 
  Popularity: 4 (history)
| Director: | Clint Eastwood | 
|---|---|
| Writer: | Rick Elice, Marshall Brickman | 
| Staring: | 
| A musical biopic of the Four Seasons—the rise, the tough times and personal clashes, and the ultimate triumph of a group of friends whose music became symbolic of a generation. Far from a mere tribute concert, it gets to the heart of the relationships at the centre of the group, with a special focus on frontman Frankie Valli, the small kid with the big falsetto. | |
| Release Date: | Jun 18, 2014 | 
|---|---|
| Director: | Clint Eastwood | 
| Writer: | Rick Elice, Marshall Brickman | 
| Genres: | Drama, Music | 
| Keywords | musical, biography, based on play or musical | 
| Production Companies | Warner Bros. Pictures, GK Films | 
| Box Office | Revenue: $67,347,013 Budget: $40,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| John Lloyd Young | Francis 'Frankie Valli' Castelluccio | 
| Vincent Piazza | Gaetano 'Tommy' DeVito | 
| Michael Lomenda | Nick Massi | 
| Erich Bergen | Bob Gaudio | 
| Christopher Walken | Angelo 'Gyp' DeCarlo | 
| Mike Doyle | Bob Crewe | 
| Joseph Russo | Joe 'Joey' Pesci | 
| Kathrine Narducci | Mary Rinaldi | 
| Freya Tingley | Francine Valli | 
| Johnny Cannizzaro | Nick DeVito | 
| James Madio | Stosh | 
| Francesca Eastwood | Waitress | 
| Steve Schirripa | Vito | 
| Barry Livingston | Accountant | 
| Alexis Krause | Party Girl | 
| Jeremy Luke | Donnie | 
| Silvia Kal | Producer's Wife | 
| Billy Gardell | Our Sons Owner | 
| John Griffin | Billy Dixon | 
| Elizabeth Hunter | Francine (age 7) | 
| Lacey Hannan | Angela | 
| Renée Marino | Mary Delgado | 
| Erica Piccininni | Lorraine | 
| Steve Monroe | Barry Belson | 
| Rob Marnell | Joe Long | 
| Troy Grant | Ed Sullivan | 
| Grant Roberts | Johnny | 
| Sean Whalen | Engneer | 
| Kara Pacitto | Bubble-Head #2 | 
| Michael Patrick McGill | Officer Mike | 
| Nancy La Scala | Art Loving Woman | 
| Clint Ward | Officer Stanley | 
| Jackie Seiden | Angel #2 | 
| Matt Nolan | Engineer #2 | 
| Meagan Holder | Jazz Singer | 
| Joe Abraham | Rockabilly Singer | 
| Phil Abrams | Publisher #3 | 
| Joe Howard | Priest | 
| Ben Rauch | New Season #4 | 
| Bill Watterson | Backup Musician #2 | 
| Annika Noelle | Nick's Date | 
| Derek Easley | Biker Inmate | 
| Kimmy Gatewood | Angel #1 | 
| Alexandra Ruddy | Waitress | 
| Keith Loneker | Knuckles | 
| Marco Tazioli | Bad-News Boyfriend | 
| David Newton | Guy at the Bar | 
| Donnie Kehr | Norm Waxman | 
| Scott Vance | Detective #1 | 
| Kyli Rae | Angel #3 | 
| Travis Nicholson | Country Singer | 
| Allison Wilhelm | Coat Check Girl | 
| Tye Edwards | Crewe Bartender | 
| Jon Paul Burkhart | Journalist | 
| Lou Volpe | Frankie's Father | 
| David Crane | Holiday Inn Clerk | 
| Lou George | Publisher #1 | 
| Michael Butler Murray | Backup Musician #1 | 
| Michael Lanahan | Publisher #2 | 
| Aria Pullman | Attractive Woman | 
| Jacqueline Mazarella | Angry Woman | 
| Danielle Souza | Scantily Clad Woman | 
| Miles Aubrey | Charles Calello | 
| Johnny Dinu | New Seasons #3 | 
| Maggie Beal | Antonia Valli | 
| Jeff DePaoli | Stage Manager | 
| Vincent Selhorst-Jones | Hank Majewski | 
| Angel Murphy | Jazz-Cat | 
| Grace Kelley | Francine (age 4) | 
| Annie O'Donnell | Nun | 
| John Duerler | Bartender | 
| Louis Lombardi | Trulio | 
| James P. Bennett | Stage Hand (uncredited) | 
| Name | Job | 
|---|---|
| Rick Elice | Screenplay, Musical | 
| Michelle Vittone | Makeup Department Head | 
| Deborah Hopper | Costume Design | 
| James J. Murakami | Production Design | 
| Kevin Murray | Assistant Sound Editor | 
| Dustin Meier | Stunts | 
| Ronald R. Reiss | Set Decoration | 
| David M. Bernstein | First Assistant Director | 
| Geoffrey Miclat | Casting | 
| Carol A. O'Connell | Hair Department Head | 
| Michelle Chan Wong | Production Secretary | 
| Paula Case | Second Assistant Director | 
| Ron Melrose | Music Supervisor | 
| Bub Asman | Supervising Sound Editor | 
| Gary D. Roach | Editor | 
| Walt Martin | Sound Mixer | 
| Patrick M. Sullivan | Art Direction | 
| Clint Eastwood | Director | 
| Marshall Brickman | Screenplay, Musical | 
