 
  Popularity: 2 (history)
| Director: | Charles Crichton | 
|---|---|
| Writer: | Jack Whittingham | 
| Staring: | 
| During World War II, a German woman, Inga, goes missing and is presumed dead. Her infant son is placed in an orphanage where, years later, he's adopted by a childless couple. The adoptive parents' happiness is shattered when Inga reappears and insists on custody of her son. | |
| Release Date: | Nov 09, 1954 | 
|---|---|
| Director: | Charles Crichton | 
| Writer: | Jack Whittingham | 
| Genres: | Drama | 
| Keywords | world war ii, adoption | 
| Production Companies | Ealing Studios | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 04, 2024 Entered: May 01, 2024 | 
| Name | Character | 
|---|---|
| Cornell Borchers | Inga | 
| Yvonne Mitchell | Sonja | 
| Armin Dahlen | Franz | 
| Alexander Knox | Chief Justice | 
| Geoffrey Keen | Marks | 
| Liam Redmond | First Justice | 
| Eddie Byrne | Second Justice | 
| Theodore Bikel | Josip | 
| Pamela Stirling | Mlle. Poncet | 
| Martin Stephens | Hans | 
| Andre Mikhelson | Professor Miran | 
| Ferdy Mayne | Dr. Muller | 
| Michel Ray | Toni | 
| Gilgi Hauser | Sonja's Daughter | 
| Marianne Walla | Matron | 
| Philo Hauser | Schoolteacher | 
| Guy Deghy | Schoolteacher | 
| Carl Duering | Postman | 
| Richard Molinas | Herr Pieter | 
| John Welsh | Chief Marshall | 
| John Schlesinger | Ticket Collector | 
| Nicholas Stuart | Reporter | 
| Alec McCowen | Reporter | 
| Ilona Ference | Reporter | 
| Randal Kinkead | Reporter | 
| Guy Standeven | Courtroom Spectator (uncredited) | 
| Name | Job | 
|---|---|
| Charles Crichton | Director | 
| Otto Heller | Director of Photography | 
| Georges Auric | Original Music Composer | 
| Jack Whittingham | Writer | 
| Peter Bezencenet | Editor | 
| Richard Hughes | Thanks | 
| Name | Title | 
|---|---|
| Michael Truman | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 2 | 4 | 1 | 
| 2024 | 5 | 3 | 8 | 1 | 
| 2024 | 6 | 2 | 6 | 1 | 
| 2024 | 7 | 3 | 9 | 1 | 
| 2024 | 8 | 5 | 10 | 2 | 
| 2024 | 9 | 2 | 4 | 1 | 
| 2024 | 10 | 3 | 8 | 1 | 
| 2024 | 11 | 2 | 5 | 1 | 
| 2024 | 12 | 2 | 3 | 1 | 
| 2025 | 1 | 2 | 5 | 1 | 
| 2025 | 2 | 1 | 2 | 1 | 
| 2025 | 3 | 1 | 3 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 3 | 3 | 2 | 
Trending Position
A knock at their door one evening throws the lives of "Inga" (Cornell Borchers) and husband "Franz" (Armin Dahlen) into turmoil. It's a woman from the post war child repatriation division there to try and establish where they got there son "Toni" (Michel Ray) from. They assure her they adopted him l ... egally but after a few rudimentary questions they inform them that his mother "Sonja" (Yvonne Mitchell) wants him to live with her. A court must decide what happens next, and for the remainder of the film we watch as both the "bread" mother and the "blood" mother must metaphorically fight it out. It's delicately portrayed making it quite distressing to watch at times. The three judges - Alexander Knox, Liam Redmond and Eddie Byrne listen carefully and compassionately and as the case unfolds we, like them, realise that there can be no clear winners here - unless it's the ten year old boy who knows little of his wartime life in Slovakia but only of his current life with his new German parents. Perhaps he could decide? He's very young, though - is he competent to make such a choice? Charles Crichton directs with sympathy and he uses Geoffrey Keen quite effectively as a character trying to broker the best from a bad scenario - even if the process is really about securing the best for "Toni". There's a paucity of dialogue here, most of the scenario being presented as objectively as possible allowing us to make our own evaluation. It's touching and exposes a wartime topic not often addressed in cinema.