sonny Merritt Costumer
Kenneth Hall Music Editor
Robert Morrisey Assistant Sound Editor
John Agalsoff Jr. Cableman
Jeff Clark Sound Effects Editor
Kerry Dean Williams ADR Editor
Krystyna Demkowicz Visual Effects Producer
Bob Baron ADR Mixer
Alex Jaeger Visual Effects Art Director
David Lee Fein Foley Artist
Tammy Fearing Foley Editor
Scott G.G. Haller Sound Effects Editor
John McCunn Visual Effects Producer
Dennis Turner Sequence Supervisor
Joseph F. Brennan Boom Operator
Robin Harlan Foley
Tom Perry Sound Re-Recording Mixer
Jason Bardis Special Effects Technician
Zack Davis ADR Editor
Richard Corwin Dialogue Editor
Sarah Monat Foley Artist
Philip Rogers Sound Recordist
Samuel E. Price Special Effects Assistant
Habib Zargarpour CG Supervisor
David Takemura Visual Effects Supervisor
Anne Couk First Assistant Sound Editor
Cameron Frankley Supervising Sound Editor
James Wolvington Supervising Sound Editor
Andy Evans Special Effects Assistant
Adam Howard Visual Effects Supervisor
Ken Dufva Foley Artist
Randy Singer Foley Mixer
Steve Pederson Sound Re-Recording Mixer
Scott Curtis Foley Editor
Ed Callahan Foley Editor
Brad Sherman Sound Re-Recording Mixer
Mike Szakmeister Supervising Dialogue Editor
John Deall Mechanical Designer
Ralph Winiger Special Effects Assistant
Jeffery Yost CG Artist
Roger Fearing Assistant Sound Editor
Doug Jackson Sound Effects Editor
Thomas Causey Sound Mixer
Thomas D. Bacho Jr. Special Effects Technician
Donald T. Black Special Effects Assistant
Carl Hooper CG Animator
Mark Santoni First Assistant Camera
John D. Babin Rigging Grip
Nick Vidar Music Programmer
Judi Brown Script Supervisor
Terry D. Frazee Special Effects Coordinator
Logan Frazee Special Effects Assistant
Scott Lingard Special Effects Assistant
Todd Boyce CG Animator
David Owen Still Photographer
Michael McGovern Visual Effects Editor
Alan Shultz Dolly Grip
Joe Diaz Costumer
Robert Ulrich Supervising ADR Editor
Pamela Bentkowski Foley
Linda Di Franco Foley Editor
Michael Gleason Visual Effects Editor
Jerry Fleck First Assistant Director
Rosemary C. Cremona Second Assistant Director
Debbie Lynn Ross Stunts
Ronnie Rondell Jr. Stunt Coordinator
Brian J. Williams Stunt Double
Kenny Alexander Stunts
Janet Brady Stunts
William H. Burton Jr. Stunts
Andy Epper Stunts
Richard Epper Stunts
James M. Halty Stunts
Frankie 'G' Garbutt Stunts
Billy Hank Hooker Stunts
Maria R. Kelly Stunts
Wayne King Stunts
Bob McGovern Stunts
Dustin Meier Stunts
Joyce McNeal Stunts
Monte Rex Perlin Stunts
John Nowak Stunts
Jimmy Romano Stunts
Tom Poster Stunts
Craig Shugart Stunts
Jonathan Frakes Director
Danny Rogers Stunts
Gene Roddenberry Original Series Creator
Alexander Courage Orchestrator
Name Title
Rick Berman Producer
Marty Hornstein Executive Producer
Peter Lauritson Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
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2024 5 63 93 50
2024 6 42 71 21
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Reviews

