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The Time Machine Poster

The Time Machine

The greatest adventure THROUGH all time!
2002 | 96m | English

(134461 votes)

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Popularity: 7 (history)

Details

Hoping to alter the events of the past, a 19th century inventor instead travels 800,000 years into the future, where he finds mankind divided into two warring races.
Release Date: Mar 04, 2002
Director: Simon Wells
Writer: John Logan, H.G. Wells, David Duncan
Genres: Adventure, Action, Science Fiction
Keywords new york city, based on novel or book, future, time travel, time machine, remake, steampunk, near future
Production Companies DreamWorks Pictures, Warner Bros. Pictures
Box Office Revenue: $123,700,000
Budget: $80,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Guy Pearce Alexander Hartdegen
Samantha Mumba Mara
Omero Mumba Kalen
Jeremy Irons Über-Morlock
Sienna Guillory Emma
Orlando Jones Vox
Mark Addy David Filby
Phyllida Law Mrs. Watchett
Laura Kirk Flower Seller
Josh Stamberg Motorist
John W. Momrow Fifth Avenue Carriage Driver
Max Baker Robber
Jeffrey M. Meyer Central Park Carriage Driver
Alan Young Flower Store Worker
Myndy Crist Jogger
Connie Ray Teacher
Lennie Loftin Soldier #1
Dana Schick Eloi / Stunts
Thomas Corey Robinson Soldier #2
Yancey Arias Toren
Richard Cetrone Hunter Morlock
Edward Conna Hunter Morlock
Chris Sayour Hunter Morlock
Jeremy Fitzgerald Hunter Morlock
Dorian Kingi Spy Morlock
Doug Jones Spy Morlock
Joey Anaya Spy Morlock
Chona Jason Eloi (as Malaea Chona Jason)
Alex Madison Eloi
Mike Chaturantabut Eloi
Jon Valera Eloi
John Koyama Eloi
Jonathan Eusebio Eloi
Hiro Koda Eloi
Efia Pearson Eloi (uncredited)
Name Job
Simon Wells Director
Donald McAlpine Director of Photography
Oliver Scholl Production Design
John Logan Screenplay
Klaus Badelt Original Music Composer
Mindy Marin Casting
Glenn Forbes Property Master
H.G. Wells Novel
Hiro Narita Second Unit Director of Photography
John Roesch Foley
Jeff Imada Stunt Coordinator
Mark Mangini Supervising Sound Editor, Sound Designer
Lou Pecora Digital Compositor
Scott Squires Visual Effects Supervisor
Steve Kelso Stunts
Donald B. Woodruff Art Direction
Bob Ringwood Costume Design
Rachel Wyn Dunn Compositors
Scott H. Eddo Key Makeup Artist
Gary A. Krakoff Construction Coordinator
Scott Maginnis Property Master
Steven R. Mathis Chief Lighting Technician
John S. Beyers Electrician
Robin Alan Knight Key Grip
William Decker Rigging Grip
Andrew Cooper Still Photographer
Trudy Ramirez Script Supervisor
Mark Della Rosa 3D Modeller
Bruce Robert Hill Art Direction
Deena Appel Costume Design
Cha Blevins Costume Supervisor
Stephen Elsbree Key Hair Stylist
Angela Stauffer Art Department Coordinator
Vern Nobles Camera Operator
Kevin Tiesiera Electrician
Raman Rao Gaffer
Edmondo Sepulveda Key Grip
Donald E. Thorin Jr. Steadicam Operator
John Castro Researcher
Michael Kory 3D Artist
Doug Masters Animation Supervisor
David Prescott CG Supervisor
Fumi Mashimo Lead Animator
Kevin Clark Visual Effects Editor
Wayne Wahrman Editor
Christopher Burian-Mohr Art Direction
Victor J. Zolfo Set Decoration
John M. Elliott Jr. Makeup Department Head
Barbara Lorenz Key Hair Stylist
Richard Snell Key Makeup Artist
Jeff Butcher Property Master
David E. Diano Camera Operator
Joseph Grimaldi Gaffer
John Lowry Key Grip
Chuck Brown Steadicam Operator
Bryce Shields Video Assist Operator
Sharon 'Mae' West Script Supervisor
Michael Alkan 3D Modeller
Mike Makara CG Animator
Jonathan Egstad Digital Effects Supervisor
Sharon Smith Holley Visual Effects Editor
Kelly G. Crawford Visual Effects Editor
Julian Levi Visual Effects Producer
Marcy Craig Key Costumer
Randy Bricker First Assistant Editor
Perry Dodgson Cableman
David A. Whittaker Dialogue Editor
Steve Tushar Foley Editor
Elliott Koretz Sound Effects Editor
Gregg Landaker Sound Re-Recording Mixer
Jennifer Bell Second Assistant Camera
Serge Sretschinsky CG Supervisor
Scott Wirtz Lead Animator
Debra Wolff Visual Effects Editor
Kevin Elam Visual Effects Producer
Thomas J. Smith Visual Effects Supervisor
Matt Sweeney Special Effects Supervisor
Marci R. Johnson Set Costumer
Harrison D. Marsh Boom Operator
Charles Ewing Smith Dialogue Editor
Dan O'Connell Foley
John T. Cucci Foley
Eric Lindemann Sound Effects Editor
Robert E. 'Bobby' Powell Rigging Gaffer
Timothy Eaton Visual Effects Editor
James E. Price Visual Effects Supervisor
Bridgitte Ferry Set Costumer
Gary Burritt Negative Cutter
Ed Callahan Dialogue Editor
Michael J. Broomberg Foley
Alyson Dee Moore Foley
Reuben Simon Foley
Mike Chock Sound Effects Editor
Steve Maslow Sound Re-Recording Mixer
David Duncan Screenplay
Erik Nash Visual Effects Supervisor
Roy Farfel Stunts
Richard Epper Stunts
Clayton J. Barber Stunts
Tom Bertino Animation Supervisor
Robert Alonzo Stunts
Name Title
Walter F. Parkes Producer
David Valdes Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 33 41 20
2024 5 39 49 29
2024 6 30 52 21
2024 7 34 61 22
2024 8 29 42 20
2024 9 23 33 17
2024 10 44 98 20
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2025 1 33 69 21
2025 2 21 36 3
2025 3 8 23 2
2025 4 3 4 3
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2025 6 3 3 2
2025 7 2 3 2
2025 8 3 4 2
2025 9 5 6 4
2025 10 7 8 5