| Tom Stern | Director of Photography | 
| Joel Cox | Editor | 
| Kerry Lyn McKissick | Script Supervisor | 
| Alan Robert Murray | Supervising Sound Editor | 
| John C. Meier | Stunt Coordinator | 
| Craig Baxley Jr. | Stunts | 
| Danny Downey | Stunt Double | 
| Michael Owens | Visual Effects Supervisor | 
| Angela Claverie | Music Editor | 
| Glenn Derry | Video Assist Operator | 
| Jeff Angelo | Assistant Property Master | 
| William H. Phen Jr. | Construction Foreman | 
| William Kent | Rigging Grip | 
| Spencer R. Williams | Production Assistant | 
| Name | Title | 
|---|---|
| Tim Moore | Executive Producer | 
| Bob Gaudio | Executive Producer | 
| James Packer | Executive Producer | 
| Robert Lorenz | Producer | 
| Graham King | Producer | 
| Clint Eastwood | Producer | 
| Tim Headington | Executive Producer | 
| Brett Ratner | Executive Producer | 
| Frankie Valli | Executive Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Actor | John Leguizamo | Nominated | 
| BAFTA Awards | Best Actor | John Lloyd Young | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 19 | 32 | 11 | 
| 2024 | 5 | 22 | 29 | 15 | 
| 2024 | 6 | 16 | 27 | 9 | 
| 2024 | 7 | 17 | 38 | 10 | 
| 2024 | 8 | 18 | 40 | 9 | 
| 2024 | 9 | 10 | 18 | 6 | 
| 2024 | 10 | 12 | 23 | 7 | 
| 2024 | 11 | 12 | 30 | 7 | 
| 2024 | 12 | 13 | 25 | 7 | 
| 2025 | 1 | 13 | 25 | 8 | 
| 2025 | 2 | 8 | 14 | 3 | 
| 2025 | 3 | 4 | 10 | 1 | 
| 2025 | 4 | 2 | 6 | 1 | 
| 2025 | 5 | 1 | 6 | 1 | 
| 2025 | 6 | 1 | 3 | 1 | 
| 2025 | 7 | 1 | 2 | 0 | 
| 2025 | 8 | 1 | 2 | 1 | 
| 2025 | 9 | 3 | 5 | 1 | 
| 2025 | 10 | 2 | 4 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 985 | 985 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 862 | 902 | 
**From the streetlight to the spotlight.** I know who's the director, but not the actors. Maybe that's the reason the film did not do as expected at the box office. But still theirs performances are not forgettable. Every one of them was amazing, they are the real singers and so the jobs done eas ... ily. I mean the filmmaking who understood the story and its characters and delivered accordingly. You might have seen many similar biopics and this is almost the same, but still there's lots to inspire from what you see. Since this music genre is different compared to the todays trend in the music industry, this film quite clearly brings back the 50s, 60s eras for us. So that's how this story appeals to its viewers. It was about the four member music band and their journey through the success and struggles for decades. What inspires is that, they are nothing like we see in todays musicians like drugs and sex stuffs. But the story had its share in those things, which might have been a huge for that time. The family, friends and music, the films very beautifully defines the differences. Between professional and personal life, how they lose grips is what obviously we see regularly in all the musician's biopics, but I'm talking about 50 years ago society and lifestyle. The things are different and how they managed or did they is the film to reveal. I really liked it and I wanted to rate higher, but I was bored a bit because it was a very long film. The pace was okay, so I managed and I think it is worth a watch, but only for the selected audience. _7/10_
It took me a while to get into it, but the final hour or so won me over. <em>'Jersey Boys'</em> is, in my eyes, very good. I only knew of the film's title and vaguely what the group did beforehand; I knew so little that I assumed their name was 'Jersey Boys', rather than 'The Four Seasons'. I did ... recognise a few of the songs, though only ones at the end. Even with that so, it was interesting to see the story develop. John Lloyd Young, Erich Bergen, Michael Lomenda and Vincent Piazza are all enjoyable in their respective roles, with the standouts being Young and Piazza. The support cast, which notably includes Christopher Walken, all give more than satisfactory showings. Kinda surprised me, this one. As alluded to, I wasn't really feeling it across the opening chunk of the 134 minute run time and yet by the end I felt happy at what I had just watched. Recommended.