Wuchak
7.0

_**Solid Next Generation Trek film with The Borg**_ Released in 1996 and directed by Jonathan Frakes, "Star Trek: First Contact" features The Next Generation characters taking on the Borg, a collection of species that have been turned into cybernetic organisms functioning as drones in a hive-mind ... called the Collective. In order to escape imminent destruction by the Federation, a Borg mini-ship flees back in time to 2063 to prevent the renowned Zefram Cochrane (James Cromwell) from accomplishing the initial warp drive and the subsequent first contact with an alien race, which later paved the way for the Federation of Planets. Alfre Woodard has a key role as a colleague of Cochrane. The Borg are an excellent villain and one of the greatest contributions of The Next Generation TV series, along with all its elaboration on Klingon culture. Here the Borg are augmented by the introduction of a Queen (Alice Krige), which some feel detracted from the impersonal and eerie race while others think enhanced them. It makes no difference to me personally, but it fits the parallel of a queen bee in a honey bee colony. Besides, why wouldn’t there be a central intelligence? There are some gems to mine from the proceedings, like Cochrane's revelation of his carnal motivations for developing warp drive and Picard's hell-bent desire to annihilate the Borg. Speaking of Picard, Patrick Stewart carries the film with his unique star power, which is very different from Shatner, but just as effective. Interestingly, The Next Generation TV series never developed a prominent triumvirate like Kirk/Spock/McCoy, but rather a dyad, Picard and Data. Whereas this duo was core to the previous TNG film, "Generations" (1994) and the last one, "Nemesis" (2002), it's not as evident here until the last act when Picard attempts to rescue the charismatic android, but that's only because they get separated early on and Data ends up hanging out with the Borg Queen. By the way, Picard's self-sacrificial desire to save Data reveals a weakness in the script: After the Enterprise is set to self-destruct, Picard only has 15 MINUTES to rescue Data and escape the ship, but Picard is shown having a meaningful discussion with Lily (Woodard). _Why sure!_ Another gem of the film is the revelation of the alien race at the end, which prompts a "Wow" reaction to fans of Star Trek (although erudite Trekkers undoubtedly knew what was coming). There are other flaws, like the jarring, contrived excuse for going back in time and the questionable fiery confrontation between Picard and Lily. I say "questionable" because something about the sequence renders it somewhat shaky; it may be the acting, the writing or some combination, but they needed to work out the kinks. Still, that scene has some good aspects, like Picard's line: "The line must be drawn HERE!" and the build-up to it. While I favor 1994's "Generations" to "First Contact" because of the fascinating story elements, e.g. the Nexus, and the potent subtext (see my review), and even marginally prefer the underrated "Nemesis" (2002), this doesn't take away from the fact that "First Contact" is a quality installment in the series, which gets better with repeat viewings despite its weaknesses. The movie runs almost 111 minutes and was shot in the studio with location shooting at Angeles National Forest and Green Valley, Arizona (substituting for Montana). GRADE: B

Dec 04, 2024
Kamurai
6.0

Good watch, could watch again, and can recommend (at least for dedicated "Star Trek" fans). My favorites aspects of all of "Star Trek" are The Borg, and the artificial entities like Data. This movie potentially ruins both of them, depending on who you ask. Also, time travel is the worst. I w ... ould have been much happier if we hadn't bothered with time travel as that creates a lot of other questions about why The Borg haven't utilized it before if they had such technology. The investigation of humanity in The Borg and Data are pretty interesting though, seeing Data find what it is to FEEL is a great, but seeing The Borg personified into a single entity to which one can converse is odd, at best. Seeing the Enterprise defend against Borg assault was fun, but none of the "First Contact" stuff was compelling at all.

Jun 23, 2021
JPV852
8.0

Really solid and suspense-filled Star Trek film. Seen this one once before and still holds up along with the visual effects which were decent for its time. This is also the first complete TNG feature and unlike Generations, did feel like a movie rather than two-part episode. 4.0/5 ...

Apr 09, 2023
Geronimo1967
6.0

Interesting how this film divides opinion like no other from this franchise. It is my least favourite (except perhaps "The Final Frontier") as it does attempt to impose a morality that is well beyond the scope of the talent involved - both on screen and at the typewriter. The effects are certainly s ... pecial, but even with the quirky contribution of James Cromwell I'm struggling to think of this as anything better than a longer episode of "Next Generation" with all of it's pseudo-intellectual idealism. Like so many films directed by and starring their stars; objectivity is sometimes first under the bus - I fear that is the case here.

Aug 27, 2023