Popularity: 1 (history)
Director: | Dario Argento |
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Writer: | Dario Argento, Bernardino Zapponi |
Staring: |
An English pianist living in Rome witnesses the brutal murder of his psychic neighbor. With the help of a tenacious young reporter, he tries to discover the killer using very unconventional methods. The two are soon drawn into a shocking web of dementia and violence. | |
Release Date: | Mar 07, 1975 |
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Director: | Dario Argento |
Writer: | Dario Argento, Bernardino Zapponi |
Genres: | Horror, Mystery, Thriller |
Keywords | murder, reporter, whodunit, psychic, pianist, proto-slasher |
Production Companies | Rizzoli Film, Seda Spettacoli |
Box Office |
Revenue: $2,900,000
Budget: $0 |
Updates |
Updated: Mar 07, 2025 (Update) Entered: Mar 07, 2025 |
Name | Character |
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David Hemmings | Marcus Daly |
Daria Nicolodi | Gianna Brezzi |
Gabriele Lavia | Carlo |
Macha Méril | Helga Ulmann |
Eros Pagni | Supt. Calcabrini |
Giuliana Calandra | Amanda Righetti |
Piero Mazzinghi | Bardi |
Glauco Mauri | Prof. Giordani |
Clara Calamai | Marta |
Aldo Bonamano | Carlo's Father |
Liana Del Balzo | Elvira |
Vittorio Fanfoni | Cop Taking Notes |
Dante Fioretti | Police Photographer |
Geraldine Hooper | Massimo Ricci |
Jacopo Mariani | Young Carlo |
Furio Meniconi | Rodi |
Fulvio Mingozzi | Agent Mingozzi |
Lorenzo Piani | Fingerprint Cop |
Salvatore Puntillo | Police Agent |
Piero Vida | Fat Cop |
Nicoletta Elmi | Olga |
Dario Argento | Murderer's Hands (uncredited) |
Salvatore Baccaro | Fruit Vendor (uncredited) |
Omero Capanna | Hitman (uncredited) |
Bruno Di Luia | Concerned Man in Restroom (uncredited) |
Attilio Dottesio | Florist (uncredited) |
Tom Felleghy | Surgeon (uncredited) |
Glauco Onorato | (uncredited) |
Marilù Tolo | Carol (archive footage) (uncredited) |
Franco Vaccaro | Pietro Valgoi (uncredited) |
Gianni Di Segni | Rabbi (uncredited) |
Mario Pascucci | Library Caretaker (uncredited) |
Name | Job |
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Dario Argento | Writer, Director |
Claudio Simonetti | Original Music Composer |
Franco Fraticelli | Editor |
Bernardino Zapponi | Screenplay |
Giorgio Gaslini | Original Music Composer |
Stefano Rolla | Assistant Director |
Angelo Iacono | Production Manager |
Armando Mannini | Set Decoration |
Germano Natali | Special Effects |
Angela Viglino | Seamstress |
Sergio Coletta | Gaffer |
Carlo Rambaldi | Special Effects |
Eugenio Fiori | Boom Operator |
Nick Alexander | Sound Editor |
Giuseppe Bassan | Production Design |
Carlo De Marchis | Special Effects Assistant |
Piero Bozza | Assistant Editor |
Antonio Tonti | Assistant Camera |
Stefano Olivieri | Set Dresser |
Sergio Emidi | Key Grip |
Antonio Annunziata | Assistant Camera |
Luigi Kuveiller | Director of Photography |
Elena Mannini | Costume Design |
Giuliano Laurenti | Makeup Supervisor |
Mario Faraoni | Sound Recordist |
Francesco Bellomo | Still Photographer |
Ubaldo Terzano | Camera Operator |
Nicla Palombi | Hairstylist |
Vivalda Vigorelli | Continuity |
Giovanni Morosi | Makeup Artist |
Carlo Cucchi | Assistant Production Manager |
Carlo Du Bois | Production Accountant |
Maurizio Garrone | Assistant Art Director |
Aldo Taloni | Construction Foreman |
Massimo Anzellotti | Foley Artist |
Cesare Jacolucci | Production Coordinator |
Name | Title |
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Claudio Argento | Executive Producer |
Salvatore Argento | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 21 | 37 | 14 |
2024 | 5 | 33 | 66 | 17 |
2024 | 6 | 25 | 58 | 12 |
2024 | 7 | 23 | 39 | 14 |
2024 | 8 | 22 | 40 | 13 |
2024 | 9 | 18 | 26 | 10 |
2024 | 10 | 20 | 39 | 11 |
2024 | 11 | 15 | 31 | 8 |
2024 | 12 | 17 | 39 | 10 |
2025 | 1 | 16 | 26 | 10 |
2025 | 2 | 13 | 21 | 3 |
2025 | 3 | 6 | 20 | 2 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 2 | 2 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 879 | 879 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 635 | 669 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 413 | 780 |
Ocular Bonanza. When a psychic is murdered after picking up the thoughts of a psychotic killer, Marcus Day is the only witness to the crime and sets about trying to figure out who is responsible. But he then finds that the killer is shadowing him and targeting anyone who files in to help his inve ... stigation. Dario Argento’s Deep Red (AKA: Profundo Rosso/The Hatchet Murders) is rightly regarded as one of the leading lights of Giallo. Argento pitches Marcus Day (David Hemmings working from a splinter of Blow Up) into a rousing and visceral world of murder and mystery – and takes the viewers along as well! It doesn’t matter what time of day or night it is, Argento always has a sinister edge pulsing through his movie. The mystery element is also strong, including for first time viewers a cheeky opportunity to solve it very early on. Painting it all in vivid coloured strokes, Argento unleashes a myriad of stylish sequences, adding in children’s toys and mannequins to further up the creep factor. Musically not all of it works, but the running children’s thematic motif works strikingly well. Negatively the dubbing is often iffy at best and some of the now infamous murder sequences veer close to comedy because the director allows them to be protracted. Uncompromising, thrilling and striking, some quibbles aside, Deep Red is a very positive experience. 7.5/10
A remarkable and breathtaking horror work, easily my favourite of a distinguished, exciting run Argento made at the peak of his career. Films like THIS provided stunning proof to people's assertion the world over that he was the Italian Hitchcock. The soundtrack by Goblin is to be treasured. For bot ... h horror and thriller aficionados, well worth getting in the very best edition possible, and well worth rewatching. A master craftsman at the pinnacle of his artistry.
Parts of this were pretty slow but the mystery elements were good and I liked the leads even though their romance was really forced and unnecessary (I know those scenes were removed in the Export Version, along with some of the gore). Dario Argento's visuals were on display once more with some great ... close-up shots and the gore effects were wonderfully gnarly. Not great but still found it entertaining. **3.75/5**