Popularity: 3 (history)
Director: | Jacques Audiard |
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Writer: | Jacques Audiard, Thomas Bidegain, Abdel Raouf Dafri, Nicolas Peufaillit |
Staring: |
Sentenced to six years in prison, Malik El Djebena is alone in the world and can neither read nor write. On his arrival at the prison, he seems younger and more brittle than the others detained there. At once he falls under the sway of a group of Corsicans who enforce their rule in the prison. As the 'missions' go by, he toughens himself and wins the confidence of the Corsican group. | |
Release Date: | Aug 26, 2009 |
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Director: | Jacques Audiard |
Writer: | Jacques Audiard, Thomas Bidegain, Abdel Raouf Dafri, Nicolas Peufaillit |
Genres: | Drama, Crime |
Keywords | muslim, arabian, money, mafia, cruelty, inmate, arab, french algerian, brutal violence, prison, gangster, protection, murder, spirit, drugs, bribery, corsican, marseille |
Production Companies | France 2 Cinéma, BiM Distribuzione, UGC, Why Not Productions, Celluloid Dreams, Page 114, Chic Films |
Box Office |
Revenue: $17,874,044
Budget: $13,000,000 |
Updates |
Updated: Feb 27, 2025 (Update) Entered: Feb 28, 2025 |
Name | Character |
---|---|
Tahar Rahim | Malik El Djebena |
Niels Arestrup | César Luciani |
Adel Bencherif | Ryad |
Hichem Yacoubi | Reyeb |
Reda Kateb | Jordi |
Jean-Philippe Ricci | Vettori |
Gilles Cohen | Prof |
Antoine Basler | Pilicci |
Pierre Leccia | Sampierro |
Foued Nassah | Antaro |
Jean-Emmanuel Pagni | Santi |
Frédéric Graziani | Prison Warden |
Leïla Bekhti | Djamila |
Rabah Loucif | Malik's Lawyer |
Slimane Dazi | Lattrache |
Serge Onteniente | Sentence enforcement judge |
Hervé Témime | Prosecutor |
Taha Lemaizi | Hassan |
Mohamed Makhtoumi | Tarik |
Karim Leklou | Muslim in the hallway |
Farid Larbi | Muslim in the hallway |
Guillaume Verdier | Michka |
Mourad Frarema | Khalid |
Hakim Sid | Shoes racket |
Nathanaël Maïni | Guard Sampierro |
Name | Job |
---|---|
Julie Gouet | Casting Assistant |
Jacques Audiard | Screenplay, Director |
Richard Rousseau | Casting |
Thomas Bidegain | Screenplay |
Alexandre Desplat | Original Music Composer |
Antonin Dedet | Line Producer |
Michel Barthélémy | Production Design |
Stéphane Fontaine | Director of Photography |
Abdel Raouf Dafri | Original Story |
Nicolas Peufaillit | Original Story |
Juliette Welfling | Editor |
Virginie Montel | Costume Design |
Antonin Gendre | Key Grip |
Anne Pelosi | Assistant Art Director |
Bruno Via | Assistant Art Director |
Pierre Chavialle | Key Hair Stylist |
Aurélien Dubois | Second Assistant Camera |
Paulette Ribot | Costumer |
Emmanuel Pitois | Prosthetics |
Thibaut Peschard | Assistant Set Dresser |
Frédérique Ney | Key Makeup Artist |
Xavier Cholet | Gaffer |
Geraldine Scaramela | Assistant Property Master |
Marie Spencer | Camera Operator |
Pierre-Axel Vuillaume-Prézeau | Production Assistant |
Boris Piot | Set Dresser, Set Decoration |
Sébastien Plessis | Electrician |
Michael Taupin | Casting |
Fred Grivois | Title Designer |
Luc Reyrolle | Electrician |
Catherine Deserbais | Extras Casting |
Matthieu Genin | Set Dresser |
François Gallet | Second Assistant Camera |
Guillaume Gouas | Electrician |
Sylvie Peyre | Casting Assistant |
Cyrille Richard | Assistant Sound Editor |
Stephane Rabeau | Sound Editor |
Philippe Penot | Foley Artist |
Olivier Robert | Special Effects |
Vincent Frei | Digital Compositor |
Rafael Ridao | Sound Assistant |
Margot Meynier | Assistant Editor |
Isabelle Julien | Colorist |
Sebastien Alagnon | Special Effects |
Fabrice Fernandez | Digital Compositor |
Caroline Reynaud | Assistant Sound Editor |
Martial Vallanchon | Visual Effects Supervisor |
Miguel Bejo | Telecine Colorist |
Benjamin Viau | Foley Recordist |
Olivier Marais | Special Effects |
Jean-Christophe Bourgeois | Special Effects Technician |
Christelle Meaux | Assistant Script |
Benoît Philippon | Digital Compositor |
Karim Lagati | Assistant Property Master |
Alexandra Bredin | Hairstylist |
Roger Arpajou | Still Photographer |
Martinus Van Lunen | Construction Coordinator |
Elfie Carlier | Costumer |
Olivia Lahougue | Wardrobe Supervisor |
Lionel Mathis | Assistant Art Director |
Etienne Rohde | Art Direction |
Alice Robert | Makeup Artist |
Isabelle Pannetier | Costume Supervisor |