Trending Position


Year Month High Avg
2025 10 643 838
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2025 5 481 720
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2025 4 320 771
Year Month High Avg
2025 3 992 992
Year Month High Avg
2025 1 679 792
Year Month High Avg
2024 9 951 964

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Reviews

JPV852
6.0

Some interesting and even ambitious aspects but this sci-fi thriller was pretty uneven while the visual effects were also a mixed bag from being fairly impressive for its time (20 years now) to pretty shoddy. On the plus side, Guy Pearce was good in the lead. This one also reminded me when Orlando J ... ones was in a good amount of movies (18 between 1998-2004). IDK, this is one that did keep me entertained. **3.0/5**

Jun 04, 2022
GenerationofSwine
1.0

I don't know how to approach this one. "The Time Machine" is one of those stories that, rereading it, beings back vivid memories. One of my best friends in high school loaned it to me, I stored it away in my backpack for about a month and then...when we had a field trip to The Board of Trade, I s ... crounged it out and read it on the train ride. It was one of those stories that is so short I could rip through it in the hour and fifteen minutes between our small town and Chicago. To this day, every time I go back to it, it brings me back to 1997 and, to this day, I distinctly remember finishing it about the time the train stopped and I remember walking into the crowded city feeling like I was in a different world. The story had moved me out of reality so much Chicago seemed jarring. And then they made it into a movie, a remake of a movie and, watching it, I don't know, I didn't have that same sense of being in a totally different world that the book gave me... And the movie, in my mind, has to live up to that experience in some small way. Or at least give you that feeling that same feeling that the world was still spinning that one gets when they walk out of a movie and discover that it had rained. It's an engrossing story and The Time Machine didn't seem to whisk me away like the book did. I can't help but feel it deserved better. It felt like I was watching a movie and, honestly, it gave me the same since that Jackson's King Kong did, it felt like it was trying and horribly, miserably failed. I left feeling "meh," and that was after being excited walking into it, I mean, I read it in 1997 and they made a movie in 2002 and, I was expecting the same feeling. I had waited long enough. So, I don't know, I may be overly harsh on it just because I loved what the story did to me so much, the first time I read it and now, as an adult, it doesn't take me to another world, it takes me back to 1997 again, and high school, and that hour fifteen minute train ride to Chicago. So ultimately, it could be a halfway decent film that I just hate because the story had such a jarring effect on me when I first encountered it.

Jan 13, 2023