Popularity: 7 (history)
| Director: | Simon Wells |
|---|---|
| Writer: | John Logan, H.G. Wells, David Duncan |
| Staring: |
| Hoping to alter the events of the past, a 19th century inventor instead travels 800,000 years into the future, where he finds mankind divided into two warring races. | |
| Release Date: | Mar 04, 2002 |
|---|---|
| Director: | Simon Wells |
| Writer: | John Logan, H.G. Wells, David Duncan |
| Genres: | Adventure, Action, Science Fiction |
| Keywords | new york city, based on novel or book, future, time travel, time machine, remake, steampunk, near future |
| Production Companies | DreamWorks Pictures, Warner Bros. Pictures |
| Box Office |
Revenue: $123,700,000
Budget: $80,000,000 |
| Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Guy Pearce | Alexander Hartdegen |
| Samantha Mumba | Mara |
| Omero Mumba | Kalen |
| Jeremy Irons | Über-Morlock |
| Sienna Guillory | Emma |
| Orlando Jones | Vox |
| Mark Addy | David Filby |
| Phyllida Law | Mrs. Watchett |
| Laura Kirk | Flower Seller |
| Josh Stamberg | Motorist |
| John W. Momrow | Fifth Avenue Carriage Driver |
| Max Baker | Robber |
| Jeffrey M. Meyer | Central Park Carriage Driver |
| Alan Young | Flower Store Worker |
| Myndy Crist | Jogger |
| Connie Ray | Teacher |
| Lennie Loftin | Soldier #1 |
| Dana Schick | Eloi / Stunts |
| Thomas Corey Robinson | Soldier #2 |
| Yancey Arias | Toren |
| Richard Cetrone | Hunter Morlock |
| Edward Conna | Hunter Morlock |
| Chris Sayour | Hunter Morlock |
| Jeremy Fitzgerald | Hunter Morlock |
| Dorian Kingi | Spy Morlock |
| Doug Jones | Spy Morlock |
| Joey Anaya | Spy Morlock |
| Chona Jason | Eloi (as Malaea Chona Jason) |
| Alex Madison | Eloi |
| Mike Chaturantabut | Eloi |
| Jon Valera | Eloi |
| John Koyama | Eloi |
| Jonathan Eusebio | Eloi |
| Hiro Koda | Eloi |
| Efia Pearson | Eloi (uncredited) |
| Name | Job |
|---|---|
| Simon Wells | Director |
| Donald McAlpine | Director of Photography |
| Oliver Scholl | Production Design |
| John Logan | Screenplay |
| Klaus Badelt | Original Music Composer |
| Mindy Marin | Casting |
| Glenn Forbes | Property Master |
| H.G. Wells | Novel |
| Hiro Narita | Second Unit Director of Photography |
| John Roesch | Foley |
| Jeff Imada | Stunt Coordinator |
| Mark Mangini | Supervising Sound Editor, Sound Designer |
| Lou Pecora | Digital Compositor |
| Scott Squires | Visual Effects Supervisor |
| Steve Kelso | Stunts |
| Donald B. Woodruff | Art Direction |
| Bob Ringwood | Costume Design |
| Rachel Wyn Dunn | Compositors |
| Scott H. Eddo | Key Makeup Artist |
| Gary A. Krakoff | Construction Coordinator |
| Scott Maginnis | Property Master |
| Steven R. Mathis | Chief Lighting Technician |
| John S. Beyers | Electrician |
| Robin Alan Knight | Key Grip |
| William Decker | Rigging Grip |
| Andrew Cooper | Still Photographer |
| Trudy Ramirez | Script Supervisor |
| Mark Della Rosa | 3D Modeller |
| Bruce Robert Hill | Art Direction |
| Deena Appel | Costume Design |
| Cha Blevins | Costume Supervisor |
| Stephen Elsbree | Key Hair Stylist |
| Angela Stauffer | Art Department Coordinator |
| Vern Nobles | Camera Operator |
| Kevin Tiesiera | Electrician |
| Raman Rao | Gaffer |
| Edmondo Sepulveda | Key Grip |
| Donald E. Thorin Jr. | Steadicam Operator |
| John Castro | Researcher |
| Michael Kory | 3D Artist |
| Doug Masters | Animation Supervisor |
| David Prescott | CG Supervisor |
| Fumi Mashimo | Lead Animator |
| Kevin Clark | Visual Effects Editor |
| Wayne Wahrman | Editor |
| Christopher Burian-Mohr | Art Direction |
| Victor J. Zolfo | Set Decoration |
| John M. Elliott Jr. | Makeup Department Head |
| Barbara Lorenz | Key Hair Stylist |
| Richard Snell | Key Makeup Artist |
| Jeff Butcher | Property Master |
| David E. Diano | Camera Operator |
| Joseph Grimaldi | Gaffer |
| John Lowry | Key Grip |
| Chuck Brown | Steadicam Operator |
| Bryce Shields | Video Assist Operator |
| Sharon 'Mae' West | Script Supervisor |
| Michael Alkan | 3D Modeller |
| Mike Makara | CG Animator |
| Jonathan Egstad | Digital Effects Supervisor |
| Sharon Smith Holley | Visual Effects Editor |
| Kelly G. Crawford | Visual Effects Editor |
| Julian Levi | Visual Effects Producer |
| Marcy Craig | Key Costumer |
| Randy Bricker | First Assistant Editor |
| Perry Dodgson | Cableman |
| David A. Whittaker | Dialogue Editor |
| Steve Tushar | Foley Editor |
| Elliott Koretz | Sound Effects Editor |
| Gregg Landaker | Sound Re-Recording Mixer |
| Jennifer Bell | Second Assistant Camera |
| Serge Sretschinsky | CG Supervisor |