Laurence Boulet | Hairstylist |
Gregory Pagnier | Second Assistant Camera |
Julien Grossi | Casting |
Pascal Le Guellec | Assistant Art Director |
Thomas Collignon | First Assistant Camera |
Geneviève Acien | Extras Casting |
Rolland Nicolas | Production Assistant |
Mohamed Belhamar | Casting Assistant |
Ludovic Petit | Electrician |
Bruno Vitti | Propmaker |
Marie Eynard | Storyboard Artist |
Manuel Mougin | Property Master |
Pascal Villanueva | Generator Operator |
Mathieu Le Bothlan | First Assistant Camera |
Michel Monier | Dolby Consultant |
Marc Doisne | Sound Re-Recording Mixer |
Brigitte Taillandier | Sound |
Stephanie Saillard | Digital Compositor |
Dominique Eyraud | Boom Operator |
Julien Poncet de la Grave | Special Effects Supervisor |
Florian Penot | Assistant Foley Artist |
Edouard d'Heucqueville | Sound Mix Technician |
Francis Wargnier | Sound Editor |
Noel Chainbaux | Special Effects Assistant |
Antonin Seydoux | Compositor |
Lionel Cassan | Assistant Editor |
Yoann Copinet | VFX Editor |
David Luce | Special Effects |
Jean-Paul Hurier | Sound Re-Recording Mixer |
Name | Title |
---|---|
Pascal Caucheteux | Producer |
Lauranne Bourrachot | Producer |
Martine Cassinelli | Producer |
Marco Cherqui | Producer |
Alix Raynaud | Co-Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best International Feature | N/A | Nominated |
Berlin International Film Festival | Best Actor | Tahar Rahim | Nominated |
Berlin International Film Festival | Best Actress | Émilie Dequenne | Won |
Venice Film Festival | Best Supporting Actress | Sara Forestier | Nominated |
Venice Film Festival | Best International Feature | Jacques Audiard | Won |
BAFTA Awards | Best International Feature | N/A | Won |
SAG Awards | Best International Feature | N/A | Won |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 25 | 40 | 15 |
2024 | 5 | 28 | 49 | 19 |
2024 | 6 | 24 | 52 | 12 |
2024 | 7 | 23 | 32 | 16 |
2024 | 8 | 16 | 24 | 9 |
2024 | 9 | 13 | 23 | 8 |
2024 | 10 | 28 | 65 | 10 |
2024 | 11 | 18 | 50 | 8 |
2024 | 12 | 16 | 34 | 11 |
2025 | 1 | 16 | 23 | 10 |
2025 | 2 | 12 | 18 | 4 |
2025 | 3 | 8 | 24 | 1 |
2025 | 4 | 2 | 3 | 2 |
2025 | 5 | 2 | 3 | 2 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 3 | 3 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 753 | 771 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 681 | 745 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 801 | 924 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 521 | 671 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 389 | 791 |
Great movie in all aspects; great story and script, great cast and great performances. One of the best movies I've watched lately. ...
Tahar Rahim is really good in the dark, gritty and vicious prison drama. His character - "Mailk" is an illiterate eighteen year old who is sent to jail for six years for attacking a police officler. One inside, he has little protection but the clothes he stands up in. The place is governed by "Lucia ... ni" (Niels Arestrup). He's a man of Corsican descent who has twenty or so hoodlums to do his bidding and the guards in his pocket. It's the Arabs who are causing him some chagrin so he alights on the newbie to be his instrument of murder. Initially terrified and reluctant, it's soon clear that a choice isn't on his list of options. Do this, though, and he will be protected and, well, alive. He elects on the survival path and becomes gradually more riled upon by his boss whilst learning to read from his friend "Ryad" (Adel Bencherif). By half way through his sentence, he has grown in confidence, is trusted with more "delicate" tasks and even gets the odd day's leave in the outside world. As the demographic of the inmates changes, it falls to both him and "Luciani" to adapt - and that's quite a challenge. Now it is a bit long, and takes a while to get up an head of steam, but once we know who's who and likely to betray or kill the other this developer into a tautly directed and compelling story that doesn't shirk from conveying the epitome of a dog-eat-dog environment. Arestrup also delivers really strongly here as the man with the power who slowly realises that change is not his forté, not is patience nor any likelihood of release looming. It's a little predicable, but gives us a rough ride that conveys criminal and cultural clashes with an earthy plausibility and it whizzed by.