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Malice

Her doctor wasn't playing God. He thought he was God.
1993 | 107m | English

(30145 votes)

TMDb IMDb

Popularity: 5 (history)

Details

A tale about a happily married couple who would like to have children. Tracy teaches infants, Andy's a college professor. Things are never the same after she is taken to hospital and operated upon by Jed, a "know all" doctor.
Release Date: Sep 29, 1993
Director: Harold Becker
Writer: Jonas McCord, Aaron Sorkin, Scott Frank
Genres: Thriller
Keywords married couple, insurance fraud, boarder, desire to have children
Production Companies New Line Cinema, Castle Rock Entertainment, Nelvana
Box Office Revenue: $46,405,336
Budget: $20,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Alec Baldwin Dr. Jed Hill
Nicole Kidman Tracy Kennsinger
Bill Pullman Andy Sarafian
Bebe Neuwirth Det. Dana Harris
George C. Scott Dr. Martin Kessler
Anne Bancroft Mrs. Kennsinger
Peter Gallagher Atty. Dennis Riley
Josef Sommer Atty. Lester Adams
Tobin Bell Earl Leemus
William Duff-Griffin Dr. George Sullivan
Debrah Farentino Nurse Tanya
Gwyneth Paltrow Paula Bell
David Bowe Dr. Matthew Robertson
Diana Bellamy Ms. Worthington
Michael Hatt Neighbor Boy
Paula Plum Neighbor Boy's Mother
Sara Melson Girl on Bike
Ken Cheeseman Code Blue Operator
Richard Rho Anesthesiologist
Joshua Malina Resident
Christine Wheeler Scrub Nurse
Sharon Albright Circulating Nurse
Tom Kemp Bartender
Robin Joss Dart Player
Patricia Dunnock Dart Player
Brenda Strong Claudia
Michael Bofshever Desk Sergeant
Laura Langdon Desk Clerk
David Candreva Cab Driver
Ann Cusack Waitress
Name Job
Tracey A. Doyle Set Decoration
Philip Harrison Production Design
Dianne Wager Art Direction
Stephen Lim Unit Production Manager
David Kelley Second Assistant Director
Garrett Lewis Set Decoration
Lou Barlia Camera Operator
Randy Nolen Steadicam Operator
Robert Eber Sound Mixer
David Bretherton Editor
Jonas McCord Story
Thomas J. Mack First Assistant Director
Marshall Schlom Script Supervisor
Alan R. Disler First Assistant Camera
Rusty Geller Steadicam Operator
George Baetz Boom Operator
Robin Citrin Location Manager
C.C. Barnes Second Second Assistant Director
Richard G. Haines First Assistant Editor
Sam Moore Property Master
Tim Ryan Key Grip
David Forrest Makeup Artist
Barbara Lorenz Hairstylist
Sydney Z. Litwack Set Designer
Hugo Santiago Set Designer
Mari Grimaud Costume Supervisor
Eric Roizman Camera Loader
Robert J. Litt Sound Re-Recording Mixer
Greg P. Russell Sound Re-Recording Mixer
Julia Evershade Sound Editor
Martin Maryska Sound Editor
Steph Benseman Location Manager
Carroll Timothy O'Meara Associate Editor
Melissa K. Cooper Production Coordinator
George Holmes Gaffer
Bob Mills Key Makeup Artist
Judith A. Cory Key Hair Stylist
Cliff Wenger Special Effects Supervisor
Alan Manzer Set Designer
Harold Fuhrman Set Designer
John J. Downey Special Effects Technician
Darryl Levine Costume Supervisor
Stephen Vaughan Still Photographer
David E. Stone Supervising Sound Editor
Elliot Tyson Sound Re-Recording Mixer
Warren Hamilton Jr. Sound Editor
Michael J. Benavente Sound Editor
Ed Callahan Sound Editor
Mary Andrews Supervising ADR Editor
Vanessa Theme Ament Foley Artist, Foley Editor
Hilda Hodges Foley Artist
Thomas J. O'Connell ADR Mixer
Christopher Flick Foley Editor
Robert Deschaine Foley Mixer
Kenneth Hall Music Editor
Harold Becker Director
Aaron Sorkin Screenplay, Story
Scott Frank Screenplay
Jerry Goldsmith Original Music Composer
Gordon Willis Director of Photography
Nancy Klopper Casting
Todd Tucker Special Effects Makeup Artist
Eric Roberts Special Effects Technician
Chuck Waters Stunt Coordinator
Richard King Sound Editor
Michael Kaplan Costume Design
Bobby Brown Second Assistant Camera
Dennis Newman Assistant Editor
Robert Fechtman Assistant Art Director
Joanna Colbert Casting Assistant
Gary Isbell Set Dresser
Scott Garrett Set Dresser
William D. Derham Set Dresser
Donald Chafey Jr Set Dresser
Michael Driscoll Set Dresser
Tom Shaw Jr. Assistant Property Master
Trev Holmes Best Boy Electric
Carl R. Gibson Jr. Best Boy Grip
Roger Stevenson Boom Operator
Sonny Pettijohn First Assistant Sound Editor
Donald Ortiz Assistant Sound Editor
Courtenay Marvin Assistant Sound Editor
Patricio A. Libenson Sound Effects
Ezra Dweck Sound Effects
David Jobe Foley Recordist
Rick Canelli ADR Recordist
Jack Keller Sound Recordist
David Behle Sound Recordist
Diane M.G. Moore Sound Recordist
Pablo Ferro Title Designer
Name Title
Charles Mulvehill Producer
Rachel Pfeffer Producer
Patrick Loubert Executive Producer
Thomas J. Mack Associate Producer
Harold Becker Producer
Michael Hirsh Executive Producer
Peter Brown Co-Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 59 106 30
2024 5 124 160 98
2024 6 69 133 29
2024 7 27 48 13
2024 8 17 31 10
2024 9 15 24 10
2024 10 27 57 9
2024 11 16 27 8
2024 12 14 20 10
2025 1 17 35 10
2025 2 12 18 3
2025 3 5 16 1
2025 4 3 7 1
2025 5 2 7 1
2025 6 2 3 1
2025 7 1 2 1
2025 8 2 2 1
2025 9 2 3 1
2025 10 3 5 1

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Reviews

Geronimo1967
6.0

Despite the fairly formidable cast here, this really does smack of an over-scored and weakly written late night television movie. It all centres around the happily wed "Andy" (Bill Pullman) and "Tracy" (Nicole Kidman) who are missing just one thing in their lives - a child. When she is suddenly rush ... ed to hospital and diagnosed with a necrotic ovary by the long term friend of "Andy" and slightly arrogant surgeon "Jed" (Alex Baldwin) he carries out a surgery that changes their lives for ever. Turns out this operation wasn't necessary and the surgeon is accused at the subsequent tribunal of having a "God Syndrome"! As the film now progresses we discover a web of lies, deceit, cheating, sex and murder - all of which suggest that "Jed" is not the upstanding physician that his medical peers think he is, and that perhaps he is not working alone to fleece the insurers of some $20 millions due after the botched procedure. The story itself it quite a complex and characterful one, with plenty of twists, turns and perilously placed hypodermic needles, but I found neither Baldwin nor Pullman really exuded much personality and the equally unremarkable Kidman was left to do just a little bit too much of the heavy lifting by herself. At times, it is quite tautly directed but it's got loads and loads of unnecessary dialogue and it felt a bit stodgy at times, too. Maybe it's just time that hasn't been kind to this mystery, but by the conclusion I didn't really care about any of them.

Nov 24, 2023