| Scott Wirtz | Lead Animator |
| Debra Wolff | Visual Effects Editor |
| Kevin Elam | Visual Effects Producer |
| Thomas J. Smith | Visual Effects Supervisor |
| Matt Sweeney | Special Effects Supervisor |
| Marci R. Johnson | Set Costumer |
| Harrison D. Marsh | Boom Operator |
| Charles Ewing Smith | Dialogue Editor |
| Dan O'Connell | Foley |
| John T. Cucci | Foley |
| Eric Lindemann | Sound Effects Editor |
| Robert E. 'Bobby' Powell | Rigging Gaffer |
| Timothy Eaton | Visual Effects Editor |
| James E. Price | Visual Effects Supervisor |
| Bridgitte Ferry | Set Costumer |
| Gary Burritt | Negative Cutter |
| Ed Callahan | Dialogue Editor |
| Michael J. Broomberg | Foley |
| Alyson Dee Moore | Foley |
| Reuben Simon | Foley |
| Mike Chock | Sound Effects Editor |
| Steve Maslow | Sound Re-Recording Mixer |
| David Duncan | Screenplay |
| Erik Nash | Visual Effects Supervisor |
| Roy Farfel | Stunts |
| Richard Epper | Stunts |
| Clayton J. Barber | Stunts |
| Tom Bertino | Animation Supervisor |
| Robert Alonzo | Stunts |
| Name | Title |
|---|---|
| Walter F. Parkes | Producer |
| David Valdes | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 33 | 41 | 20 |
| 2024 | 5 | 39 | 49 | 29 |
| 2024 | 6 | 30 | 52 | 21 |
| 2024 | 7 | 34 | 61 | 22 |
| 2024 | 8 | 29 | 42 | 20 |
| 2024 | 9 | 23 | 33 | 17 |
| 2024 | 10 | 44 | 98 | 20 |
| 2024 | 11 | 29 | 41 | 21 |
| 2024 | 12 | 24 | 34 | 17 |
| 2025 | 1 | 33 | 69 | 21 |
| 2025 | 2 | 21 | 36 | 3 |
| 2025 | 3 | 8 | 23 | 2 |
| 2025 | 4 | 3 | 4 | 3 |
| 2025 | 5 | 4 | 4 | 3 |
| 2025 | 6 | 3 | 3 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 5 | 6 | 4 |
| 2025 | 10 | 7 | 8 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 643 | 838 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 481 | 720 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 320 | 771 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 992 | 992 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 679 | 792 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 951 | 964 |
Some interesting and even ambitious aspects but this sci-fi thriller was pretty uneven while the visual effects were also a mixed bag from being fairly impressive for its time (20 years now) to pretty shoddy. On the plus side, Guy Pearce was good in the lead. This one also reminded me when Orlando J ... ones was in a good amount of movies (18 between 1998-2004). IDK, this is one that did keep me entertained. **3.0/5**
I don't know how to approach this one. "The Time Machine" is one of those stories that, rereading it, beings back vivid memories. One of my best friends in high school loaned it to me, I stored it away in my backpack for about a month and then...when we had a field trip to The Board of Trade, I s ... crounged it out and read it on the train ride. It was one of those stories that is so short I could rip through it in the hour and fifteen minutes between our small town and Chicago. To this day, every time I go back to it, it brings me back to 1997 and, to this day, I distinctly remember finishing it about the time the train stopped and I remember walking into the crowded city feeling like I was in a different world. The story had moved me out of reality so much Chicago seemed jarring. And then they made it into a movie, a remake of a movie and, watching it, I don't know, I didn't have that same sense of being in a totally different world that the book gave me... And the movie, in my mind, has to live up to that experience in some small way. Or at least give you that feeling that same feeling that the world was still spinning that one gets when they walk out of a movie and discover that it had rained. It's an engrossing story and The Time Machine didn't seem to whisk me away like the book did. I can't help but feel it deserved better. It felt like I was watching a movie and, honestly, it gave me the same since that Jackson's King Kong did, it felt like it was trying and horribly, miserably failed. I left feeling "meh," and that was after being excited walking into it, I mean, I read it in 1997 and they made a movie in 2002 and, I was expecting the same feeling. I had waited long enough. So, I don't know, I may be overly harsh on it just because I loved what the story did to me so much, the first time I read it and now, as an adult, it doesn't take me to another world, it takes me back to 1997 again, and high school, and that hour fifteen minute train ride to Chicago. So ultimately, it could be a halfway decent film that I just hate because the story had such a jarring effect on me when I first encountered it.